There's a certain CCCC summary video that we really, really like. We think it is a great video for people if they want to grasp the story more clearly, if they're confused, or if they're listening to the album for the first time.
That video being Chonny Jash and the Weight of the Mind on Youtube by W3tBl@nk3t. We think they cover it really well.
However, I'm sharing this for a different reason; they say few certain things that really struck with us until now, that I'd like to share with the fandom. Sometimes, we see people really just.. Miss the point of CCCC entirely, and I'd like to shine a light on what was said here. If you'd like to hear this for yourself on video, the timestamp is 35:57-36:45.
“..I bet we all could relate to that, they are the prime example of the side of you that suffers and the side of you that hates yourself for suffering:
The side of you that just wants to slow down and feel everything even to the unhealthy extent of not being able to do anything else(1), but also the side of you that so desperately wants you to get over it(2).
Sure, laying in bed all day every day to rot isn't healthy, but neither is boiling things down and invalidating your own emotions. Both are paths to inevitable disaster, and that's what Chonny is doing here. Keep in mind that the idea behind this album is being whole, and that means neither of these sides are entirely in the right or the wrong; this album is about inner compromise and acceptance(3).”
1.) The side of you that suffers; Heart.
He is representative of Whole's emotions, he holds them. Your emotions can go haywire, especially when one's mentally ill and has no way of their feelings being validated. An emotional person like Heart suffers under the weight of crushing, devastating feelings. He wants to feel things out, have time to just process everything, even if it takes them days or weeks to get over it. It's not healthy, but feeling is what he does, and he wants to help because he knows he has importance. Solely focusing on just your emotions isn't the best thing to do, however.
2.) The side of you that so desperately wants you to get over it; Mind.
Many people have been there, have wanted themselves to stop wallowing in their own emotions and just do something else, even to the point where you think feeling things out is unnecessary. This is also unhealthy, but not intentionally. Like Heart, Mind just wants to help, everything he does is in best interest. This is what he thinks will get them to move on the quickest; to leave behind emotions and focus on anything BUT that. Also not the best thing to do.
3.) This album is about inner compromise and acceptance; About being whole.
Neither of Heart and Mind are right nor wrong. They have their own ways of doing things, of what they think will help their whole self out the most, but both are unhealthy despite the good intentions. They fight over who's wrong or right, when they shouldn't even be doing so in the first place. It's your thoughts against your emotions, basically; your feelings contradict your thoughts, and it leads to an inner war of sorts. This won't make things better, which is why you can't have Mind over Heart or vice versa; you'll need both of them. In the album, they are only able to be whole when they get along. They harmonize, they 'combine', they see eye to eye with each other and work together instead of fighting over and over. Inner compromise is achieved with this, and acceptance can lead them away from any disaster that there's to come.
What we're trying to say is that mental health is a large thing tackled within CCCC, and yet we see a lot of people who overlook it; thus, end up missing the point of the whole album. We see a lot of people believe Mind's perspective a little too much and treat Heart quite harshly, or the other way where people demonize Mind and say that Heart is perfect, when it's not really that in the slightest.
This is not a hate post towards people's interpretations of CCCC or how they view characters, I'm just saying that people can tend to overlook what's in the very narrative, and we see a concerning amount of people do such.
Anyways. Stream CCCC and put your Hearts and Minds in the get along shirt. Have a nice day.
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Life as a JGY stan is so hard because sometimes I want to make posts about the ways his very justified paranoia turns against him sometimes, rare moments where I think being more trusting or vulnerable would have helped but he felt like it couldnt, or talk about how his brutal survival instinct intersects with society's existing bigotries in a such a way that most of his violence is actually aimed at people lower on the ladder than him, with people like Jin Guangshan being the exception not the rule. Because he's a fascinating character and these parts of him are interesting!
But when I do that I have to live in perpetual fear of the moment that it escapes its target audience and someone takes it to go "Yeah he's a monster who fucked over everyone and is incapable of love! I wish he was killed earlier and his death was a thousand times more painful 🤪"
I mean, take my last example. Due to existing hierarchies it is, at any point, easier and safer for jgy to harm people less powerful than him instead of more powerful than him, even if the more powerful are the ones threatening his safety in the first place. Even knowing how it harms him and while working against it, Jin Guangyao is not immune to internalizing the mindset of the world he lives in. Even when killing Jin Guangshan- one man- it ends up costing the lives of 20 sex workers. You think I can bring up the sex workers in this fucking fandom? You think that will go over peacefully? The well has been so thoroughly poisoned here it feels like any conversation around morality automatically turns into a courtroom to determine a sentence for this fictional fucking character who's already dead.
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hai, what do you think readers reaction would be to seeing König in a proper tailored suit for the first time? whether it's for a date or taking her to a friends wedding. love your writing btw! ^_^
OMG BABY'S FIRST REQUEST (its me im baby)
so glad you like my writing!! hope you enjoy this :3
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SHE WOULD LOSE IT
she stumbles on him in bathroom or the bedroom lazily doing his tie up, unaware that she's staring from behind the door frame. his sleeves rolled up to his forearms because he cant stand the feeling of the cuffs tickling his wrists (god forbid wearing cuff links), accentuating his fuck-off large biceps.
reader just wants to jump him. he looks so handsome, a suit is the most timeless way to flatter a man. and flatter it does. she swears he has more of a waist than she does, the way it pulls in and sticks tightly to his chest and hips, she can see every single muscle rolling under the white fabric, reminding her of how they roll when he... yeah! his shoulders contorting as he smooths out the tie and flicks his collar down, she can't take her eyes off it.
and lord, there is something so satisfying about seeing her usually roughed-up and careless man all prim and proper. no scruffy stubble, no dirt under his nails, no hair covering his forehead. the fabric just CLINGING to him everywhere it matters, and as he shifts slightly on his feet, purely acting from his subconscious, his thighs tense. jesus christ, the material was almost too tight. did they fuck up his measurements or something? was he even able to move?? surely he could move enough to...
she's struggling to keep it together.
konig notices a flash of movement in the corner of his eye, and it came as no surprise for him that it was her. he turns around with a grin on his face, able to read what's on her mind.
