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taste-likeiron · 2 years
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puppyeared · 9 months
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Wyrm on a string
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mariana-oconnor · 1 year
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Types of AO3 Summary
Option 1 - The Excerpt:
The quickest, the easiest! Find a section of your fic that contains the main premise of said fic and also showcases your writing. Copy paste that into the summary box. BOOM! Done.
Best used for any fic, unless it's so short the excerpt would be the whole fic.
Option 2 - The No Frills:
Just a description of the fic. No need for drama. No need to complicate matters. Keep it simple, keep it safe.
Example: "A short character exploration of Blorbo's thoughts after Daisy leaves."
Best used for short fics, poems and fics where the style/format is more important than the plot. Or fics that tie directly into a scene/episode from canon or another fanfic.
Option 3 - The Hook:
Draw the reader's interest by giving them a set up with no conclusion. Introduce the main character(s), introduce the status quo, describe an inciting incident, leave a question in the reader's mind.
Example: "Blorbo is a barista at a coffee shop, struggling to pay their bills, but after handsome rockstar Obrolb walks into their coffee shop they find that they have to decide whether a chance at love is worth the cost of fame."
Best used for mid to long fic where there's a strong premise and follow through. Especially good for AUs. Can be expanded for more complex plots or used multiple times in one summary for multiple characters or subplots.
Option 4 - The Sitcom One-Liner:
"The one in which [over simplified description of one of the main plotlines]" This is essentially 'boil your plot down to the very simplest statement you can, oversimplify if possible. The more bizarre or unhelpful the better.
Example: "The one in which Blorbo learns to like cake".
Best used for fics with at least a little humour in them.
Option 5 - The Rule of Three:
Three is a magic number. Find three key moments in your fic and just list them. That's it. Often ends with 'not necessarily in that order' if used for comic effect. If it's an AU, establish that quickly (i.e. 'Star NHL player Blorbo…').
Example: "Blorbo makes a friend, falls in love, and almost burns to death, not necessarily in that order."
Best used for anything, really. Three is a magic number. The human brain loves things that come in threes.
Option 6 - The Trope Lure:
Why bother describing the plot? We all know AO3 readers are here for the tropes. Similar to The Sitcom One-Liner just using tropes instead of plot. Often followed by the phrase 'that nobody asked for'.
Example: "The Space western / A/B/O / Mail Order Bride fic that nobody asked for."
Often tacked on to the end of The Hook or The Excerpt as a tl;dr.
Best used for fic that plays its tropes straight with no shame or second guessing.
Option 7 - The Pre-emptive Strike:
(Not recommended) You just wrote this fic, the self doubt is consuming you. You feel the need to apologise profusely for your existence for no apparently reason. You feel cringe, you think the fic is cringe, you want everyone to know that you think the fic is cringe in case they don't like it and judge you for it.
Example: "So I fell in love with this pairing and had to write this. It's weird and terrible. Lol! I suck at summaries! Sorry!"
Best used for no fics ever. I cannot stress this enough.
(Seriously, I am begging you, don't do this. If you're planning to use this option, rethink it and do one of the others. I guarantee you more people will want to read your fic.)
Sometimes added on to any other summary as a strange disclaimer. (srsly. don't.)
Option 8 - The Unapology:
Embrace the mayhem, embrace the deep dark depths of your soul. The opposite of The Pre-emptive Strike. A combination of The No Frills and The Trope Lure that truly gives no fucks.
You have committed crimes and you are proud of them. You know what your USP is and you're going to make sure your target market finds you. Look upon my works, ye readers, and despair!
Example: "There aren't enough tentacle fics in this pairing, so I had to write one myself!"
Best used for fics with controversial/polarising tropes with all relevant details already clearly stated in the tags.
Option 9 - The Interrogation:
What if you wrote a summary entirely in questions? What if your readers had to read the fic to discover the answers? Who knows what will happen if you do this?
Example: "What happens when Blorbo McBlorbo gets his wish and Daisy doesn't make it to the plane on time? What happens when Obrolb finds out? How will this change Daisy and Blorbo's friendship?"
