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#i have plenty of writing and content generation difficulties of my own i will not pretend to mastery
whetstonefires · 1 year
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I do have a piece of writing advice, actually.
See, the first time I grew parsnips, I fucked it up good. I hadn't seen parsnips sprouting before, right, and in my eagerness I was keeping a close eye on the row. And every time I saw some intruding grass coming up, I twitched it right out, and went back to anticipating the germination of my parsnips.
But it turns out parsnips take a bit longer than anything else I'd ever grown to distinguish themselves visually. It's just the two little split leaves, almost identical to a newly seeded bit of kentucky bluegrass when they first come up, and they take a good bit to establish themselves and spread out flat before the main stem with its first distinctive scallopy leaf gets going.
I didn't get any parsnips, not that year, because I'd weeded them all out as soon as they showed their faces, with my 'ugh no that's grass' twitchy horticulture finger.
The next year, having in retrospect come to suspect what had happened, I left the row alone and didn't weed anything until all the sprouts coming up had all had a bit to set in and show their colors, and I've grown lots of parsnips since. They're kind of a slow crop, not a huge return, but I like them and watching them grow and digging them up, and their papery little seeds in the second year, if you don't harvest one either on purpose or because you misjudged the frost, so it's worth it.
Anyway, whenever I see someone stuck and struggling with their writing who's gotten into that frustration loop of typing a few words, rejecting them, backspacing, and starting again, I find myself thinking, you gotta stop weeding your parsnips, man.
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fishing-croagunk · 2 years
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Game Clearing 2021: A Retrospective
It has been a while since my last post, but I have returned. I've still been playing games, so why not write about it.
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Pikmin 3 Deluxe: Dec 28 - Jan 21
This is a special case since I don't actually remember if I completed the original Pikmin 3 way back when I owned a Wii U. At the same time, there is new content in this version, so? Anyways, I enjoyed Pikmin 3, as someone who has played the first two games to death. The little Side Stories stuff was pretty neat, reminded me a lot of mission mode. I admittedly wanted more when I finished it.
Frogger: Jan 4 - Jan 24
Oh boy. This one was personally my least favorite of all the games I cleared in 2021. It's super difficult. You're expected to time jumps between obstacles, but sometimes things are offbeat enough you can't safely jump over them. And you can't wait for things to line up, because you're under a strict time limit and when time runs out, you die! I did end up using a cheat code to give myself infinite lives. It did not make the game easier, it just cut down on repeating parts of the level.
Worms Reloaded: Jan 4 - Jan 5
I bought this game soley to play with friends, but I thought clearing the campaign mode would be interesting. It did teach me a lot about game mechanics (and how to properly use the Ninja Rope), but I started to dislike the later levels, mainly because of the difficulty scaling. Eventually, the game wants to defeat multiple 4-worm teams with only one or two worms on your side. At least at the end of the campaign, I got the fire meteors at the enemy team.
Puyo Puyo Tetris 2: Jan 21 - Jan 26
Another game purchased to play with friends, but I tend to play with online randos these days. I have more experience with Tetris than Puyo (largely because many of the games are Japan-only), but I think I slowly improved over playing the Story Mode. Probably because I needed to "get good" in order to beat the later levels. Of the standard game rules, Swap is probably my favorite, when not playing the standard Versus. Also, the story is absolutely bonkers, but I love it.
Sonic Generations: Mar 21 - Apr 9
I have not played a lot of Sonic games, and I haven't played a lot of 360 games. So, I tried to remedy that with this game. And it was pretty good. I will say I like the 2D sections more than the 3D sections, but that's my general preference. I thought the missions were pretty neat, although I just didn't care for some of them. At least I can play the original Sonic the Hedgehog within this game!
Ms. Pac-Man Maze Madness: Mar 25 - Mar 26
Another game based on an arcade game. Unlike Frogger, that made me want to pull my hair out, this was pretty enjoyable. Turning the mazes into a puzzle platormer was good idea by the devs. They even put in sections in the level based on the original mazes! While a bit short, I definitely had fun. If only they finished that sequel.
Luigi's Mansion: Dark Moon: Apr 16 - Apr 30
I've played the original Luigi's Mansion plenty of times, but I haven't tried the newer games until now. I liked how they adjusted the controls for the 3DS, and the gameplay is as simple and intuitive as ever. The mission-style did make it easier to break down, compared to the four Areas of LM1. Would definitely play this one through again.
Ribbit King: May 4 - May 6
I actually won this game in an online action. And I was able to get it complete in box, for much cheaper that it usually sells for. I have played it before, but this was the first time playing through the Story Modes. The story is also pretty bonkers, but the game itself can be described as extremely wacky golf. Of course, this wackiness plays into the charm, and there is still strategy within the madness. Now only if I could convince my friends to play with me.
Miitopia: May 22 - Jun 25
I've played the original Miitopia on 3DS and really liked the quirky RPG, so when it came out on Switch, I was already on board. Of course, the added features to customize Miis made the experience better. I'd even say this version is worth getting over the 3DS original purely for the more robust character creation. The things people have been able to do with it is downright impressive.
Q*Bert: Jul 6 - Jul 17
Yet another game based on an arcade original. If Frogger was painful, and Ms. Pac-Man was enjoyable, then Q*Bert was… tolerable. I played the Adventure Mode (since Classic is just the original game) and found it to be alright. Just a very unremarkable experience. Maybe I'd rather just watch Saturday Supercade's take on Q*Bert, where they turned the nozer into Happy Days, for some reason.
Yoshi's Topsy Turvy: Sep 4 - Sep 6
Here's something unique: a GBA game with gyro controls. That was my thought going into it. However the novetly wore off by the third world. The controls just aren't percise enough to make the later levels fun. Sometimes, you tilt it too far, or tilt it not far enough. This is especially annoying on auto-scrolling stages, where sometimes you'll tilt it correctly but it ends up tilting too late anyway. I really wish I could have just pressed one of the shoulder buttons to tilt, instead of turning the system like an idiot.
WarioWare: Get It Together!: Sep 10 - Sep 10
With a game like WarioWare, beating Story Mode is trivial as you're intended to play the stages over and over to get the high scores. I do like the main twist of playing as the actual characters this time around, although some characters are just better than others. I feel bad for fans of 9-Volt, they were done dirty. But at least Orbulon is top tier! (A WarioWare game with a definitive tier list… now that's something.)
Super Paper Mario: Oct 4 - Oct 18
Another RPG, but not really. I would consider this game a platformer first, RPG second. Still though, the story is really good. While I have been spoiled on some details over the years, it was still amazing to see it all come together and develop. I would be lying if this game didn't make me emotional at times, especially at the end.
Rayman Legends: Definitive Edition: Nov 13 - Nov 19
I have a soft spot for 2D platformers, and I absolutely adored this game. Simple yet intuitive, but with just enough exploration to be interesting. The music stages too were also fantastic. At the time of writing, I have finished Murfy's Touch and Back to Origins, but I'll saved those for the 2022 list.
Pokemon: Brilliant Diamond: Nov 20 - Nov 29
As you can tell by my screenname, I really love the Gen IV games, despite their faults. Platinum was actually one the first games I've played, actually. So I was really looking the remakes. However, the remakes are not that great. First, they're still based on the original Diamond and Pearl, and didn't retrofit any of the changes or additions Platinum added. Kinda strange really. So I decided to change it to a Monotype run, where I could only use Pokemon of a certain type. I went with the Poison type, because Croagunk. It did make some things mildly interesing. Also, this game has a massive difficulty spike near the end, where the Elite Four and Champion start using competitive strategies for some reason.
Newer Super Mario Bros.: Dec 8 - Dec 12
This is actually a mod of the original New Super Mario Bros Wii, but it's basically a stand alone game built off of the original. I enjoyed playing the new levels, seeing the new enemies and finding all the Secret Exits. It almost makes me want to try to make my own levels. Additionally, one the developers, Skawo, has done a playthrough of the mod with developer commentary on their YouTube. I'd recommend checking it out.
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lokescurse · 3 years
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Hello I hope you're feeling better soon and please a - z for naoya and the nsfw alphabet hehe I'm greedy for Naoya content. Sending love and hugs
Thank you~❤️I'm doing okay, still recovering but I was well enough to finish this. I hope the wait was worth it! Some of these letters were already answered for other people, so I'll be linking back to the posts where I put them. Otherwise, here you are, a full alphabet for our favourite little menace of the Zenin clan:
These are gn!Reader friendly!
As one could expect, MDNI, thank you!~ Specific warnings under the cut.
