Tumgik
#even i thought it was too sad
beaulesbian · 10 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
- [Nimona]:You should be questioning everything right now. The will of Gloreth, the Institute, the wall. What's it all really for? - [Ballister]: For protecting the realm. - [Nimona]: Oh, you mean from villains like you? Or monsters like me?
7K notes · View notes
inamindfarfaraway · 6 months
Text
Stephanie Lauter is initially defined by her archetype as the popular girl in high school, but she must have been so lonely before Pete. Her mother is dead. Her father hates her and makes no attempt to hide it except to protect his reputation, constantly insulting, belittling and exerting authority over her when he isn’t busy with politics. She talks back to him, but doesn’t deny his descriptions of her. Miss Tessburger is the same. Her apparent friendships with the other cool kids, the kind of people who openly state the belief that looks are everything (not so different a paradigm to the one her father lives by), seem to be shallow and distant. Max rules the main popular clique with an iron fist to the point that they all stop bullying immediately and the school’s rigid social hierarchy crumbles once his influence is gone; and yet despite him having enough respect for her to try to protect her from what he believed were the undead during the prank, she was unaware of how big a problem his bullying was until she saw what he did to Pete, so she can’t have ever been that enmeshed in his circle. She dismisses her kindness to the losers as “the bare minimum” rather than lean into the potential for real friendships with them or leverage it to have power in this new group. It’s almost as if she doesn’t want to mislead them into thinking that she’s worth their time.
She’s cool because she acts like she doesn’t care about anything, and why would she? Life has never given her anything to care about. In fact, it’s punished her for caring. No matter what she does, her dad tells her that she’s worthless and stupid, so she stops trying to do well in school and starts sneaking out to parties full of alcohol and following through on flirting with the football players. She might as well make her body feel alive, as she can’t fix the fuck-up in her skull. Her phone is legitimately what she cherishes most in life. It can’t love her back or hug her or make the real world better, but at least it gives her an escape. It’s her space to control. Her pictures that she likes to look at, her music that drives her dad’s words out of her head. Her private conversations with people she chooses. At least it’s hers. (It isn’t. Her dad has been bugging it since she was twelve.)
Then Pete is nice to her, and in two weeks he becomes what she cherishes most.
Then she has to kill him. And shouldn’t she have seen this coming? Shouldn’t she have learned her lesson by now? Caring just means you have something to lose. That’s why she never wanted to love him like she does.
She pulls the trigger.
1K notes · View notes
bluastro-yellow · 7 months
Text
Kurvitz stresses that Kim doesn't actually have a character sheet hidden in Disco Elysium's code. Imagining that Lieutenant Kitsuragi has only one natural attribute point in Motorics helps the ZA/UM team to understand the depth of his character beyond what's referenced in the game's dialogue. "We just came up with this stuff for coherency," says Kurvitz. "And because we're nerds."
"I like to think Kim has a Thought Cabinet project called Revolutionary Aerostatic Brigades that he's worked on since he was a teenager," Kurvitz says. "This raises the learning caps for his Reaction Speed and Interfacing."
Kim's high Volition skill makes him impervious to prying, Kurvitz says, as the detective can find out on occasions being met with Kim's brick-wall resolve. Kim often chastises these whims of the detective's, but will occasionally play along. The Lieutenant finds his new partner funny, says Kurvitz.
Kim is naturally shit at Motorics and thinks Harry is funny source
1K notes · View notes
adustoflove · 3 months
Text
Having bpd to me is like I'm the loneliest person on the planet, no matter how many people I talk to, no matter how many connections I make or have, I'm a lonely void who will die alone. I have to be talking to someone or with someone every second of every minute of every day. I love people so much, I need people. There's so many people out there with different things to teach you. And then, if I have to talk to one person for more than 6 seconds today, I'll kill them. I'll kill myself. I need to be left alone for the rest of the day, I need no one but myself to be happy. I don't want to partake in anything with anyone because it's all draining and taking out of my alone time. Everyone is the same, they're all boring and self-absorbed. Every conversation feels like I'm forcing myself to be actively present. I just want to be alone in my room with nothing or no one. I don't see a future where I'm happy with anyone other than being by myself.
