Anyway I'm so ready to watch Harvey and Gilda's cringe fail marriage crash and burn on the big screen
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and so basically tgis guy is the result of combining the two most autistic creatures there are. you touch this guy and you immediately become autistic. he's small so you can throw him at people but its ok he doesn't seem to mind it much
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Para mi amiga @kittybustermoonsimp
Día 22:Demostenes y Mei como Don y Gilda
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For the mlp warrior cats au, what is your take on captain celaeno and her crew?
okay im gonna use this to show designs of hippogriffs/griffins too
celaeno in particular is a small group similar to bloodclan, but not like killing others they just steal to survive
hippogriffs, like silverstream, are essentially daylight warriors (sea ponies are most similarly full kittypets)
gilda is a traveling wildcat who mostly stays with a group of others collectively called griffins
so basically, theyre differentiated by breed (i didnt have any particular in mind, i just based them as wildcats) but they are separate groups living outside the pony clans
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I think the name for a town for my cuphead/toon ocs will be Ruby Town. A town full of toons and is bit peaceful too.
My Cuphead Ocs who live in Ruby Town:
Twigs
Meadow Sheep
Bonnie Beanieberry
Celisa - Singer
Tiva Swing - Singer
Rosa Gigglepetals - Only in gardens
Fannie - Lives in a mansion next by Ruby Town
Mary Rose, Erma the Mime, and Grapettina - Lives with Fannie
Patsy
Mio Blossom
Dorothy Choco
Stephanie Love - Ice Cream Parlor Employee
Lima
Eva the Makeup Brush - Seamstress
Chloe Shortcake
Jim Mousse - Bookseller
Peggy Puppet
Shirley Butterta - Teacher
Chip
Amity the Borrower
Fluff the Pillow Man - Mochi Maker
Those who don’t live in Ruby Town:
Jennie the Cat - Lives in Peace Countryside.
Paulina McCathy - Lives in Deep Forest that is little close to Ruby town
Bon the Unknown - Lives in Peace Countryside too
Selena Diamond - Lives in Emerald City.
Ethel Rule - Lives in Emerald City too
Gilda - Lives in Green Village
Lottie - Singer of the casino
Loretta Billion and The Billion Family - In a mansion on the plains field
Amity (Sorta)
Anne Lovell - Lives in a abandoned mansion
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me and my wallet spending money on lil cat Emma and key chains I don't need nor get any room for
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Round Robin Blog April 20 2024
What’s your favorite POV to write and/or read and why? What advantages might Omniscient, 3rd person or 1st person offer. What might be the disadvantages?
I started writing my first series, Wild Blue Mysteries, in Third Person (aka He walked into the room and reached into the fridge for a soda.) because it was easier when I was starting out five series ago. The advantage for me was that I was…
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Her extremely cute morning routine now that the windows are open again.
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i fucking hate the parody manga it gets so weird i wasn't even able to keep reading past the beginning of like the 3rd chapter anf this panel of ray is the only thing im willing to acknowledge from it. its so funny to me
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recently i’ve become aware that while i absolutely love teenage opera characters and find them endearing (cherubino, manrico, gilda, zerlina and masetto, etc) i think teenage musical characters are like nails on a chalkboard, and furthermore, i think there are TOO MANY musicals about teenagers and we need to stop making them for a few years bc they are flooding the market. and while in the shower today i think ive figured out why
opera characters are not human. not entirely human anyway. they operate on the same boundaries as Human Muppets
we understand that walter from the muppets (2011) is species wise a human. but he is not human in the same way his brother Actor And Writer Jason Segel is. which doesn’t get in the way of us relating to him- we do empathize with him! greatly! he’s the audience surrogate!- but we see him as primarily 1) Muppet and 2) Human. “Muppet/Non-Muppet” is a categorization on the level of species and gender. i think opera characters work exactly the same way in that while they are all humans species wise “opera character” takes priority as a label and therefore we aren’t meant to entirely see them as just, yknow, random humans. It’s sort of a Noh mask like quality. Therefore “opera characters that are teenagers” is something of a different label than just “teenagers”
2) The concept of teenagerhood as its own rite of passage was not very much of a thing for most of opera history. So for example when Francesco Piave was writing the libretto for Rigoletto he was not looking at Gilda (who’s meant to be 14) and going “okay so what does a TEENAGER act like” he got back with “okay what does a FOURTEEN YEAR OLD act like”. The removal of “teenager” as a category to 1) generalize and more importantly 2) To pander to means that instead of coming across like the sort of rebellious teenager we would probably imagine NOW when “sheltered teen girl who’s secretly dating someone behind her dad’s back” gilda comes across like the sort of nice christian probably-autistic girl who you would encounter on a warrior cats roleplay forum or a littlest pet shop youtube video comments section in 2013
3) On that note the lack of “we gotta pander to teens!” means that opera is able to portray teenagers as 1) batshit but more importantly 2) Decidedly uncool and not in a hollywood way
I forgot where I was going with this. Anyway I love tearing into musicals about teenagers they’re like a pumpkin with meat inside of it and I am a bored tiger in a zoo enclosure
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