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#hm. i love this post actually :)
ssalballoon · 4 months
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Mystra showed him the secrets beneath the veils. The gossamer veils first, draped across the Weave. The delicate veils next, draped across her body. 'Chosen One' she whispered, as she slipped them off completely.
poor gale :'(
- the dialogue is from ea gale's explanation about his folly
- i kinda like that she ended up looking like a mother-of-pearl inlay lacquerware!
- oh this was a subconscious choice, but Gale is sitting in seiza which is a posture for showing respect especially to elders. it's also known to be a painful position to sit in for extended periods of time, which is why it was sometimes used as a method of (morally dubious) punishment. however, experienced people can maintain this posture for much longer. food for thought :-)
- (edit: deleted this point bcs it didn't really make sense + detracted from the art a little;;)
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wifegideonnav · 10 months
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yeah you say “cringe is dead” but do you still apologize about reblogging stuff related to your “cringy” interests? kill the mindset that you are somehow not included in that statement or we’re never actually going to change anything
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joshuaalbert · 10 months
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kai winn’s relationship to religion really is just so interesting to me in a way I come back to sometimes like. she’s the leader of a faith and her gods will not speak to her. they will speak to other people in front of her and they will make a human from a society that did not interfere with her planet’s suffering their emissary but they will not speak to her. and I’m sure she can do a lot to justify it in her mind because she would have to be able to in order to keep any faith, and she has to keep her faith because she says herself that’s all she had in the camps, but that’s still a terrible thing to experience. and I’m sure a lot of people would argue that it’s not real faith, it’s ambition, but I think it’s some of both, and most importantly I think on the most immediate levels she believes it’s faith.
and like I think she and a lot of other bajorans have a reason to have a really complicated relationship with the prophets because the more demonstrably real and powerful they are, the more they’re willing to interfere in things like the dominion war, the harder it would be for a lot of people to justify to themselves why the prophets didn’t do anything to stop the genocide of their chosen people. I think the pah wraiths plotline ultimately fell kind of flat when it kind of boiled down to “dukat’s weird cult” and it was also a victim of the season’s pacing issues, but it has some interesting implications regarding this divide in the bajoran people, particularly when their religious leader’s faith is being so seriously called into question.
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dragonkick-bootshine · 5 months
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hypothetical hilson dynamic: not monogamous, not polyamorous, but a secret third thing (mutually, semi-consensually cheating on each other and then having crazy intense jealous possessive sex about it)
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moeblob · 4 months
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AU where Brent is a drone to help out at crime scenes and offer input after Right finds the drone. And basically he befriends the really weird guy possibly controlling the drone but has his doubts as to how human the drone's source can be. So Right and Brent just go around trying to solve crimes while Right just calls the drone "Fuckwad (affectionate)".
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maraschinotopped · 6 months
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cringetober day 19 (doll/puppet/etc). ohhhh lalaloopsy. i had the search for pillow movie on dvd as a kid and i loved it. i really need to try and get a lalaloopsy doll one of these days cus their designs are just really cute. i wonder if theres one of those 13'' dolls for pillow...
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theloveinc · 22 days
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just thought abt catching an attitude and being petty w/ shinso.....................................
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clownsalot · 7 months
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im very normal about fuuta in general but i dont think im ever going to emotionally recover from his fire motif and what it represents for his character and how he reflects the greater theme of justice so that means i must rant about it
(more under the cut because this got longer than i expected whoopsies)
so anyway fire is pretty obviously supposed to be symbolic of his passion for justice right? that fire is all over the place in bring it on. he's wielding it to take down enemies, his signature weapon is a flaming sword. it's what he uses to lead the campaign against the people he's after, the people he's deemed in the wrong.
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it's a fucking flaming sword, it's badass as hell!!!! it's what a hero of justice, a knight, would use!!!! it's cool as shit, it's his symbol of justice.
that's how he sees his justice in trial 1.
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he's righteous, he wants so badly to believe he was a hero, he was doing it all for a good cause, for justice. his passion for justice was a tool he used to meet those ends, to be a hero, to wave it valiantly in the face of enemies.
the fire, however, is conspicuously absent once he's noticed the blood on his hands
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interestingly, despite backdraft as a song title being much more related to his fire motif than bring it on, fire is actually surprisingly absent from the mv's visuals. fire, as in actual orange burning fire, doesn't show up much at all in backdraft except for when both fuuta and his victim begin turning to ashes, and a short bit near the end right after the last chorus when the spraycan explodes in fuuta's face. you know what the mv does show a lot of though?
