i think its kinda interesting when ppl tag my big shot spam content as “addison spamton” cuz yeah, I can see where they’re coming from–he IS still visibly an addison in the sense before pre-puppetfication. Yet at the same time its interesting because to me I separate addison spam and big shot spamton less in terms of appearance and more so based on status. To me addison spam is in its “addison” phase of life because although they want to achieve big dreams, Spam is just trying to make ends meet and to somehow fit in with the rest of the addisons as much as he can (even if it means exaggerating its ego on purpose). Big shot spamton, however, doesn’t have to deal with most of those of those things anymore; Spamton’s finally achieved their dreams of becoming a big shot. He doesn’t have to worry about fitting in anymore–Spamton can finally be a successful salesman. Yet, in exchange for that popularity and praise, Spamton’s life will unknowingly go downhill from there as it learns horrors beyond their comprehension. That’s the key difference that makes me categorize addison spam and big shot spamton separately, despite both of them being pre-puppetified.
I'm a little bit insane about how in novel canon the whole xiyao ending where Jin Guangyao wants to die with Xichen, who accepts, which then makes jgy change his mind and pushes him away at the last second isn't actually explicit. A lot of adaptations chose to make it so but in the novel this is all VERY up for interpretation.
Here's what actually happens in the text: Lan xichen stabs jgy, jgy moves away from lan xichen, xichen follows him, wwx realizes jgy is about to open the coffin and calls "watch out!" to lan xichen. Jgy unseals nmj, pushes xichen away, nmj kills jgy and they are both dragged into the coffin which is sealed again.
Here's what wei wuxian, our narrator, thinks is happening: Jin Guangyao wanted to lead lan xichen to his death out of revenge for stabbing him. Lan Xichen, unaware, simply followed Jin Guangyao to try and stop him from getting away. Wei wuxian's warning came too late, but Jin Guangyao- for an unknown reason- changed his mind at the last second and pushed lan xichen out of danger before lan xichen had any idea of what was going on.
Here's what most fans as well as the teams behind several adpatations think is happening: Jin Guangyao leads Xichen to nmj's coffin to die with him, Xichen accepts, because of this acceptance, proof xichen still cares for him, Jin Guangyao pushes him out of harm's way. Wei Wuxian just doesn't get that gay people who aren't him or Lan Wangji exist.
Here's what ALSO MIGHT BE HAPPENING: Jin guangyao wants to die in a different way than he is currently dying. Maybe he's afraid of what'll happen to his body after his death like he was scared for his mother's, maybe he wants to confront nmj one last time now that there's nothing more for him to lose, maybe - if he can't take her body with him- he'd at least like his final resting place to be where he buried his mother. Lan Xichen thinks he's trying to get away and follows but Jin Guangyao, who despite everything doesn't want him to die, pushes him away. Xichen doesn't know what happened until it's already happened. What he would've wanted if he had known remains up in the air.
Or, alternatively: Jin Guangyao's reasons are as above, but unbeknowst to Wei Wuxian, Xichen DOES know what jgy is about to do and either misinterprets this as an invitation to all die together, or inidividually decides he, too, is done, and wants to join his sworn brothers in the grave. To Jin Guangyao this has nothing to do with Lan Xichen, and he still doesn't want him to die, so he pushes him away against Lan Xichen's wishes.
Every single one of these interpretations is unhinged and they are all supported by the original text. It's like a choose your own adventure of tragic gay endings.
henry becomes unusually temperamental when an injury to his hand turns out to be more serious than it first appears , prompting hawkeye and trapper to help radar with his duties to keep henry off his case . henry struggles with the idea that the damage sustained could be permanent and end his career as a surgeon , and turns to father mulcahy for comfort despite his rather nonreligious attitude .
I’ve been listening to the tboi: antibirth ost lately and the “machine in the walls” song specifically is just very Lord Eclipse to me in terms of how it sounds and I can’t really explain it. It’s just been making me think abt him a lot
Like. I feel like Lord Eclipse’s universe could have been a very interesting and almost horrifying world if the show wasn’t bound to a vrchat format. like. could you imagine? Moon walking through the library and finding a large, open area that’s illuminated by the sunlight pouring in through a stained glass depiction of Eclipse?
Could you imagine if the reveal wasn’t by the man himself beckoning over Sun and talking down to him, but instead Moon follows Sun as he enters what used to be a throne room to tell Lord Eclipse that he’s done his errands and tasks for the day? Could you imagine Moon and Lunar’s horror upon realizing that Lord Eclipse no longer looks like the stained glass windows as his long, centipede-like form uncurls and he tells Sun that he’s not done yet, because someone is inside the castle?