C/D1/K/W1 & B/D2/J/N/W2
Warnings: Mentions of cum, katoptronophilia, limited aftercare, oral sex (both receiving), rough sex, mocking, degradation, humiliation, praise, choking, implied unprotected sex, creampies/cumming inside, detailed descriptions of uncircumcised dick, semi-public sex, quickies, exhibitionism, descriptions of pubic hair, use of toys, sexting, dick pics, overstimulation, dumbification, multiple orgasms, and orgasm denial. Also if there are grammar and spelling mistakes, I’m sorry but I didn’t have the energy to proof read this a million times lol.
A = Aftercare: Aftercare with Naoya is...minimalistic, really. If he’s awake enough after sex, he’ll probably want to wash off with you so that you don’t have to worry about yourself or your bed sheets in the morning, though. This can be a shower or a bath and he doesn’t really have a preference, so if you just want a quick rinse that’s fine & if you’d like to put some scented bath salts in the tub and just soak for a bit, that also works. He’s not really picky during this time (in fact, Post-orgasm Naoya is probably the most agreeable version of him lmao). Anything more than this is a bit of a toss-up, however. He’s probably just gonna want to go straight to bed or he’ll have to even skip the wash, adjust himself, and head off to whatever he has next on his daily agenda. But, if he does get to stay in bed for the night, expect him to also use whatever power he has to sleep in with you the next day.
D = Dirty secret: This is one that even a very beloved partner would have significant difficulty wrangling out of him.....but Naoya really doesn’t mind the idea of wearing lingerie, even if it’s a bit more on the feminine side. He has a great figure and he knows it. What’s more is that he loves all kinds of accessories that accentuate his naturally pretty features. So it should come as no surprise to learn that Naoya has definitely tried on a few things in front of his mirror, and somewhere deep in his computer are the selfies he took while wearing the pieces he liked most. He’s especially partial to black garments with lace trim and lots of straps & garters. Perhaps even more than the lingerie itself, he loves thinking of all the praise and compliments he’ll receive for wearing it. So his partner had better be prepared to absolutely drown him in heartfelt flattery if this is a thing they’d like to see more of in the future.
E = Experience: Naoya isn't very experienced, in my opinion. I do think that he'd be willing to have a few one-night-stands here and there just to get out some of the frustration that he can't relieve himself, but that doesn't mean he was all that well-educated on what to do. He's not innocent by any means, but being with him means being willing to understand that he'll need some actual practice to be exceptional at anything in the bedroom. His one strength is that he does have some natural talent with his tongue and fingers, though, if you get my drift. It's a learning curve, but he'll get there. F = Favorite position: I’m of the mind that Naoya enjoys the butterfly, cowgirl, classic missionary, and spooning positions best. Ultimately, these are all positions that either 1) let him see his partner’s face & body, 2) let him press his skin directly against theirs, or 3) both. A position that allows Naoya to choose between getting up close and sensual or leaning back and enjoying the view is going to land on his favourites every time. All four of these also allow him to have good control over the pace to some extent or another (which we’ll establish later as being fairly important to him). Even cowgirl gives him the option to steady his partner’s hips and push into them at his desired speed from below. An honourable mention here is doggy style, but he tends to only like it while him and his partner are facing a mirror. Like I said, he likes to be able to see everything.
G = Goofy: Naoya doesn't tend to be goofy during the act, per se, but he does enjoy bringing his normal scoundrel attitude into the bedroom with him. He's the mocking, sarcastic, and teasing sort. At times, it can also just be him playing coy in an attempt to get his partner to admit to/beg for something they want done to them. He's the kind to hear his partner say "please..." and ask "please, what?" even though he knows full well what it is they're looking for. Playful, to say the least. We’ll get more into this when we get to U.
H = Hair: While the idea of Naoya also bleaching his pubes is...interesting to me, I do think that he keeps them the natural black colour they are. As far as the cut goes, I’d say he’s very well groomed. He keeps it well-shaped and tame down there, sometimes he might even shave it completely if he’s going to be too busy to see to it properly for a while. He does also take into account what his partner likes, though, as he wants to make sure he’s as attractive to them as he can be in every possible way. Tell him what you like and, if it suits him, he’ll do his best.
I = Intimacy: Let’s face it, Naoya’s not the romantic type. While he can be tender, it’s rare that there’s a time with Naoya that isn’t punctuated by roughness or mockery to some extent or another. But that doesn’t mean that there isn’t something deeper to it at all. More accurately, Naoya’s roughness is largely due to his enthusiasm to be wrapped up with his partner in the first place. Obviously, his nigh insatiable appetite is also to blame, but it’s not the only contributor to his eagerness. When Naoya desires someone, he desires them wholly, and he seeks no one else. So while his partner probably shouldn’t expect a soft/romantic lovemaking session unless it’s their birthday or some such occasion, they should know that everything Naoya does is specifically, and only for them. It has its own inherent romance to it, even if it’s not always clear.
L = Location: There a few different locations that Naoya loves to get tangled up in. His own bed, the estate sauna, the training mats in the dojo - they're all great and he'll almost never say no to them. But there's one place that Naoya absolutely loves to defile with his partner more than any other:
His father's bed.
It's risky and he knows well that it's not always an option, but if there's ever a moment in which his partner is game and Naobito is busy elsewhere, Naoya will practically sprint there. The whole way he's biting his lip at the thought and loosening his clothes to prevent lost time. He can't help but to love the high that comes over him when he and his partner have their way in the Very Important Private Room Only for the Head of the Zenin Clan. It serves as both a reminder of his own personal motivations, as well as just a giant "Fuck You" to his father in general. The best of both worlds. M = Motivation: Naoya isn’t a difficult man to turn on, as he’s practically always at the ready. You can pretty much just vaguely allude to the concept of sex and his brows (and something else) will begin to perk up. However, I do think there are a few little things that will get him particularly entranced with his s/o. One of them is low-cut or revealing clothing. Parade yourself with confidence or tease him with a suggestive outfit and he’s already ravishing you with his eyes at every possible moment. Naoya loves beauty and ostentation, so if his partner takes the time to pick out clothes that really highlight all their best curves & features, you can bet that Naoya isn’t going to be able to keep his hands to himself. For male/masc partner’s especially, I think he also loves shows of strength. Naoya can’t help but stare when he sees taught muscle flexing, or be impressed by how easily his partner can lift heavy objects that he can’t (as I’m writing this, I’m thinking maybe maybe maybe Naoya might just have a bit of a size kink, too eheh). Finally, something that works for all kinds of s/os is that Naoya absolutely loves having his neck touched - it’s probably his most sensitive, non-erogenous body part. If the person he’s involved with at the time comes up behind him while he’s sitting on a couch or at his desk, gently grazes their fingers along the side of his neck, and whispers something suggestive in his ear, Naoya’s all but putty in their hands.
O = Oral: Oh, Naoya, Naoya, Naoya. When isn’t this man wagging his tongue? Honestly, even he knows that he really ought to put it to better use sometimes. And so he does, but you almost hate to admit that he’s so damn good at it. As one could imagine, it’s filled with a ton of teasing, though. There’s plenty of him blowing lightly on the excited skin, lots of kitten licks and soft kisses, and of course it wouldn’t be sex with Naoya without a heavy dose of “use your words” and other taunts. Ultimately, there’s not much Naoya Zenin loves more than really taking his time between his partner’s thighs and watching as they completely come unraveled beneath his diligent tongue. It’s so good to him, that he’s often caught moaning around his partner’s sex, sending pleasant vibrations all along the flesh there & enhancing the experience further. Sometimes, even, he can’t bring himself to stop after his s/o’s release finishes coating his lips, and he’ll continue to press his tongue against them until they’re jolting from overstimulation. Even then he might not stop without a safeword. Asking Naoya for oral really is a gamble in that way. There’s no telling whether he’ll leave his partner at a comfortable satisfied, or catapult them thoroughly into mindless and exhausted.
Naoya prefers to give and, honestly, if he had to choose the method to his climax, he’d just choose sex over oral if he had the time. That being said, Naoya was made for multiple orgasms. So if there’s only enough time for oral, expect for him to try and make use of every possible second. Therefore, his partner should probably make sure they rest their jaw afterwards.
