#for the love of god there are well written compelling female characters in the media you are talking about you just refuse to look for them. | Explore Tumblr Posts and Blogs

marrys-dream-world · 3 years

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That recent post you reblogged really sheds some light on what's happened to modern media/fandoms. Their argument, to paraphrase, is "media only writes kind women because they don't want to alienate men. I can't imagine the idea that some people actually want kindness rewarded and cruelty punished on principle, because I personally like mean and cruel people, so I think creators/other fans should worship them as well!" No wonder the ML fandom worships Chloe if morality is based only on "I like."

Is this about this post, anon? Because if it is I just don’t see your point.

The post was about how women tend to be stuck in a box where they have to be non-threatening as possible to the male audience and they end up falling flat because they don’t really have any flaws (or they aren’t well addressed at all). OP wasn’t saying that we should be apologists or anything, just that women should be better written (and, as someone who watches shounen, I agree). Women aren’t allowed to be mean or bitchy because they wouldn’t be a fan favorite. Can you imagine a girl with a personality and background like Bakugou’s in bnha being number one on popularity polls? I’m struggling to. It doesn’t have anything to do with the narrative rewarding cruelty for female characters.

The post was about shounen (and honestly, the only heroine that’s not constantly sexualized and is kinda bitchy and bossy and rude while maintaining their popularity that I can think of is Rukia, my beloved, from Bleach), but since I’m lowkey a ML blog, I’m gonna talk about cartoon exemples:

Helga Pataki from Hey Arnold is a staple for mean, rude, bitchy girls. She’s sympathetic and we understand her, even more after the “Helga on The Couch” episodes, but the narrative rarely excuses her actions. When she popularized a newspaper with fake news? She was punished for it. When she told Arnold off for helping the gang with their problems? She was punished for it. When she stole Arnold’s hat for her weird shrine? She was punished for it. The characters, while tolerating her meanness, don’t shy away from taking revenge when they can or dismissing Helga’s (sometimes) good advice for her attitude. She’s a flawed and deep character and the fans adore her because she’s well-written and compelling.

Gaz from Invader Zim isn’t as much of a main character in her show as Helga is in hers, but god, is she a fan favorite. She is mean and stoic and a bit sadistic and none of that detracts from her character. Sure, she’s from Invader Zim from all shows, being unusually mean is a given, but I do appreciate how for all the characters to soften up the grim dark atmosphere of the show (and still fitting very well in it), they didn’t go with making the girl a sweet character, they went with Gir, the robot dog. Even in Florpus, where her character is a little nicer, she’s still very mean and I like it! Sure, she’s never punished for being mean, but who actually is in Invader Zim? No double standards here, at least. (Also, Game Slave 2 slaps, one of the best episodes from the show).

Even Chloé herself! I like that she’s mean and spoiled and annoying, I like her arc in the show and her relationship with other people. The only thing I don’t like is people acting like she’s way less mean than she is or that her actions were not as serious as they were. Nobody cares if you like a mean character, just own it up and when people say “oh, but they are-” just answer with a “I know that, I don’t think they’re right, I just like the character”. I like Lila as a character too and you don’t see me going around defending her actions.

I can even apply the part of the post where they talk about the hype around characters with zero personality to the ML fandom while setting the girls aside. You-know-who barely has any well developed personality before season 4 and is praised for being a great character and superior love interest. Kagami, meanwhile, gets bashed for breathing. I do think that part of it relates to what I was talking about in the above: Kagami isn’t “bitchy” nor “mean”, but she’s blunt and her personality isn’t as accommodating as, say, Rose or Marinette. She’s a bit stoic and has a hard time connecting with people and comes off as rude at times, but is overall a wonderful girl and people still bash her for things like “Frozer” and “Oni-chan” (even though she was akumatized) and, more recently, “Lies”. Ask me if Luka got half that flack for “Wishmaker”.

(Plus, there were a lot of Félix apologists around even though he tried to assault our protagonist but it’s fine because “Chat Noir does it all the time” (?????) and “Félix is not that bad, he’s suffering too.” I’m not joking, the lengths people will go for white male characters while villainizing girls of color, like Alya and Kagami, still astounds me.)

So yeah, anon, I think you got the post’s message a little mixed up.

#if it's not about this post sorry about this rant #hey arnold #helga pataki #invader zim #gaz #miraculous ladybug #chloé bourgeois #luka salt #(i don't hate luka but i'm a little harsh on him i know)#kagami tsurugi #marry answers

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biteghost · 3 years

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How do you come up with so many cool characters?? All of your OCs seem so vibrant and fleshed out. Do you have a specific process for developing them, or do they just kinda come to you mostly formed? I find I struggle with building a compelling OCs for D&D games & would love to hear your thoughts on character development.

(This answer got long, sorry.) This is a super nice sentiment, I’m happy you think my characters are all cool and unique!!

As far as process goes, uh, it depends on the character? I’ve spent a long time (years) rewiring my brain when it comes to what I think about when creating OCs. They don’t usually come to me fully formed - I get an idea in my head about a concept, and then over like a week or even months of fiddling I end up with a character for that concept.

A lot of the time my characters are simply people I wanted to see more of in media as a kid! Mostly, female characters I actually relate to or are as nuanced and messy as their male cast members, haha... (It was a trip when I realized in high school that I didn’t hate female characters - it was actually that none of them were written as well as the cool boys in the anime series I liked, haha! Be the change you want to see in the world, basically.)

Inspiration for characters (and stories for them to be part of) come from a lot of places. An easy piece of advice is to make an effort to intake media you like! Read new comics, watch new movies and television shows, read books, play video games, listen to music and obsessively memorize the lyrics - hell, obsessively learn everything there is to know about black holes or public domain characters (that’s what I did, lol...)!

(Note: ’New’ meaning new to YOU - you don’t need to only be partaking of media that’s created in 2021 - you can find a lot to love in media that was created before your time, or for generations before you!)

I must reiterate: intake new media that you ENJOY! You don’t have to like all the same things as everyone else, you don’t have to be invested in the same shows and podcasts as your friends. Varied interests and taste is part of what makes us all unique! Increasing your pool of inspiration will help you come up with interesting ideas, and help you find YOUR voice. Your particular interests and the niche things that speak to you will help you figure out what kind of characters and what kind of stories you like to create! But the process doesn’t end at just intaking media... When you find the stuff that brings you joy, analyze what exactly it is about that thing that speaks to you... Put it into words. Explain it to a friend. Make it tangible, analyze the feelings and why the series made you feel that way... and then take it and shove it into your own stories, lol!

Engage critically and thoughtfully with work you like, with characters you like, and it will help you have the language and thought process to recreate it in your own work!

My creative process is like an exquisite corpse of all the characters and series I’ve liked over my lifetime. I mesh them all together in a grim blender and what comes out is a shake in the vague shape as an OC, lol

BUT... it seems like you’re asking more specifically about making characters for tabletop roleplaying games like D&D? And THAT is a different process for me than making OCs for my comics or original story ideas!

I don’t usually join a tabletop game with a fully fleshed out character, actually?? I don’t spend a long time on their backstory, and I usually figure it out like halfway through the story, or through collaboration with my game master!

My TTRPG characters are usually whatever I think would be most interesting in the given game setting or set-up and... usually they exist in opposition to whatever the core concept of the game is. So, the examples I have from games I’ve played are:

In Cardians: West (World of Darkness: Hunter the Vigil): we played in a modern-day urban fantasy setting, where players were recruited into a supernatural Hunter group that was also a criminal organization that Did Crimes and Broke The Law in the name of keeping peace and protecting humanity from the supernatural creatures that go bump in the night. I played Andrew, a Lawful Good Police Detective, because I thought playing a character who would need to grow past his original ideals of ‘Right and Wrong’ in the name of the greater good would be interesting! (And it was!)

In SINNING ADVENTURE (WoD: Geist: The Sin-Eaters) we payed in a modern-day urban fantasy setting with the premise that the players all Died and were brought back to life by forming a pact with a powerful spirit (and getting cool ghost powers in the process!) I played Cassius, a character who could not cope with his death, and thus refused to use his new powers because they were evidence that he was no longer strictly human. It caused conflict in the group and world, but I thought it would be interesting! (And it was! Cassius was a Bitch.)

In Rex Machina (Dungeons and Dragons 5E), I wanted to play an Aarakocra, but was having a hard time deciding on a class or backstory... until I found out that in the ‘canon’ of D&D Aarakocra only live to be like, mid 20s???? Their lifespans are insanely short compared to other playable races!! And I thought that was stupid, so I decided to make MY Aarakocra, Izzy, a warlock that’s looking for ways to extend his own stupidly short life. His pact essentially granted that to him, giving him extra time to find a way to achieve True Immortality. His conflict challenges what’s ‘true’ living in this world, and his extended life is in direct conflict with a lot of forces in the world we play in, and while it is very stressful I think it’s really interesting to play!

In Lamplighting (Monster of the Week), my character Aicen is an assassin who made a deal with a demon and gained supernatural perks out of it... except I decided that she doesn’t WANT to be in this deal. She is actively trying to undo it because it wasn’t her deal - she inherited it from a CEO that she killed during an unrelated job. (Aicen is probably my character I’ve put the most backstory into, and that’s just because at character creation in MOTW you are given a lot of questions about who your character is and why they’re where they are!)

In Hand of Adam (WoD: HtV), the concept was that all players were going to join a post-apocalyptic supernatural-hating cult. I played Shouter, who was a self-preserving pacifist coward who also turned out to be a fae (which the cult would have killed him over). It was stressful but very fun. I love Shouter. He ran away from fights and didn’t actually kill anyone until the last episode where they fought God (whom he killed, lol).

NOW. THESE ARE ALL JUST EXAMPLES OF HOW *I* LIKE TO PLAY CHARACTERS!! For me personally, I enjoy playing a character who has built-in conflict either with the world, the story, or the other players. I’m only able to play characters like this because my friend group are all really cool and we all know that conflict is not bad - it’s fiction and we’re just roleplaying! If I didn’t trust my GMs and fellow players as much as I do, I probably wouldn’t have felt comfortable enough playing some of these concepts.

I don’t think you need to know every little thing about a tabletop character, and in fact, not knowing some things and leaving it up to the GM and story to flesh out is an easy way to help you get more invested in both your character AND the story your GM is telling! Tabletops are a collaborative storytelling experience, so if you’ve already plotted out your character’s whole story, there won’t be much participation from other players or your GM. Figure out what your character wants, and let your roleplaying and GM slowly put all the other pieces in place over the course of your campaign!