"you like it, schatz?"
stupid question. but, a rhetorical question. he cuts her off before she can respond, leaning down to give her a quick kiss.
"of course i like it." she mumbles while touching up his hair. even after slicking it back, a few strands were falling over his eyes.
his aftershave is circling around her, making it harder to concentrate.
"i am still not sure about this...look. feels too fancy for me." konig shifts on his feet again, staring down at the ground. he never liked dressing up, not ever. makes him feel out of place.
"maybe a little, but that's alright, baby. it won't matter when it's on the floor."
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excuse me i need to Muse on something for a moment
so in Wally's secret 'vinyl' audios, specifically the last few (if we're listening to em in chronological order), obviously he starts to sound more strained/distressed. his breathing is more labored, like it's taking all of his energy to make contact.
but the audio that really caught my attention was the "But i still can't see" one. cause he just said he has more eyes than he did before. he knows We draw them a lot, and it's thanks to that that he can see. but he still can't see?
so my question is: where is Wally physically? cause although he can (assumedly) see the WHRP goings on, he can see through the eyes We draw, that could all be on a, uh... more Intangible level of sight. like the spiral pit is forming an eye, and then there's the eye on the ceiling in the secret Staff Only section - could Wally be in the pit, that space between his reality and Ours, "watching" through the eyes? but unable to actually see with due to the pit being pitch black nothingness? is he somewhere else? is he stuck? he can see, but he can't... see.
(or is he trying to explain an abstract concept - he's not actually viewing anything, but he can sense it. like how he knows We're there, even if he can't see or hear Us. but he just doesn't have the words to describe it other than using physical senses - see, hear, look.)
and him saying "...that I can see. But it is still... I can't..." but it's still what, Wally? dark? something else that he doesn't have the words to describe, so he just says that he can't see?
i know that in the Livestream Trivia Document (compiled by @/the neighborhoodwatch) there was something said about Wally being in a box. my first thought reading that was "oh, so he's in storage? the physical puppet, i mean?" which would make sense - show's over, there's no more use for him. pack 'em up and put him away. but that paired with the "can't see" audio makes both seem a lil... connected.
Wally can't see > he's likely somewhere dark > the inside of closed boxes are dark > Wally's in a box. (or maybe the Neighborhood is the box? it's a stretch, i know, but the map is a box. television sets are often set up in "boxes". maybe it's less of a physical storage box and more of a 'boxed in' sort of thing...)
one question i've had since the Start of my interest in this incredible project is: how is Wally communicating? how has he connected to the site? how does he connect to our reality? the pit almost definitely has something to do with it - most likely acting as a bridge, or the deteriorating of the barrier between our two 'worlds' - but if Wally is in a box and Not the pit or even just in the puppet's reality... how is he reaching us beyond just seeing through the eyes he's given?
or is he in their reality, and he can contact through the pit or something, but he can't actually see the other side? Our side? he knows it's there - that We're there - but none of it is visible to him. maybe his apparent disassociation in the 14 bug audios is a demonstration of him contacting Us. we can see through him, but it's a one way street.
and speaking of the pit - i just had a thought. his whole thing with Us letting him in, opening... the pit on the neighborhood map is getting bigger and clearer. but the presumed Other Side, the one on the Staff Only ceiling, is small. it's the size of a ceiling panel. it seems to me that Wally is chipping away at his side of the pit or 'portal', trying to reach Our reality, but he needs Us to do the same thing on the other side. the QA can hear him calling, but there's no phone on their (Our) side of the pit. how do We call back???
there's a fundamental barrier & lack of understanding between Wally and the QA/Us. he's trying. he wants to be let in, but what does that mean, really? let him in where? open what? he's desperate. he wants us to understand. he's trying so so hard Without the right tools to clearly communicate what he wants. he can't see Us, We can see him, both know the other is there, but there's no way to connect. and the attempts are hurting all parties involved, however unintentionally
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There's something so insane to me about being able to create and recreate vintage or even ancient music, clothes, fabrics, building architecture, anything, really.
I watched this video about a lady who knit a WWII-era vest, and it was really unique, because the cable work would eat up yarn, when there were shortages of fibers. This pattern would have likely been used by people to send overseas to soldiers, and now it's being created in a time where this war has been over for generations. What were the people making this pattern thinking of? What about the people making the vest? Could they fathom a world where world wars didn't happen back to back? Could they imagine what peace felt like, or did it fade like a distant memory, a faint friend? All we have now are the remnants of their efforts, a "simple" vest that would warm the bodies of countless people the knitter would never have imagined were here on earth with them.
We're reaching across time to learn about other people - we're reaching our hands out just to grasp anything tangible. And when we've take hold of something, all we can do is say I love you I love you I love you
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