644 notes · View notes
fauvester · 5 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
little moshang fan kid <3
spoiled, aloof, a bit of a bitch, terminally 'weak constitution'-ed, lowkey lazy, prefers reading his dailies in the office and pretending to do paperwork to fighting
497 notes · View notes
ultra-art-blog · 3 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Skyward Sword has my whole heart 🩷
231 notes · View notes
kvetchinglyneurotic · 5 months
Text
I don't know if I'll ever actually write this, but I have a vague idea for a fic that's like, Sam, Jan, and Jamie vs the AFC Richmond Charity Gala that's set in early season 2 and basically explains what happened to the charity gala in 1x04 that's implied to be an annual tradition but that we never see again. The premise is as follows:
After the Dubai Air protest, Sam feels bad that he didn't look into the company he agreed to promote beforehand and decides to be more proactive in his activism. Which is why, when Ted announces the gala is coming up and Jan Maas (who obviously wasn't there for the last one) is like, "isn't it exploitative and dehumanizing to auction off players?" Sam decides he's going to Do Something About It and tries to rally the team to petition Rebecca to change the event, with mixed results.
Jamie, meanwhile, is having a... weird time. He's still nervous about his place on the team, especially now that Roy is back and at the height of his refusing-to-coach-Jamie era, and while there's not as much outright animosity from the other players, they're also not really friends. He's trying to be on his best behaviour, but the upcoming gala is making him nervous and Sam and Jan going around talking about like. consent and bodily autonomy and all that is dredging up some feelings that he's been repressing — mostly about Amsterdam but also about Lust Conquers All (I don't know a ton about reality TV production but it sounds pretty brutal on the contestants, and Jamie would not have been in a great frame of mind going in).
So when Sam and Jan go to talk to him, he doesn't want to turn them down because he's trying to make up for how he treated Sam last year, but he also doesn't want to get on the bad side of the rest of the team if they like the gala, and also also if auctioning off players is wrong then what happened to him in Amsterdam was definitely wrong, and he's not ready to confront that. But of course Sam is a sweetheart and realizes pretty quickly that Something Bad happened here and is like. okay now we really can't have the gala.
Anyway they make a 50-slide Powerpoint that they rehearse a bunch of times and go to present it to Rebecca in full Isaac-approved suits and everything, and then only get like. one slide in before Rebecca's like, "you're right, that is creepy. We'll come up with something new for this year." Also Roy apologizes for joking about Jamie having to sleep with that woman. The end 😊
157 notes · View notes
gaeasun · 7 months
Text
We all make fun of the disaster lineage for being disasters, but when you think about it they had exceptional dueling skills. Dooku was specifically known for his dueling ability; Obi-wan beat Anakin and Maul and yes though he ended up shooting Greivous he was one of the few Jedi to even survive dueling him; Anakin was well, Anakin.
Its hard to even say whos the best but Ahsoka sure has a list of achievements against opponents three times her size, and i think shes my favorite to actually watch (animation that is, with her reverse grip and acrobatic style).
Surviving Ventress in her first week as a padawan
Defeating three magnaguards, also in her first week as a padawan
Survives Ventress several more times, when Ventress is crazy enough to give a Jedi Master like Luminara serious trouble
Surviving Grievous when she still had one lightsaber and stubby baby montrals
Surviving Grievous again later during the youngling arc, once she has two lightsabers and a lot more experience under her belt. Even using all four of his lightsabers he can't kill her.
You know, Maul. When she was 17. Need i even say more?
The time she beat that one Inquisitor without her own lightsaber and killed him with his own (happened in both the book and TotJ).
That time she beat off two Inquisitors at once.
There are only three Jedi who ever survived against Vader. She did technically die but she came back and also a temple fell on her. anyways she survived long enough to have a building fall on her which is saying a lot.