But the TL:DR about how I make tabletop OCs is that I just... try to give them a goal, an ideal, or a personality that is in direct conflict with some aspect of the game we’re playing. I don’t want the character to be undermining the whole game, because that’s really crappy to do to your GM, but I have to have something for my character to grow through or change. I like giving them built-in character arc starters, lol. I haven’t played a game where my character has gotten along with every other player character and NPC over the entire campaign since my very FIRST game, lol!

Also, if you’re having trouble, why not ask your GM what they think? Again, tabletops are collaborative! Don’t be afraid to talk ideas out with your GM for your character.

A final note about playing in specifically oneshot games (i.e. games that are not long campaigns but are meant to be played in one or two sittings). Personally, I always just retrofit an OC I already have to play in oneshots! When I make a new character for a long campaign, it usually takes me two or three sessions to find their voice and figure out how to roleplay them. If the game you’re playing is only one session, I find it easier to jump right in and get the most out of your character and the game when you’re playing a character you already know pretty well! I’ve played characters from my webcomic quite a few times, and it’s always a lot more fun for me than figuring out a new character on the fly!

SO UH, IN CONCLUSION... sorry if this is mad unhelpfu!! My personal processes are unique to me! but that's the point - no one person will have the exact answer that works for you! You have to keep trying until you figure it out for yourself! Good luck! Keep creating! <3

#long post #asktime #not art #art talk #writing talk #tabletop talk #gif #iwishihadhorns

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lilydalexf · 4 years

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Old School X is a project interviewing X-Files fanfic authors who were posting fic during the original run of the show. New interviews are posted every Tuesday.

Interview with Syntax6

Syntax6 has 17 stories at Gossamer, but you should visit her website for the complete collection of her fics and to see the cover art that comes with many of the stories (and to find her pro writing!). She's written some of the most beloved casefiles in the fandom. I've recced literally all of them here before. Twice. Big thanks to Syntax6 for doing this interview.

Does it surprise you that people are still interested in reading your X-Files fanfics and others that were posted during the original run of the show (1993-2002)?

I’m delighted but not surprised because I’ve written and read fanfic for shows even older than XF. Also, I joined the XF fandom relatively late, at the end of 1999, so there were already hundreds of “classic” fics out there, stories that were theoretically superseded or dated by canon developments that came after them, but which nonetheless remained compelling in their own right. That is the beauty of fanfic: it is inspired by its original creators but not bound by them. It’s a world of “what if” and each story gets to run in a new direction, irrespective of the canon and all the other stories spinning off in their own universes. In this way, fanfic becomes almost timeless.

What do you think of when you think about your X-Files fandom experience? What did you take away from it? What did you take away from your experience with X-Files fic or with the fandom in general?

(I feel these are similar, at least for me, so I will combine them here.)

First and foremost, I found friends. There was a table full of XF fanfic writers at my wedding. Bugs was my maid of honor. I still talk to someone from XF fandom pretty much every day. Lysandra, Maybe Amanda, Michelle Kiefer, bugs…these are just some of the people who’ve been part of my life for half my existence now. Sometimes I get to have dinner with Audrey Roget or Anjou or MCA. Deb Wells and Sarah Ellen Parsons are part of my pro fic beta team. I have a similar list from the Hunter fandom, terrific people who have enriched my life in numerous ways and I am honored to count as friends.

Second, I learned a lot about writing during my years in XF fandom. I grew up there. Part of this growth experience was simply due to practice. I wrote about 1.2 million words of XF fanfic, which is the equivalent of 15 novels. I made mistakes and learned from them. But another essential part of learning is absorbing different kinds of well-told tales, and XF had these in spades. Some stories were funny. Others were lyrical. Some were short pieces with nary a word wasted while others were sprawling epics that took you on an adventure. The neat thing about XF is that it has space for many different kinds of stories, from hard-core sci-fi to historical romance. You can watch other authors executing these varied pieces and learn from them. You can form critique groups and ask for betas and get direct feedback on how to improve. It’s collaborative and fun, and this can’t be underestimated, generally supportive. The underlying shared love of the original product means that everyone comes into your work predisposed to enjoy it. I am grateful for all the encouragement and the critiques I received over my years in fandom.

Finally, I think a valuable lesson for writers that you can find in fandom, but not in your local author critique group, is how to handle yourself when your work goes public. Not everyone is going to like your work and they will make sure you know it. Some people will like it maybe too much, to the point where they cross boundaries. Learning to disengage yourself from public reaction to your work is a difficult but crucial aspect of being a writer. You control the story. You can’t control reaction to it. It’s frustrating at first, perhaps, but in the end, it’s freeing.

Social media didn't really exist during the show's original run. How were you most involved with the X-Files online (atxc, message board, email mailing list, etc.)?

I participated in ATXC, the Haven message boards, and the Scullyfic mailing list/news group. For a number of years, I also ran a fic discussion group with bugs called The Why Incision.

What got you involved with X-Files fanfic?

I started reading XF fanfic before I began watching the show. I had watched one season two episode (Soft Light) and then seen bits and pieces of a few others from season four. I’d seen Fight the Future. Basically, I’d seen enough to know which one was Mulder and which one was Scully, and which one believed in aliens. An acquaintance linked me to a rec site for XF fanfic (Gertie’s, maybe?) so that I could see how fic was formatted for the web. I clicked a fic, I think it was one by Lydia Bower dealing with Scully’s cancer arc, and basically did not stop reading. Soon I was printing off 300K of fic to take home with me each night. I could not believe the level of talent in the fandom, and that there were so many excellent writers just giving away their works for free. I wanted to play in this sandbox, too, so I started renting the VHS tapes to catch up on old episodes (see, I am An Old). After a few months, I began writing my own stuff.

What was it that got you hooked on the X-Files as a show?

I had to be dragged kicking and screaming to The X-Files. I’m not a sci-fi person by nature. I think my main objection is that, when done poorly, it feels lazy to me. Who did the thing? A ghost! Maybe an alien? I guess we’ll never know. You can always just shrug and play some spooky music and the “truth will always be out there…” somewhere beyond the story in front of you. You never have to commit to any kind of truth because you can invent some magical power or new kind of alien to change the story. I think, by the bitter end, the XF had devolved into this kind of storytelling. The mytharc made no kind of sense even in its own universe. But for years the XF achieved the best aspects of sci-fi storytelling—narrative flexibility and an apotheosis of our current fears dressed up as a super entertaining yarn.

What eventually sold me on the XF as a show is all of the smart storytelling and the sheer amount of ideas contained within its run. At its best, it’s a brilliant show. You have mediations on good versus evil, the role of government in a free society, is there a God, are we alone in the universe, and what are the elements that make us who we are? If Mulder and Morris Fletcher switch bodies, how do we know it’s really “them”? The tonal shifts from week to week were clever and engaging. For Vince Gilligan, truth was always found in fellow human beings. For Darin Morgan, humans were the biggest monster of all. The show was big enough to contain both these premises, and indeed, was stronger for it. The deep questions, the character quirks, the unsolved mysteries and all that went unsaid in the Mulder-Scully relationship left so much room for fanfic writers to do their own work. As such, the fandom attracted and continues to attract both dabbling writers and those who are serious craftspeople. People who like the mystery and those who like the sci-fi angle. Scientists and true believers. Like the show, it’s big enough for all.

What is your relationship like now to X-Files fandom?

I look at it like an old friend I catch up with once in a while. We’ve been close for so long that there’s no awkwardness—we just get each other! I love seeing people post screen shots and commentary, and I think it’s wonderful that so many writers are still inventing new adventures for Mulder and Scully. That is how the characters live on, and indeed how any of us lives on, through the stories that others tell about us.

Were you involved with any fandoms after the X-Files? If so, what was it like compared to X-Files?

I ran the Hunter fandom for about five years, mostly because when I poked my head back in, I found the person in change was a bully who’d shut down everything due to her own waning interest. A person would try to start a topic for discussion, and she’d say, “We’ve already covered that.” Well, yes, in a 30-year-old show, there’s not a lot of new ground…

Most other shows, Hunter included, have smaller fandoms and thus don’t attract the depth of fan talent. I don’t just mean fanfic writers. I mean those who do visual art, fan vids, critiques, etc. The XF fandom has all these in droves, which makes it a rare and special place. But all fandoms have the particular joy of geeking out over favorite scenes and reveling in the meeting of shared minds. It will always look odd to those not contained within it, which brings me to the part of modern fandom I find somewhat uncomfortable…the creators are often in fan-space.

In Hunter, the female lead joins fan groups and participates. This is more common now in the age of social media, where writers, producers, actors, etc., are on the same platforms as the rest of us. Fan and creator interaction used to be highly circumscribed: fans wrote letters and maybe received a signed headshot in return. There were cons where show runners gave panels and took questions from the audience. You could stand in line to meet your favorite star. Now, you can @ your favorite star on Twitter, message her on Facebook or follow him on Instagram. In some ways, this is so fun! In other ways, it blurs in the lines in ways that make me uncomfortable. I think it’s rude, for example, if a fan were to go on a star’s social media and post fanfic there or say, “I thought the episode you wrote was terrible.” But what if it’s fan space and the actor is sitting right there, watching you? Is it rude to post fanfic in front of her, especially if she says it makes her uncomfortable? Is it mean to tell a writer his episode sucked right to his face?

Do you ever still watch The X-Files or think about Mulder and Scully?

I own the first seven seasons on DVD and will pull them out from time to time to rewatch old faves. I’ve shown a few episodes over the spring and summer to my ten-year-old daughter, and it’s been fun to see the series through her eyes. We’ve mostly opted for the comedic episodes because there’s enough going on in the real world to give her nightmares. Her favorite so far is Je Souhaite.

Do you ever still read X-Files fic? Fic in another fandom?

I don’t have much bandwidth to read fanfic these days. My job as a mystery/thriller author means I have to keep up with the market so I do most of my reading there right now. I also beta read for some pro-fic friends and betaing a novel will keep you busy.

Do you have any favorite X-Files fanfic stories or authors?

I read so much back in the day that this answer could go on for pages. Alas, it also hasn’t changed much over the past fifteen years because I haven’t read much since then. But, as we’re talking Golden Oldies today, here are a bunch:

All the Mulders, by Alloway I find this short story both hilarious and haunting. Scully embraces her power in the upside down post-apocalyptic world.

Strangers and the Strange Dead, by Kipler Taut prose and an intriguing 3rd party POV make this story a winner, and that’s before the kicker of an ending, which presaged 1013’s.