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smoke. and ash. the byproducts of a fire, the byproducts of fuuta's passion for justice.
bringing it back to firefighting for a moment: as many people have already pointed out, backdraft as a firefighting term refers to when a fire that has consumed all available oxygen suddenly explodes when more oxygen is made available, such as when a window or door breaks. the thing about fire hazards, though, is if the fire and the heat don't do someone in, usually it's the smoke. the smoke inhalation causes breathing difficulties and suffocation, making it even more difficult for a person to escape the fire.
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in backdraft, instead of fire itself, what we're shown is these byproducts of a fire. the smoke is damaging to human health, and the ash shows that the fire has burned things up and caused destruction, in this case killing someone. all we're shown is the negative results of a fire, in sharp contrast to its badass, positive portrayal in bring it on.
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hell, even fuuta himself starts turning to ashes and the spraycan explodes in his face, showing how even he is experiencing the negative results of a fire that has gotten out of his control, how even he has gotten burned by his passion for justice. or, is it es' desire for justice?
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translation of fuuta's t2 vd by onigiriico
Me, too! I was like that, too! I also didn't think it'd turn out that way!
You and I are exactly the same breed! The only difference between us is the clothes we're wearing.
fuuta's justice and es' justice, it's all the same in his head now, he directly tells es that they're the same, that we're the same. it's all the same hunger for justice that ends up causing harm even if that wasn't the intention.
you know that saying that fire is a good servant but a bad master? i think that's pretty applicable to fuuta's situation. his passion for the pursuit of justice was great when it was still a tool, a sword he could wield, after all he did manage to shed light on some people's wrongs and bring them to justice. but once it exploded, when it became a backdraft that even he could no longer control, it did more damage than he intended.
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it burned even him, it killed a middle schooler. and he recognizes that in backdraft. he only shows us the ways fire that becomes a hazard can go wrong.
translation of fuuta's t2 vd by onigiriico
What did I do? All I did was say that what's wrong is wrong! I was just going off at a bad person online!
I didn't think they would die! I just thought that wrong things are wrong, and that a crime is a crime! You get that, don't you? See? Aren't we the same?
it's just. fire is such a good metaphor for the message of fuuta's character and his arc. it's an amazing illustration of how dangerous it is when you feed a desire for justice too much, when you forget to put a boundary on how you handle that fire. eventually the fire spreads just like how passion for justice becomes zealotry, until more and more things fall under what you consider to be 'punishable' by your standards and goes out of control to hurt people that probably didn't deserve it. it's a warning to set proper boundaries on our own definition and desire for justice and what's 'right' so the good intentions doesn't spiral into harm. it's a reflection of our attitudes towards milgram as the audience responsible for their justice and forgiveness. it's amazing i love it i love fuuta's fire symbolism i love fuuta's character arc and i love milgram's writing so so so much
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Ahhhhh! I'm absolutely invested in your fantasy AU! I love it so much, and I can't wait to see more content of it! (Take your time, of course! Don't rush yourself!) I was wondering (sorry if this has been asked before or if this is a silly question) but would you mind if people drew their OC's in this AU (hope that made sense) and made fanart of the AU? Anyway, have a wonderful Morning, afternoon, evening, and or night! :}
Thank You! i'm actually writing an indulgent tidbit right now! no one is having a good time in it!
you guys can Absolutely fuck around in this fantasy sandbox! i don't mind people having fun with my aus, cause they're here for that reason - for fun! to play with characters like they're dolls! to practice worldbuilding (tho that's just a special treat For Me)! I'm not very serious about aus <3
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Rosaria Champagne, “Law of the (Nameless) Father: Mary Shelley’s Mathilda and the Incest Taboo” // Star Trek: Deep Space 9, 2x22 “The Wire”
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dolorianwolf · 10 months
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A tear in the membrane, allows the voices in
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randomwriteronline · 6 months
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Pohatu liked the cold.
Pohatu liked the heat too, to some degree.
But he liked the cold better.
Pohatu didn't know if he liked him because he liked the cold, or if he liked the cold because he liked him.
It could have been both; he didn't know.
What Pohatu did know was that he very much did not like the dark.
It hadn't always been like that.
It hadn't always been that bad.
Pohatu could hardly remember much from before he had crashed on Okoto from the sky, but he was certain he hadn't always been so afraid of the dark. He was certain, at some point, to have liked it to some degree: to have gladly traversed it without fear or with greater purpose, and to have associated it at least in part with something friendly, someone nice.
But he could not remember that.
What he could remember was the pitch dark, and a trusted hand clamped around his own tight. Just Pohatu and him, in an endless abyss.
They had both been scared, of course. But they were together.
