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#her impression was spot on
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anonymouscheeses · 2 months
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Art dump/chaggily stuff below cut <3 vvvv
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Yes this is an excuse to show off my designs *sigh* 😔
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mostly-natm · 4 months
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HAPPY BIRTHDAY, DATA!
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coconut530 · 4 months
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GET HIM GIRLY!!!!!
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crewofthegoldrush · 2 months
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support me on patreon or leave a tip!
can't help it, the girl can't help it~
when i first multiclass'd into rogue my dm had me roll a 'let's see how it's going' check and i rolled a 5. it's now a running joke for me that Aubrey regularly hands Monty her ass when they're training, but she really doesn't mind
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moeblob · 1 year
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Anyway today was bad and I failed fanart and it's late take OCs
His name is Nytis and her name is Elnae (I'm proud of myself for naming them so fast). He only calls her El and /has/ only called her El for years and he actually forgets her name isn't /just/ El.
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cloudyvulpine · 2 months
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listening to the fallout soundtracks and i realized that while most of the songs are made after 1950, there are quite a few that weren't
meaning a gamer gen z sinner could know some songs that Alastor and Angel Dust listened to WHEN THEY CAME OUT
songs both could know include;
Anything Goes (Cole Porter, 1934)
Easy Living (Billie Holiday, 1937)
Undecided (Ella Fitzgerald, 1938 or 1939)
Keep A-Knockin' (Louis Jordan, 1939)
and for just angel dust;
Maybe (The Ink Spots, 1940)
I Don't Want to Set the World on Fire (The Ink Spots, 1941)
Jingle Jangle Jingle (Kay Keyser, 1942)
Why Don't You Do Right? (Peggy Lee's version, 1942)
Pistol Packin' Mama (Bing Crosby & The Andrews Sisters, 1943)
Into Each Life Some Rain Must Fall (Ella Fitzgerald & the Ink Spots, 1944)
Personality (Johnny Mercer & The Pied Pipers, 1945)
Good Rockin' Tonight (Roy Brown, 1947)
It's All Over But The Crying (The Ink Spots, 1947)
Worry, Worry, Worry (The Three Suns, 1947)
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multicolour-ink · 1 year
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Given that Peach already has a training course set up for Mario, something tells me she's used it herself before just in case the need to protect her kingdom arose
I saw this mentioned somewhere (can't remember where now) that Peach is more "girl boss" in this because she takes it upon herself to make sure her people are protected from harm, as she's more physically capable.
This is backed up by one of the Toads saying "Look at us, we're adorable!"
Peach never asks for her people to protect her. As the ruler, she believes it's her duty to protect them, not the other way around.
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namisweatheria · 5 months
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You know what I would have loved? One more story right before they leave the east blue where they have to save Luffy after he gets kidnapped.
It could be a light, funny story where he is stolen by dirty tricks and is completely unconcerned (much to the chagrin of his captors) because he has full faith in his crew to come get him.
Or it could be a gut-wrenching angsty story where he and the crew are beaten by someone with superior strength, and he thinks he failed them because as their captain it's his job to always win and protect them. He thinks they had a fun adventure together and now it's over, since they have no reason to follow him anymore, and he tells them as much as he's dragged away. They're too beat up to speak in protest, maybe only one of them is even conscious to hear his words.
In either version they wouldn't be able to retrieve him by brute strength, so it would be a great story where we'd see Nami's cat burglary skills on full display. Usually we only see it when she pick-pockets at important moments, WHICH I NEVER GET TIRED OF, but it'd be SO MUCH FUN to watch her direct and star in a full heist.
The hardest part, even more so than getting Zoro and Sanji to work together silently, would be after she gets to Luffy. Can you imagine trying to sneak him out of anywhere. She can do it I believe in her but GOD. Lmao.