P = Pace: Generally speaking, Naoya prefers the act to have a more rapid pace. As one can expect from someone with a speed-based technique, Naoya has a great capacity to keep things moving quickly. The bedroom is no exception. Even in moments where the scene is more sensual, he can’t help but raise the pace as time goes on. There’s something about the extra friction and the desperation it fills him with that makes the sex all the more passionate in his eyes. Just him and his partner, recklessly chasing their highs together. Mmm.~ ♡
Q = Quickie: Naoya loves quickies, for the most part. He kind of has to, seeing as he has to always be somewhere for some reason or another. His partner can probably expect at least one each week in-between blocks of missions, meetings, and other monotony. Sometimes it's the only kind of sex there is, which is mostly fine for him....but he does sometimes long for the more calm, slow moments when he can really take his time. A balance between the two, is really what he craves. R = Risk: Naoya is very willing to experiment and take risks, as I'm sure you've probably guessed by this point. He's down to try almost anything once, and some of his favourite acts are ones done in places where it would be easy to be caught. The things he likes are also pretty varied, and he doesn't mind going from soft to harsh or anywhere in between. Ultimately a pretty exciting partner once he starts getting the hang of things. S = Stamina: I’ve talked about this before in separate posts, but I think it’s fair to say that Naoya likely has pretty good stamina. I don’t necessarily like when other people just say that every character they write for can go multiple rounds all night because that’s not always realistic. But, since Naoya so very specifically has a speed-based ability and we know how important strength, performance, and training were to the Zenin...I don’t think it’s unfair to say in this case that, yes, Naoya can probably go for quite some time. I’m also of the mind that he cums quickly, but is not easily overstimulated, leading him to be able to hit multiple orgasms without getting too overwhelmed or tired. Ergo, this man can and will keep you up way past your bedtime if you ask nicely. ♡
T = Toys: I like to think that Naoya is pretty open to the possibility of using toys. After all, they can very easily result in a heightened experience for both him and his partner. He’d especially love using things like vibrators, clamps, and plugs because of how readily they can bring his s/o over the edge and deep into overstimulation. And since he’s someone who also likes to cum multiple times in any given session, I can definitely see them as being useful to him, too. Ultimately, I think this is a “you name it and I’ll try it,” sort of subject for Naoya. He’ll give anything a go at least once.
U = Unfair: Oh, are you kidding? I think we’ve established by now that teasing may as well be Naoya’s own, distinct love language. It’s impossible for him to refrain from denying, teasing, and openly mocking his s/o during any stage of sex. For him, it’s an integral part of the fun. He loves to make his partner beg, to mock their whimpering, to intentionally “miss” any of their sweet spots, and to give only the slightest of touches against the skin for far too long. Bringing his partner to the brink and sinking them down over and over again - having them completely at his mercy...oh yeah, he positively adores it all.
V = Volume: I think this is where I differ the most from a lot of other people who write for him, because I absolutely think that Naoya is shameless enough to fully moan whenever the mood strikes him. No hushed grunting or strangled noises with this man. He will just let it all out exactly as he feels it. After all, Naoya’s not a person to conceal his emotions as is. Why would he bother to hide what a good time he’s having? Plus, if you’ve been around my posts long enough, you know full well that I think he would also really enjoy trying to embarrass his partner by repeating their own sounds back to them when they get particularly amusing. So, really, there’s no way I would have ever told you that this man is quiet, of all things. Lmao.
W = Wild card: Naoya loves to lock his partner in place, especially when he’s close to cumming. This can sometimes be in the form of choking, but other times it’s just him pressing closer against them or wrapping an arm across the chest/sternum to anchor them to him. It’s quite the display, really. A hand or arm will come up to curl around his s/o’s body, his pace will quicken, and his breathing grows ragged. He has almost no mind left for dirty talk and simply moans readily into his partner’s ear as he reaches his peak inside them. The whole time, he’s holding them firmly in place and making sure they take every drop of his seed.
X = X-ray: He’s beauty, he’s grace. Naoya’s overall body is lean, fit, and sculpted. His musculature is more on the subtle end, but each gentle slope and rounded hill is wrapped so perfectly in smooth, even skin. His ass is especially noteworthy, as it is that somewhat square shape with divots in the sides that one can expect from a very fit build, but also with enough mass there to give the actual cheeks that lovely & grab-able bubble-like quality. Truly, it’s an enticing thing that any good partner would be loathe not to appreciate. Rotating the man a bit, let’s talk about what he’s workin’ with, you know what I’m sayin’? 👀 Naoya’s a proud member of the Pretty Cock Squad, in my opinion. It’s not particularly large or small, sitting at about a comfortable 6-6.5 inches. He is uncircumcised and almost religiously clean. His foreskin is about the same colour as the rest of him, but with a red, blushing quality to it. It’s also very smooth & soft to the touch. There are no veins visible, save for a single prominent, raised one along the underside that looks almost like a seam turned out. The head underneath is cutely rounded, very pink, and super sensitive - which is largely why he cums so fast. Overall, it’s a member to be proud of, and he’ll certainly take any opportunity he can to show it off to his partner. Hopefully they like dick pics during sexting!
Y = Yearning: Oh, boy. This man is horny 24/7, babe. It’s honestly a wonder that Naoya isn’t trying to chase his high every moment of every day. If he isn’t engaging in a sexual act himself, he’s probably thinking of the kinds he’d like to be involved in later, or ones he’ll think about with more clarity when he has a moment alone. So any time a partner even jokes about getting intimate, Naoya will be there actively hoping that they mean what they say deep down because he’s already thinking about just how he’d like to do it tonight.
Z = Zzz: Conked out immediately. Naoya can last quite a while, but no matter how high your stamina is, there comes a point where you need to stop for a bit. It's actually because Naoya is able to exert so much energy during the act that he needs sleep so badly after. Don't be surprised if you roll over to snuggle up to him sometimes only to hear him softly snoring away. Just make sure you wake him up at some point so he can brush his teeth!
Okay! With that all being said and done, I’m gonna tag you ( @depechemoth ) as well just to make sure you get it since sometimes tumblr doesn’t tell people when their asks get answered anymore + I spent a lot of time on this so I don’t want you to miss it!
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regrettablewritings · 4 years
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Fluff alphabet for Tadashi Hamada if you're stil writing for him, please. B, c,s w?
Indeed, I do still write for the lovely lad. Stuff is below the cut
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B = Baby (Do they want a family? Why/Why not?):
Oh, most definitely. Tadashi is a very family-oriented man. Always has been, always will be. So it’s no surprise that he looks forward to the day he can start his own little branch of the Hamada family tree. We’ve already seen how he is with Hiro: He’s protective, he’s encouraging, he’s inspiring, he’s good at getting him to do things he may not want to do even if it’s for his own benefit -- imagine what wonders he could do if those traits were applied to a little mini-him or mini-you or mini-you-both!
Honestly, the subject goes more or less unspoken between you two because it’s kind of a given that Tadashi wants kids. You two would be taking a walk in the park or going to the mall and the moment a stroller passes by, he’s barely playing off how much he’s trying to crane his neck to gaze upon the chubby wonder resting inside. You can see the disappointment in his eyes when he fails. Some days when you’re just at the Lucky Cat trying to get some homework done, you’ll glance up and see him at a table with a baby at it, speaking all kinds of sweet words to them. You’ve seen his favorites playlist on Youtube -- it has a decade-old commercial for Legal Zoom on it. When you questioned why it was there in the first place, you had to witness your adoring boyfriend sheepishly admit that the baby in it was just too cute. And also he liked the pale purple walls and thought it’d make for good inspiration.
“Good inspiration for . . .?” you led, knowing exactly where it was headed. You watched at Tadashi’s eyes wandered and his cheeks and ears reddened.
“For . . . a nursery . . .” he responded. It was a mumble, but you heard everything you needed to know loud and clear.
Well, not everything, of course: You asked him what exactly he envisioned for the future.
He admitted he wasn’t exactly particular about whether he wanted a boy or a girl, let alone first or second -- he just knew he would like at least two children so neither one would be lonely. Corny and cheesy as it was, he would’ve preferred to live somewhere a little closer to the suburbs (“Hey, at least I don’t expect a white picket fence!” he justified). His reasoning being that he’d like a nice, quiet area in which many parks and libraries and schools can be accessible, and so any children of yours have room to grow. However, given the structure of the area, he knew that this was going to be a tough call for a multitude of reasons.
Bottom line, though, he’d be okay with living in the city if it meant he could still provide for you and your hypothetical kids the best he could. He just wants to make sure everyone is happy and healthy. But for now, he’s content with it just being the two of you . . . Emphasis on “for now.”
C = Cuddles (How do they cuddle?):
Usually with a prayer that Hiro doesn’t barge in. No, seriously: That bedroom of theirs offers only the most courteous of privacies by way of a tasteful but otherwise unpersuasive shoji. You want Hiro to see you guys trying to get cozy about as much as Hiro does -- which is not at all, given how he pretends to throw up every time he’s walked in on you two. And how he’s voiced his dislike of it.