Could you imagine if, instead of a stand-off between Moon and Lunar and Lord Eclipse, their final interaction is Moon sprinting through the shining castle halls for dear life because Lord Eclipse has taken it upon himself to find and hunt the other animatronic, and despite his uncoordinated hands sending him crashing into walls and pillars, he has surprising speed?
Wouldn’t that be horrifying? Wouldn’t that be awesome?
"will shouldn't use a gun in season five because his father probably taught him how to use one and that could be a bad reminder for him" have you considered that will using what was very likely a Bad experience to save his life in what is undoubtedly an even worse experience could be a good thing? have you considered that him using a skill he was forced to learn to save not only himself but (as is likely more important and meaningful to him) the lives of others could give him a sense of usefulness and safety knowing that he isn't defenseless and can stand his and others' ground if need be? especially considering that's a skill that we've only seen hopper and nancy possess, making it that much more valuable and himself more helpful to the group? after everything in s1 and s2, he's probably felt guilty for having endangered them and dozens of other people multiple times, i don't think it'd be out there for him to feel "happy" that he can finally return the favor and protect them for once (especially after having complained about being babied and treated like a doll).
"will doesn't have and shouldn't have powers because that makes him different and he doesn't want to be different" not only are you wrong lol <3 but how have you not noticed that will's entire thing since the very beginning is that he is different and he knows it and while he does get his heart broken over the fact that this means he faces constant unfairness in life, he still refuses to be any other way? will doesn't conform nor does he ever try to even when others try to force or shame him to. he gets frustrated and upset at being treated differently, yes, but he stays true to himself. to battle that feeling he sometimes gets that tells him he's a mistake, a feeling he gets not from his own otherness but from living in a world that Makes it an otherness and thus isolates him for it, he seeks out that which he loves and enjoys and throws himself wholeheartedly at it. will lives his truth and is willing to suffer the consequences for it. he refuses to live in darkness and let it take a hold of him. he holds on to hope and all that makes him feel better for being different. he holds on to art, to dnd, to video games, to his family and his friends, and everything that brings him joy and reminds him that it's okay to be different. in s1 joyce defends will ("he's missing is what he is") and jonathan tells him he shouldn't like things that other people (namely their homophobic dad) try to force him to like, that he should like what he genuinely likes. in s2 jonathan gives will the freak speech and tells him that no one normal ever accomplished anything and mentions bowie. in s3, he doesn't get a speech, (though joyce does tell him that when he falls in love he won't find it gross [avoiding the word girlfriend and leaving it neutral]) but he does face backlash from someone that IS trying to conform and IS shaming will for not letting go of "childish" things aka his interests, what's important to him, and what he wants. does will back down or shy away in shame? no. instead, he lets mike sit in his shame for having said something that hurtful, and he says "yeah. i guess i did. i really did." clearly this is a conversation about what makes will different aka his sexuality bc he goes and destroys castle byers (the safe place he and his brother built once their homophobic dad left which is a place will can be himself unapologetically) with what is likely a bat that lonnie gave him when trying to get him into baseball. he calls himself stupid and donates his dnd books, but i don't see this as an act of conformity (he tells mike as much, suggesting he'll just use his books + if he was ashamed he wouldn't have painted the party as their dnd characters and given it to him of all people lol). he felt stupid because he thought they'd always be crazy together, that they were of the same mind and heart still, and that they had the same brand of "otherness" if you catch my drift. then in s4 we get jonathan's tender "you're my brother and there is nothing absolutely nothing that will ever change that" which is the most direct anyone has ever been about that which makes will different. and he doesn't shy away from it! he doesn't deny it, because we can see from his confession and how he breaks down that he's desperately been wanting and needing to hear that. he accepts that love and allows himself to be held and seen by someone else, as he has every other time. because will doesn't hate being different, he just hates that he has to live in a world where that's seen as wrong and thus makes him feel like he doesn't belong because of it. but he doesn't change himself. he doesn't feel ashamed of it. he doesn't see it as a flaw in himself or others and he never has. will is different and he knows it and he wouldn't have it any other way.
will's story since the beginning has been about being different and going through awful things, and managing to not only find the light in it but also make it out stronger because of it all. it's always been about using what makes him different as a good thing and as something he uses to save himself and others.