Cellphone, by Marasmus Talk about your killer twists! Also one of the cleverest titles coming or going.

Arizona Highways, by Fialka I think this is one of the best-crafted stories to come out of the XF. It’s majestic in scope, full of complex literary structure and theme, and yet the plot moves like a runaway freight train. Both the Mulder and Scully characterizations are handled with tender care.

So, We Kissed, by Alelou What I love about this one is how it grounds Mulder and Scully in the ordinary. Mulder’s terrible secret doesn’t involve a UFO or some CSM-conspiracy. Scully goes to therapy that actually looks like therapy. I guess what I’m saying is that I utterly believe this version of M & S in addition to just enjoying reading about them.

Sore Luck at the Luxor, by Anubis Hot, funny, atmospheric. What’s not to love?

Black Hole Season, by Penumbra Nobody does wordsmithing like Penumbra. I use her in arguments with professional writers when they try to tell me that adverbs and adjectives MUST GO. Just gorgeous, sly, insightful prose.

The Dreaming Sea, by Revely This one reads like a fairytale in all the best ways. Revely creates such loving, beautiful worlds for M & S to live in, and I wish they could stay there always.

Malus Genius, by Plausible Deniability and MaybeAmanda Funny and fun, with great original characters, a sly casefile and some clear-eyed musings on the perils of getting older. This one resonates more and more the older I get. ;)

Riding the Whirlpool, by Pufferdeux I look this one up periodically to prove to people that it exists. Scully gets off on a washing machine while Mulder helps. Yet it’s in character? And kinda works? This one has to be read to be believed.

Bone of Contention (part 1, part 2), by Michelle Kiefer and Kel People used to tell me all the time that casefiles are super easy to write while the poetic vignette is hard. Well, I can’t say which is harder but there much fewer well-done casefiles in the fandom than there are poetic vignettes. This is one of the great ones.

Antidote, by Rachel Howard A fic that manages to be both hot and cold as it imagines Mulder and Scully trying to stay alive in the frosty wilderness while a deadly virus is on the loose. This is an ooooold fic that holds up impressively well given everything that followed it!

Falling Down in Four Acts, by Anubis Anubis was actually a bunch of different writers sharing a single author name. This particular one paints an angry, vivid world for Our Heroes and their compatriots. There is no happy ending here, but I read this once and it stayed with me forever.

The Opposite of Impulse, by Maria Nicole A sweet slice of life on a sunny day. When I imagine a gentler universe for Mulder and Scully, this is the kind of place I’d put them.

What is your favorite of your own fics, X-Files and/or otherwise?

Bait and Switch is probably the most sophisticated and tightly plotted. It was late in my fanfic “career” and so it shows the benefits to all that learning. My favorite varies a lot, but I’ll say Universal Invariants because that one was nothing but fun.

Do you think you'll ever write another X-Files story? Or dust off and post an oldie that for whatever reason never made it online?

I never say never! I don’t have any oldies sitting around, though. Everything I wrote, I posted.

Do you still write fic now? Or other creative work?

I write casefiles…er, I mean mysteries, under my own name now, Joanna Schaffhausen. My main series with Reed and Ellery consists of a male-female crime solving team, so I get a little bit of my XF kick that way. Their first book, The Vanishing Season, started its life as an XF fanfic back in the day. I had to rewrite it from the ground up to get it published, but if you know both stories, you can spot the similarities.

Where do you get ideas for stories?

The answer any writer will tell you is “everywhere.” Ideas are cheap and they’re all around us—on the news, on the subway, in conversations with friends, from Twitter memes, on a walk through the woods. My mysteries are often rooted in true crime, often more than one of them.

Each idea is like a strand of colored thread, and you have to braid them together into a coherent story. This is the tricky part, determining which threads belong in which story. If the ideas enhance one another or if they just create an ugly tangent.

Mostly, though, stories begin by asking “what if?” What if Scully’s boyfriend Ethan had never been cut from the pilot? What if Scully had moved to Utah after Fight the Future? What if the Lone Gunmen financed their toys by writing a successful comic book starring a thinly veiled Mulder and Scully?

Growing up, I had a sweet old lady for a neighbor. Her name was Doris and she gave me coffee ice cream while we watched Wheel of Fortune together. Every time there was a snow storm, the snow melted in her backyard in a such way that suggested she had numerous bodies buried out there. How’s that for a “what if?”

What's the story behind your pen name?

I’ve had a few of them and honestly can’t tell you where they came from, it’s been so long ago. The “6” part of syntax6 is because I joke that 6 is my lucky number. In eighth grade, my algebra teacher would go around the room in order, asking each student their answer to the previous night’s homework problems. I realized quickly that I didn’t have to do all the problems, just the fifteenth one because my desk was 15th on her list. This worked well until the day she decided to call on kids in random order. When she got to me and asked me the answer to the problem I had not done, I just invented something on the spot. “Uh…six?”

Her: “You mean 0.6, don’t you?”

Me, nodding vigorously: “YES, I DO.”

Her: “Very good. Moving on…”

Do your friends and family know about your fic and, if so, what have been their reactions?

My close friends and family have always known, and reactions have varied from mild befuddlement to enthusiastic support. My father voted in the Spookies one year, and you can believe he read the nominated stories before casting his vote. I think the most common reaction was: Why are you doing this for free? Why aren’t you trying to be a paid writer?

Well, having done both now, I can tell you that each kind of writing brings its own rewards. Fanfic is freeing because there is no pressure to make money from it. You can take risks and try new things and not have to worry if it fits into your business plan.

(Posted by Lilydale on September 15, 2020)

#new post #old school x #xfiles fanfic #xf fanfic #xf fanfic author interviews #syntax6

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ltleflrt · 4 years

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So I was having a conversation on Discord about omegaverse tonight, and my brain won’t shut up about it, because as usual I come up with my arguments after the discussion is over. I should have been asleep 3 hours ago, but it’s hot and I can’t unwind, so I’m going to stay up EVEN LATER while the a/c brings things down a few degrees, and I try to get these thoughts out of my head.

I was pro-omegaverse, and trying to explain why *I personally* like the genre, and why I think even with it’s problematic origins and frequently used elements, it’s still a cool genre. I was essentially having 2 discussions, but they were both using my answers to their questions, even though I was usually addressing them 1 at a time. That happens when you’re in a Discord chat, and I wasn’t @ing my answers to them, since we were all in the room together. And I think that cunfuddled the discussion and my thoughts. So here’s a breakdown.

Issue 1. Biological Essentialism is gross and rapey.

Answer: Yes, it is. But so what? Some people like pure rape-fantasy. Is it healthy? That can be argued either way, and it definitely depends on the person writing, or the person reading. People like gross and rapey stories to get their rocks off. Whether we like non-con or not, rape fics should be allowed to exist because some people like it. It doesn’t matter if I think their reasons are valid. As long as they’re not actively trying to harm someone, let people get down and dirty with their rapey fantasies.

Also, the whole biological imperative to mate isn’t that far off from Soulmate AUs. Truemates = Soulmates. Whether we like Soulmate AUs or not, are we also arguing that they shouldn’t exist because they’re problematic? No, we’re not. Soulmate AUs are romantic for a lot of people. Let people have their uncomplicated, fluffy, 1 Destined Love stories.

Something to keep in mind though, is that not all omegaverse fics use the true mate trope. And quite a lot of fics have characters with a lot more self control during their mating cycles than what you’d find in the short smutty one shots. It’s common for them to avoid each other during heats, and only share their mating cycle as an act of love, trust, and devotion. After they’ve been dating for a while. (I love it when the alpha brings over snacks and water for the omega, and immediately hightails it out of there once they get a whiff of their sexy love interest. “Take care of yourself, text me when you feel better, loveyoubye! *nyoooom*”)

Issue 2. It’s transphobic.

Answer: This one is harder to argue, because yeah. It can be. But so can non-omegaverse. Transphobia is, unfortunately, everywhere. Exploring human gender through non-human gendered beings isn’t a bad thing though. Cis people should be allowed to explore those things too. This is step 1 to fighting the Patriarchy. Questioning it. Someone may come out of the experience still cis, but they’re going to be more open minded to trans people. Not to mention, all the trans and enby folks who probably figured themselves out through the gender exploration to be found in omegaverse.

Now, if someone’s into omegaverse and they tell you they won’t read a story about a trans character? Red flag.

Personally, I like the gender exploration in omegaverse. Not just in the hormonal stuff, although I do kinda love the idea of seeing cis male characters suffer cramps once a month lol... but I like the stuff about social inequality that women have to go through mapped onto a male character.

I brought this up in the chat, and my use of the term “women’s issues” raised a terfy flag I think, which upset me and made it harder to make my point. Cuz if there’s one thing I’m not, it’s terfy. But I do see women’s issues as also trans issues. Trans Men are treated differently after they start to present as male. There’s a marked difference between their treatment as a woman pre-transition, and as a man afterwards. And they still have to be really careful about accidental pregnancy. I cannot fathom how awful the dysphoria would be for them if they get pregnant. Trans Women are treated horribly pre-transition if they give any hint of feminine interests. There’s a reason “girly” is an insult, and it’s because Toxic Masculinity Is The Worst. And then when they transition? Hooooboy, gods bless those ladies because Trans Women are treated worse than Cis Women on the social pyramid. And Enbies? Oh you sweet things, how the hell do you deal with the rest of us bastards?

When I say that I am interested in seeing the characters I like deal with women’s issues, I am talking about social inequality, not just periods and cramps (although that a little bit too, because I wish a cis man could just fucking UNDERSTAND why I need a goddamn nap okay? lol), but also sexual health rights, including birth control, including the right to choose whether or not to take hormones, the right to equal pay, the right to equal education. Feminism, for me, includes trans and enby folks at the table.

But anyway, the characters I like right now just happen to be men. I see Dean as a man. That could mean he’s a trans man too, because trans men are men, yo. Castiel I see either as a man or non-binary. So if I want to put them through “women’s issues”, I have to plunk them in a special universe for that. No one is writing Matriarchy AUs, so Omegaverse it is!

(Side note: If my OTP were f/f, I’d still like omegaverse. And I could see lots of interesting ways to use all those same tropes for 2 female presenting characters. So it has nothing to do with genitalia. Unless it’s smut. But I swing all the ways, so still not an issue for me lol)

(Side note part deux: I like to read trans stories too. They have unique things about them that cannot be found in stories about cis characters, even in omegaverse. And when I see Dean and Cas as men or enby, I’m not putting down people who like them gender flipped. I just see myself enjoying Trans Woman Claire dating Enby Kaia, more than I’d like to see Dean or Cas written as cis/trans-women.)