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bluejaybytes · 3 months
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@snowshinobi Hiiiii :3 I'm responding to your tags on a new post and not the original since the original was already somewhat lengthy, and I plan on being LONG and RAMBLY, but I have sooo many thoughts on what you said and I'm going to say them. Also my browser crashed TWICE (TWO TIMES. 2) when trying to write this post so I'm really fighting for my life out here to get my silly little OC posts done. Also it's under the cut because it's looooong as hell LMAO
Firstly, you're so nice to me forever <3 Secondly, I think you've basically hit the nail on the head. The majority of the issues Maggie has coming back from death and her 9 years gone are really tied almost exclusively to her close family, because she... never really had anyone else. While in-universe it's only 9 years, realistically the jump in technology and culture is around ~20-30 years (Maggie died in the 90s/early 2000s essentially, and wakes up in a just barely futuristic city), but... the most jarring thing to her in terms of what she missed out on is just. Flipphones are no longer popular. Other than her family, she's only close with one other person... who just so happens to be a ghost, and therefore both 1. Wouldn't change much over the timespan due to how long she's been a ghost and 2. Unlike her family, was aware that something happened, since she could see the ghost-of-a-ghost Maggie left behind (The ghosts name is Opal, she positions herself as a sort of "guardian angel" figure, though she's not actually, and serves as just another parental figure for Maggie while also getting after the ghosts that constantly harass her to pass on messages to the living). Maggie has no real relationships outside of her family, and while her relationships with her family are massively impacted by her unknowing death, other than that... the timeskip itself doesn't weigh on her because she had no one regardless. Her struggle to adjust to everything thats happened would've happened regardless of the timeskip for her, because she was such an isolated shut-in that it's the same whether it happened the next day, or nearly a full decade later
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So another very interesting thing is that you've actually completely seen where I was going with everything, in spite of everything I said being very surface level and not actually delving into the plot at all. I completely skimmed over Jenna (She's very important to the plot, but she's by in large a regular person as opposed to Maggie's... everything), but for some additional context, Jenna has a horrendously shitty homelife, so her moving in with Maggie is both a gradual process (It goes from spending time there, to spending nights, to eventually just never going back home and moving in fully), and also serves as an escape for her. Part of that is also, so vitally, the food aspect. For some additional additional context, souls essentially serve as a persons lifeforce, practically every bodily function is improved by a soul that's stronger, though the "strength" of a soul is essentially entirely random, and not dependent on the individuals actions of any kind. Maggie had a generally weird soul before (Seeing ghosts inherently means she has to have something going on with her soul), but when she wakes up after her death, her soul is now even weirder, and part of that is that it essentially lets her get away with bad habits she absolutely should be seeing more consequences for. She barely eats, and when she does, it's basically exclusively crackers and whatever other safe foods she has around the house, because actually making food is a level of care and effort she just... doesn't give to herself in the slightest. Part of Jenna staying with her is that Jenna, without really discussing it, entirely takes up the mantle of caretaker of the apartment, with the biggest task being food prep, Jenna sees Maggie's unwillingness to take care of herself and silently steps up and starts making her actual meals so she's eating properly.
The problem is is that this also kinda... just straight up sucks? Jenna doesn't think much of it, it's something that needed to be done so she's doing it, she wants Maggie to be well fed even if she won't do it herself, and she's already been responsible for making all of her own meals for years prior anyways, so it's just another thing she does. Except that's shitty! Maggie's seen firsthand how terrible her homelife is, and it really weighs on her how even in her escape from that, Jenna's still being put in a position where she feels like she must care for her or else she just won't eat properly. So food is such a massively important thing to both of them, it's this symbol of love for both of them, it's love on the part of Jenna, for stepping in and taking care of Maggie when she can't do it herself, and it's love on the part of Maggie, for realizing how her own bad habits impact the people she cares about and wanting to lift that weight by taking care of herself better. It's also very vital for Maggie because she just... doesn't... have hobbies. Learning how to cook becomes really her only hobby and she puts all of her love and care into it, because for the first time in a long while she's actually passionate about something! ...Unfortunately she also is very very bad at it. She's inventing new dishes like "Burnt Salad" and "Please Help I Fucked Up Kraft Mac N Cheese" and still having to have Jenna come in and help her. But it's the thought that counts, and it'll only be a matter of time before she can make something vaguely edible.
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And finally, the stuff about names! I didn't post it here, but while idly talking about her in a Discord server I'm in, I definitely think that had I made Maggie like even a few months later than I would've done she would've been nonbinary. As it stands right now though, I'm saying she's probably some form of genderweird but too busy trying not to die to think about it <3 Growing up knowing that ghosts are real and routinely being shut down by authority figures in her life about it has made her very aware of how bullshit a lot of things are and how the people who claim to be knowledgeable tend to not know what they're talking about (Beyond just the "people don't think ghosts are real", she's also got ghosts willing to tell her when people are lying because they've got nothing better to do than just gossip) , so if she spent even just a moment thinking about gender as a social construct she'd instantly recognize that and probably take up some form of genderweird label, but as it stands she's just too stressed with Being The Protagonist to think about that
Now, the thing with Margaret. I'm not even going to lie to you, I think you made a better connection to how a name connects with community in terms of the narrative themes than I did. The thing with Margaret denying the name "Maggie" existed for two reasons, the in-universe explanation is that, with the little scrap of soul Margaret has leftover from Maggie, it's essentially working overtime just to keep her vitals working, it can't dedicate time and energy to making her an individual with preferences and a personality, so part of that is that she doesn't respond to "Maggie" because ultimately, that is not her name. Her name is Margaret and she's not going to respond to "Maggie" because "Maggie" isn't her name. Of course, out of universe the reasoning is that I wanted an easy way to distinguish between Maggie as she is the protagonist, and the version of her that lived in the years she was gone, so different names makes the most sense.