will being good with a gun bought him time with whatever kidnapped him. will knowing how to run and hide kept him alive in the upside down. will acted as a spy while possessed and managed not only to save hopper but also tell them how to finish this. will's experiences and senses helped them figure out what was happening in season three. will's love and loyalty inspires mike and manages to bring him to a better place even if just for a moment in the van, and again he's the one that knows vecna's current state, aaaand had he been in hawkins at the time it likely would've gone a lot better because as dustin said "we need will".
taking something awful and turning it into a good thing and a source of strength is a wonderful trope. it's inspiring and empowering not only for the character but for those that could use that hope and reminder that there's always a silver lining, that life isn't all darkness and shadows and hurt. not only that, but it's something that they've literally always done for will since the very beginning. he is the prime character for that. his entire message has always been that it's okay to be different and that you can find strength and peace in that; that the things that make you different aren't a detriment, they're precisely what make you strong. like... i'm sorry, but have you not been paying attention at all whatsoever this entire time or... :/
while i'm talking about aoi, hanako, and nene, i gotta say this is in the running for my absolute favorite panel of the entire manga so far
like... just as aoi and hanako are discussing the inevitability of their loss to the living world, so sure that they can't go back even though they both desperately want to, nene comes and grants their wishes.
nene, who has repeatedly expressed her frustration with how passive a role she's been made to have. who's expressed that she wants to not just be saved, but to do the saving right back. who has been desperately trying to avoid the inevitability of her own death but who is now making herself accept it because she would rather accept the inevitability of her own death than even entertain the idea of aoi and hanako, two of the people she loves most in the world, succumbing to their ends.
nene goes on such a journey of agency throughout the whole story, and this moment feels like such a pivotal point. like, the words over her hand reaching for the breaks... aoi and hanako can't do anything about it now but nene can. she loves them both too much not to. their despair being layered over the very moment she reaches out, takes control of the situation, and saves them both is truly one of the most beautiful things i have ever seen and is such a beautiful payoff for a character who was constantly being saved and wanting so badly to find a way to do the saving.
I have an unpopular Spiderverse opinion, this one is nitpicky tho and just my opinion. Out of all the things I loved about ATSV, there was one small thing I didn’t like so much, and that was Peter. Don’t get me wrong, I love how he goes from a miserable hobo who didn’t want kids in the first film to a happy himbo dad, him constantly being obsessed with his daughter and showing her off was the best thing ever, but at the same time, he does kinda lack in the development department for me. Spoilers/kinda long post under the cut.
So I certainly understand why he didn’t get much focus, having him appear mid film is completely fine since he already had his arc and time to shine in the first movie, and this film clearly needed to cut back on some characters since it needed to make room for more as well as further focus on Miles and Gwen, ……however at the same time, I do wish they would have explored more regarding him, mainly on the relationship between Miguel and Peter, since Peter was literally revealed to be there when Miguel’s alternate universe collapsed.
We do know that despite it hurting, Peter does agree with Miguel’s opinion on how their trauma is making them who they are, but when Peter wasn’t playing with Mayday, he was either being silent or making a joke, and it just…didn’t work for me. Like the scene where Miles literally looks so broken at Gwen, leaves and says goodbye to her, Peter has….no reaction to that and just makes a joke about being a good mentor, during the chase he also felt WAY too calm for all these spider people to be chasing after Miles, making another joke where he pulls out his phone and asks Miguel to take a picture, and as much as I loved the scene of him telling Miles why he had Mayday in the first place, him shoving her in Miles’s face beforehand just…takes away from the seriousness of it all for me. These scenes to me felt like they were adding comedy in places that… really didn’t need it. It felt distracting of the emotional core.
During the scene where Gwen is arguing with Miguel, Peter says nothing. He does look conflicted and/or hurt but I would expect him to have a stronger reaction for someone who has such a close relationship with Miles in general. This is very nitpicky but for someone who LOVED how we saw how hurt Gwen was on how she affected Miles, I wish we got the same for Peter. He hurt Miles too and yet throughout the film/what we see, he felt too calm. In general, Peter for me in this film felt very unfocused, if that makes sense. He kinda just…didn’t feel like the same strongly written character in the last film, not that I’m saying the character itself is bad or the writing for him in general is bad, but I wish we had gotten more with him, though I’m not really ganna fault the writers entirely since they had a lot to deal with and Peter is clearly just a side character in this movie (which again, is completely fine.)
