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aquickstart · 4 months

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ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.

another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!

farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.

but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.

but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.

but the important thing is this.

farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.

farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.

the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.

as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.

but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.

and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.

to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).

to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.

and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?

but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.

the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.

so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.

#saltburn #farleigh start #i think someone mentioned how the race commentary was fleeting in that scene abt his mom but i disagree #it runs thru the whole movie #because oliver is white and because they're pitted against each other #im not saying its the best commentary ever and also like the movie is not about it at all #but it's there and it's pretty prominent #also on a completely different note can we talk about how oliver correctly assumed everyone at saltburn desires him carnally #dude pulled all the bitches by being strange and off-putting. i mean i completely get it. completely get it. i'd fold so fast you've no ide #also while i was writing i realized that yes indeed both farleigh and oliver perform for felix and its so fascinating #and it works for oliver because of course it does because hes white #anyway! again! let me know if this sucks #in like any way at all #i needed a masterpost of all and every thought i have about farleigh #i think this pretty much covers it so i'll let it go now #HES SO. like do you UNDERSTAND #the DEFINITION of doomed by the narrative but i LOVE that he survives #as he SHOULD #emerald is so right. he does come back and quickstart just torture each other in that house forever. besties for life #god im gonna shut up now this is so horrendously long #mine #saltburn journaling

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wildechildwrites · 2 months

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Lucky Charms

Looney Tunes Part Two

Konig/Reader

Word Count: 1.4k

No use of Y/N

Summary: You have some more encounters with König, the mysterious man who lives in your apartment building.

A/N: König being unintentionally terrifying is so funny. He’s shy and he’s a giant murderer for hire, excuse him for constantly throwing off the vibe. Let me know if you want to be tagged in part three!

AO3 Link: Looney Tunes

You've got bags of groceries hanging from your arms, pinching at your skin, precariously balanced, a white knuckle grip on the laundry detergent that's determined to slip through your fingers before you reach your apartment. The man steps on the elevator with you, and you can feel your face heating up as he looks at you.

You haven't seen him since the night he'd kissed you, and you wondered if he thought of you everytime he rode the elevator. You certainly thought of him.

He makes no effort to disguise his staring, looking down at you with a flat expression, taking in your overflowing arms.

"I hate making more than one trip to my car," you say, answering the question he didn’t ask, shrugging as much as you can with your arms full. You swear you see his eyebrow twitch.

Amusement? Irritation? It's impossible to read him. Instead, you drop your gaze, feeling his eyes still on you.

"My name is König." He says abruptly. Your eyes jump back up to his face, and it's his turn to look away as you grin, introducing yourself.

When you go to get off the elevator, he plucks the detergent out of your hand, gesturing silently for some of the bags you carry. He follows you to your apartment soundlessly, placing the bags down outside of your door. You throw your 'thank you' at his retreating form, and he doesn't acknowledge it.

Later, when you're putting away your groceries, you say his name out loud, tasting it on your tongue.

One of the lights in the parking garage is flickering again, and you sigh in annoyance as you look up at it. The apartment complex took months to fix the last broken bulb, so you’re unenthusiastic about the prospects of a quick repair. It puts you on edge, affecting the visibility and giving the garage an eerie feeling.

“It’s just like a horror movie,” you mumble to yourself, attempting to break the tension you feel as you head towards the exit. It’s late, your workday running longer than it should’ve, and you can’t help the itch of anxiety crawling up your spine.

You pass an unfamiliar man, standing still in between some of the cars. His eyes are on you, and you grip your keys tighter in your hand, speeding up. You hazard a glance over your shoulder and find he's disappeared, and your eyes search the parking lot behind you.

Distracted as you are, unfocused on where you're going, you slam straight into a solid wall of a person. You let out a shriek, head whipping back around and nearly fall backwards as you attempt to scramble away. Two solid hands firmly grip your shoulders, preventing you from tripping. König is standing in front of you, and you sag against his hold in relief.

“You scared me!” you exclaim, a hand going up reflexively to your chest.

“You should be more cautious, häschen,” König responds, and you swear there’s the faintest trace of a smile on his face, the subtle quirk of scarred lips. “Most people look where they are walking to, not where they are walking from.”

You let out a sigh and roll your eyes with a smile, the anxiety seeping out of your body. “The stupid flickering light really freaked me out,” you say, gesturing at the ceiling. “And then there was a man staring at me, but he disappeared.” König nods thoughtfully. His hands are still on your shoulders, and there’s a beat as you both stare at each other.

König clears his throat. “I will speak to the complex maintenance about repairing the light. As for your mystery friend–” König pulls back and slides one finger across his throat. You laugh at the joke, even though he’s not smiling.