They would have made it through.
Then suddenly, after ages of wandering in the complete black, the hand had slipped away from Pohatu's grip, never to be found again; and he had cried out for him, over and over, telling him it wasn't the time for jokes like these, and that he thought he didn't like this kind of humor anyways. He had cried out a name he couldn't remember anymore until his voice had turned hoarse, and he had reached out everywhere in the darkness in the hopes of finding that cold palm again: nobody had ever answered.
When Pohatu had stopped calling for him, everything had been quiet.
Quiet, and not cold.
It had always been cold, while he was here.
Always a little bit cold, and it had comforted him.
But now it was only quiet.
Quiet, and not cold.
Pohatu had started being afraid that something, in the dark, had taken him.
Pohatu had started being afraid that something, in the dark, would have taken him too.
"What are you waiting for?" Tahu asked. Pohatu was standing at the entrance of the tunnel, turned towards the hole they'd fallen through instead of following Onua as he lumbered down their only way out. "Do you hear something? Someone following us?"
"Not yet. But I'm staying here," the Toa of Stone replied softly. "I'll cover your back. Keep threats from catching up to you."
"Alone?" his Earth brother's concerned question came from deeper into the darkness.
"You'd never make it like that," Gali argued: "We've managed to handle the obstacles in this city only by working together. Leaving you alone might turn into a death sentence."
"As it almost did for Lewa," Kopaka added. His piqued tone gained an indifferent shrug from the object of his disapproval.
Pohatu stood still: "I can handle it."
"You aren't scared of the dark, are you, now?" Lewa's voice creeped up on his shoulder like a Skull Spider; within it, he could hear a mischievous grin.
He turned around, growling: "Be quiet."
Had he had any less self control, the Toa of Jungle's laugh would have ended abruptly with a fist harder than stone against his teeth.
"He is!" the nimble fighter cackled, a palm over his mask's sockets as though he could not look at his brother without being overwhelmed by the hilarity of the situation: "He truly is scared! Gloomy, fearless Pohatu is scared! This is too much!"
Nowhere near as amused as him, Gali hit him over the head with the blunt end of her trident and almost sent him sprawling on the ground. When she turned towards the Toa of Stone, her eyes told him very clearly that she was not going to entertain any more arguments on whether or not he would be left to hold the defense on his own: "Come along now."
"I said-" Pohatu tried, calling upon every ounce of his stubborness.
"And I said," she stopped him immediately - eroding his futile attempt at imposing himself over her will like a raging river smooths the rocks of its bed into inoffensive pebbles - "That, just to avoid the unsavory possibility of a large swarm of who-knows-what catching you alone here and your heroic sacrifice to keep them at bay leaving us one Toa short, you'll come along now."
Her tone left no room for rebuttals.
With a sigh that sounded more like a growl, her brother turned and followed Onua into the bowels of his element.
"Don't worry," he heard the kind giant reassure him quietly: "We'll keep you safe."
Pohatu would have snarled something much more incredibly nasty at him despite being somewhat aware of his good intentions if he hadn't been so focused on how quickly the light behind them was disappearing the more they walked, and by the time he properly processed the mortifyingly gentle words they were too far along for him to think of any sort of retort amidst his building panic.
It was dark.
Very, very dark.
Almost as dark as back then.
Almost as dark as where he'd lost the hold on that hand.
Pohatu hoped he wasn't heaving loud enough for the others to hear.
If he had turned to look around he would have seen the weak lights of their eyes only barely, not even bright enough to make out anything past the sockets of their masks; but if he had, his own eyes would have given away that he'd moved his head to look somewhere that wasn't simply ahead, and the others would have had no doubts in regards to just how nervous and uneasy he felt at that moment, and he had already decided he had been humiliated enough today to last him the rest of his lifetime, however long that would have been.
So he stared forward, into the dark emptiness that could have stolen him away without a trace at any moment, trying not to breathe too hard, so tense he could have snapped in half.
He needed to think of something else.
Something, anything else.
He thought of him.
Maybe he was here.
Somewhere in the dark.
Maybe, if Pohatu remembered his name and called for him now, loud enough, he would have finally answered.
Maybe he would have rushed over and grabbed his hand, chastising him - where in the name of Jxqx Krf were you? Did you want to scare me like that time in Hl-Txef, while we were looking for your Exr? If you were trying to make me grieve you in front of Qroxdx Lkbtx again, I'm going to freeze you into a cube - taking him away from all of this, away, somewhere cold and comforting and familiar, and Pohatu would have laughed bitterly despite himself and would have screamed that he hadn't let go, you left me there, alone and scared and in the dark, and maybe he would have yelled that everything had been changing so fast and he'd been all he'd had left that was still at least a little solid to hang onto and when he'd left him there he'd been terrified, and if he had changed it had been to be more like him, because nothing used to seem to hurt him and if he'd been anything closer to how cold and steady and rigid he had been then he would have had to survive somehow, no matter what, and then they would have argued more because they had both been so scared and worried, and then they would have made up and they would have gone out in the sun and Pohatu would have seen his face again and remembered him properly.
