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selfieignite · 3 months
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Selfie (2014) -  Eliza Dooley & Henry Higgs
(Karen Gillan & John Cho)
Henry: I'm not lonely. I have my good friend Philip Roth. Eliza: Mm-hmm. Henry: Maybe a little lonely. Eliza: And maybe I can help you with that.
Behind the scenes:
In a scene that ran just before the cancellation announcement—during the [Brian] Rubenstein-penned sixth episode, “Never Block Cookies”—Eliza goes over to Henry’s house and confronts him. They wind up having an intimate moment where he grabs her around the waist, leading to an almost-kiss that’s one of the most smoldering moments in sitcom history. Rubenstein remembers that moment in particular: “Emily [Kapnek] came down and was sort of orchestrating how that whole thing would go. Just the chemistry between those two was really cool to watch; it felt that way on set.”
[x]
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haysianrose · 10 months
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An Ode to the Áo Dài
The traditional Vietnamese garment, which translates to “long shirt,” has been reimagined as a modern heirloom, writes author Thao Thai.
[...]
When Kelly Marie Tran wore an áo dài designed by Thái Nguyễn to the Oscars in 2022, this moment created a magnificent stir, both among Americans and Vietnamese people of the diaspora who’d never seen our national garment represented on a red carpet. It was, in so many ways, a kind of permission to exist outside of the margins, to have our culture spotlit without explanation or apology.
Nguyễn remembers receiving a phone call from Tran, who asked if it was possible to create an áo dài in three days. He said, “[That call] woke me up.” After 16 hours of work, the team at Thái Nguyễn Atelier finished the áo dài hours before the award show. Nguyễn describes the way that American PR companies and buyers once told him that his name and identity were too ethnic; they didn’t think an áo dài would ever be a mainstream garment. “I’ve been yearning for that moment,” Nguyễn says, recalling the first time he saw Tran at the Oscars. “Afterward, a Vietnamese follower sent me a photo of her five-year-old daughter in an áo dài and said, ‘She can wear this now to a birthday party, instead of a Cinderella or Snow White gown.’” In fact, Nguyễn is co-writing Mai’s Ao Dai, a children’s book about a girl who discovers the beauty of áo dài, with Vietnamese American writer Monique Truong. Such representation is already changing the way younger generations are embracing the áo dài.
Full article.
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leah-jeffries · 2 years
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SIMU LIU MONOLOGUE ON SATURDAY NIGHT LIVE (11.20.21)
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chlodines · 3 years
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“Vivian Shing, I'm asking you to dance with me.”
Saving Face (2004) dir. Alice Wu
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The Permanent Rain Press Interview with Eddie Liu. (Watch in HD)
Watch as actor Eddie Liu discusses his role as Henry Yan on the CW's freshman series Kung Fu, cast chemistry and friendship, what to expect in the second half of the season (spoilers ahead!), and Asian American representation on-screen.
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insecuregifs · 5 years
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Alexander Hodge Insecure, HBO
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thundergracesource · 5 years
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Happy 29th Birthday, Chantal Thuy! (Born August 27, 1990)
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teamgemmachan · 6 years
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2014: “It’s definitely a challenge being an actress, and being an ethnic minority reduces again the number of roles you’re able to play. People said to me [Gemma Chan], you’ll find it incredibly hard. The period dramas, none of that is open to you. I think you should be able to come from anywhere, be the best actress for the part and play fully rounded characters.” (The London Magazine, 21 February 2014)
2018: Gemma as Bess of Hardwick in Mary, Queen of Scots. The film will be released in this December.
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nyangibun · 7 years
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◆ tian jing & john boyega ↳ pacific rim: uprising (2018)
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theravennestgifs · 7 years
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Magnus peeking around the corner, smiling at Alec working, and rapping his fingers on the door jamb to get Alec’s attention.
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selfieignite · 6 months
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2023.07.14
John Cho responding to comments about Selfie (2014)
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haysianrose · 2 years
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“Imagine Yourself Doing Impossible Things”: A Conversation with Kelly Marie Tran for AANHPI Heritage Month
StarWars.com: I think that’s a common struggle for Asian women in any field, but your big break was becoming the first Asian lead in a Star Wars film. So for the people coming after you and seeing that you’re opening the doors for them, what was the impact that you felt knowing that you got that role that you thought was unattainable?
Kelly Marie Tran: It was twofold. The first emotion that I felt — and I try to remind myself of this — was just pure joy and pure ecstasy. It felt like being high, it was like, oh, my God.
It’s the same thing that I think happened for my parents where something in our brains just changed, when it was suddenly the idea that impossible things were possible and that there’s room for everyone. Like that just changes you as a human being.
Then on the other side of that, there’s this heaviness. That feeling like, “I don’t wanna do this wrong.” I’ve never seen anyone like me in this position before and I put so much pressure on myself to do it, quote “right,” whatever that meant. And I think it was a little bit of a disservice to myself because it’s unfair. When I think about people who don’t have the sort of burden of representation, they just get to have fun and do whatever they want, whereas every role that I read I feel like I have to think about all of these things because I don’t want to make a movie that stereotypes — and this is sad because it shouldn’t feel like such a heavy decision every time. But it does, very much for me, and I think that has a lot to do with the way I grew up, that has a lot to do with the types of roles that I have been very fortunate to be a part of in the very beginning. But it very much was like me being a normal person, never thinking about what I look like, never thinking about people judging me for looking or dressing certain way, to then being so hyper aware of being seen.
What it felt like to me was two opposite ends of the spectrum, unbridled joy and ecstasy and feeling so proud and just wanting to bring all my friends and everyone who looks like me, and everyone who’s ever felt like they didn’t belong somewhere, to be able to make that jump and have that sort of brain shift and be like, “Oh, my God, impossible things are possible” — that was the best part of it. And on the other end it was just vitriol. I think it needs to be acknowledged and I don’t really know what to say about it other than every experience in life has good and bad things that come with it. So I think all of that stuff really affected me, and still maybe affects just what I think when I think about representation.
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theravennest · 7 years
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Excited to see Chipo Chung as the Master in Into the Badlands. I’ve enjoyed every role she’s done. 
Remember when she was Chantho, though? Or Vivian in the short lived Camelot? Good times.
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chlodines · 4 years
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Dear Ex (2018) dir. Mag Hsu, Chih-yen Hsu // The Farewell (2019) dir. Lulu Wang
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The Permanent Rain Press Interview with Ludi Lin. (Watch in HD)
We had the opportunity to interview Ludi Lin on the day the Mortal Kombat​ trailer was released! Stay tuned to hear the talented artist chat about his role as Liu Kang in the highly anticipated film, training regimen, growing Asian representation in film, and his favourite spot to eat at in Vancouver.
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killherfreakout · 4 years
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☕️ men creating things about women (specifically french ones)
oh, courtney.. i’m literally that billy eichner meme that says FOR ONE DOLLAR NAME A WOMAN
but may i also direct you to this WONDERFUL speech by female director lulu wang who won BEST PICTURE at the independent spirit awards: she says that there are PLENTY of women who are filmmakers. women in film school. women dreaming and aspiring to be filmmakers. (including me 🥺) that’s not the issue! this is:
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(gif by eastasiansonwesternscreen)
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