Best used for... I honestly don't know. This style of summary does not vibe with me. Mystery fic maybe? Sorry guys.
Option 10 - The Multipack:
Got a bunch of shorter fics in one work? No way of summarising them all without a wall of text larger than the Great Wall of China? This one is similar to The No Frills in that you're not describing the plots themselves and similar to The Trope Lure in that often broader genres and tropes are mentioned. What links those fics? Are they all in the same fandom? The same pairing? The same challenge? Just slap that right in the summary. A chapter list with 1-2 word trope/pairing summaries can be included or not.
Example: "A collection of Blorbo/Daisy/Obrolb fics based on Tumblr prompts. Chapter 1: Regency AU Chapter 2: Werewolves vs vampires Chapter 3: Ghost!Daisy Chapter 4: Space pirates!"
Best used for (obviously) works that are compilations of fic.
Option ? - The Void:
I said The Excerpt was the quickest and easiest summary to do. I lied, well... I didn't exactly lie. What is quicker and easier than not having a summary at all? After all, that's what the tags are for.
Example:
Best used for... nothing? Write a summary, guys. Please?
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yenvengerberg · 1 year
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chiptrillino · 3 months
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I'm sorry, just sent in 62 for the ask game because I'd overlooked that it's the amazing scifi thing!
Soooo 63?
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okay so... you know whats really funny here. i think made this while for the first time polls popped up on tumblr. and i had this werid idea of like... "choose your adventure" kind of story telling. but... lets be honest i don't have much... time to draw all the options? but this is still like... a sort of darker AU which is deer to my heart. and till today i don't know if they should have a happy end or not. sokka got shipwrecked. and to make his situation even worse zuko poped up and and took a bite of him.
the whole siren idea is more based on the sinister one. the one drowning and eating seamen. and zuko is now out to eat sokka. i have some plot lines written out. -sokka playing with zuko a game of riddles to buy himself some more time -zuko being unable to stay in the sun so sokka has to decide if he lest him take shelter underneath his make shift raft or lure him out of there to burn him. at the end sokka does get saved and can escape for some time? because zuko did end up biting him. and now sokka cant stop hearing him in his head, and zuko can still follow him. so... watch out sokka! zuko is on his way to eat you up but i still don't know if he means it literally or in a more plessurable way...
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waitineedaname · 9 months
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did Mei know Scar was a serial killer? she's not stupid, she must have figured it out pretty quick, but she obviously did not give a shit. I like to think she was just like not my country not my problem, good luck with your revenge based quest Mr. Scar!!! and then moved on with her day
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dreamsy990 · 7 months
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you know i used to think it was weird how sora and roxas have such different personalities for supposedly being 'the same person' but after playing a few games i sort of realized that they do have similar personalities, because roxas acts how sora does when he's under extreme stress.
compare roxas to sora in, say, kh1. that's where a lot of peoples idea of sora's personality comes from. sora is generally very upbeat and optimistic in that game. not very similar to roxas, right?
but let's switch the game and talk about a game where sora is ABSOLUTELY GOING THROUGH IT. chain of memories.
sora's resting state is melancholy in com. he only ever cheers up in short bursts, usually when he's joking around with friends. just like roxas.
he's quick to anger, and tends to lash out at the organization members. best example of this is when larxene makes him 'remember' namine, and he swings at her repeatedly, even after she's gone. he only stops when jiminy is able to snap him out of it.
you know what scene that resembles?