Given that Tadashi is ever the caring brother and roommate, he can only get away with so many dry, “You don’t have to be here”s before he just feels bad about it. As a result, the two of you have actually had to create a cuddling schedule built with Hiro’s course times, your availability, and Tadashi’s availability in mind. And God forbid Hiro ever finds out about that schedule because all he needs is one more reason to call the both of you Ultra Nerds.
Worse-case scenario, you two get booted out and have to make do with the couch in the garage, cramped as it is. But you don’t mind: Usually, the reason you two are cuddling is because you’re so butt-tired from coursework that you need to relax and zonk out for a couple hours. Besides, for as lanky and more muscle-based as a guy like Tadashi is, his arm wrapped around you is unfairly warm and comforting. You’re bound to be conked out before you can even utter a complaint, or at the very least you’re way too relaxed to register the fact that you’re both awkwardly strewn about the furniture.
So if it had to be put in a different way (and less about worrying somebody might barge in), you supposed you could describe your cuddling as being the snug equivalent to how a college student eats, sleeps, or lives altogether: You both take what you can get when you can get it and try to enjoy it before it’s time to go to your next “adult obligation.”
S = Sad (How do they cheer themselves/others up?):
Tadashi is a pretty optimistic person so it’s actually hard to get him completely down, let alone long enough for him to actually require a pick-me-up bigger than a brief inner pep talk. Normally all he needs to do is have a quiet moment to himself, some time to cool down, maybe remind himself that things can and will get better. But in the odd moment where this isn’t enough, Tadashi will often turn to his interests.
However, don’t assume this means he’ll hunker down in his lab and focus on one of his projects: He’s long since learned that it’s best to not robotically engineer with sad or frustrated -- way too many power outages have occurred from that.
Instead, he turns to his other hobbies: Living with Aunt Cass means he’s been knowing how to bake for years, albeit the baked fruits of his labors don’t always come out prettily; depending on how free his schedule is (read: not very at all anymore), he may go find a location to go surfing; or he goes to a park to get, like, a cart crepe. Usually being outside in a sunny place (with plenty of puppies and babies around) zaps him back to normal.
Which leaves him with plenty of time to figure out how to cheer you up!
Given his nature, Tadashi has become a wiz at cheering others up. He’s just got this nearly contagious brightness about him. And even if you don’t find yourself as readily bright as he, don’t worry: He’s not afraid to pull old tried-and-trues on you. Being an older brother/almost fatherly figure has allowed him the perfect position to perfect his trade: That is, the art of being goofy for the sake of cheering up his loved ones. He will easily pick you up and jump around with you, hollering about how he’s going to “turn that frown upside-down” -- by actually holding you upside-down.
Not your cup of tea? Then be prepared to witness the most tragic case of Dad Dancing ever recorded in a man below the age of 30, complete with cheesy disco music. You will be forced to witness his arms flailing, head bopping, mouth performing what you had once heard being referred to as “The White Man’s Overbite”. You will beg that he stop “for the love of Mochi.” You will try to have your pleas be heard over the speaker blaring “Got to Be Real” by Cheryl Lynn, only to be further drowned out by your boyfriend’s tone-deaf singing.
But the man will not stop: He must dance in your honor.
And once you’re done wiping away the tears left from cackling, he’ll treat you to some froyo.
If this still doesn’t work, there’s the slightest chance he might pull out the big guns: Tickling. It’s reserved strictly as a worst-case scenario, but he’s going to dance until his feet bleed if he can help it before he has to do that again. The last time he resorted to tickling a little too eagerly, it . . . didn’t end well.
W = Wedding (When, how, where do they propose?):
When? A balmy evening in May. How? With a bit of difficulty. Mind you, Tadashi is a generally organized man on the average day. But on the day he proposes to you – heck, the days leading up to it? He’s a bit of a mess. And it’s in no small part due to how incredibly involved his friends and family had tried to be the entire time.
Make no mistake, he’s very glad that he has such supportive loved ones. However, he found himself constantly fighting off a heart attack every time one of them treaded the line a little too closely for his comfort. (Sure, there’s little suspicion in Honey gushing over wedding magazines with you or Aunt Cass asking you to sample a “brand new wedding cake flavor” she was planning to use for some pastries, but Wasabi asking about your ring size and Fred talking about how kaiju costumes were better than tuxes until GoGo had to slam him down really wasn’t exactly inconspicuous.)
Hiro might’ve been the closest thing to normal throughout it all, much to the elder Hamada brother’s surprise. But even then, he was more of less gesturing for Tadashi to just go ahead and pop the question – albeit, at the most inopportune times in the latter’s honest opinion.
“I can’t propose to my girlfriend in the campus library!” Tadashi rejected Monday.
“There’s nothing romantic about being in the middle of a pizzeria and going, ‘Hey, will you marry me?’” he scoffed on Wednesday.
“Hiro, if you ever propose to somebody in front of a mall fountain, then I’ve failed you,” came his dry response Saturday. He knew his younger brother meant no harm by applying the lightest of pressures; he just wanted all the anxieties over with! But this was you Tadashi was proposing to: You deserved only the best. Only the most heartfelt . . . Which was why, in the end, the where of it all was the Lucky Cat Café. Was it the fanciest establishment he could have done it in? Not really. Thankfully, Aunt Cass was all too eager to oblige his request to have the café to yourselves one evening; it allowed him to properly decorate your favorite table with a tablecloth and a bouquet of your favorite flowers. It was admittedly a tad cheesy, but you certainly didn’t mind it.
But this was where Tadashi had grown up. It was where his family – the core of his being – was, where his friends congregated to relax. This was his home in so many ways and if he was to invite you into his family, he wanted it to be done here. Even if it meant Aunt Cass and Hiro were not too discreetly peeking out from the back. Or that the entire time Tadashi was trying to recite his proposal speech, he kept getting distracted by your friends, whose faces were mashed against a window behind you, waiting to bear witness to this milestone.
Suffice to say, it was a very group-oriented situation. But neither you nor Tadashi would have had anything less.
Thank you for your patience!
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killemwithkawaii · 3 years
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HELLO MITCH ur blog is so cute i come here all the time for the Good sally face content im rlly going thru it rn with university so reading ur sally face imagines rlly helps <3 could i request something for sal and/or larry w an s/o that has obsessive compulsive disorder and struggles a lot?? like thinking theres only Two Possible Options for things sometimes, feeling like they have to be Perfect or theyre nothing, etc? tysm if u can, i just dont see enough fics for that sort of thing </3
I’m so happy to hear that my content has helped you when you’ve been struggling! I totally agree that there aren’t enough fics/imagines regarding mental illness- I hope that these headcanons bring you some comfort  🤗💕
Note: While I did quite a lot of research while writing this, I don’t personally have OCD. If any of this information is off, please don’t hesitate to tell me and I will correct it ASAP!
Sal and Larry with an s/o who has OCD-
Sal
-Though he generally keeps himself and his things clean, he usually isn't one that's bothered by germs or unsanitary things. If his s/o is someone who has a preoccupation with contamination, he'd volunteer to touch or clean whatever they perceived as unclean (ex: opening doors, steering shopping carts, handling raw meat, disposing of spoiled food, cleaning bathrooms, etc.) when necessary and wouldn't be offended if his s/o requested he participate in a certain decontamination ritual afterword to put them at ease. He would also reassure his partner that they and the things they've touched are not 'dirty' if they believed that THEY were the cause of contamination, despite them believing otherwise.
-His patience comes in handy if his s/os compulsions lead to 'obsessional slowness' when things aren't 'just right' and s/o feels compelled to repeat tasks, or if s/o needs frequent reassurance about certain things (he could use some reassurance of his own when things 'don't feel right', so it will be a two-way street)
-He has first-hand experience with mental illness and understands that delusions and intrusive thoughts (strange, disturbing or otherwise) aren't a reflection of a persons actual desires. He knows they can't help having these unwelcome ideas pop into their head and that they don't want to act on them, so he talks his s/o through them and reminds them that they aren't a bad person for having these kinds of thoughts.
-Sal is a collector, so he kind of understands if his partner has a tendency to hoard things, even if their motivation is more about 'keeping things just in case,' instead of 'keeping things because they're interesting or hold sentimental value'. He'd make an area in their living space for them to keep their objects organized. At the same time, he'd try to help them keep their collection manageable so that it doesn't take over the house.