I think your connection to how name relates to community genuinely works on a level I hadn't fully pieced together myself yet and I really love that because I think that absolutely works with everything. One of the main conflicts of the plot is how Maggie is entirely disconnected from her family thanks to the years she was gone, with Margaret having no priorities beyond "survive", she basically never spoke with her parents or brother for years. While her family tried to reach out to her repeatedly (Especially given that, while they're unaware the truth of what happened the night Maggie was murdered, they do know something happened, and they believe that whatever it was severely traumatized her, and that's where the sudden and drastic shift in personality came from), there's a point where they just... gave up. She wasn't trying to talk with them or contact them in the slightest, so around a year or two after Margaret moved out, her parents gave up on her. Her brother would still be there a bit, but he also didn't really... try... anymore.
When Maggie wakes up, she tries to call her parents... and they don't pick up. They'd grown resentful over the years, and now that Maggie wants to talk to them, they don't forgive her for the years of not speaking to them, and aren't interested in whatever she has to say after nearly a decade of trying to reconnect with her and being met with nothing. It's her insistence that she wants to be called Maggie that actually gets her brother to realize she's telling the truth and that something happened. She shows up at his door, already something that Margaret wouldn't have done, and that combined with her being visibly upset when he calls her Margaret and tells him that's not her and that she's Maggie, it signals to him that whatever's going on is real (...though he would've figured this out eventually, given that she also literally 17 again and not in her mid-20s, and has a giant glowing stab wound in her chest). I think it works absolutely perfectly as being a symbol of community, her disconnect from her community is what led to her being called Margaret, and her desperation to be returned to that community is when she's Maggie again. So uh. Congrats on getting the themes of my OCs better than I did <3
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And uhhhh closing thoughts! I honestly did still skim over the majority of the plot (Literally never even mentioned Eli or what's going on with her stab wound </3), but I think you reeeeally hit the nail on the head with everything I'm kinda getting at with these OCs, which is... frankly wild given how little main plot I actually got at. Basically everything I mentioned in my original post was the setup, not the main plot. But waaaaugh thank you for being so niceys to me and also giving me another excuse to ramble endlessly <3
#my OCs#uhhh MAGGIE FUN FACTS:#Animals can tell when a soul is weird so she has a colony of stray cats that hang around her apartment door#she doesnt even LIKE animals that much (She barely takes care of HERSELF shes not taking care of any animals.)#but they all like her weirdass soul and keep hanging around because of it#When the plot ends she gives one of the stray cats to her parents as a 'sorry i died' gift#The cats name is Marge- named by Jenna and also specifically its 'Marge' said in a Simpsons impression. any Simpson#It's Jennas FAVORITE cat out of the strays bc she says she looks like Maggie. also Marge is a male cat#Neither Jenna nor Maggie know how to tell the difference between a male and female cat reliably so they assume Marge is female- hes not#Also Eli's the closest to the 'main antagonist' the story gets. hes an old coworker of Margarets and basically her only friend#and Maggie's too scared with her whole 'is actively dying' thing and doesnt know how to tell him 'hey im not your friend- she died'#ELI thinks that Margaret is essentially have some sort of extreme mental breakdown and is trying to get her help bc he cares about her-#-unaware that Maggie is essentially a different person and doesnt know him#anyways uhhhh Maggie attempts to beat him to death with her laptop once. sorry Eli. luckily shes 17 and scrawny as fuck-#-so he's able to throw her off of him but its still. BAD#Maggie's got INSANE insomnia for a large variety of reasons- and falls asleep on the floor one night while on her laptop#Eli- having gotten off work late and going to check on Margaret- who hasnt shown up to work in weeks and isnt answering her phone#-spots Maggie passed out on the floor and assumes shes having some sort of medical emergency#Margaret had left her spare keys at work which he'd grabbed- so he lets himself in to get her to a hospital#Only for Maggie to wake up. With a strange man in her apartment in the middle of the night. Wuh Oh !#THIS time however- when she's home alone (shes not alone Jenna's asleep in the other room) and she spots a stranger in her house-#-she ends up with a fight reaction and NOT freeze <3#also her full name is Margaret Elisabeth Newell and her brothers name is Hawke#one of the very few times i will give my OC a full name- and entirely bc my friend suggested her last name LMAO#also she believes in bigfoot. GHOSTS are real and theyre WAY less believable than 'big ape' so she fully believes it#Opal keeps trying to tell her no that ones ACTUALLY not real and shes like uh huh. sure. ill believe it when i see it
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chikoyama · 15 days
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Chiyori's experiences and opinions about the Jujutsu system (and by extent the defection of Suguru)
While attending Jujutsu High and working as a sorcerer, I think one of the more prominent observations that made a mark on Chiyori is how little support students and sorcerers received in dealing with struggles of psychological character. Because, well, they simply weren’t offered any, and as far as she’s noted, it's practically every man for himself.