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sora, while a bit more on the angry side and less sad, continues to act like this in kh2 when he's in stressful situations. (he also has a tendancy to insult people which, while it's not very related to the point, is very funny and sora saying 'gonna cry?' to xigbar is great.) i cant comment any further than that about kh2 off the top of my head.
so, roxas acts like sora does when he's stressed, right? but why is roxas always acting like that? to which i say, he isnt!
he only ever acts like that when he's also in fucked up and stressful situations, which happens to be a CONSTANT in his life. but when he's hanging out with axel and xion, a decidedly NOT stressful situation, he's a lot more like sora. he's teasing his friends and insulting his coworkers and joking around and acting like a normal kid. not really important, but unless i misremembered some sora lines which is VERY possible, both roxas and sora respond to friendly insults with "oh thanks!" a lot. just a funny little detail that felt relevant.
the biggest differences between roxas and sora boil down to environment and... i dont know how to put it besides volume? roxas is very quiet and tends to keep most of his thoughts to himself, while sora is very loud and expressive in comparison.
there is one other huge difference i noticed, which is less character based and more story. sora wanted to get off destiny islands and explore with his friends, but roxas just wanted routine. sora wants adventure, and roxas wants things to stay the same, for days where he gets off work and eats ice cream with his friends to last forever, to keep having conversations about nothing and watching the sunset. roxas wants normalcy, sora wants excitement. it's just interesting seeing their contrast.
not sure if this is very well said or anything i just wanted to talk about my boys
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starry-stormy-knight · 4 months
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whatup i was my dad's dream son until he switched career paths :)
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muttsandmustelidae · 2 months
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every day i vastly overestimate how much the average person knows about dogs
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wigglebox · 9 months
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He's considering leaving their annoying asses behind smh
[original] [follow up]
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bbeds-side-blog · 2 months
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Rewatching 'Stayed Gone' because the amount of silly pathetic-ness is hilarious, that Alastor doodle kills me everytime, Vox looks so damn proud of it too.
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Like, who else would use silly doodles for mockery –
*rewatches Alastor's commercial*
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t-dubber · 9 months
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Like Father, Like Son
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“Over your shoulder, Grant’s looking at you like ‘… Oh, no….’”
The last thing Grant ever wanted Linc to be was just like him… But look at where we are now.
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whoever this beloved anon was I am so touched by your kindness! You definitely didn’t have to do this but I am so happy you enjoy this idea and I will happily expand upon it for you!
this is just a collection of word vomit bullet points for the time being but I will happily answer any and all questions about this pair!!
warnings: violence, angst, child death (Sarah Miller), foul language, the same warnings that apply to tlou, reader is Sarah's mom and described as having similar features to her. 
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So the general Idea is that you and Joel are happily married before the outbreak. 
You had been Sarah's mother, his high school sweetheart he got pregnant when neither of you were old enough to have any reaction to the pregnancy test other than a fucking panic attack in one another’s arms. but you made it work 
you both worked but made time for one another and your sweet girl, going to museums every other weekend and joel insisting on swooping you off for a date every now and then 
nothing special. He knows you’re more of a diner gal than anything too fancy that makes you both feel out of place. 
On his birthday in 2003, you had planned to tell him that you were pregnant again. But the memories of your own fears of motherhood from all those years ago begin to swirl through your head again and you get cold feel. deciding to tell him the morning after
it is his birthday afterall, you want to focus on him. 
but when you’re woken up in the middle of the night because tommy needs to get bailed out, Joel kisses you sweetly one last time before promising he’ll be back and you can’t shake the feeling that something bad is happening. 
its you that shakes sarah awake that night. shouting at her to put on her shoes when she’s still rubbing the sleep from her eyes because you’ve been listening to the radio for the past two hours, calling joel again and again and again praying for him to fucking pick up but to no avail. 
Sarah, bless your little girl’s bleeding heart is the one who insists you check on the adler’s against your better suspicions and when you find the eldest looming over her daughter, blood and sinew dripping from her mouth, you grab your daughter hand and burst into a full sprint until something slams into your back and sends you tumbling onto their front lawn
its how joel finds you, struggling to keep the once sweet old woman, whose now nothing more than dead eyes and gnashing teeth straining to snap at your pulse point as you push against her while sarah shrieks before your husband runs forward and cracks her skull with a wrench. 
there’s hardly a moment of pause, just enough for him to pull you up and into his arms before he’s ushering you both into the car with an urgency. 