-Sal doesn't have the best memory, but he would make more of an effort to keep records/a calendar if his S/O is the type to worry that they may have done something harmful in the past that they cannot recall.  
-If his S/O has fears of breaking moral rules, Sals emotional knowledge and understanding really comes in handy. He's been through plenty of therapy sessions and has a lot of tools at his disposal to deal with feeling as if you are inherently bad or have done something unforgivable without meaning to. He'd talk through his S/Os fears with them to help them feel better about any social faux pas they may or may not have committed and will willingly step in to help if he sees that S/O is struggling in a social situation/obligation.
Larry
-Would make an effort to keep his living space more tidy so it wouldn't trigger his s/os compulsions for organization or cleanliness. He would not be offended if his s/o felt the need to organize his things in a certain way so they 'feel right,' as long as he can find what he needs and they don't throw anything important away.
-He TOTALLY gets being easily grossed out, so he's very understanding when his s/o reacts with disgust to things others might not be phased by. He'll do his best to handle what he can stomach for them, but there might be times where he and his s/o decide to mutually bail on a situation or conversation that's just to nauseating to handle.
-His spontaneity and enthusiasm can come in handy when his s/o has been procrastinating or having difficulty making decisions- he'll give them the jump-start they need or help to make a final call if they find themselves floundering between choices
-Larry deals with his own delusional thoughts (specifically that he's cursed and that every bad thing that happens around him is somehow his fault), so he understands when his partner makes cause and effect connections in their mind that aren't actually true. He'd be there to talk through those connections with his s/o and would gently but firmly assure them that they haven't inadvertently caused some catastrophe with an unrelated action (though he wouldn't put them down for thinking that way, and he might need them to do the same for him sometimes.)
-Is great at helping his S/O tackle perfectionism and needing things to be 'just right'. He's a strong believer in the serendipitous, and that projects don't have to be 'just so' to be great work. He also knows that burn-out can be detrimental to creativity and would encourage his S/O to take breaks when they find themselves compelled to complete a task with very high standards.
-His knowledge of home maintenance and repair comes in handy when S/O needs reassurance or feels a compulsion to check that their living space is 'safe'. He would check wiring, make sure locks are in working order, test smoke detectors regularly, etc. and would quickly fix anything that posed a potential (or perceived) threat.
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YGO Analysis: Protagonists and Rivals, the Pivotal Relationship (Part 1)
There are a variety of relationship archetypes that come with any genre. Their importance, meanings, and depiction come with a strong and wide variety even from within their own genres or franchises. Rivalries are a constant across several media; only coming with different faces depending on the reason for the competition between two characters. Action movies, shows, etc tend to have major rivalries between the protagonist and a character that is both their opposite and their equal (whether or not they’re actually an equal truly depends on the piece of content but shhh). This relationship can be a strong driving point of plot related events, and one of the finest examples of that is the Yu-Gi-Oh franchise with its growing number of rival relationships that are distinctive in their own ways— even while they’re following a very set pattern.
General Overview
Compared to many other rivalries— in shounen works especially— there’s a lot about the way Yu-Gi-Oh goes about theirs that struck a surprising chord with me. Thankfully, each spinoff doesn’t give the viewer an exact clone of the rivalry that started it all, regardless of how popular Seto Kaiba and Pharaoh Atem are. There’s also a notable lack of anything feeling generic or far too in line with tropes, following them safely down to a T. Each one has a flavor that allows for viewers to have their own favorites which can range from cold and intense to warm and soft.
Duel Monsters crafted certain characteristics and behaviors within each dynamic.
Obsession: Each rival has a focus on the protagonist that they don’t really give to any other character. The intensity of it changes with each pair, however, and can sometimes involve stalking the main character, oftentimes thinking about them, or more mildly, simply talking about them a lot in private to someone else. Another staple to their obsessive behavior is going to absurd lengths to get the attention of the protagonist, something which they’ve displayed as a thing the rival can get pretty greedy for.
Plot Importance: If a YGO series isn’t well made or structured, the main rivalry is likely not going to be a very good one. When done spectacularly, their relationship can be what causes major events to unfold and hinge on which is par for the course with this franchise. Basically, rivalry quality and series quality play very important roles.
Friendship: Typically, they start out as enemies or strangers. Whatever it is, they’re not on great terms right away, but through a connection/understanding of each other that no others have, they become unlikely (and even unconventional) friends. Their bond is meant to be seen as one of the strongest in each series and are often each other’s greatest influence. On top of all of that, it’s normally the protagonist who longs to befriend the clearly broken inside rival. Which has a high tendency to end up with them being upset at offers to help and understand them being harshly rejected.
Soulful Connection: Duel Monsters is a card game with in-universe lore heavily pertaining to duelists’ souls, and the concept of them in general. It’s no surprise that the protagonists and rivals can end up with bonds that cause them to feel like soulmates. Yet, there are times when that connection becomes extremely apparent and more overt. First duels between them tend to have the protagonist being able to read the rival, seeing parts of him that don’t line up with what he says and leaving them to wonder why they’re so closed off or who made them act this way. Of course, this comes as a huge shock to the rival along with their ego. This in turn fuels the need to aid the rival; meanwhile, this character zeroes in on the protagonist.
Key Similarities: Regardless of how seemingly dissimilar they can be in beliefs, attitudes, intelligence, and their very dueling styles, these two are meant to have something that draws them to each other unlike anyone else. This showcases a common unbreakable thread that keeps them bound. It can be anything from pride to shared background experiences to having a hidden heart of gold.
Paralleled Features: Red versus blue is an age old trope that makes itself known in YGO. If the two aren’t clearly in line with that, they have several other opposing color differences such as one wearing darker colors while the other wears lighter ones. One of each of them could also be paler than the other either slightly or blatantly.
Sun/Moon, Light/Dark: Another common trope, that comes with some diverseness across the board. The protagonist can be made out to be something bright and life-saving similar to the sun, and this can be openly stated or strong hints to this can be thrown in. In the eyes of the rival, the protagonist can be seen as their light in the darkness. Someone who thrills them, serving as this unique person who can make them feel more alive and can even stop them from sinking too deep into metaphorical darkness.
Respect and Trust: These two are cornerstones of every dynamic. Without them, everything falls apart. The rival has a lot of difficulty navigating the idea of trusting others but commands respect he often doesn’t receive. The protagonist comes in to teach them better and be a guiding force much like with aiding them in friendship.
Separately, the rivals share traits modeled after Kaiba.
A lust for power (usually the result of never having any true power in their own lives)
A physical design that depicts them as being bigger, taller, and overall more masculine (in a few cases they’re even a year or two older)
Dramatics in their gestures, speech, fashion sense, dueling methods, and interests
A cold and aloof personality in which their stoic nature causes problems in whatever relationships they have
Cards are mainly very imposing and dark creatures
Difficulty with honesty and containing aggressive feelings
Being a part of a higher social or economic class (something which weighs on them and can be the source of a huge portion of their grief)
Dueling style will almost exclusively be focused on dominating the opponent through beat down
Experiencing a tragedy that forever changes parts of themselves in ugly ways
Protagonists are similar to Yugi and/or Atem, but unlike their less kind and closed off counterparts, there're plenty of times in which they’ve deviated far from the norm.
A more open heart to kindness and letting people get close, along with the urge to help others
Designs make them smaller and shorter than their rivals with a softer appearance that welcomes instead of rejects
A warmth and hope that can irritate the rival
Are more likely to use cards that feature cute monsters
Tragedy can strike them, but it’s treated like a source of strength or something that greatly influences what they do (can come with less hurtful coping mechanisms)
[There seems to be a common tactic when it comes to hiring the Japanese voice actors for the protagonists. They don’t have the experience of several roles, and voicing a YGO lead character is their first big hit].
These dynamics are easily my favorite part of each series, and one of the things I look towards the most when a new series is announced. Finally taking the time to write out an analysis and composing my thoughts feels nice. The next parts will be dedicated to actually looking at the specific relationships instead of talking about them generally.
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Lindholm Family Headcanon Dump!
I know Michael Chu retracted the statement that Torbjorn has a bunch of kids, but Chu just quit so I make the rules now. It’s a LONG post under the cut because I got carried away. Mostly starring Torbjorn, but featuring Ingrid, Reinhardt, and Brigitte (plus a bunch of other kiddos that exist but I don’t have headcanon names for yet oops.) There won’t be any Bastion in this one because that’s an entire other post’s worth of content.