Issue 3. Internalized misogyny!

Answer: This is an argument used against women shipping m/m in general, and has nothing to do with omegaverse. It just so happens that omegaverse was created for m/m pairings. But there are TONS of reasons we ship more m/m than any other pairings, ranging from those are the most interesting characters presented to us, to--yes--internalized misogyny. But I’m tired of that one. Internalized misogyny is rampant, and telling women that their fantasies are problematic isn’t going to cure them. There’s better ways to go about it.

Omegaverse now covers m/f and f/f pairings as well, sooooo... yeah, this one just doesn’t hold water like it used to. We just need to yoink the media out of the hands of the cis-men who are mostly in charge, and make them give us more compelling women to ship.

Issue 4: That’s not how human bodies work.

Answer: They’re not human lol! Okay but real talk here. This issue actually sounds transphobic to me, because it strikes very close to the XX vs XY chromosomes argument. Omegaverse characters have intersex variations. Alpha females and Omega males can have both a penis and a vagina in some fics. It depends on how the author wants to write it, of course. I usually go with the (horrifying) cloaca for omega males, and the (hyena inspired) psueudo-penis for alpha females instead, but to each writer their own lol

But again... not human. Let wet buttholes be a thing, lube is expensive and sometimes the bottle gets tangled in the sheets, and you have to stop what you’re doing to find it and... anyway, convenience in fantasy sex is nice lol

In Conclusion:

Personally, I only like non-traditional omegaverse. The stuff that subverts the “problematic” tropes. I was asked what I liked about the genre, and when I explained, it devolved into discussion of the topics above. But I think what was forgotten in that discussion, was that I kept saying I don’t like the “problematic” things. I like flipping the tropes. Which I like in general, when I’m looking for things to read. I mean, how many Castiel Thinks He’s Straight fics are there? Not many! So I wrote one! Because flipping tropes is my jam!

I don’t like Soulmate AUs, but with the proper twist I can still enjoy it. I don’t like Highschool AUs, but I’ve read some that touched me so deeply I still think of them years later. There’s always someone subverting the tropes I don’t like and turning them into something I do like.

And yet even though I kept saying I liked the subversion of the genre, the discussion kept coming back around to the parts of omegaverse that I *don’t* like. I will still defend anyone’s right to like the parts of it that aren’t for me though, so I argued away XD

And? Sometimes I like the dark problematic stuff when I’m in the mood to get my rocks off. Don’t judge, you’re all a little weird in some way or another ;D

Anywho, now that I got this stuff off my chest, hopefully I can sleep. It has also cooled down by like 4 degrees, and I no longer feel like I’m going to melt in my sleep. Tomorrow is going to suck, because I have to get up in 5 hours. Yay!

#ltleramblings #i enjoy thinking about these things #i was enjoying the discord discussion #i just couldn't keep up with 2 people at once #especially 2 people who are much better at thinking on the fly than i am lol

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drivingsideways · 3 years

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k-drama rec list

Prior to 2020 I’d maybe watched 2 k-dramas in my entire life, but this year I got sucked in, thanks to some great recs, and y’know, *gestures * everything.

I think I’d held off watching kdramas because my impression of them was limited to romances that I didn’t enjoy at all. But this was the year I discovered the equivalent of “gen fic” kdrama- dramas that had wonderful ensemble casts, strong story lines that weren’t entirely romance focused and also a variety in terms of themes and styles. A big plus was that I found so many of these dramas had women leading the writers’ room, and seeing the effect of that in the story telling. (Notable exceptions: a certain “star” writer who should please stop inflicting her badly written, formulaic crap on the world, yes Kim Eun-Sook, I mean you, and whoever wrote that trashfire Flower of Evil)

So here I am with my own rec list! Caveat- these are mostly not the dramas released in 2020, I’m still playing catch up! :)

Under the cut for length

My Mister/ My Ahjussi (2018, Written by Park Hae-Young, Directed by Kim Won-Seok, starring Lee Sun-kyun and Lee Ji-eun aka IU)

This was definitely my absolute favourite of the shows I watched this year across western/ asian media. It’s a story about the thread that binds us all and the ineffability of human connection. It’s also a story that deconstructs ideas of masculinity and honour and shame in a non-western context, but with an extremely compassionate touch. It’s a story that doesn’t shy away from showing the consequences of material and spiritual poverty; and how one can so easily feed into the other. It’s a love story that isn’t a romance, except that it’s a Romance. It’s about finding salvation in one another and in the kindness of strangers. It’s about choosing life, and picking yourself up off the floor to take that one last step and then the next and then the next. The one quibble I have with the series is that it could have been better paced, it does get extremely slow after the half way mark. But god, do they land the ending. Both Lee Sun-kyun and IU turn in absolutely heartbreaking performances, and fair warning, be prepared to go through an entire box of tissues watching this series.

Life (2018, written by Lee Soo-yeon and directed by Hong Jong-chan, starring Lee Dong-wook, Cho Seung-woo, Won Jin-ah, Lee Kyu-hyung, Yoo Jae-myung and Moon So-ri.)

Medical dramas are very much not my thing, and I wouldn’t have taken a chance on it except that @michyeosseo said I should, and she was right! It’s a medical drama in the sense that it’s set in a hospital, but rather than a “case-fic” format, this is actually a sharp commentary on the corporatization of health care, and the business of mixing, well, money and what should be a fundamental human right. Writer Lee Soo-yeon was coming off the global success of Stranger/Secret Forest S1 when this aired, so I understand that expectations were probably sky-high, and people were disappointed when this show didn’t give them the adrenaline rush that they wanted. On the other hand, I thought that this outing was really much more nuanced in terms of the politics and also how the ending doesn’t allow you the luxury of easy-fixes. This show has a great ensemble cast, and while it took me a while to get used to Lee Dong-wook’s woodenness (i ended up calling him mr.cadaver after watching this and was surprised to learn that he’s very popular?), in the end I was quite sold on his version of angry angst-bucket elder-sibling Dr.Ye Jin-woo. His best scenes were with Lee Kyu-hyung who turns in a lovely, achy performance as the paraplegic Dr. Ye Seon-woo who just wants to live a normal life. The love story between the two brothers is actually the emotional backbone of the story, and I think they landed that perfectly.

My one quibble with writer-nim is that she ended up writing in a forgettable and somewhat (for me at least) uncomfortable romance between the characters played by Won Jin-ah and Cho Seung-Woo. I think part of my uncomfortable-feeling was that I got the strong sense that the writer herself didn’t want to write this romance, it was as if she was being made to shoe-horn it in for Studio Reasons, and she basically grit her teeth and did the worst possible job of it. I do wish we could have absolutely had the OT3 of my dreams: Moon So-ri/Cho Seung-woo/Yoo Jae-myung like, c’mon TV gods MAKE IT HAPPEN, just...look at them!!!!

Anyway, that apart, I think this was a very engaging series, and by engaging, I also mean thirst-enabling, see below.

Stranger (aka Secret Forest or Forest of Secrets) S1 & 2 : (2017-, Written by Lee Soo-yeon, directed by

2017′s smash hit aired a much anticipated second season in 2020, and I managed to catch up just in time to watch that live, so that was thrilling :D . Writer Lee Soo-yeon mixes up thriller/office comedy/political commentary in an ambitious series. I think S1 is more “exciting” than S2 in terms of the mystery and pacing, but S2 is far more dense and interesting in terms of political commentary because it takes a long hard look at institutional corruption and in true writer-nim fashion doesn’t prescribe any easy solutions. Anyway, please enjoy public prosecutor Cho Seung-woo and police officer Bae Doona as partners/soulmates kicking ass and taking names in pursuit of Truth, Justice and just a goddamn peaceful meal, along with a stunningly competent ensemble cast. Also yes, Han Yeo Jin is a lesbian, sorry, I don’t make the rules.

Search: WWW (2019, Written by Kwon Do-Eun, directed by Jung Ji-hyun & Kwon Young-il, starring Im Soo-jung, Lee Da-hee, Jeon Hye-jin)

GOD. Where do I start? +1000 for writer Kwon Do-Eun saying “fuck the patriarchy” in the most grandiose way possible, i.e. absolutely refusing to acknowledge that it exists. Yes, this is that power fantasy, and it’s also a fun, slice-of-life tale about three women navigating their way through work, romance, national politics and everything in between. It’s true that I wasn’t entirely sold on the amount of time spent on the romance, and I really wish they’d actually had a textual wlw romance, though the subtext through the entire series is PRACTICALLY TEXT. But still, it maintains that veneer of plausible deniability and I think queer fans who are sick of that kind of treatment in media have a very valid grouse against the show. On the other hand, personally I felt that the queer-platonic vibe of the show is very wonderful and true to real life, and it was only reinforced by the ending. This is a show written by a woman for women (like me), and it shows.

Hyena (2020, Written by Kim Roo-Ri, directed by Jang Tae-yoo & Lee Chang Woo, starring Kim Hye-soo and Ju Ji-hoon )

Those of you who’ve been watching hit zombie epic Kingdom are probably familiar with Ju Ji-hoon’s brand of sexiness already. I had not watched Kingdom and got hit in the face by Mr.Sexy McSexyPants’ turn as a brash, privileged-by-birth, up and coming lawyer who gets completely runover by the smoking hot and incredibly dangerous fellow lawyer/competitor from the other side of the tracks in the person of Kim Hye-Soo. When I say they set the room on fire, I mean it, ok. Every single scene between these two is an actual bonfire of sexual attraction and emotional hand grenades, and they’re both absolutely riveting to watch. “Flower of Evil” wishes they had what this show has- an actual grown up romance as opposed to a thirteen year old twilight fan’s idea of an adult romance.

The “lawyer” shenanigans and the “cases” are hit or miss, and I think the occasional comedy fell flat for me. But that’s not why I mainlined like 6 episodes of this series overnight like a coke addict, and that’s not why you’re going to do it either. It’s so RARE, even in these enlightened days to find a female character like Jung Geum-ja: hard as nails, unapologetic about it, and not punished by the narrative for it. The best part for me is that she feels like a woman’s woman, not a man’s idea of what a Strong Female Character should be. Anyways, when I grow up I want to have what Kim Hye-soo has ok?

