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transannabeth · 10 months
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btw if you borrow dvds or cds from library you can rip them onto your own blanks or onto your hard drive or whatever. librarians don’t care and they won’t know if you do it or not
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honourablejester · 1 year
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A lot of the time when I reblog jewellery on here, it’s art nouveau jewellery, because I really like art nouveau. In general, and in jewellery in particular. And most of that is the aesthetic. I like the natural forms, I like the twisty curly bits, I like the use of materials, I like how a lot of art nouveau jewellery is using metals and stones and other materials to create a specific form, an insect or a plant or a goddess or even sometimes nature scenes. I like …
I feel like a lot of the time with jewellery, it feels like ‘I’m going to use this object to show off the size and value of my pretty rock’. And there’s nothing wrong with that. Some of those rocks are indeed gorgeous. But art nouveau feels more ‘I’m going to use these pretty rocks, and several other things, to create the impact of this object’? I just love the use of materials, glass and enamel and colour, as well as precious stones and metals, to create a form or a scene.
Like, you get a diamond ring, it’s a diamond ring. But you get something like a dragonfly brooch (Louis Acoc):
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Or a lilypad hair comb (Rene Lalique):
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Or a wisteria branch (Georges Fouquet):
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And it’s a whole creation. A little wearable piece of art.
And I don’t want to sound too dismissive. I know the craftmanship and skill and artistry that goes into any kind of jewellery making. That diamond ring took skill I will never have. I just.
I like the emphasis on form more than material that you get with art nouveau. Like normally you hear ‘glass jewellery’, ‘enamel jewellery’, and it’s cheap, it’s frowned upon, but in art nouveau it’s what that glass or enamel was used to make that’s the important part:
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(Rene Lalique)
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(Eugene Feuillatre)
Anyway. In summary, I really, really, really like art nouveau jewellery?
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deimosatellite · 2 months
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english-history-trip · 11 months
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Ever see a depiction of St. George and the Dragon? It's pretty fair to say if you've seen one, you've seen them all: Georgie on a horse stabbing a flailing dragon creature, princess piously kneeling in the background, vague landscape alluding to the homeland of the artist's patron.
The most varied part is the dragons. No one had a real definition for the thing, it seemed. For your pleasure and entertainment, I have ranked some medieval depictions based on how impressive George's feat seems once you see the dragon.
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Paolo Uccello, 1456
This is a terrifying beast. The hell is that. Uccello was one of the first experimenters with perspective, so the thing also looks surreal, like it's taking place on Mars, or a Windows 95 screensaver. I would not want to fight that, I would not want to be tied to that. (Sometimes the princess is tied to the dragon for some reason.) 10/10
Horse thoughts: Maybe if I look at the ground it will be gone when I look up
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Unknown artist, c. 1505
This is a rare change of form for the dragon; it's the only one I've seen actually flying (or at least falling with style). It doesn't look particularly deterred by the spear through its throat, either. Also, George looks appropriately nervous. On the other hand, it hasn't got teeth, it seems to be fuzzy rather than having scaly armor, and George is bolstered by his army of Henry VII and his children, most of whom definitely didn't actually die in infancy. Still, wouldn't want to fight it, wouldn't want my pet sheep near it. (Sometimes the princess has a pet sheep for some reason.) 9/10
Horse thoughts: I am so glad I wore my mightiest feather helmet for this
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Raphael, 1505
We are coming to Dragons With Problems. This guy looks about comparable in size to George, and does have wings, but doesn't seem to be using these things to his advantage (and has he only got one wing?) And how does he deal with the neck? He does have a comically small head, but holding it up with such a twisty neck seems complicated at best. But most egregiously, he is doing the shitty superheroine pose where he is somehow simultaneously showcasing his chest and his butt, with its unnecessarily defined butthole (more on this later) (regrettably). 8/10 bc it's Raphael
Horse thoughts: AM I THE BESTEST BOI? AM I DOING SUCH A GOOD JOB? WE R DRAGON SLAYING BUDDIEZ
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The Beauchamp Hours, c. 1401