- Torb has a big family. He and Ingrid had a couple children of their own while he had a stable position in Overwatch, but they found out that they loved having little children around the house, so after all of their biological children moved out, they chose to volunteer in the foster system! This lead to them adopting at least four more kids. - Which means they drive a huge van everywhere.  - Both Ingrid and Torbjorn are masters at driving as a result. - They’re exactly equivalent in skill with one exception: Ingrid can parallel park the van, a skill he has yet to figure.
- Their house is pretty big (the Overwatch paycheck paid well, that, along with Ingrid’s income,) so there’s plenty of room for all of them. - There’s three levels: upstairs (for the bedrooms and playrooms,) downstairs (for entertaining spaces/the kitchen and stuff,) and finally, the basement, which is Torbjorn’s personal workshop. - Most third world countries would kill to have a workshop as good as his. - It’s all because Ingrid spoils him so much. He gets just as excited for Christmas as his kiddos do. - “The latest arc welder? Aww, honey, you shouldn’t have!” - Ingrid doesn’t work in his field, but she listens to his special interests dumps, and puts in enough research of her own, that she knows just what to get him every year. - Ingrid doesn’t like getting gifts as much as he does, so for Christmas, he always makes sure to spend quality time with her. He jokes that he ‘sucks at planning dates’ but he really doesn’t! For her, it’s nothing but the top restaurants and most exciting experiences. She loves going ice skating in particular, something that he hates but will always do with her. - Torbjorn and Ingrid split the cooking equally. They’re a bit traditionally gendered with what they like to cook, with Torb leaning more towards grilling and Ingrid preferring baking, but it suits them just fine. - Their grill, along with every other cooking contraption in the house, has been upgraded in some way. In fact, Torb’s the one who grills only because Ingrid still can’t figure out how to use the damn thing since he upgraded it. - Their house is covered in contraptions of all sorts. Other than the grill, Ingrid utilizes every single one of them. Meals get served and sent around via chutes. The floors sweep and mop themselves automatically when they’re dirty. The dishwasher loads, washes, and unloads itself in record time. - You know the zany contraptions in the Addam’s family house? Think that, but more brightly colored. - However, Ingrid’s taste in interior decorating is the opposite of gothic or minimalist- she loves quirky, unique features and bright colors. - She loves thrifting.  - The huge chair they got for Reinhardt in the living room was a thrift store find that she’s still very proud of. - She also has an old-fashioned “live laugh love” wall with all of the family portraits. She knows it’s cheesy, but it’s nostalgic for her.  - She doesn’t just bring furniture home. She also brings home cats. - That’s right. Brigitte got her cat love from Ingrid. - It’s a long-standing tradition, with the first cat she brought home was over thirty years ago when they were a new couple. - Torbjorn swore that it would be her cat and that he wouldn’t take care of it. - He was wrong. - Very wrong. - He now loves his cats and calls them cutesy nicknames in whatever language he feels like in the moment. - He built them automated feeders, automated litter boxes, and even some automated toys. He spoils them rotten. - Every time Ingrid brings home a new cat it’s the same routine. He swears that this will be the last one and that he’s not taking care of this one! But that’s wrong and he knows it. - But, because Ingrid’s always bringing things home, she’s a little more tolerant when Torbjorn brings. . . a specific Omnic. . . home.
- But that’s a whole other fanfic that I would need to write, so instead, back to the parenting! - Ingrid is 100% a feral soccer mom. Torbjorn is just as bad. - They’re the ones screaming their lungs out at sports games.  - They have a house rule where their kids have to participate in one extracurricular sport. It can be school teams, club teams, or even just working out on their own, but fitness is something that both Ingrid and Torb consider important. - Torbjorn, of course, built his own gym in the basement. He trained with Brigitte, and now he trains with another one of his daughters who’s taken an interest in weight-lifting. - But this all doesn’t mean that the Lindholms discourage more creative talents! - Torbjorn crafted a giant steel board where any arts and crafts get hung with magnets. One of his little boys is an artist and he couldn’t be more proud.  - Brigitte experimented with metal art when she was a teenager, and many of her pieces are now permanent fixtures in the Lindholm home. - She crafted a particularly beautiful string of lights that hangs above the dining room table.
- Now it’s time for Uncle Reinhardt!!! - Okay, so maybe he’s called just ‘Reinhardt’ by the older kiddos, but everyone knows he’s essentially an uncle in all but blood. - He’s been invited to every holiday celebration for about. . . actually, he’s just always been there.  - He’s a true multi-generational staple. Brigitte can’t remember a holiday without him, and now the younger kiddos are getting doted on by him every Christmas.  - Rein loves telling stories for the children. He spends the entire car ride there planning his multi-hour epics. - Now that she’s older, Brigitte sometimes helps with the storytelling, contributing sound effects and such. - Something which just causes Torbjorn to laugh and shake his head. - Reinhardt also loves nothing more than being a walking jungle gym. As soon as he walks in the door, he’ll grab the nearest kiddo and put them on his shoulders. He’s often seen walking around with a kid in each arm and usually an extra hanging off his back. - Sometimes he gives Ingrid a heart attack when he starts throwing kids around, but hey, she’s known him long enough at this point that she (mostly) trusts him. - Everyone gets sad when Reinhardt has to leave, but he insists that there is justice that needs to be done. He soothes the kiddos by promising an even better story when he gets back.
- Now it’s time to get sad. . . here’s my Brigitte headcanons. . . - Brigitte was REALLY close with her father growing up. She spent so much of her time in his workshop learning from him, as one of the only Lindholm children to take a liking to machinery and engineering. - However, when she moved out. . . she found it difficult to escape his legacy. Everyone, many of the older industry professionals and the like, expected her to be just like her father. They tried to cajole her into finishing old weapons designs that Torbjorn had abandoned. - It was then that she learned the full extent of Torbjorn’s involvement in the Omnic Crisis. - She had a lot of trouble reconciling this news with her love for him. It’s still something she had great difficulty with.  - This shock played a big part in her decision to give up on finding a job in the industry and instead accompany Reinhardt on his travels. - It wasn’t a decision that Torbjorn endorsed, which hurt their relationship even further. - But it’s not like he doesn’t try to keep in touch. They call every other weekend or so to catch up, but there’s always a tension between them that neither one is ready to address.  - They will talk about it someday. They’ll figure things out. They care about each other too much for either one to give up.  - In the meantime, though, Brigitte has gotten a lot closer with her mother. She calls her much more often.  - They talk about all of the things that Brigitte wasn’t all that interested in when she was younger. Stuff like fashion, makeup, and more traditional advice, such as how to get a date or what it feels like to fall in love.  - Ingrid also makes sure to show her how the cats are doing over the online call.
- To be truthful, Ingrid isn’t too worried about Brigitte’s decision to live the rough-and-tumble lifestyle. It reminds her a lot of her own young adulthood, where she decided to pick up everything and move to the big city to get away from her parents. - She’s quick to remind Torbjorn that her own little rebellion is how they came to meet whenever he gets worried about Brigitte’s decision. - (They met at Ironclad. The only job Ingrid could find after her big move was working secretary. She fell head-over-heels for him immediately, while it took him a while to warm up.) - (Their first date was just walking around the city, with Torbjorn talking almost the entire time about random things he saw. He’d see the newest cars on the street and dive into what he knew about that industry. They’d pass by a construction sight and he’d point out what tool designs were similar to the ones he was working on.) - (When he realized that she was actually listening to him and taking him seriously, he agreed to a second date and never looked back.) - They aren’t a perfect couple- they’ve had their fair share of arguments, especially because they’re both deeply stubborn, but they’re always able to work it out in a way that makes them both happy. That skill is why they’ve lasted so long. - One thing they’ve never argued about, though, is Torbjorn’s commitment to duty. When they started dating he made it clear that his work was very important to him. Ingrid made it clear that she was willing to be patient. - It got hard when he was away for months at a time with Overwatch during the Crisis and its aftermath, but through constant online calls they managed. - The biggest surprise of Ingrid’s life was when he told her he wanted to have kids when the Crisis ended. - Turns out, having a major life crisis about how your career impacted the world makes someone want to find another purpose in life besides their career. - And thus, they dove into parenthood together. - Now they both couldn’t be happier :)
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💖 🏅 ✨ 💭
Fanfic Ask Game
You know, I was going to make a wry "Asking the tough ones, huh?" comment to open this, but that was five days ago, and I think that speaks a lot to how accurate an assessment that was. It's been... a journey with my writing thoughts these last few days.
Putting under a cut, because I have no grasp on conciseness.
💖 What do you like most about your own writing?
Two things come to mind, though they vary in level of difficulty for me.