Other dramas that I watched this year, quickly rated:

The King: Eternal Monarch (3/10 and those 3 points are only for the combined goodness of second leads who deserved better- Jung Eun Chae, Woo Do Hwan and Kim Kyung Nam. Please head over to my AO3 and read my attempts to fix this garbage fire and rescue their characters from canon)

Flower of Evil (-10/100, dont @ me)

Tale of the Nine Tailed (5/10, I think it succeeds at what it set out to do, which is a light hearted, sweet fantasy-romance-melodrama, plus “second lead” Kim Beom will make you cry as the hot mess of a half human/ half fox spirit ALL TEARS character. I think if you’re into kdrama romances as a genre, this is probably a good bet?)

Signal (7/10, This was the first full kdrama I watched this year and would definitely recommend. It’s a police procedural with time travel shenanigans and has an engaging plot, good pacing, texture and compelling performances. My one disappointment with it was the way they wrote Kim Hye-soo’s character. As literally the only female character to survive in any way, she was given short shrift, and toward the end it really began to grate on me.)

Six Flying Dragons - (7/10, also would recommend if you’re interested in Korean historicals. It definitely already feels a bit dated in terms of styling and production values, and even scripting and acting choices. But it has a good balance of fantasy and history and political commentary. I was not a fan of Yoo In-Ah’s performance in this series, but it’s not anything that would make you want to nope out of the series. It’s GoT , if GoT was thoughtful about politics and characters and not the misogynist, racist trashfire that it became.)

My Country: The New Age - (3.5/10, and that’s 3 points to Jang Hyuk’s fan and 0.5.points to Woo Do Hwan’s heaving bosom. If you like your historical drama/fantasy with very pretty men, very gay subtext -seriously RIP to show makers who thought they could hetero it but didn’t account for Woo Do Hwan’s Tragic Face- lots of blood and tears and very nonsense plot, this is right up your alley. I probably would have enjoyed it more in other circumstances, I think? But this one just annoyed me too much at the time!

I have a couple of more dramas to watch on my list, that’ll probably carry me over into 2021, so see ya on the other side! :D

#k-drama #kdrama rec list #2020: A YEAR #i'm a queue for you

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baebeyza · 4 years

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Pros and Cons of all the TF shows I watched [updated: Unicron Trilogy and BW Neo]

Update info: Whyever the hell I wrote this and why people care about my opinion is beyond my current understanding, but @chaoticgirl23 asked for the Unicron Trilogy I hadn't watched back then, so- Also decided to write down if I actually like the show or not xD

(also I removed wfc, because I cant really judge after all with the show not being finished) My personal opinions + stuff that can be dubbed controversial and problematic, so beware for racism and sexism! But also beware of my idiotic attempts at humour

G1 (loved the show with all my heart)

Pros:

- The original show

- big cast of loveable characters

- Really awesome human side characters

- Very clever and witty dialogue

- fucking batshit insane

- Rodimus Prime is babe

Cons:

- apart from Arcee, female autobots being treated like a subspecies and only appearing in like one episode (3 if you are generous)

- Motherfucking country called “Carbombya”

- Some human characters are actually shit (those boys from B.O.T)

- Rodimus fucks as a human and not as a robot

- Everything animated by AKOM

- Galvatron’s portrayal as a person with brain-damage reads as ableistic (Personally I still love his G1 version more than the others I’ve seen)

- The “You’re only truly disabled if you lose your courage” line from Chip, it was explained to me that it’s ableistic as well

Headmasters (loved the show)

Pros:

- exciting plot

- characters die, fuck yeah

- Planets get destroyed, fuck yeah

- <3 ~ Power of Friendship ~ <3

- Sixshot is babe

Cons:

- Everything about Cyclonus and Wheelie

- Rodimus fucks off after episode 10 and never comes back

- Arcee going from warrior to secretary

- If you come from IDW I have to break it to you that Chromedome is straight

SuperGod Masterforce (loved the show with all my heart)

Pros:

- A darker and more serious storyline if you’re into that

- Lots of character arcs and well-written characters in general

- Decepticons having a more family like dynamic

- Decepticons with a level of depth to them

- Redemption much

- Ginrai is babe

Cons:

- This show’s focus is on the humans so if you don’t like human TF characters, this aint for you

- The character Cab has a level of racist stereotyping - he comes from a fictional country in Oceania called Karin and the depiction of that country is everyone living in wood homes and having no electricity. (The show plays in the future so that makes it worse) Cab himself gets introduced as a Tarzan kinda dude who can talk with animals.

While I found Cab himself not bad as a character, the problem with how his background is written sure is stupid and insulting. There isn’t a lot of focus on his country in the show however, but it’s still there

- There is a scene in which the boys Shuta and Cab spy on girls during swim class (they get called out and apologize for it though and the “fanservice” scene itself is really damn modest and tame)

Victory (loved the show)

Pros:

- Similiar fun tone as G1

- lovable cast of idiots

- Exciting episode plots

- Leozack is babe

Cons:

- The only two prominent female characters are love interests and nothing else (which is drop in quality when compared to Masterforce, which had Minerva as a fleshed out autobot with agency and Mega as an interesting female villain)

- Leozack never punches Deszaras in the face

- Fucking retcons the destruction of Mars in Headmasters

Beast Wars (loved with all my heart)

Pros:

- Really compelling story and characters!!!

- Well written dialogue

- Wonderful character animation

- Dinobot is HONOUR and babe. Also I’m crying

- Megatron and his bullshit

Cons:

- Megatron and his bullshit

- That stupid love triangle subplot in season 3

- Some major plotline not being fully developed (the Vok plotline)

Beast Wars II (liked the show)

Pros:

- The Predacons in general

- Lio Convoy (the Optimus of the show) having a son

- Galvatron is babe and so is Starscream

Cons:

- Maximals are lame apart from Lio Convoy and the arc with his son Lio Junior

- A lot of uninteresting characters an episodes

- The Jointrons as racist mexican stereotypes

- Only female robot is part of a love triangle (even more annoying than the love triangle in Beast Wars)

Beast Wars Neo (liked the show)

Pros:

- Big Convoy being a lone wolf turned teacher was a really sweet story to follow <3 How he and his team learnt to trust each other over the course of the show was really nice!

- Unicron in this show was a delight

- D-Navi was always fun

- Magmatron was a rather nice Decepticon leader

- Heinrad is babe

Cons:

- No girls (Boo!)

Beast Machines (very conflicted, tend to dislike)

Pros:

- Plays entirely on Cybertron

- Explores themes of technology and organic life forms and really tries to be something different and deep

- The last episode is really nice

- Jetstorm is babe

Cons:

- No fun allowed - the maximals are really frustrating because we only ever see them being angry and fighting and a lot of them only show us their worst sides

- The maximal character models are HIDEOUS

- You may not actually like the philosophical aspect of the show, especially when you think too long about it and realise it’s kinda shit

Robots in Disguise 2001/ Car Robots (liked the show)

Pros:

- New continuity! New story, new take!

- Funny and lighthearted

- Cute characters

- Sky-Byte/Gel-Shark is babe

- Ultra Magnus/God Magnus is a fucking jerk and I love it

Cons:

- Sideburn/Speedbreaker’s gag about loving red sport cars and chasing after them - it’s played as a joke all the time but I can see that stuff making people uncomfortable when they see the female driver trying to get away from him and his catcalling (Apart from that I do like him a lot though)

Armada/Micron Densetsu (disliked the show)

Pros:

- Lots of feels between Megatron and Optimus

- Starscream's arc

- The ending arc

- Jetfire was babe

Cons:

- The pacing was unbearable

- Half the time the characters didn't act like people and I was confused about almost every conflict, action and point they made. It's not a great story when I watch episode and need an hour to figure what the hell the story even was

- The parts I liked in concept are not helped by how unnatural and weird the characters acted at times. I liked the ending, but how they got there was so weird that I just can't enjoy it

Energon/Superlink (loved the show)

Pros:

- Megatron/Galvatron - Everything about him

- The japanese voice acting was fantastic!

- Really nice death scenes (I love death scenes btw)

- Mirage/Shockfleet being in love with Megatron

- Bringing back old names apart from Megatron and Optimus

- Rodimus being an equal to Optimus was a nice touch

- The few scenes it was 2D animated

- Jetfire/Skyfire is babe

Cons:

- Animation

- The "for the toys" thing kinda ruined some characters, where instead of getting the toys as completely new characters, they killed old ones and brought them back with a new model. It did suck story-telling wise (and me, loving death scenes, get annoyed when a death scene gets ruined by bringing the character back). So you got all these character arcs that feel like the just stopped

Cybertron/Galaxy Force (loved the show with all my heart)

Pros:

- Love the setting and world with all the different colonies and how they were explored ~

- Optimus Prime, this one is my favourite version of him!

- Vector Prime, they should bring him back

- All the different leaders

- The friendship between the characters- this show has my favourite set of Autobots from all TF media

- This also has my favourite Mega&Star dynamic

- Starscream himself is so well done here!

- Jetfire/Dreadlock was babe

Cons:

- Megatron was lacklustre. When it came to him and his dynamics with other characters (apart from Starscream), he was hardly written as a person with feelings. He never reacts to anything happening within the ranks of Decepticons and it is really disappointing, because there was a lot of potential! (with Flame Convoy and Chromia specifically)

Animated (loved the show)

Pros:

- Character writing, plot and themes!

- Lighthearted tone but enough scenes that dig a little deeper

- Really nice and smooth animation

- Optimus is baby

Cons:

- The chins

- No 4th season

Prime (loved the show)

Pros:

- Best friggin fight scenes and animation in general

- Really exciting plot

- Ratchet is babe

Cons:

- Predacon Rising exists

- Characters dying for budget reasons (Just don’t hire celebrities when you cannot pay them for more?)

Robots in Disguise 2015 (it's okay)

Pros:

- ...the Stunticons are babe

Cons:

- characters never developing and learning the same shit over and over again

- almost no interesting villains

- even the interesting ones being shoved aside a lot

- no real built-up for the climax

- lots of filler and not enough time spent on the actual plot of a corrupt Cybertron goverment

Prime Wars Trilogy (loved the show with all my heart)

Pros:

- Megatron, everything about him, he’s babe

- I really like the soundtrack

Cons:

- Bad storytelling, both narrative and visual

- Horrible or mediocre voice acting

- Static and bad facial expressions

- Static and bad character animation

- Feels like no one involved in the production had any idea how to tell a story

Cyberverse (meh)

Pros:

- Really cute as fuck

- Big cast

- Astrotrain is babe

Cons:

- No time for character arcs, they just jump from set up to conclusion with nothing in-between

- Unfocused plot that jumps from one idea to another

- Megatron broke my heart and I hate him

#transformers #tfa #tfp #g1 #beast wars #bwii #prime wars trilogy #cyberverse #headmasters #masterforce #victory #beast machines #rid01 #rid15 #bey's shit #transformer posting

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scratchface · 3 years

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If non-Superman/Batman heroes can't dream of one day being better, what's the point of publishing them at all?