We had a spirited debate about this one at work. Again, the dragon has gotten smaller, and this one hasn't got even one wing. He's basically a crocodile. So the debate became: would you want to fight a crocodile if you had a horse and a pointy stick? Would the horse trample the animal, who can't get on its hind legs, or freak out and throw its rider? Would the pointy stick be enough to pierce the croc's thick hide? In this case, George seems to be controlling his horse and putting his pointy stick in the dragon's weak spot, so we can be impressed by his skill and strategy. However, his hat is dumb. 7/10
Horse thoughts: Dehhhh
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Book of Hours, c. 1480
Here we have the same kind of croco-dragon, but George's focus on his strategy has gone out the window. He's flailing around, not even looking at his target, he's about to lose his pointy stick, he hasn't got a hand on the reins, and his sword seems to only be poking the invisible dragon over his shoulder. All he's got going for him is that his hat is slightly less dumb. 6/10
Horse thoughts: Yay, new friend! Come play with me, new fr- what is happening
Final dragons put behind this Read More for your safety:
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Rogier van der Weyden, c. 1432
I'm thinking this guy is at least semi-aquatic. Webbed feet, wings that seem more like fins, bipedal but top-heavy, jaws that seem more for scooping than biting. Maybe she's crawled up here from the nearby body of water to lay her eggs, and this is all a big misunderstanding. Moreover, George's dagged sleeves seem entirely impractical for the situation. 5/10
Horse thoughts: i got my hed stuk in a jar and now it is this way forever
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Unknown artist, c. 15th century
I hate this. I hate everything about it. Why has it got human eyes and teeth. Why is its nose melting. Why has it got a dick on its face and balls under its chin. The fin/wings are back but they look even more useless. Also, George is shifty as hell, schlumped over in his saddle with his bowler hat thing over his eyes. The baby dragon at the bottom eating some hapless would-be rescuer is kind of metal. 4/10 at least the thing is gonna die
Horse thoughts: I Have Smoked So Much Crack
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Book of Hours, c. 1450
Remember what I said about the buttholes? First, sorry. Second, yeah, we're back to that. I'll admit this one is less about the danger from the dragon itself than the very specific choices the artist has made. They didn't need to do that. It's a lizard. They don't even have. And it's like they had an orifice budget and they skipped an exit wound for the spear to focus. Elsewhere. It's so detailed. And George had an even dumber hat. 2/10 take it away
Horse thoughts: I Have Smoked So Much Weed
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Book of Hours, c. 1415
This is just bullying. There isn't even a princess. That is clearly an infant. Look at that smug look on George's face as he swings his sword that's bigger than the whole little guy. This is the equivalent of when DJT Jr. hunted those sleeping endangered sheep. 1/10
Horse thoughts: ....yikes
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And this is the previous one, but now the baby dragon is cute. He's chubby. He's got toe beans. He's Puff the Magic Dragon. His eyes have already gone white, implying that George is just kicking its corpse around for funsies. What's the difference between the dragon and the lamb in the background? That the dragon is dead, like our innocence. This George is truly deserving of the dumbest hat of all. 0/10 plus one more butthole for the road
Horse thoughts: Perhaps it is we who are the buttholes.
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personishfive · 1 month
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in which dialogue is exchanged
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buggachat · 10 months
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honestly just in general it's very exhausting to try to analyze media that is literally meant to be analyzed, only for the replies to be filled with people arguing not against your analysis, but against the premise that the media can be analyzed at all.
i don't even know what to say about it without starting to really betray my frustration, so i'll just settle with— just don't engage with analysis posts? I'm serious. if you're typing a response to a media analysis post, reread what you've written and ask yourself "is this comment/response against the very concept of analyzing the media at all?" and if the answer is yes then delete it all and go sit in the shame corner. throw your curtains away if you want to so bad and stop telling me that I'm not allowed to hum and haw at the fact mine are blue
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hunnam · 4 months
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beannary · 3 months
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do NOT tell me that the design i made for the new oozesquito catcher would not work I was so in the trenches trying to figure out how it was going to look and this is just what we are going with
This is part 42 of The Little Prince Separated AU
Beginning | Previous | Next
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isjasz · 4 months
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[Day 186]
Yellow is the color of betrayal
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rookclan · 4 months
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Moon 6: Grandpa!
