pathologic but it's a lost 1920s german expressionist film [id under cut]
[id:
image 1: a digital drawing of a fake poster, using bright colours and rough, painterly brushstrokes. the title, 'pest' (german for 'plague'), is written at the top in spiky black text. in the foreground a man dressed as a tragedian is staring intently at the viewer, his hands raised and splayed as if in horror. in the background, the town is framed against a red sky, with the polyhedron in yellow behind.
images 2 and 3: fake casting sheets for the film, with the names of the actors and the characters they are playing above a black-and-white portrait photograph of them. all the text is in german. in english it reads:
'Pest', a film by Robert Wiene
Alfred Abel as Victor Kain
Ernst Busch as Grief
Lil Dagover as Katerina Saburova
Ernst Deutsch as the Bachelor
Carl de Vogt as Vlad the Younger
Marlene Dietrich as the Inquisitor
Willy Fritsch as Mark Immortell
Alexander Granach as Andrey and Peter Stamatin
Bernhard Goetzke as General Block
Dolly Haas as the Changeling
Ludwig Hartau as the Haruspex
Brigitte Helm as Anna Angel
Brigitte Horney as Maria Kaina
Emil Jannings as Big Vlad
Gerda Maurus as Yulia Lyuricheva
Lothar Menhert as Georgiy Kain
Asta Nielsen as Lara Ravel
Ossi Oswalda as Eva Yan
Fritz Rasp as Stanislas Rubin
Conrad Veidt as Alexander Saburov and Tragedian
Paul Wegener as Oyun
Gertrud Welcker as Aspity
image 4: four digital sketches of set designs for various locations. all are strongly influenced by expressionist imagery, using extreme angles, warped perspective, and dramatic shapes. they are labelled 'street 1' (a street lined with houses), 'street 2' (a square with a lamppost and a set of steps), 'polyhedron exterior' (the polyhedron walkway), and 'cathedral interior' (the dais at the far end of the cathedral).
image 5: four digital drawings in a black-and-white watercolour style, showing fake stills from the film. all are similarly distorted and lit by dramatic lighting. the first shows katerina's bedroom, with katerina standing in the centre of the floor. the second shows the interior of an infected house. the third shows daniil staring out of the frame in horror, one hand on his head and the other raised as if to ward something off. the fourth shows an intertitle with jagged white text reading 'the first day' against a dark background.
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Adivinen quien al fin dibujo algo? Wich means I'm back baby!
Its not perfect (like everything I made), but I just love drawing comic-like-stuff, I get to relax more. I dont try to do the lines perfectly or the super accurate anatomy (mostly cause I dont know shit about anatomy at all) and also get to be more simple in the colors, wich helps cause I struggle making colors a lot.
I missed drawing my babies...but why did I drawing them like that? XD I swear...I think I should have seen some reference cause I totally change the way I draw the Burger Babys which is crazy for me XD
Now...is this an AU, is this them as teenagers, why is Louise working on Aplebees? Well I didnt put an exact age for the guys here, they could be 16 or 19 I dunno.
This is solely based on this post from @zer0ogravity I lmao with this and totally need it to draw it.
btw I from Latam, I didn't knew what Applebees was until making this comic so if Applebees dont look like this sorry.
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something that kind of bothers me about modern feelings toward the epic of gilgamesh is how it's been COMPLETELY watered down to being "gay". Bear with me as I explain.
this is more of an extreme example, but I see this take all the time (not the yaoi part. the gay lover part). it's boiled down to the fact that it's gay over literally anything else in the epic. Gilgamesh's lament to Urshanabi about Enkidu's loss is overshadowed by the fact that Gilgamesh is mourning his gay lover. Gilgamesh is on a journey because he lost his gay lover. Gilgamesh and Enkidu were gay.
Now I understand that with a modern lens, people tend to lock on to how unabashedly Gilgamesh mourns Enkidu, because it's gay and because it's the oldest written epic in human history. People feel deeply connected to the idea that people like them have been around since the dawn of literature. But placing exclusive focus on the nature of the relationship as gay, rather than why the relationship or its loss was important, erases the story the epic is trying to tell.
The Epic of Gilgamesh is a story about love, yes, but it is not a love story. It's about the fear of death, coping with loss, and desperation to stave off the inevitable. It's about the bonds of friendship, about hardship, coming to terms personal change and losing pieces of yourself as you learn and grow. It is about consequences, arrogance, death, second chances, mourning, yearning, loving and LIVING. The Epic of Gilgamesh is about the entire human experience and one man's struggle to accept it. What does it mean to have lived? What does it mean to have loved, and lost? What does it mean to die, and to be remembered? What does it mean to be human?
It is perfectly okay to find appreciation for the Epic because of Gilgamesh and Enkidu's relationship. But also understand that the world's oldest story is not about two gay men who loved each other. It is a story about being alive.