I’m guessing this about my bitching the other day, so I’ll elaborate.

A lot, and I mean a lot, of DC media in the past two decades likes to attack the Justice League, especially Superman and Batman, usually in an effort to promote said media’s own protagonist instead.

Not that this stops there or with them--take the DC animated movies absolutely embarrassing treatment of Nightwing. They go out of their way to make Nightwing look bad in favor of creator’s pet Damian basically every film, and frankly, its disrespectful.

Not to mention villain-centric shit like anything, anything, based around the Suicide Squad or Harley Quinn, which tend to be absolutely braindead and insulting with their treatment of the original heroes. (Like the absolutely travesty of what they did to Cassandra Cain, oh my god--)

But to get more specific, the most egregious examples of this would be the Supergirl and Batwoman shows. Now, the writing on these shows is consistently stilted and terrible. On top of that, the main characters are flat and flavorless. But rather than put in the effort of actually writing good characters, the writers would rather use their time trying to gaslight you into thinking their characters are better than they really are. Characters repeatedly and nonsensically insist that Kara is way better than Clark. Characters dramatically proclaim Kate is way better than Bruce. If Superman or Batman appear, it will be accompanied by endless assurances that their female, one-dimensional counterparts are vastly superior.

Which is painfully cringe on top of being insulting, and also, completely unnecessary.

Supergirl in the modern comics is usually alright; she’s got plenty of personality, she’s completely distinct from Superman, and she’s got a bit of an edge. And most adaptations of her do pretty well, because they really lean into the hot-headed warrior aspect of her character. When she’s well written, there’s no reason to compare her to her cousin, because she has plenty of her own appeal.

Batwoman--well, there’s the good and bad. She certainly has her own appeal in the comics, and while I personally find her bland, plenty of other people are huge fans. Her design is striking, if nothing else.

But in their respective TV shows, the writers insist of repeatedly trying to convince the audience that they’re both way better than Superman/Batman. Nevermind that Batwoman is a blatant ripoff of Batman’s iconic look, attitude, and general concept with very little creativity injected in; nevermind that the Supergirl in the show is nothing but a genderbent Clark Kent, all of Kara’s original and unique traits thrown out in exchange for ripping off Clark Kent’s background and career.

You don’t get to blatantly ripoff two of the most popular fictional characters of the past century to build your protagonists and simultaneously shit all over those characters. Which these shows do. Repeatedly. Insistently. If you’re going to write a Supergirl show, write a Supergirl show. Don’t write “Superman in a skirt but totally way better just trust us on this because Superman sucks” instead.

On top of all that, Supergirl and Batwoman...aren’t particularly that great, or that badass. They certainly aren’t juggernauts of compelling characterization and they don’t have many particularly interesting stories to their names. Any attempts to insist otherwise are pretty absurd and usually grounded in complete ignorance of any other comics. That’s not a necessarily a fault of the characters, but in the CW shows, that’s certainly a fault of the writers.

This sort of heavy-handed writing...It’s arrogant. It’s condescending. It’s pandering. And most of all, it’s lazy. They really think they can put so little effort into making their own characters interesting, and then act like they’ve done better than the best-selling comic book characters in history. Does the arrogance of that not bother you?

Let’s take the MCU, and the Avengers. Before the MCU got rolling, the X-Men were pretty much the only Marvel team non-comics fans cared about. And Marvel knew this. They’d been made very, very aware of this.

So imagine if they’d let that get to them, imagine if they got all insecure about it. Imagine if, in the Avengers movies, the action came grinding to a halt every once in a while so the characters could assure the audience that they’re way cooler than the X-men and wow look how much a better team we are than those mutants :) disguised as thinly-veiled and poorly executed conversations.

Yeah. It is bad.

It’s also completely unnecessary. In order for a story to be a success, it should be able to stand on its own, no need to attack its predecessors. It should stand on its own merits.

And yet, here we have countless writers acting like they think they can do better than the best-sellers without anything to back that up. They’ve made an assumption about their own skill, and the charisma of their protagonists. They overestimate themselves in a way that’s downright narcissistic. And to them, if I could give every single one of them a harsh reminder, I would. They will never create a character as popular, as iconic, a culturally prevalent as Superman or Batman. I want them to set aside their egos and respect the characters painstakingly established by the authors before them. Writers with no respect for the work of their predecessors should have no place in comics or comic-related media. They should just go write completely original fiction, if they’re so convinced in their own skill and capacity to do better.

So yeah, arrogant hacks shouldn’t publish at all.

But non-Superman/Batman characters should obviously be published, I guess. I mean, I’d rather read 1,000 basically identical Batman comics than have to even look at Harley Quinn, but someone somewhere likes her and they should have something to read. Not to mention all the great characters I love that aren’t headliners. Not every character is going to have the same cultural impact as Superman or Batman, and that’s okay. And someday, someone will create a new comic character as popular and iconic as DC’s headliners, and more power to them. But no one has done it yet, and it’s embarrassing when a writer gets high on their own mediocrity and pretends otherwise.

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reconditarmonia · 3 years

Text

Dear Fandom 5K Author

Hi! Thank you for writing for me! I’m reconditarmonia here and on AO3. I have anon messaging off, but mods can contact me with any questions.

Dragon Age | Fullmetal Alchemist | The Locked Tomb | Motherland: Fort Salem | Where the Sky is Silver and the Earth is Brass

General likes:

– Relationships that aren’t built on romance or attraction. They can be romantic or sexual as well, but my favorite ships are all ones where it would still be interesting or compelling if the romantic component never materialized.

– Loyalty kink! Trust, affectionate or loving use of titles, gestures of loyalty, replacing one’s situational or ethical judgment with someone else’s, risking oneself (physically or otherwise) for someone else, not doing so on their orders. Can be commander-subordinate or comrades-in-arms.

– Heists, or other stories where there’s a lot of planning and then we see how the plan goes.

– Femslash, complicated or intense relationships between women, and female-centric gen. Women doing “male” stuff (possibly while crossdressing).

– Stories whose emotional climax or resolution isn’t the sex scene, if there is one.

– Uniforms/costumes/clothing.

– Stories, history, and performance. What gets told and how, what doesn’t get told or written down, behavior in a society where everyone’s consuming media and aware of its tropes, how people create their personas and script their own lines.

General DNW: rape/dubcon, torture, other creative gore; unrequested AUs, including “same setting, different rules” AUs such as soulmates/soulbonds; PWP; food sex; embarrassment; focus on pregnancy; Christmas/Christian themes; infidelity; unrequested polyamory; focus on unrequested canon or non-canon ships; unrequested trans versions of characters.

Smut Likes: clothing, uniforms, sexual tension, breasts, manual sex, cunnilingus, grinding, informal d/s elements, intensity.

—

Fandom: Dragon Age

Character(s):

Group: Cassandra Pentaghast/Female Lavellan

Female Lavellan

Group: Charter & Rector

Genre(s):

Canon-Style Plot - Freeform

Action/Adventure

Worldbuilding

Established Relationship

Mystery/Procedural

I'm playing this game for the first time and loving Cassandra and Lavellan together so much. (I'm playing with a mod where I can romance her with a female PC!) Lavellan starts off as this confused and small and non-Andrastian prisoner who disagrees with Cassandra on so many things, but Cassandra puts so much trust and faith in her and so much on the line for her - even with Lavellans who are adamant that they're not chosen, they're just doing their best and they happen to be the ones in the position to make this choice. Cassandra is so proud to know her, and backs her up even when she disagrees with Lavellan's choices! The romance scene is really cute between two characters who are adults and have a day-to-day working relationship that isn't going to change, but are still just having fun with how charming it is in a way that builds on their friendship. Not to mention their battling together, of course - the ways they can protect each other and fight for each other's goals (and give Cassandra all the elven swords and shields), how worried they sound if the other one gets hurt...whoops, I found myself another loyalty kink ship.

I also just like playing as Lavellan generally, with how much of an outsider she feels (the "Dawn Will Come" scene is so alienating! it really works!) and how much of the game is about visiting the sites of past elven trauma and/or glory days.

My Lavellan uses the (default lol) name of Ellana, is a rift mage, sports a lovely buzzcut and vallaslin, has a lot of feelings about elf history (and visiting the Plains/Graves especially), believes in elven gods and doesn't care to pretend she's Andrastian, and besides Cass is closest friends with Solas, but don't feel that you have to write my specific PC - I'm excited to read about yours too!

But! I also love all the little hints about the work that Leliana's agents are doing, and their friendship (walking in on their card game at Caer Bronach is kind of delightful), and the letter from Rector's mother asking why he uses a code name for work (why are you ashamed of your name, Wilbur??) is one of my favorite in-universe documents. Slice-of-life or slice-of-mission with Charter and Rector would also make me really happy. Here again, just the closeness and trust and faith that these people have in one another is my jam.

Fandom-Specific DNW: Canon-typical levels of Cassandra's association with the Chantry and belief in the Maker/Andraste/the Herald shouldn't be taken to contravene my DNW of Christian themes, but I wouldn't want Satinalia fic or something focused on the Andrastian faith. Please don't put F!Lavellan in a different romance, even if we didn't match on the Cassandra ship.

—

Fandom: Fullmetal Alchemist

Character(s):

Group: Olivier Mira Armstrong/Maria Ross

Genre(s):

Action/Adventure

Canon-Style Plot - Freeform

Getting Together

I'll admit: I am a shallow, shallow person who loves the heartwarming and id-satisfying Briggs loyalty-kink complex (The watch! Buccaneer handing Olivier a clean pair of gloves after she kills Raven! Constant and deeply sincere saluting! Olivier’s explanation of why she wants Miles around and her lack of patience for anyone’s shit) but would like an f/f manifestation of it for actual shipping. Post-canon or AU where Maria is assigned to Briggs, or works for Olivier in Central? Does Maria foil a plot against Olivier, or Olivier save Maria's life in battle? Does Olivier order Maria into a firefight? Hit me.

Fandom-Specific DNW: Olivier/men, even mentioned.