Maybe something could have pretended to be him.
Maybek, like that, it could have lured him away into the dark.
A horrible choked sound echoed weakly through the tunnel.
By the time the Toa had grouped tighter together against the unseen threat, Pohatu realized it had come from his own mouth.
He did not mention that.
They waited a moment, each with their backs to those of the others; then somebody (he could not tell who, he was too mortified) said: "Let's go," and they all moved again, walking closer to each other. Just in case.
Maybe it was for the better, in the end, because Pohatu inexplicably felt a little more at ease.
It could not be because he was sorrounded by people who cared for his well-being: at least as far as he told himself, he would have rather they'd left him alone back there, because the thought of being coddled like this when he was meant to be a mighty warrior was shaming him all the way down to his bones.
No, he realized with genuine surprise as he wracked his brain to figure this mystery out. It was not the numbers, or the unity; it was the temperature.
It was... Cold.
A gentle cold.
Emitted like one might emit warmth.
From somewhere at his side, near his arm.
Unconsciously, he leaned further into the chill until he softly bumped into a shoulder.
He waited.
Nothing happened.
No cold palm grabbing his hand.
No cold voice chastising him for running off.
Pohatu kept walking, limb brushing against the cold arm at every step, eyes never turning towards it, breathing a little more normally, feeling a little less panicked.
Kopaka had no idea why the Toa of Stone was suddenly so close to him, and he wasn't sure if asking would have gotten himself snarled at or simply knocked out; but through their contact he felt the other's shoulders mellow slightly, heard his footsteps turn a little less stiff as he exhaled softly in what seemed to be relief; so, as he leaned slightly against him without being shoved off, he decided that if his brother needed this at the moment he would not have dreamed of taking it away from him.
His power was a shield, after all, was it not?
And a shield needs not to be asked: it simply protects.
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daz4i · 7 months
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alternate version of "he would not fucking say that". he would not fucking have muscles like that
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hylaversicolor · 8 months
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wait just kidding i have more to say
mgs is difficult to analyze. it’s extremely hard to watch a mgs cutscene and understand what kind of character emotions you’re supposed to be feeling from it in the moment. the story isn’t exactly character driven in that the characters’ relationships are mainly established offscreen or through exposition or both, often using shorthand (we care about the boss because she has a maternal vibe which kojima exploits for an emotional payoff; the boss isn’t a strongly written character, her relationship with snake isn’t organic, she’s a walking talking thesis statement on wars and borders). her and snake’s relationship in the game consists of her explaining her motivations to him and him reacting to it, then she defects and he asks her “why did you defect?” about a thousand times until she explains herself one more time and then he kills her. there’s nothing like “remember that time we worked together in xyz place,” they have no inside jokes, no flashbacks of them training or working together, it’s all meant to be filled in by the player and perhaps their own memories of their mother or some other mentor figure they have in their life. the same applies to ocelot. he always, always wears gloves (classic trope for concealment/hiding something) and he NEVER explains himself in his own words or if he does he uses half truths or ambiguous wording, or is obscured from the camera or the viewer in some way (x).
we’re not meant to understand ocelot’s intentions based on just what appears in the games themselves. and at the same time it feels like…cheating, almost? to take words from kojima that appear outside the games (even if they did come from kojima himself) and say “this one interpretation of the words is definitively what was going on”
because metal gear is not really about what kojima says outside of the games. mgs is not meant to be clear or unambiguous. the stuff on screen is just one half of the story; by design, half (more than half?) of the story comes from the player: from from the player’s decisions and preconceived notions and lived experiences. metal gear is about the player’s interpretation of intentionally vague storytelling. THAT is why kojima relies on movie tropes for shorthand. he makes games that can easily be interpreted in a variety of ways and that is the Point!! by the nature of the very thing there isn’t a clear answer as to whether or not ocelot’s love for bb is romantic or not. but regardless of whether or not it is, ocelot STILL did everything he did for bb and died for him in the end. there is no easy answer and there is no correct interpretation. thanks
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mattodore · 11 months
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this is what i was doing in the sims the other day 😁
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kvroii · 3 months
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Mod's asleep have whatever this is
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