I’ve always been best at writing dialogue. Quipping comes pretty easily to me, and I have a bit of fun with character dynamics in conversation. (And what can I say, sometimes I can indulge in writing a dramatic villain monologue, as a treat.) Oftentimes, when I get stuck progressing with a piece, I’ll just jump in somewhere down the line with a bit of dialogue to put a pin on the map so I at least have something to which I can connect.
I also love doing very introspective scenes and works, really digging into a character’s head. It’s not something I say comes easily to me, exactly, but I feel very at home when I get to write pieces like this. Just spending a lot of time in a character’s head (particularly ones who don’t speak much, or who have plenty of secrets and insecurities to hide behind performative cheer) is something I thrive on.
🏅 What is something you recently felt proud of in regard to your writing (finished a fic, actually planned for once, etc).
This question is part of the reason why it’s taken so long for me to answer this, because when it came in I had barely written in a while (whatever I’d gotten down was sparse and painstakingly dragged out) and terrified about it. And I had this whole thing written up about how yeah, I hate feeling like this and want out, but I’m actually handling it better than I have been in this situation in the past.
But we’re going to forego that and just jump to the fact that I slapped some words out over a couple days this week. A few hundred scattered ones, not for anything I’m supposed to be or planned on writing--just a couple snippets of self-indulgent variations on a theme as an exercise. It may or may not go somewhere after some refinement, but for now I’m going to content myself with the fact that they’re finally words that have flowed easily enough.
✨ Choose three adjectives to compliment your own writing.
Soft, stabby, silly. (And sometimes all three at once!)
I like doing shorter, gentler pieces fairly often--fluff with substance, some quieter moments in between that often have some facet of introspection. I could pretty much say the same thing about the more humorous things I’ve done.
And then there’s stabby, because I will see little details and wonder, “How can I sharpen this to inflict maximum pain?” And revel in it.
💭 What is a headcanon you have about your own work?
I’ve been waffling on this one a lot, first because I wasn’t sure exactly how to interpret the question, and because I just didn’t know what to select for it. So I’m just going to take this to mean something I haven’t explicitly made canon in this fic universe (yet, if ever) but have Thoughts about, and fill in some blanks between what I’ve already established in the Old enough ‘verse.
I think quiet moments are a complicated thing for both twins, and not something either of them generally initiates. Tommy has his trauma surrounding silence and being left alone (which he takes a long time to even speak of to Connor, and still hasn’t fully dealt with), and is furthermore that natural showman, so he’s all about keeping things lively and entertaining. Connor, by comparison, could probably benefit from lower-key moments given his high-stress career, but he’s also notorious for bottling up his emotions and letting them simmer--quiet tends to get him stuck in his own head.
The key reason for both of them, though, is that they’re constantly trying to make up for lost time. There’s twenty-three years of separation between them at first, and the fact that they don’t live anywhere near each other and are trying to keep their brotherhood under wraps minimizes the amount of time they get to spend with each other. Tack on the 6.5 years between Tommy’s death and resurrection, and while Tommy stays in Chicago and moves into Connor’s spare room when he comes back, now they’re scrambling to fill even more gaps in time. With the way their lives have gone, the twins are under this unspoken pressure to use all the time they now have to the fullest.
It’s a system that works well enough in those first (just shy of) five years, precisely because they have that geographical distance between them--visits are like a special occasion, where they can fill the limited days with activities and shenanigans and plenty of talking before returning to their separate, daily lives. There’s downtime and recovery, but not together.
But after? After Tommy comes back, refusing to process that he came back and how that affects him; after Connor has spent years drowning in his grief and barely begun to cope with it, only for the universe to turn around and give him back his brother? Not only are neither of them in the right headspace for constant motion and eventfulness, they’re both too damn stubborn to acknowledge that. Add to the fact that they’re together practically 24/7 for a while in the immediate aftermath, and it’s not sustainable at best/a recipe for disaster at worst.
What I’ve written so far post-Old enough epilogue would suggest that, thankfully, they never hit that meltdown point, but the fact that it takes months more for Tommy to finally crack from the trauma of his death is very indicative that these two nitwits probably never had a real discussion about needing to slow down and why. They most likely just ran themselves ragged from trying to do too much and crashed, and only in the recovery period do they realize the importance of that downtime and how the quiet is nowhere near as lonely or overwhelming when shared with their brother.
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lemontyseven · 3 years
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Lemon Review: Enter the Gungeon
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= Introduction =
This is my personal, subjective, spoiler-free review. Please be considerate of differences in opinion!
(If you can’t/don’t want to read all this, feel free to skip the review and go straight to my overview/final thoughts.)
Enter the Gungeon is a skill-based, roguelite, dungeon-crawler bullet hell made by Dodge Roll Games. It stars four misfits who have travelled far, seeking a way to turn back time and undo their greatest mistake - a way to kill their past. The game is available on PC, Playstation 4, XBox One, and Switch for 14.99 USD, which is an excellent price for this game in particular.
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= Ratings =
So who should play this game? The cutesy, cartoony aesthetic and the relative lack of gore make this an okay game for kids, but only if you’re alright with them killing hundreds of enemies while they play. The humor in this game is also completely kid-friendly - you won’t find any adult content here. Lastly, there is a general content warning over the whole game for firearms. As mentioned above, the violence isn’t realistic, but the game does revolve around interacting with gun-shaped objects and shooting gun-shaped enemies with guns. If that’s going to bother you, probably give this one a pass.
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= Gameplay =
As mentioned earlier, Enter the Gungeon is a very skill-based game. It revolves around gradually becoming better and better with each run, learning how to predict and deal with enemies and bosses and use your resources wisely. On top of that, the difficulty is no joke - it takes many players a few dozen attempts to even reach the second floor. Despite this, Enter the Gungeon is actually incredibly well-balanced. It’s punishing, sure, but not unfairly so, and the game does a great job of making every death a learning experience. Not once during my playtime did I feel like my death wasn’t anything but my own mistake. Because of this, Enter the Gungeon is actually a great starting point for those who are new to the roguelike genre.
= Soundtrack =
The Enter the Gungeon soundtrack by doseone is 38 songs that barely fit into the electronic chiptune genre. Make no mistake, though - it’s a bop. The soundtrack absolutely fits with the theme of the game, and I also enjoy listening to it when I want music that’s a little more high-energy. A couple of my favorite songs are the HOLLOW HOWL and OFFICE PARTY MASSACRE (yes they’re named in all caps). You can listen to the HOLLOW HOWL above!
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= Story/Writing =
Enter the Gungeon is a great example of a game that picks a theme and sticks to it - and is better for it. The idea of a gun dungeon is fairly broad, but Devolver Digital has done a great job of pushing it to its absolute limit. The game’s story is quite nice, and it ties a lot of the game’s elements together in a very satisfying way. However, this is no JRPG - you shouldn’t expect too deep of a narrative here. Where the game’s writing really shines is in it’s character dialogue and item descriptions. I’ve had plenty of times where I’ve laughed out loud at both, and I highly suggest paying attention to the characters and reading the descriptions of any interesting items you come across.
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= Length =
Like many roguelikes, Enter the Gungeon’s length varies based on how difficult a player finds the game. However, with as much replayability as this game has, I think it's fair to say that even experienced players can enjoy over 100 hours of content - and less experienced ones will have even more. I’m a bit of an outlier, but I personally have spent over 500 hours in the game, as shown above, and I don’t regret a minute of it.
= Final Thoughts =
Overall, Enter the Gungeon is a great game with a ton of content - especially for those who are willing to put a little bit of effort into learning the game and getting good at it. However, those who don’t have a lot of free time or who are unwilling/unable to play the game consistently might find it difficult to make progress. Even so, I highly recommend Enter the Gungeon for anyone new to roguelikes and anyone looking for a challenge!
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blogkimnage · 3 years
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a blog is an important matter that is related to marketing, one of the most important
marketing ideas
for business developmentIn this article, we want to teach anyone how to make the most of WordPress.
We will explain to you some basic steps to start a WordPress blog without coding knowledge.Your site must be online in order for others to access it. That's why you need a place to host a WordPress blog. This place is called the server. On the server, all blog files and data are stored.The speed and security of your site depend on the quality of the server. So take the time to find a good server before launching.
It is a simple matter that does not require a professional programmer or web designeryou want to create a blog, step-by-step:Sign up for web hosting (
Bluehost
).
Pick a domain name for your blog.
Install free WordPress blog software.
Log in and write your first blog post.
Change your blog design by picking a theme.
Install a couple of essential plugins.