—

Fandom: The Locked Tomb

Character(s):

Matthias Nonius

Genre(s):

Action/Adventure

Canon-Style Plot - Freeform

Fantasy

Nonius was one of my favorite new characters in Harrow the Ninth. His whole impossible arrival via evocation-by-poetry, battle with the Sleeper, and epic departure to fight the Beast made me very, very happy on levels I have trouble explaining. It was so heartwarming?! Because it was impossible, and because poetry won, and because they went off to do the best they could...I don't know, exactly. (Iiiii also just love that he's named for the Redwall mouse.) I'd love to read more about his life - being unprepossessing and very human but also paladin-like and really fucking good at being a swordsman, representing the Ninth House in slightly less decrepit times, his mysterious past with Gideon the First (and Pyrrha, sort of), however it happened that he died far from home in an unknown place and couldn't be recovered for burial, "chickenshits don't get beer"? Or, er, his afterlife - going to fight with Marta, Ortus, and Pro, re-encountering G1deon as allies...

—

Fandom: Motherland: Fort Salem

Character(s):

Group: Abigail Bellweather/Raelle Collar

Original Historical Witch Character(s)

Group: Sarah Alder & First Bellweather Ancestor

Genre(s):

Action/Adventure

Canon-Style Plot - Freeform

Mystery/Procedural

Worldbuilding

I fell hard for this show and Abigail/Raelle is the ship I’m most excited about - they get off to a bad start for all kinds of personal history reasons and have problems with each other, but when it gets down to the wire Abigail would do anything for Raelle and is very gung-ho about having Raelle’s unconventional but extremely powerful magic under her leadership, regardless of Raelle being a loose cannon. She told her she loved her!! <3 And by the end, Raelle also clearly knows what Abigail's going through (like when she talks her down in "Citydrop"), respects her leadership, and cares deeply about her and wants to protect her in return. I love that loyalty dynamic, and their competence as fighters/witches.

Physical combat, strength in general, magical strength, ability to work magic together, knowledge of the magical canon vs. out-of-the-box techniques...what parts of their skills and their bond could be challenged in the weird dimension that the end of season 1 leaves them in? Or when they get back home and new challenges await? (In my head, the decision not to send them to War College is not revoked; the unit becomes some kind of special-forces secret strike team rather than cannon fodder.) Maybe something where Raelle goes/has gone into a fight as a berserker-type for Abigail and then comes back to her, or where Abigail protects/has protected her soldier (her girl!! I love her protectiveness of Raelle towards the other cadets, imagine it in a battle!)? Or an arranged marriage AU where it's usual for witch soldiers to marry to combine their magic power or something...If including smut in the story, I'd especially be up for something d/s-y where the loyalty-kinky dynamic of Raelle being Abigail's weapon, at her command, is echoed in sex!

OR. The alternate history that the show has created is so interesting and I'm craving expansion of that through fic! Tell me about the Bellweather ancestor who was a slave and ended up powerful and influential enough to begin a dynasty, and how she met and was recruited by Alder. Or other enslaved witches, witches in the American Revolution or the Civil War, or the founding of Fort Salem and standardization of American military magic with its various influences, or Chinese or Jewish or Mexican immigrant witches who maybe came from different magic traditions and might have had to make the choice of whether or not to reveal that they had magic (if the system knows you because of your descent in the country?), serving their country but also binding their daughters and granddaughters forever.

Fandom-Specific DNW: Abigail/Adil (at all; if he's mentioned, please make them just friends), focus on Raelle/Scylla (dwelling on Raelle still having feelings for Scylla or on her getting over Scylla for Abigail; you don't need to retcon their having been together), Scylla bashing.

—

Fandom: Where the Sky is Silver and the Earth is Brass

Character(s):

Chaye Roznatovsky

Demon

Genre(s):

Fantasy

Canon-Style Plot - Freeform

Worldbuilding

Anything expanding on this story would make me really happy. Chaye’s years with the partisans, the comrades-in-arms she had and loved then and who else’s memory she holds or makes into a weapon, her journey to America, going by the surname of “no one.” The demon’s mirror world, its loss of that world (what exactly happened on the other side?) and its need to be where Jews are, demon Judaism? Or the future of both of them now that they’ve found each other!

Fandom-Specific DNW/Opt-In: DNW Chaye/demon. The premise of the story being what it is, I'm explicitly okay with antisemitism being a prominent feature of the story if you write something that covers either or both characters' backstory, but would prefer post-war antisemitism not to be a focus.

#dear author letters #dragon age #gideon the ninth #motherland: fort salem #fma

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adrunkgiraffe · 3 years

Text

I have been through this journey before, so I get to be actually frustrated about it.

IUnder a read more because im not subjecting y’all to this. Also: I should caveat I haven’t watched the episode cause I’m waiting till its on Netflix but I have watched way too many other episodes of Supernatural so I have a right to say these things.

TL;DR: I mean you all knew Cas’ confession was fucking bullshit and that SPN is...hm. But I’d like to actually express my genuine frustration, for a moment? I’m going to say things you already know, but I have too much knowledge of this show and too much stupid meta in my brain about a series I haven’t genuinely enjoyed for at least 5 years which makes this not just blandly bad but disgustingly insulting to me not even as a gay just as like. A writer?

Or, even shorter: Cas’ confession is just a Charlie Bradbury Speedrun

So. As some of you may know if, for some reason, you followed me back in 2013 (and till...okay fine 2015), I used to be, uh. Really into SPN. Really, I was into Destiel. Like, as in, I slogged through seasons 1-3 to get to Cas and am also really vulnerable to the Sunk Cost Fallacy and projecting onto characters. (I was in 8th grade in 2013, okay? Get off my back)

Also, because I monopolised use of the TV, I kind of...also got my parents into it? In a “this is silly but fun” kind of way.

Over time, critiques of the show from viewers, learning what queerbaiting is at all, fatigue with how long it was going, and also fatigue from how characters I enjoyed, like Rufus, or Crowley, or Ellen, or Jo, or Kevin, or Charlie, or Cas a few times, kept getting killed off. As time went on, it didn’t escape my notice that, aside from Cas, all of these characters fit one or more of the following criteria:

They were a woman

They were a person of color

Were Queer or Queer-coded in some way (listen Crowley was bad rep but at least Mark Sheppard actually kissed a man on screen)

I also just...generally got tired of the way the show treats women and sidelines people of color.

The final straw really came with Charlie’s death. It got us all excited, because she hadn’t been back in a bit! And it was interesting to see how reuniting with her dark side from Oz had changed her! (yeah remember the fucking Wizard of Oz storyline? The writers sure don’t!) And maybe she’d get developed! Because at this point, Charlie and the fairly good writing of her character was a major upside for the series! Charlie was cool, fun, gay, and morally complex in a way...none of the female characters had been before her, in large part because by definition, her relationship with the boys would always be platonic.

And then. Offscreen. She is violently murdered. For no damn good reason. Like, literally, her being brought back in this episode after fucking off to europe after having returned from fucking off to Oz seems to have filled two purposes in total.

The codex is solved (but Sam doesn’t know till next episode)

Charlie is dead, which means Dean can be angry, specifically at Sam, and kill more people because he’s the big bad this season.

That’s it. Two things. Twooooo whole reasons to do this episode. Whoopee.

But you didn’t come here for this, you came here for me to rip this reveal to shreds. Don’t worry, I’ll get there. What I want in your minds is that Supernatural already had a really good anddynamic queer character. And then they killed her off to make Dean angry. No, it doesn’t matter that they brought her back in season 13 or whatever. They made that decision.

After the rage this incited, I started realizing general flaws in the writing (I had probably already noticed them but now I was angry enough to complain.) Every conflict is born of Sam and Dean not communicating/taking on burdens and Dean being angry at Cas for reasons that ranged from good to ridiculous, but in a way that always went way too fucking long, (which...yes, does make the “you do it for love” gifs fucking hilarious). It didn’t help that seasons 11 and 12 were next, which meant Demon Dean and GOD’S FUCKING SISTER, plus the decision to resurrect Mary, which, while I do like her later scenes, as a season 12 finale it...well I’ll be honest it kinda sucked. It undercut the majority of the Winchester’s’ arcs and their slow and painful journey out of their father’s toxic vengeance quest and knowing Mary as a person when it’s too late to know her was one of the last semi-compelling grounders of the narrative.

By this point it was a hate-watch for my parents and I.

So then, I’m at college, and I’m not watching anymore cause I don’t have the motivation or access to Hulu to continue, and SPN is bad. I watch the Scooby Doo crossover when it comes out and my friend and I make fun of it, and we also continue making jokes about Dean and Cas and queerbaiting because we’re queer, but I don’t keep up. My Dad does though, so when I return, I watch some with the fam and lads. It’s even more tiring without context.

So flash forward to Quarantine, my sister, the only one with taste, has left, and we have run out of netflix to watch. So we return to the well, and seasons 13-14 are. I’m gonna say it. Bad. Really fucking bad. The cycle of bad communication continues, season 14 has like seven antagonists and the way it’s structured makes it so I literally cannot remember the timeline of a season I watched 3 months ago. Oh also, they have a queer coded cannibal snake monster for...well I guess Jack’s snake bud was cool but like. Huh wow it’s almost like these writers don’t handle queers well.

Our one saving grace is Cas, but he’s barely in any episodes, though I did note that his deal with the empty, being happy completely for one moment killing him, that struck me as “this has potential and I know they’re gonna half-ass it somehow.” Also Jack and Mary, but then oh...plot….The most compelling it gets is literally the finale.

But then, 3 days later, the first half of season 15 comes out on Netflix and it’s...actually kind of acceptable. The new character they give Jack’s actor is fun to watch him play until they make him evil. Exploring just how toxic Chuck can be gave the series direction again. The alternate future was genuinely scarring, and Eileen’s return was genuinely moving. Most of all, though, Cas got the opportunity to tell Dean no, that Dean was being unfair to him, had always been unfair to him, and he was sick of it. I had no illusions, I knew Destiel was never gonna happen, and Cas was gonna die, but giving him that bit of agency, letting Cas grow and be self-sufficient, and be angry with Dean not for existential reasons but interpersonal ones, was such a good sign for me, and Dean grew too! Dean fucking apologized for being horrible and Jensen Ackles had a...yknow what, ill give it to him, he had a good acting moment.

But the thing. About. The “I love you.”

Let’s take it in parts.

What was good: I’m gonna admit it, lads, “Wanting what I can’t have” - AS A LINE - is good, and, structurally, there is something to the Empty Deal that could have been an interesting aspect of Cas’ arc when it comes to self actualization and being on even footing with Dean. The problem is, this is Supernatural, and that arc only comes up when I bring it up because character study, even in bad media, is fun for me.