Initially, Chiyori found it quite upsetting, if not surprising, how stark a contrast it was to the cozy, comfortable environment she originated from herself. An environment where her adoptive parents for the most part provided her the basic physical, mental and emotional support she needed to thrive—
Because the first time Chiyori witnessed someone die before her, she was just fifteen and in her first year. No one was there to assist her through the trauma — no assistance was offered. There were several reasons for that, which Chiyori wholly ends up recognizing and acknowledging as she grows up. First being that her issues at that time were being overshadowed by the chaos that followed the defection of the special grade sorcerer Geto Suguru, her former senpai.
Second being that matters of such were heavily underprioritized, if not regarded as unimportant, and continues to be even through her adulthood. Third being that most members of the Jujutsu Community aren’t equipped to deal with these types of issues in the first place — they hardly know how to address their own emotional and mental struggles without encountering frustrations or resorting to direct violence. Because of all that, Chiyori had to deal with the trauma all by herself, which was admittedly tragic on her part, but instead of pointing fingers at others, she understood — as unfortunate as it was — the circumstances that lead to the treatment she (didn't) receive.
Chiyori got over it eventually. I’m not quite sure how. Maybe she never really did in fact, or it happened at later stages in her life, but at least her thoughts were elsewhere entirely during Suguru’s defection. Far away enough for her to not consider the ideals and principles that lead her senpai to renounce the rights of non-sorcerers. Even if she had, I doubt Chiyori would’ve agreed with him — even as a teen she would’ve found Suguru’s visions confusing, flawed and incredibly narrow-minded, if not immature, especially considering how head over heels she was for him much she admired him during her first year.
Most of all, she probably felt — and continues to feel — sad for him. Sad that his integrity shattered. Sad that his negative experiences with non-sorcerers ended up weighing heavier than the positive ones. Sad for anyone who let themselves get coloured — tainted — by the toxic grips of the Jujutsu system that continues to operate on twistingly outdated standards. Standards as well as ethics and morals that dictate how the Jujutsu system should operate internally as well as externally. (Though, if anyone were to ask sorcerer Chiyori, she’d probably say she doesn’t understand any of it. All of it too political for her, really).
It's the lack of compassion of those incumbent of the system that causes her to recoil. Their lack of empathy and by extent their lack of competency to properly reform the current laws to be on level with modern day thoughts on how things should be done that cause sorcerer Chiyori — whether she’s entirely aware of it herself of not — to retract herself from the political sphere despite her rank.
To rephrase: I don’t necessarily think Chiyori regrets the whole Geto Suguru incident. Yes, she was upset, confused and disappointed, but she got over it eventually. And after her own personal experiences with the system, (she goes through her own set of trials and tribulations), she acknowledges that it was bound to happen eventually. If not for her senpai, then perhaps for someone else entirely, because after all, Chiyori is — or grows to become — smart enough to understand that emotions are the driving force behind every human action.
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whenthegoldrays · 1 month
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How I sleep knowing I’ve left my friend on delivered for 36 hours and counting
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castratedvader · 1 year
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that part in giraudoux' electra where she says she was birthed by her father only, that to her it's like he carried her for 9 months. malcolm foxworth wouldve killed men women and children for corrinne to say that.
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vinkumakkara · 1 year
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that one cutscene where Shaundi’s at the gym, like you really feel like it’s Like That just so they could put boob jiggle on her, but like... Boss questions how she’s in such good shape despite her habits. and she’s trying to play it so cool by saying she’s “full of surprises” like bet she was not able to sprint a mile without coughing up a lung before the VC incident. it’s why she started working out - she wants to be strong not just for herself and for the gang, but also because she wants to kick Johnny’s ass... because that would impress Boss. the logic is crystal clear and it’s dumb as shit, she fits among Boss and Johnny like a fist in an eye
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selvnite · 10 months
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She has bewitched me heart and soul
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spotsupstuff · 10 months
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on the topic of overseers, have you ever seen this video? https://www.youtube.com/watch?v=-Vy_c_KO6BM
yep! great animation and honestly how i imagine overseers move around n all that, but i'mma be real with u chief, RW is one of few things that can actually like.. legit make me distraught and Moon getting her neurons eaten is the main one so the end of the vid always leaves me sad
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