Anyways disaster lineage are epic duelists and we have to respect them for that
270 notes · View notes
Text
Tumblr media
morning toddheads
54 notes · View notes
anarchy-and-piglins · 8 months
Text
I love c!Techno so much, I love how he grows across the story, I love how he's one of the only characters who has canonically said "I was wrong" and tried to actually learn from his actions and be a better person, I love how he's too paranoid to trust anybody but still gives to others so freely, I love how he's so loyal to anybody who shows him even a shred of kindness, I love how he is strong and capable and not afraid of showing it, I love how it has made him unable to express vulnerability but he still tries to, I love how he canonically has PTSD, I love how he has a service animal, I love how Techno is the first to think the world is cruel and yet he's also the first to be kind to animals or even people for no reason, I love him, I love him, I love him
148 notes · View notes
Text
Ghostlights Prompt Event: Blind Date with a Prompt
aaaaah I'm doing it, I'm gonna post some of my work!
Tumblr media
BAM!!
My first time ever posting anything and it's ghostlights, typical. Anyway this was tons of fun to do and I managed to pump this out in like two days. I really hope the smaller details are easy to see bc I had a lot of fun doing things like Dukes heart blush and eyes and Dannys electric scars and it would be a shame if Tumbler crunchifed it too much like Insta usually did.
The prompt I got was Duke is Danny's secret admirer and sharing headphones (that's a lie, it was actually sharing headphones and 1930 but I had no clue how I would do that so I just rerolled and got lucky lol). I might end up doing some more idk I've just never been this inspired before :>
51 notes · View notes
spacedlexi · 5 months
Text
when u want to like a character so so bad but theyre a cop so its impossible
Tumblr media
88 notes · View notes
n3ongold3n · 5 months
Text
Tumblr media
Ever since i saw the thongTM i could not stop thinking about this 🐳
60 notes · View notes
smoosey · 1 month
Link
Chapters: 1/1 Fandom: Star Wars: The Clone Wars (2008) - All Media Types, Star Wars Prequel Trilogy, Star Wars - All Media Types Rating: General Audiences Warnings: No Archive Warnings Apply Relationships: CC-2224 | Cody/Obi-Wan Kenobi Characters: CC-2224 | Cody, Obi-Wan Kenobi Additional Tags: CC-2224 | Cody-centric, POV CC-2224 | Cody, Mutual Pining, Emotional Hurt/Comfort, three and a half kisses but none quite on the mouth Summary:
Cody, and the Force, and forbidden prayers
-----
I saw this gorgeous art by cobaltbeam, and this little fic demanded to be written 🤍 Hope you enjoy!!
39 notes · View notes
2sw · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
You got to wake up. because if you don't, then trying to keep that dream alive will destroy you! It'll destroy everything!
Supernatural S8E08 Hunteri Heroici ( + S8E06 Southern Comfort )
217 notes · View notes
shallowseeker · 5 months
Text
Don't grieve in front of me, Dean. It makes me uncomfortable, part II...or prequel?
How'd I get here again?
Oh, yeah. I got here, because I got excited about the cars. I remembered Dean driving a brownish tan/brown car in THE SCENE from Slash Fiction? Pinto, I wondered. FORD?
Tumblr media Tumblr media
Alas. It's a Pontiac Acadian. I was so hopeful. It's a VERY similar style though. But it definitely calls to mind the car when Cas n' Dean presided over Mary's loss of John in 4x03. It looks like the car on the beach in 13x01, when Dean is grieving Cas. And this...is 7x06, when Dean is ALSO grieving Cas.
It's also VERY interesting how the break light's out on the driver's side. That's because Dean is out of commission. In SPN, often the headlights or the break lights show which brother is "down for the count." At the end of season 1, ep 1, it's Sam who's down-and-out, because he lost Jess.
Here, it's Dean. He "appears" on, but the break light shows us the truth.
We cut from the "out break light" to...THE winged Pony, hanged. The pony is the light. It's yellow. It's the sunshine. Because the light is out.
