The Monarch’s good graces.
“If you ever find yourself in Morpheus good graces, deem yourself lucky, or doomed. If he is good, he’ll leave you breathless, if wronged he will break hell loose to bury you and himself in its soil.
For of all the seven Endless children, Morpheus is the most inacessible of them all, only rivalled by Destiny whose focus is forever on his book. Morpheus had wronged and been wronged one too many times to bare himself to anyone.
A prideful creature he is, but that you already knew. An injured bird whose wings have been clipped by his own sibling once or twice for Love is Desire’s domain, and they do love to mess with their brother’s paramours.
Tread carefully, Hob Gadling, for for the first time in thousands years the dear Orpheus sang in his father’s name.
Singing la la la la la la la,
La la la la la la la”
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Now that I posted the backlog I have, drawings might come less regurlarly, basically when I have time and want to draw, hope you have a good time still!
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so remember when we were all wondering what's with the r1999 character profile page?
the "an arcanist's work displayed in the 19xx"
and with their length x width dimensions
and how our chosen character in our home page retreats to being a painting in the background
anyways...in one of the new game infos in the loading pages (which has a very short window of reading time so it was hard to catch), it was said that:
there was a strange phenomenon of people turning into paintings that they can't find the cause of
based on what we have so far i am not liking what bluepoch could be implying in that loading page 🥹
For those who don't know or haven't seen it yet, they're talking about the following loading screen (ty to Tale's lore server for providing these!)
I just assume that these details are part of the whole artistic theme within the game, like how each Chapter is named after a real book, all the references to artistic movements and so on and so forth. As well as Vertin's role as the Timekeeper─she's meant to record and keep evidence from different eras, which sounds to me like a job for an art collector, conservator or restorator! So it makes sense to me that the people she saves are seen as art pieces.
Besides, the suitcase/Wilderness is a very vague, mysterious place. It's a literal pocket dimension that just seems to do its own thing and follow its own rules. I'm willing to casually accept that, sometimes, people turn into paintings for no apparent reason because it's a LITERAL pocket dimension that pulls people from time and space.
If I think reaaally hard ... Maybe you're implying that the people within the suitcase are doomed to become paintings eventually, because they're in the wrong era?
But that makes no sense, because there's hundreds of other survivors within the Foundation, Manus Vindictae and Apeiron so far who survive just fine─and Chapter 05 revealed why some places are immune to the "Storm."
Any potential arguments to support this theory don't hold up from my perspective, either. For example, the idea that the arcanists Vertin pulls from the spinning wheel in the middle of the lake are different from people who survive the "Storm" through different means (siding with either the Foundation or Manus, or by being in Apeiron, these are the only examples we have so far), and therefore they don't count, so they could be affected in different ways. This doesn't hold up, because Vertin pulled Sonetto, someone from the same era as her, into the suitcase through the spinning wheel. Whereas Regulus, who comes from an entirely different era, was just pushed inside. And yet, both of these characters turn into paintings anyway when you select them on the main screen.
So I don't think I understand the "implication" you're talking about and why you wouldn't like it? But please, feel free to elaborate on a different ask/reblog/reply, etc etc! I'd love to know!
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