TLDR;
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"Wait is that lore?" moments in Antoine's return stream
These ones are likely jokes, but (you can use it in your headcanons):
With Tubbo, explaining his absence by saying "I was dead, I think, but not anymore, I was tired of being dead"
"I couldn't explain to you, it's out of my understanding how I'm dressed. The human mind cannot comprehend how I'm dressed and so the human brain shows it that way, but it isn't exactly like that. It's not powerful, it's just weird"
"You know me well!" "Heh, I know you as if I made you!" *silence* (closest to maybe serious)
These ones are more serious:
He isn't romantically interested by Cucurucho, he just likes his ass (that totally a human is aro that's what I mean)
He really missed Pomme, he stopped coming because without her it wasn't interesting anymore (this one is just cute)
Very invested in knowing what happened to the eggs while they were away
Accidentally gave Pomme one of the books Ourson (I think it's this one?) gave him, immediately panicking when he realized. When Pomme asks what it was, he first tries to pretend not to understand, and is pretty serious when he tells her that it's nothing; he'll tell her about it one day, and it's his little secret garden, everyone should be allowed to have secrets, don't she think? she isn't against secrets, right?
Certain that the eggs went to some kind of other dimensions/got doubles?? I mean there was a theory inspired by Stranger Things but despite what Pomme is saying he's not letting go of the idea
After asking Pomme if she met dark Cucurucho and she talks about the Watcher: "Je crois pas qu'on parle de la même chose. Là tu me parles de l'oeil, et moi je pense que je te parle de quelque chose d'autre. Je pense que tu me parles du Watcher... là où moi je te parle d'autre chose." ("I think we're not talking about the same thing. Here you're talking about the eye, and me I think I'm talking about something else. I think you're talking about the Watcher... when me I talk about something else" again how does he know the name "Watcher".)
Knows that Maximus is dead, when all the other players seem to have decided to play the "don't know if he's alive or dead" card (bonus: Antoine and Pomme talking about telling Aypierre, and Pomme thinking she won't be able to find the right words "I don't think there are right words..." ok im sad now thanks). Since we're at it, when reading Pomme diary where she worries about Baghera and Antoine being dead, saying they can't be dead, he doesn't share that worry in the slightest, as if he knows Baghera's not dead (this one's dubious and I am very willing to put it as cc!Antoine not thinking rp)
He and Pomme are talking about what she remembers of the Watcher and honestly the whole conversation deserves to be clipped and transcribed. To go with him name dropping the Watcher, he is now only calling it the creature with one eye because that's how Pomme calls it
Pomme explains that the Watcher was observing her and Richas and there was a threatening aura to it, so they immediately fled. Antoine in a very serious voice "You were right to, you were right to, you were right to. Because I think it's this person who was at the origin of your disappearance."
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I'm a little bit insane about how in novel canon the whole xiyao ending where Jin Guangyao wants to die with Xichen, who accepts, which then makes jgy change his mind and pushes him away at the last second isn't actually explicit. A lot of adaptations chose to make it so but in the novel this is all VERY up for interpretation.
Here's what actually happens in the text: Lan xichen stabs jgy, jgy moves away from lan xichen, xichen follows him, wwx realizes jgy is about to open the coffin and calls "watch out!" to lan xichen. Jgy unseals nmj, pushes xichen away, nmj kills jgy and they are both dragged into the coffin which is sealed again.
Here's what wei wuxian, our narrator, thinks is happening: Jin Guangyao wanted to lead lan xichen to his death out of revenge for stabbing him. Lan Xichen, unaware, simply followed Jin Guangyao to try and stop him from getting away. Wei wuxian's warning came too late, but Jin Guangyao- for an unknown reason- changed his mind at the last second and pushed lan xichen out of danger before lan xichen had any idea of what was going on.
Here's what most fans as well as the teams behind several adpatations think is happening: Jin Guangyao leads Xichen to nmj's coffin to die with him, Xichen accepts, because of this acceptance, proof xichen still cares for him, Jin Guangyao pushes him out of harm's way. Wei Wuxian just doesn't get that gay people who aren't him or Lan Wangji exist.
Here's what ALSO MIGHT BE HAPPENING: Jin guangyao wants to die in a different way than he is currently dying. Maybe he's afraid of what'll happen to his body after his death like he was scared for his mother's, maybe he wants to confront nmj one last time now that there's nothing more for him to lose, maybe - if he can't take her body with him- he'd at least like his final resting place to be where he buried his mother. Lan Xichen thinks he's trying to get away and follows but Jin Guangyao, who despite everything doesn't want him to die, pushes him away. Xichen doesn't know what happened until it's already happened. What he would've wanted if he had known remains up in the air.
Or, alternatively: Jin Guangyao's reasons are as above, but unbeknowst to Wei Wuxian, Xichen DOES know what jgy is about to do and either misinterprets this as an invitation to all die together, or inidividually decides he, too, is done, and wants to join his sworn brothers in the grave. To Jin Guangyao this has nothing to do with Lan Xichen, and he still doesn't want him to die, so he pushes him away against Lan Xichen's wishes.
Every single one of these interpretations is unhinged and they are all supported by the original text. It's like a choose your own adventure of tragic gay endings.
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