Tumblr media Tumblr media
It's winged. It's in the rearview. it's noosed around the neck, like how Cas said that freewill is something you hang yourself with. He cuts it off and throw it into the backseat, desperate to forget. Cause it's Caaa---
Anyway. You could argue Dean is lamenting the life he'd left behind, but the Lisa-Ben dynamic was Dean's Ford Truck phase, and this winged thing is-- it's just-- it's just 100% pointing to Cas. If you don't think so, the next bit is damning.
Sam turns on the radio to make Dean feel better. A sad song comes on, and Dean drops the act for a MILLISECOND. And Sam? He says SORRY.
Then, he gets uncomfortable.
It's the earlier match to the peanut-butter-and-jelly-strong-choice scene from season 13x06 (widow era).
Sam is afraid of this kind of grief. (And for good reason. Thanks, John!)
"What would you say if I called on you now..." is the first line. Come when you call, etc etc etc. And Dean looks just about ready to burst into tears. No, watch the scene. He looks devastated when he hears it and realizes what it is, like a little intake of breath.
Dean grieves Cas...with music.
Tumblr media
Ah, the familiar pattern. Dean is struggling to be allowed to grieve in this season. Everyone's terrified of his grief, even Bobby, who demands he "not be a person" and "keep doing the job" in a desperate plea to keep Dean from "dying before he does." Bobby doesn't know what to say or how to grieve, so he tries to keep Dean alive the only way he can think of, with utilitarian pragmatism.
But Dean needs to feel his emotions. Even though the scene above is played for laughs, it's really about Dean's emotions leaking out despite his attempts to hide it.
Tumblr media
Ahem. Not writing Dean-Cas till "later seasons," my ass. Dean wore his heart on his sleeve whenever he was "allowed" to. My gosh!
///
EXT. ROAD – NIGHT A small, old hatchback is driving down the road. INT. HATCHBACK – NIGHT A yellow My Little Pony is dangling from the rear-vision mirror. DEAN squeezes it and it squeaks. He takes out a knife, cuts it down and tosses it into the back seat. It squeaks again as it lands.
SAM: You okay? DEAN: You know, it's bad enough that they're ganking people, wearing our mugs, but now this? Have us driving around in this... this caboodle while Baby's on lockdown. SAM: It's temporary, Dean. DEAN: Nobody puts Baby in a corner. SAM: Y-you know that's a line from -- DEAN: Swayze movie. Swayze always gets a pass! SAM: Right. Uh, well, you want some tunes or something? Here. SAM turns on the car radio. MUSIC: Air Supply’s “All Out Of Love” ♪ And what would you say if I called on you now and said that I can't hold on ♪ SAM looks at DEAN. SAM: Sorry, man, I-I... DEAN: Just leave it. Probably gonna be the only thing on. ♪ There's no easy way, it gets harder each day ♪ Please love me or I'll be gone ♪ I'll be gone ♪ SAM looks at the map FRANK gave him and DEAN starts to lip-sync along to the music. ♪ I'm all out of love ♪ I'm so lost without you ♪ SAM looks over at DEAN. ♪ I know you were right ♪ believing for so long ♪ I'm all out of love ♪ DEAN notices that SAM is watching him and stops singing. ♪ What am I without you? ♪ DEAN looks away out the driver’s side window. ♪ I can't be too late to say that I was so wrong ♪ Oh ♪ DEAN starts to lip-sync again. ♪ What are... ♪ SAM looks at him and he stops again. ♪...you thinking of? ♪ DEAN moves his head in time with the music. ♪ What are you -- ♪ SAM: Here. SAM switches off the radio and they sit in silence. SAM studies the map. Jericho is circled.
youtube
///
Someday I'll do a thing about all the car-hopping they have to do until, you know, Dean is "Dean" again.
Dean, going through the motions, "acting like one of the dead ones." And...the Impala makes a return once Dean accepts that Cas can't help, and then Cas says he's gonna go with to try and mitigate the wreckage he left.
Cas agreed to try and "fix" things, just as Dean accepted their brokenness. (No ones cares if you're broken so long as you try.)
And the we see Baby again for the first time. Hmmmm.
58 notes · View notes