Stain Wars: Battle-Tested Techniques for Ultimate Victory
Stains are like the stubborn graffiti artists of the textile world, leaving their indelible marks on your favorite couch, that pristine white shirt, or the once-spotless carpet. But fear not, fellow stain-fighters, for in this epic battle, you can emerge victorious with the right arsenal at your disposal!
Blot, Don't Rub: The cardinal rule of stain combat. Grab a clean cloth, blot the stain gently. Rubbing only pushes the stain deeper into the fabric's soul.
Cold vs. Hot: Know your enemy! Use cold water for bloodthirsty foes like red wine, but turn up the heat (with caution) for oily adversaries like grease.
Lemon Justice: For that zesty touch. Lemon juice works wonders on fruit and wine stains, dissolving them like magic. Just don't forget the sunscreen!
Baking Soda Sorcery: Mix it with water to form a paste. Apply it like a mystic sigil, let it sit, and watch it battle red sauce like a seasoned gladiator.
Trust the Pros: Sometimes, stains are more formidable than we can handle alone. That's when professional cleaners swoop in like the Avengers. Emop, for instance, offers expert cleaning services with cashback up to £150! Check them out for end-of-tenancy cleaning in Edinburgh and let the stain-slaying heroes save the day.
So, fellow stain warriors, armed with these techniques and a little professional help, you can conquer the most resilient of stains and reclaim your fabrics from the clutches of chaos!
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Yellowcard
20 years of Yellowcard Tour
Pier Six Pavilion in Baltimore, MD 7/05/2023
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Picture of johnnie I made lawlz
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"IN 1838, THE LEFT WING HEGELIAN THINKER, KARL Gutzkow, raised the image of the Jew and Judaism as it was shaped by the "Jewish Question"--that is, by the question of whether or not Jews should be politically emancipated and admitted as citizens to the modern nation-state. He posed the question in the following dramatic terms:
Ahasverus [the eternal, wandering Jew] is the tragic consequence of Jewish hopes. There is embodied so painfully in this individual just that which the Jews wish collectively for themselves. There is in Judaism despair because though they would gladly die, they cannot. Certainly, the stubborn clinging to life by the Jews is a tragedy among their misfortunes. A messianic hope, which cannot be relinquished by even the most enlightened and purified Jews, tethers them to a bleak existence. …
For Judaism has never had the urge to self-destruction [Selbstvernichtung]. It has always been greedy to preserve and maintain itself for a triumphant future. Ahasverus' tragic fate is not his violent and unsuccessful search for death, but rather his exhausted dusk-watch, his outliving of himself, his obsolescence. Time itself always remains young: new peoples arise, new heroes, new empires. Only Ahasverus stays on, a living corpse, a dead man who has not yet died.
This image of the Jewish people as a "living corpse" is a representation that haunts the very formulation of the Jewish Question, not only--but especially--in Germany. Can the Jews as a people, as a nation, as a race, and/or as a religion be incorporated into the German nation-state? As indicated by the phrases that describe the Jews as an "Ahasverus," a "dead man who has not yet died," Gutzkow represents the tragedy of the Jews as the prolongation and obsolescence of their existence, not as their "search for death." While a given thinker--such as Gutzkow, Hegel, or Schopenhauer--might support the civil emancipation of Jews, the consequences of this image--the trope of embodied livingdeath--for the political status of the Jews goes well beyond and, even, dialectically negates any argument for their emancipation. Any "solution" to the Jewish question, therefore, must not prolong their separate existence. They must be utterly incorporated into the nation-state."
-- Susan Shapiro, "The Uncanny Jew: A Brief History of an Image"
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watching mlp:fim for the first time. twilight's.......kind of a cunt <3
{tagging this liveblog thread as 'emopal watches: mlp' if u want to block it!}
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ponis geis
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…sadlife… #emo #emopic #emo2000s https://www.instagram.com/p/CmxVgqxIiLSW_fFR2Qqp4lZQgsoMXFLESmg8n80/?igshid=NGJjMDIxMWI=
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SPIN
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I mean, can you blame me? #supersoco #supersococux #supersococuxducati #cerotapon #cerogasolina #SuperSocoRD #VMotoSoco #ElectricVehicles #Electricbikes #supersocoaround #electricmotorcycle #VmotosocoEV #MotosElectricas #MovilidadElectrica #EV #MovilidadSostenible #cerocontaminacion #cerotapones #echengasolinaustedes #emoped #girlswhoride #torchelmets #torc #t28b #rideday #ShotoniPhone #shotoniphone11pro #iphone11pro #iphoneography #iphonephotography (at Santo Domingo, Dominican Republic) https://www.instagram.com/p/CesKRGjrUyP/?igshid=NGJjMDIxMWI=
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The PF40 eMoped by Eysing, designed in partnership with Pinifarina
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“WHOA WHOA WHOA…hold up Princess Emopants!!! You are NOT cutting the Buns!!!”
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https://www.buzzfeed.com/emopaul56/which-pokemon-high-school-character-are-you-46ydq733di here. also did you know phs has an official ao3 upload. i love fun facts. -phs anon because i think whenever you get asks about phs its literally just me every time
tysm!! here's the link with easier access for anybody that wants to take it!
also what.
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Jojo Gronostay (GHAN-DE, 1987)
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Brutalism, 2023
The Brutalist aesthetic has played a major role in the construction of the national identity of many West African countries.
Found in one of the largest second-hand clothes collection sites in the world, these heels reminded Gronostay of the Brutalist buildings in Africa as a means to question the economic, political, colonial and cultural exchanges between the African continent and the Western world.
He has created the platform DWMC (Dead White Man Cloths), which allows him to intervene in these exchange cycles between the two continents.
Artist presented as part of the European Month of Photography (EMOP). With the support of the Gœthe-Institut
https://www.festival-circulations.com/artiste/gronostay-jojo-2/
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There are two main categories of the belle juive ["Beautiful Jewess"]; the first is “positive”, and describes her as noble, intelligent, pure and loyal, perhaps linking her to the Virgin Mary, or to the general principle of Christian martyrdom. The second is overtly negative, describing her as sly, coquettish, overly sexual, dangerous and destructive. Their differences aside, both types serve the same purpose; namely the distraction of the Christian hero. Appropriately, there are two acceptable fates for the belle juive; the first is total submission to the Christian lover and through him to the Christian world. The second is death.[5] The belle juive is fundamentally a tragic heroine. As a positive character she can never find true fulfillment in the damned Jewish world; and as a negative character she never had had the opportunity, seeing as she was born in the Jewish world, to be anything other than damned.
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