And to be honest, this is another huge unpopular opinion but I don’t really like how Peter decides to take Mayday along with him for the ride on saving Miles. I love Mayday so much but I will admit, she kinda is the reason why I felt like Peter’s character in this film was distracted and unfocused. Since he’s constantly worrying about her and most of his scenes revolve around her, we don’t get to see much stuff where it’s just about him and the relationship between the other characters. Mayday had her spotlight here and I felt like the third movie should have went back to having Peter at the center, not that Mayday takes away from that completely, I am in no way saying the film should have cut her out, but I am saying that when she’s around, we didn’t get much scenes where Peter’s feelings were upfront and I worry that having her in the third film will distract from the seriousness that is Beyond The Spiderverse.
Overall, what they did with Peter in ATSV wasn’t bad at all, it just felt extremely underwhelming to me, he could have just gotten a little more than what we got. Keep in mind these are just my opinions! Don’t know if any else felt the same way I did but feel free to leave comments!
So, I wish to gently put this reminder out here, because we find that we've been in this position once more where there's a high activity of stalking by our perpetrator who we knew from the rpc since February 4--- last time we read her being tracked on November 12 - 14 last year--- I am highly uncomfortable to interact with a muse who have a history of manipulation and / or especially stalking. I do believe muse =/= mun and I am okay to talk and read about manipulation and stalking, but while providing trigger tag + warning of them would be most appreciated to give me the chance of building mental preparation to read them, we prefer not to plot and write with that kind of character for our comfort and wellbeing. At the very least, I'd still like to be in touch with the mun out of character and / or interact with their different muse, if they have any, instead. Thank you so much. ♡
In defense of the original, while I do agree the episodic vibes were a bit much at times, and it was something I kinda had to work my way through slowly rather than binging all in one...
I do kinda prefer the more gradual approach to laying out the information; getting to know both the setting and who Vash is as a person and the different facets of both, before getting the context that lets it all click into place. Plus the main quartet having ample time to grow together so that later developments have stronger emotional weight.
I will agree that Knives definitely suffered in focus, and I am interested in how Stampede handles him, but admittedly he wasn't really what I watched Trigun for in the first place. ^^;
yeah my gripe is less with the way the setting and characters were handled and more with the way the. actual plot was handled. it honest to god felt to me like they realized about halfway through their run that they didnt have enough episodes left to get the backstory in in a cohesive way so they just shoved it all into one episode and pretended that that explanation didn't create more questions than it answered. you spend 20 episodes teasing your audience like "ooooh what is vash?? clearly hes not human!! clearly there's something going on!!! don't you want to know whats going on?? keep watching and you'll totally understand whats going on!!" and then your big reveal is that. He Is Not Human. which is something that any idiot who has watched the last 20 episodes has already figured out. the question the audience ACTUALLY has at that point in the runtime is what, EXACTLY, is vash, and what the context is behind the conflict he and knives are in. the backstory episode explains that Knives Is Here, and it gives context to the setting and everything, but it pissed me off that it STILL didn't answer the actual mysteries i cared about, i.e. vash's real identity and the thing with the gun and his fucking arm and knives's motivations and everything. maybe that gets answered in the last episode that i neglected to watch but personally I prefer a story where i UNDERSTAND WHAT'S GOING ON by the time the final confrontation hits. with trigun it got to a point where vash was going out for the final battle with knives and i STILL didn't know who vash was, who knives was, where they came from, or what the hell their motivations were. that just made that final confrontation seem so wholly uninteresting to me that i didn't even feel like watching it. it was like "hey look vash is fighting a cardboard cutout that he is Afraid Of. Why? lmao idk man. probably has something to do with that weird spaceship that shows up in one whole episode before this point. not going to tell you how tho." I think some writers have this tendency to think that mystery = good writing and that not revealing anything to your audience will consistently draw them in for more, but that only works for so long. after 20 episodes of virtually net 0 information it got to feel like I was being strung along and like my questions were never going to be answered, so I gave up on the show in the final hour. Again, i'm not saying it was BAD necessarily and i understand the context in terms of writing and production that led to the show being produced that way but i think it really noticeably suffers due to the fact that it refuses to give the audience ANYTHING but crumbs of information for about 80% of it's runtime. that being said. i did genuinely like a lot of it. it has its moments. im not trying to discourage anyone from watching it or anything lol i just think stampede is a little more successful in keeping the viewer engaged in the story throughout by constantly feeding you bits of information and actually answering your questions as they become plot-relevant.
btw my mom said it. she said it to me looking me in the eyes. i told her about how difficult it was for me to get through those family reunions, and she admitted it was very important to her, important enough that she was just going to do it anyway.