when the truck crashes, you get separated from them. Perhaps at Tommy’s side when the flames rise and create a wall, separating you from your husband, or maybe pulled into the mob of chaos when trying to escape from those already infected-
all joel knows is that you promise you’ll find him: just get sarah to safety and you’ll meet him at the river
Poor thing is already so frightened, held in her father’s arms with tears streaming down her face insisting they can’t leave you they just can’t but her father kisses her forehead and reassures her its going to be okay 
“we just need to be brave, okay babygirl? Your mama’s real tough, she’s gonna be alright.” 
he isn’t sure if he’s saying it to his daughter or himself. 
but when he comes to the river you aren’t there. Only a soldier who points a gun at the scared little girl in his arms and then he loses everything
its when the light is gone from his daughter’s eyes that he realizes. His voice cracked and raw from sobbing that he looks around to see his brother with drawn in shoulders and tears in his eyes but his wife is nowhere to be found. 
Tommy says you got lost in the chaos. Everything was so loud, so sudden that he turned around and suddenly you weren’t there. 
Joel wants to go back but its Tommy that stops him, that dulls the red in his vision to a sad faded pink because his brother points at the orange horizon not too far from them, so much of the city is already in flames. 
“We’re gonna find her, but not there.” 
So Joel searches. for the first year spent in the world post-outbreak its all he did. 
He became a smuggler because of it. 
Information came at a price and he needed to be able to fucking pay it, whether it be in blood or ration cards. He was willing to do anything to find you or any thin thread that lead your way. 
But it’s Tommy that asks him to give up. Not in those words of course. 
The youngest Miller knows better than to say something so cruel that would make his brother, the only person he has in this world turn on him. 
But his voice is worried when he asks him one night in Boston when he hasn’t even had the chance to wash the blood from his knuckles 
“You think she would have wanted this for you?” 
the fight that followed his words was brutal. Vicious insults and scarred fists slamming against each brother until they're both too tired and bloody to continue. Each leaning against a wall for support and Tommy’s wavering voice breaking the silence. 
“I don’t know where she is, Joel. But I do know you're gonna get yourself killed if you keep lookin’ for her.” 
All he can do is nod. 
It’s a few days later when he meets Tess. Who has heard plenty of stories about the elder miller’s brutality and wants him to put that muscle to good use for some extra profit. 
It begins his new life. One that empty and cold but one he can live. 
Until of course, Ellie comes along. The sweet and incredibly opinionated girl that makes him become something akin to the man he thought died twenty years ago. 
its when he’s traveling with Ellie, that it happens. When a warm familiarity has settled between the two because so much blood and pain has been shared he can’t help but see her as something close, something bright even though all he can force himself to utter in her reference is “cargo” 
when theyre traveling through the woods as Ellie chatters away, probing his memory about a movie that may or may not have existed thirty years ago because her descriptions of the plot are incredibly odd he hears a voice shout for them to stop and finds himself staring at a man- no, a boy- pointing a gun at them. 
Ellie stills, but Joel can see enough to know that from the lanky figure and dimpled face that he’s young. Maybe twenty, twenty-two at the oldest, but his eyes dart from Joel to Ellie with a pinprick of fear that allows Joel the time to charge forward and slam him to the ground before wrestling the gun from his hands. 
He has enough to time to tuck it under the stranger’s chin before he hears the sound of the safety being turned off and finds himself looking up and seeing a gun just inches from his face. 
Joel’s head whips around when Ellie’s voice calls out his name in fear, he turns to see another stranger holding her a gun point, shoulders drawn back and a shadow cast over their face by the had obstructing their identity. 
“You hurt one of mine, I hurt one of yours. That a fair deal?” 
Its takes him a moment to recognize you. It’s been so long since he’s heard your voice, the sweet tease when you would poke at him each time he woke up late despite the fact that you reminded him to set his alarm the night before, the times you’d chide him with a harsh “Joel Miller!” whispered in public anytime he was able to grab you a bit too passionately to be appropriate in public but the laughter in your voice let him know you were never truly mad at him. You didn’t know how to be. 
But that sweetness is buried under a cold rasp that cuts through the air as you point a rifle at the scared little girl in front of you.