König insists on walking you back to your apartment despite your objections, and although you know you were just being silly, you’re touched by the gesture.

“Thank you, König,” you say, lingering in the doorway, and something in his eyes seems to sharpen when you say his name.

You're eating cereal on your couch, watching cartoons when you should be sleeping. It's a childish habit, but after a long day, you're feeling sentimental and too burnt out to process anything with substance. Scrolling through your phone, half paying attention, you almost miss the soft knock on your front door.

König is standing outside, his face obscured by something that looks like an executioner's hood. The gear he's wearing makes him seem even more massive, a mountain of a man standing in front of you.

"May I come in?" He asks, his accented voice low, and you're so caught off guard by the request that your jaw drops.

König stares at you and you stare back, contemplating the matter.

You probably shouldn't let him in, this hulking monster in a mask. You don't even know him really, only interacting a couple of times. He's kissed you, and it was a knee buckling, eye rolling kiss, but does that necessarily grant him access to your apartment?

Your logistical side loses when he lets out a sigh, a huff of air that borders on a whine. You step aside, waving him to the couch as you go to the kitchen to grab another bowl of cereal for him. You want to know why he's here unannounced, but you're unwilling to disturb the delicate balance between the two of you, so you say nothing. He pulls off the mask, eyes on the TV.

“Looney Tunes?” he asks, his voice amused. Daffy Duck lets out a shriek in the silence between you two, and you snort.

“Call it a guilty pleasure,” you reply. König’s eyebrow twitches. You offer him the bowl, and his large fingers brush against yours, shockingly warm and rough. His eyes seem to glint at the contact, an almost avian intensity that makes your skin flush.

You sit down a measured distance away from him, and go back to eating your cereal, attempting to display a level of casual that you do not feel. König seems unaffected, sprawled on your couch, crunching away like he does this every night. He's got his boots on still, tacky with a dark liquid you think could be blood.

"Uh… not that I don't appreciate the company…" you begin after a beat of silence, turning to face him. It's the first time you've seen him really smile, and a part of you is unsure if you like it, the almost predatory glint of teeth.

"I just wanted to see if you'd invite me in." He responds to your unspoken question, his voice rumbling deep from his chest, and there's a sharp edge to his words that make the hairs on the back of your neck prickle.

There's a beat, and your expression must tip him off to your discomfort because his eyes widen.

"I didn't mean– I am sorry I misspoke– sometimes my translations are–" he's stammering, and you instantly relax, feeling guilty for your involuntary reaction.

"No! No it's okay I was just… surprised. I'm glad for the company" You say in a rush, your voice unnaturally high. "You're always welcome to come over."

He smiles again, softer than before. His eyes haven't quite lost the cutting focus, but you smile back, relaxing a little as he takes another bite of cereal. You fall back into companionable silence.

It's late, and you're starting to fade, eyes drooping, curled up into yourself. König hasn't moved from his post on the end of your couch, his empty bowl still cupped in one hand, and you drowsily wonder if it's a military habit, the way he sits with perfect stillness. You stifle a yawn, and he glances over at you without moving his head.

"It's getting late," he says quietly. You watch as he rises in one fluid motion, large strides leading him with a seemingly practiced familiarity to your kitchen. He places his dish in the sink and reaches for the soap. You sit up.

"It's alright, I'll wash the dishes tomorrow," you call out, wiping your eyes, and he nods. You stand as he heads towards the door, your legs slightly unsteady.

"Thank you for the cereal," he says quietly, a hand on the doorknob. You think there is a light dusting of pink around his ears, but it's too dark to really tell.

You smile at him. "You're welcome."

König pauses, turning towards you.

You idly wonder if he'll kiss you again. He looks down at you with an inscrutable expression, bringing a large hand slowly up to your face, the ghost of his fingertips skimming your jaw. You let out an involuntary gasp at the contact, your skin electrified, and he drops his hand.

He opens the door, and you notice his fingers are still curled, as if he's cupping the sensation of your skin against his, holding it in his palm.

"Good night little rabbit," König whispers, a silhouette in your doorway. "Catch you later."

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Taglist:

All for you @whos-fran my beloved (the first person to ever ask to be tagged)

If anyone else would like to be on the taglist for part three reply or reblog this post :)

#pls pick up what I'm putting down with catch you later we all know he didnt just seamlessly insert an american phrase into his vernacular #konig/reader #konig cod #konig x reader #konig x you #cod mw2 #cod x reader #konig: do you need me to kill that guy for you? because I'll snap his fucking spine under my boot no hesitation #reader: hehe youre so funny #also I wrote a much darker version of this that I might publish later but some of you make him so mean and it makes me sad #I'm unhappy with how it came out but maybe if I keep writing one day it won't suck

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