What was bad:

I mean. Like. All of it? All of it.

Okay. Fine. I’ll be specific.

Cas dies immediately when - possibly because- he is revealed as having feelings for Dean. They kill him as they queer him, that’s a Bury Your Gays Speedrun right there.

Like the least they could have done is have him mention it to someone in another scene or something to establish some romantic feelings on the part of canon a full episode beforehand. That would have been the literal bare minimum.

When Cas starts praising Dean, for some reason both the writing and Misha’s acting take a bit of a downswing (from...where it already was). Cas, whose most powerful moment this season was acknowledging that Dean’s anger at him is cruel and unfair, flatly praises him for doing everything out of love and it reads with a misunderstanding of both Dean as a character and Cas’ understanding of Dean. Dean is angry! VERY ANGRY! And it’s a problem he needs to work on and rarely does.

Talking out of my ass, a better speech would have been about how Dean is angry because of his love for Sam, family, and the people around him, how, for better or for worse, he can’t help but be angry on behalf of others, and that his journey of moving that tendency towards the better is what made Cas care so much. Guys this alteration to the metaphor took 2 minutes to write tops I am an Art History student and these are TV WRITERS WITH YEARS OF EXPERIENCE CAN YOU TELL THEYRE NOT TRYING YET?

A better speech would, of course, have come out of a better series. My point: this part was half-assed. Poorly written. Wow it’s almost like the series is also poorly written.

Also, Misha is the better actor of the three(***OF THE THREE), but his choices in that scene are jarringly out of character which. Makes the bad writing worse. It doesn’t help that they cut to the same fucking shot of Dean 3 times. The chemistry in that scene makes it feel so fucking hackneyed. Because it is.

This combines lead me to the point: (wait there was a point to this?)

As someone who does not have the luxury of watching this capsized ship fall into boiling seas from a distance, it is less insulting to me that they did this so last minute and then sent Cas to the Void than it is how they did it. They had ingredients for something that could have been compelling enough to me as a former fan of the show to think that they had put effort into it, that they had decided months, perhaps even years ago to do this, and had crafted a storyline around it. That this was an intentional decision they cared about. It wasn’t. It was barely even pandering, because it’s almost insultingly blatant.

SPN kinda proved to me that it didn’t care about queers when Charlie was killed off. It proved it to me again when Cas, not only died in confessing his love for Dean but did it in the weakest result of what could have been a surprisingly strong story.

#destiel #i don't fucking care im tagging it #bury your gays #queerbaiting #homophobia #also: i should say there are a lot of moments where i refer to aspects of the writing as good #this either means i was 14 when I watched it #or #it's something that i find compelling #that #IN ANOTHER SHOW #OR IN A HYPOTHETICAL WHERE THE WRITING ISNT LADEN WITH HOMOPHOBIA #could be fun to explore #like there are these structural motifs #and themes #which could have made the show good #could have made that confession...passable #but they didn't even write it well by supernatural standards #is my point #My other point is i get to actually be mad about this because I actually watched and put emotional energy towards this show #i shouldnt have but i did #so now I get to write about it #and if you reply we been knew to this post #youre correct #but also #wow do you maybe think I was already aware of that?

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lesbianmarth · 4 years

Text

it’s been a while since i posted about aa but i just finished soj in its entirety tonight. here’s my new list so far

i still have to give thoughts on cases 4 5 and dlc so that’ll be under a cut. spoilers!

6-4: this was such a filler case, almost shamefully so. i don’t know why they thought they could manage to do this in the 4th case when every game with 5 cases has been pretty consistent about making the 4th case plot relevant, sometimes literally just a preamble to case 5. so yeah i think this one was kinda ass

the two things it had going for it: one, athena. in 6-2 i actually got confused about why i ever liked her, because in that case she felt like she was just acting the part of the Peppy Teen Girl With a Rowdy Streak that makes up almost every assistant character. But then as SOON as she started bantering with Simon in 6-4 i was like “oh, THAT’S why i liked her!” was nice to take control of her again.

two, uendo toneido. while i don’t think you can say the DID was portrayed with quite the necessary respect or kindness, it was handled better than i’ve seen other media handle it-- at least it’s not completely demonized. other people have written more on that in better detail so i’m not really the judge, but the basic point is that this witness was mad fun to read, and even the dumb jokes like the changing number of floor cushions were entertaining. thus why this case is in the “hard carried by one side character” tier.

especially since there was like nothing else going on. no connection to the main plot, only two other characters besides uendo, and for some reason the clown tits girl was here instead of the magic show case (and to be honest, she wasn’t enjoyable for me even BEFORE she did the standard aa female villain thing and changed her speech pattern as soon as she fell under suspicion). just a weird, nothing case stuck right around the point aa games usually enter endgame. And especially weird because...

6-5 part 1: inexplicably there are two separate cases in the final chapter and each gets one day of investigation and trial. such a weird setup, and it really shouldn’t work... but i think it kinda barely does. barely. it would still have been better to split it into case 4 and case 5 though.

i have a hard time articulating much on the first case bc it sort of blends together for me. the main thing is that the concept of it being a civil case where apollo and phoenix face off is really good. it was a good change of pace, even though you knew it was gonna be a murder somehow anyway. sarge was reasonably nice, i guess, paul atishon had some good animations and quirks (my favorite being when he tries to just walk away from the stand to avoid answering a question), and the logic of the actual murder was good enough.

but i especially got those strong “oh this is a FINAL case!” vibes during the segment in the cave, and that added so much to it even if not much of it was relevant in the first half of the case. the adventure feel reminded me of some of the (out of context bc i still havent played it) scenes i know from 3-5, which is a good association to invoke imo. and it did a lot to give apollo and dhurke time to bond.

speaking of which, dhurke, holy shit. what a KING. i don’t think i’ve ever liked a dad character in ace attorney this much. he’s so genuine and like down to earth that it’s impossible not to start liking him and believe how much he cares for his sons. the bit where he rescued apollo from the cave flood... i felt it in my heart

6-5 part 2: let me just get this out of the way: ga’ran sucks. her design after she goes full evil is so bad, she’s so malicious that it’s immediately obvious she’s going to be the culprit, her breakdown is ridiculous and just embarrassing to watch, and inga had already established way more charisma as a villain when he did the “those were orders of execution actually” bit in 6-3. with that said,

i actually liked it for the most part. the spirit channeling stuff was excellent imo-- they probably use it to similar or greater effect in 3-5 but as someone who again has not played that, i was surprised and almost impressed by how well it was applied. maya was relevant for something! it feels like it’s been ages!

rayfa was a little underutilized, i think-- her moment of determination where she stops letting ga’ran have control over her was alright but it fell flat bc it didn’t have any weight during the moment. i kept hoping she would like, wordlessly take of her shawl and do the little verbal preamble to the divination seance while ga’ran kept yelling at her to stop, but no, the script can’t be good like that, i guess. and since she didn’t get to be the investigation assistant for long, none of her charm in that role carried through.

but DHURKE!! oh my god! in a game almost devoid of emotional impact, his involvement in this case really hit. the way they painstakingly animated his death, the scene where he makes a promise with maya, and then the weight of knowing in hindsight that everything he did in the first part of the case was after he’d already died and just wanted to see his son again before passing on for real....... it hurt. i felt something during that section. this case would also be hard carried by him if not for the fact that i really liked the murder bits.

amara was good too--liked how they made her suspiciously serene and accentuated it with the lightning strikes to make her look like a hidden murderer character about to reveal herself, only to walk it back and confirm she was being forced to act that way. i thought it worked. nahyuta was boring though, i’m sorry-- i get the motivation with having to be a bastard bc his sister and mom were basically held hostage, but the only time i found him compelling in that mess was the bit where he removed his one fingerless glove and revealed he still has the dragon tattoo. that was it. athena was also completely unused the whole case (not even a single mood matrix? really?) and trucy one again went without any role of importance.

the ending also... yknow, a friend said they had to end it this way bc they never figured out what they were going to do with apollo (since following up on what they started in aa4 clearly wasn’t an option???) and just threw him on a bus to get rid of him. i agree with that-- he really feels thrown to the side, and with that i think trucy’s officially stranded with no hope of any character advancement. and the way they ended the game with phoenix and lamiroir deciding “yeah, maybe NOW we should finally tell those two they’re related” honestly felt insulting lol

but maybe the dlc case will let things go out on a high note...?!

6-6: it was okay.

it would’ve worked pretty well as a filler case in an older aa-- honestly i think it’d be one of the better filler cases, certainly worth replacing the shitty ones like 2-3 or 3-3 or, hey, 6-4. but whether i’d say it was worth paying for... eh.

the time travel conceit was done well enough, i think. the way they tied it back to sorin and pierce’s backstories was nice, and the twist about having two receptions was good, although they needed to treat that as a real twist with much more gravity. when the truth comes out it just feels like “oh of course that’s what happened” rather than a big surprise worthy of the Confessing the Truth theme. it’s sort of important because the case becomes a lot less interesting when you take out the time travel element.

far as characters are concerned, i think they needed more side characters to sell the whole thing-- another sprocket family member or another servant of the household. it felt a little limited-- sorin and pierce are pretty good witnesses and i like their quirks and their secrets, but the only alive woman (ellen) has very few traits and no connection to the deeper story of the case, so she falls really flat. the old aa characters didn’t add much- maya and edgeworth were just there for fanservice, ema didn’t get to do much other than acknowledge for the first time in years that she’s a big edgeworth fan, and larry is annoying as hell like he always is.

and oh my god i actually forgot while i was writing that, how they put in athena and trucy but only used them for brief slapstick where trucy would try to set athena on fire and shit. again-- no mood matrix? couldn’t even try once to fit those two characters into something?

i did like pierce’s transformation into his surgeon form though-- that was really cool. loved him doing surgery on a robot, taking xrays of the lawyers, and his breakdown was fantastic-- he would make a really good culprit if they didn’t whiff the last bit of pathos at the end. i don’t think he should’ve been aiming for revenge on sorin; it would have hurt much more if he was still loyal to the guy and never intended for him to be in danger, but the final “why’d you do it?” talk in the trial just felt flat and one-note, much like the one in 6-4.

... so that’s spirit of justice! not a super positive experience but i’m happy to say it’s done. as much as i want to go and replay dgs, i think when i do go back to ace attorney i’ll be replaying the trilogy for the first time since high school

#ace attorney #aa playthrough

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