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alicent-archive · 5 months
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Ah, yes. Team Green. Featuring a repressed lesbian still reeling from the fallout of her complicated situationship. An evil grandfather who eventually will become jobless. A guard who doubles as a stepfather and a hit man. An alcoholic. A doomed prophetess. An overpowered anime villain and his geriatric nuclear warhead. And a fourth child who may or may not exist.
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explorerof-theunknown · 7 months
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purplesound · 11 days
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I've been hit with undertale nostalgia still can't believe buff fish woman and feminine killer-robot had set my bisexual criteria for my crushes almost 10 years ago
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lovedeltaa · 3 months
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thinkin about charms and stickers
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vinceaddams · 8 months
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Early 18th (and late 17th) century fashions are so under-utilized in vampire media and I think it's a damn shame.
I don't actually think I've ever seen a single image of a vampire character in an early 18th century suit. Hardly any movies set in that era either, and hardly any historical costumers who do it. (Even my beloved gay pirate show set in 1717 takes nearly all of its 18th century looks from the second half of the century. Not enough appreciation for baroque fashion!!)
Yes I love late 18th century fashion as much as anyone, and 19th century formal suits are all very well and good, but if you want something that says old, dead, wealthy, and slightly dishevelled, then the 1690's-1730's are where it's at.
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(Retrato del Virrey Alencastre Noroña y Silva, Duque de Linares, ca. 1711-1723.)
There was so much dark velvet, and so many little metallic buttons & buttonholes. Blood red linings were VERY fashionable in this era, no matter what the colour of the rest of the suit was.
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(Johann Christoph Freiherr von Bartenstein by Martin van Meytens the Younger, 1730's.)
The slits on the front of the shirts are super low, they button only at the collar, and it's fashionable to leave most of the waistcoat unbuttoned so the shirt sticks out, as seen in the above portraits.
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(Portrait of Anne Louis Goislard de Montsabert, Comte de Richbourg-le-Toureil, 1734.)
Waistcoats are very long, coats are very full, and the cuffs are huge. But the sleeves are on the shorter side to show off more of that shirt, and the ruffles if it has them! Creepy undead hands with long nails would sit so nicely under those ruffles.
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(1720's-30's, LACMA)
Embroidery designs are huge and chunky and often full of metallic threads, and the brocade designs even bigger.
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(1730's, V&A, metal and silk embroidery on silk satin.)
Sometimes they did this fun thing where the coat would have contrasting cuffs made from the same fabric as the waistcoat.
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(Niklaus Sigmund Steiger by Johann Rudolf Huber, 1724.)
Tell me this look isn't positively made for vampires!
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(Portrait of Jean-Baptiste de Roll-Montpellier, 1713.)
(Yeah I am cherry-picking mostly red and black examples for this post, and there are plenty of non-vampire-y looking images from this time, but you get the idea!)
And the wrappers (at-home robes) were also cut very large, and, if you could afford it, made with incredible brocades.
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(Portrait of a nobleman by Giovanni Maria delle Piane, no date given but I'd guess maybe 1680's or 90's.)
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(Circle of Giovanni Maria delle Piane, no date given but I'd guess very late 17th or very early 18th century.)
Now that looks like a child who's been stuck at the same age for a hundred years if I ever saw one!
I don't know as much about the women's fashion from this era, but they had many equally large and elabourate things.
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(1730's, Museo del Traje.)
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(Don't believe The Met's shitty dating, this is a robe volante from probably the 1720's.)
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(Mantua, c. 1708, The Met. No idea why they had to be that specific when they get other things wrong by entire decades but ok.)
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(Portrait of Duchess Colavit Piccolomini, 1690's.)
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(Maria van Buttinga-van Berghuys by Hermannus Collenius, 1717.)
Sometimes they also had these cute little devil horn hair curls that came down on either side of the forehead.
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(Viago in drag Portrait of a lady, Italian School, c. 1690.)
Enough suave Victorian vampires, I want to see Baroque ones! With huge wigs and brocade coat cuffs so big they go past the elbow!
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titenoute · 4 months
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Meme redraw OG Rayman prefers to choose kindness whenever he can...
V.2 :
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But sometimes, you gotta send a message.
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