“You think I won’t?” You’re older now, skin covered in scars from a life he didn’t know you got the chance to live and your eyes are cold as they regard your husband. “Put the gun down and get the fuck off of him, I won’t repeat myself.” 
Joel mumbles your name in awe. The woman he loved, the woman he mourned the one he fought so hard to find stands before him like some sort of hallucination and suddenly the world feels like its spinning until you bark orders at him again. 
“You’ve got five seconds Joel, make a fucking choice before I make it for you.” 
He looks down and realizes the boy under him, the one with the bleeding nose and snarling face has your eyes and his dimples. 
“One.” 
The one above him has Sarah’s hair. Soft brown curls that shine under the sun. 
“Two”
Wait. No, they both do.
“Three.” 
Twins. Jesus fucking Christ you had twins. 
“Four.” 
Joel holds the rifle up above his head and the one boy standing snatches it from his grasp, tossing it to the ground and kicking it far from his reach. He slowly stands, allowing your son- dear god your son- to scramble to his feet. 
Your voice softens just for a moment. “You okay, Duke?” 
Blood stains the bottom half of his face from where Joel slammed his fist into the boy’s nose just moments before, but he nods nonetheless. 
Now, they both stand on one side of you and he can see the resemblance clear as day the same way he would whenever Sarah was by your side.
When you order him to hand over his bag, he does so without question before telling Ellie to do the same. 
She watches him with wide eyes, her hands still up in the air but gaping at her companion as if he had grown a second head. 
“Joel!” “Just do it, alright?”
He doesn’t miss the way you watch their interaction with narrowed eyes until she tosses her bag to you and you slowly lower your gun. 
“Now, you want to tell me what the fuck you think you’re doin’ at my home?” 
#joel miller x reader#joel miller x you#i had an idea of something similar for tommy but on outbreak night he uh. abandons you instead of getting separated from you#because. angst :D#people say nice things#this was incredibly generous of you anon thank you so so much!#i may get myself a little starbucks drink this week now because I havent had starbucks since like january 1st lol#joel reeling from taking in all this information and also realizing he suckerpunched HIS OWN KID#id like to apologize for all the grammatical issues with this. this is just a bulletpoint word vomit to get my thoughts on the page before-#-beginning the actual fic. also I have to do a midterm tonight and this is my treat to myself hehe#but yes. joel getting separated from his wife on outbreak night and having to accept that shes probably dead#meanwhile youve lived this entire life without him because you think HES dead ad raising your boys all on your own#which just- further digs into his insecurities about failing in his role as a protector#he couldn't save sarah. he can't save ellie and he couldn't even save you#he thinks about you pregnant and alone. fending for yourself in a world full of infected and raiders and his chest grows tight again#this is all followed by Ellie going >:O 'you KNOW THIS PSYCHO?'and then joel immediately snapping at her to WATCH HER MOUTH#because that kid has no filter and he has to explain that youre his wife#anyways joels wife is a badass mfer who also maybe has a little garden and some chickens that you and your boys take care of <3 yeah .#reunion tag#ill be using that for this specific couple because I dont have a fic title yet but if anybody has suggestions!
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butlerkitty-art · 4 months
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older atreus, baby baldur, & Hel concepts from 2022
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smallerdelusions · 1 month
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THE HANGED MAN altruism, insight, martyrdom (reversed): seclusion, excessive restraint
TriStamp Tarot: XI, XII, XIII
"The Hanged Man is a card of prudence and wisdom depicting a man hanging not by his neck but by his feet. The solemn - rather than suffering - expression on his face traditionally suggests he is there by his own accord. It evokes self-denial, sacrifice, and the greater good. The card can also signify a life in suspension, and can sometimes include a halo around the man's head to symbolize higher learning or enlightenment."
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shitpostingkats · 3 months
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As someone who works with dogs, I feel compelled to tell you that Kristen’s comment of “What are you, four dogs?” upon hearing Kipperlily Copperkettle’s name is SO REAL.
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