We’re going to cover each of these steps in detail below, but for now, what you need to know is that neither of these steps requires in-depth technical knowledge. Yes, you really can figure out how to set up a blog on your own!
super easy
Once you get your free WordPress blog up and running, you’ll probably want to start writing and likely tweak its appearance/functionality. I’ll show you how :
Step 1: choose hosting and your domain name
Hosting – this is the engine that powers your site. While you don’t “see it”, every single website on the Internet has a host powering it.
Domain – this is like your blog’s permanent addressThe name is maybe the most important part of your blog. It needs to be easy to remember and at the same time reflect the main content of the blog.will transform into a brand name so be careful when choosing it. Take your time and thinking well.
You can purchase your hosting and domain at the same timeAdviceUse a .com domain if possible. people's first search online is done with .com. So it's better to be right there, in their google/yahoo/bing search list first.
Use only characters. Avoid numbers and hyphens in your domain name. They are often confusing to people and harder to remember.
Short names are preferable over long and descriptive.I’ve personally tested the performance and reliability of many hosts. With the results of all these experiments in mind, we can recommend
Bluehost
to new WordPress bloggers.
sign up for WordPress hosting
To get started, click here to go to Bluehost Then click on the Get Started Now” button, you’ll be taken to Bluehost plans.For beginners, we recommend the cheap Basic plan because it packs plenty of power for your blog.
Step 2: Install the free WordPress software
If you want to create a WordPress blog, you’re going to, unsurprisingly, need to install the WordPress software.When you completed the sign-up process in the previous step, you should have received an email from Bluehost with details on how to log in to the Bluehost Customer Area.Go ahead and log in to
Bluehost
.As soon as you log in for the first time, Bluehost will give you a simple wizard that takes you through the process of installing WordPress on your new site.Don’t see the setup wizard? No worries, it’s still really easy to install WordPress with Bluehost. Just go to the My Sites area and click the Create Site button to launch the wizard
Step 3: now you start the blog first blog post – you earned it! 
Now that you learned how to create a WordPress blog, you’re probably excited to get to blogging!We’ll show you how to change how your blog looks and functions in a second. But first, let’s go over just how easy it is to write a blog post on your new website.
Step 4: Here’s change how your blog looks
When you create a WordPress blog, Themes – change how your free WordPress blog looksAs soon as you create a WordPress blog, you already have a theme active. This is either the default WordPress theme or the theme that you chose during the Bluehost Setup Wizard.But there are actually thousands of themes available for WordPress, so you’re by no means limited to that small selection.Where to find WordPress themes for your blog
When you go to choose a WordPress theme, you’ll need to pick between free and premium themes. There’s no inherent difference between the two, but premium themes often have more detailed designs and features.
How to further customize your WordPress themeTo further customize your theme, you can use something called the WordPress Customizer. This interface lets you make certain tweaks to your theme without needing to know code.Depending on the theme that you chose, you may have a different set of options in the left sidebar. But in general, you can:
Make changes by using the options on the left
See a real-time preview on the website preview on the right
Make your changes live by clicking Save & PublishMust-have WordPress plugins for all sites
While there are plenty of niche plugins that are only good for specific uses, there are some must-have WordPress plugins that all sites, including blogs, can benefit from. Here are some of our suggestions: UpdraftPlus WordPress Backup Plugin
Google Analytics for WordPress by MonsterInsights
WP Super Cache
Yoast SEO
Wordfence Security
Jetpack by WordPress.com
WPForms
How to install WordPress pluginsGo to Plugins → Add New
If you chose a free plugin at WordPress.org, search for the plugin by name and click Install Now.
you purchased a premium plugin, click the Upload Plugin button and upload the ZIP file you should have received when you purchased  you wish to change to another demo in the future, all there is a need to do is import those demos again. No need to change the theme or make additional changes in the code.
Make sure to Activate the plugin after installing it.Now do you find it difficult to do so, do you think that these are steps that need a professional programmer?
I think you are now saying it's easy, it doesn't need anything
If you find any difficulty or face a problem, leave a comment or
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thedeviltohisangel · 4 years
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Creed//1
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“How dare you,” she whispered. She knew he heard because she saw his shoulders slump ever so slightly at her words. “I hate you, Din Djarin.” And she had been thinking it for so long but never said it. And for the first time, she knew in her heart that she meant it.
masterlist is my url/writing
let me know what you wish to see next from these two
Korra always makes sure to surround herself with other people. She is not good at being alone nor does she ever want to be. When she isn’t helping her mother set up her stall at the local market, she’s going to local’s homes to tend to any bumps or coughs and then ends her night helping her elderly neighbor herd her animals into the barn. It kept her body busy and her mind quiet. And, to her, that was the only peaceful way to live.
There had been a time when she enjoyed the moments of silence that came in between tasks. The way the stress wafted off her body and into the air. The way her mind wandered to the hope of the future and the smile that would creep across her face. 
But that was back when Din had been around. When he had been with her in those brief moments of peace. It had been awhile since that had happened. She tells herself that it only hurts the way it does because they never had a proper goodbye. That he hadn’t had the courtesy to give her one. She felt so stupid and naive for thinking that a man like him could ever be content in the life that she led. He was meant to fly amongst the stars, have them reflect in the shine of his arms and the brown of his eyes. In Korra’s eyes he was a star. And they were not meant to have their feet on the ground. 
“My love, you look unwell.” Korra snapped out of her thoughts as her mother stood in the doorway to her room.
“I am fine, mother. Just thinking of the past.” Her mother had noticed the wooden charm that she was playing with before she had mentioned her presence. Her daughter acted as though she was okay for everyone. But in the quiet endings of the day and beginnings of the night, the walls came down and she knew better.
“All the light is ahead of you. Stay focused there.” Korra accepted the kiss on the top of her head and was grateful for it. She knew her mother worried but there was no way for her to change that. She feared she would be stuck in the moment she realized Din was not coming back for the rest of her life. Feared all the men in the village that offered her flowers or a larger home would never compare but she would be forced to settle. Forced to give herself to someone the way she promised she would only give to him. 
“Wherever you are, I think of you. And wish the galaxy to be on your side,” she whispered into the dark room. In the darkest of moments she told herself he didn’t come back because he was no more. A bounty had been too much and had been his last. She wonders if she will spend her whole life not knowing. If the feeling of her heart being gnawed at was one she would have to get used to. Even ignore. But at least when she closed her eyes she had her dreams. They numbed her and let her escape for as many hours as she could snag them for. It was her own form of spice, produced within her own mind and plentiful. An addiction well hidden and thoroughly enjoyed.
Tonight, she found him surrounded by red sand. His armor more scuffed than she had remembered and an extra hole in his glove if she really paid attention. He was wearing his helmet and brain strained to construct what she knew was underneath it. What he had trusted her so deeply with knowing. 
“I try so hard to keep you from finding me.” She hated how the helmet distorted his voice. He always told her that the armor and him were one, not two distinct entities. She always had trouble viewing it that way.
“Then it is a waste of your energy. You could be using it to win more fights.” She was alluding to the marks of difficulty on his armor.
“If I wasn’t winning then I wouldn’t be standing here.” They regarded each other for a moment. Korra an open book to him, him only to himself. “Go ahead and ask me, Korra. Ask me the question you are so afraid to.” Her lip trembled with the effort of keeping the words back.
“Where are you, Din?” He shook his head.
“No. Dig deeper. Let it out or you will never be able to move on.” She refused. Because then that would close the chapter on her life that was him. Right now it was lingering, a comma instead of a period. Shutting off that piece of her might result in the decay of it. The death of something vital. A piece of her broken into dust and floating into the galaxy to be lost forever.
“If you want to be rid of me so desperately, then you had your chance to tell me so.” Even that would have been better than not knowing. She could have healed and lived her life much differently. Selfishly, Din didn’t want that. Which is why he hadn’t given her any sort of answer either back then or now.
“Maybe we are both cowards.”
“Maybe so. But can you admit you are such to yourself?” The air around them rippled as what sounded like a blaster went off in the distance.
“I have to go.” He dared to take a step closer. Korra didn’t move.
“Yes. As you always do.” Din lunged for her in a moment of desperation but she shimmered and disappeared right through his fingertips. He was cursed with finding courage a moment too late. Everytime she appeared in his dreams, he decided he would tell her how to find him. Or tell her where to meet him. But she always found the courage to leave him a split second before he did. Din thinks he was losing control of all the games he was trying to keep up with. While he was chasing her, people were chasing him and he was chasing bounties. At some point he was going to fall apart. He just hoped he could survive it.
----
Korra hated the way she felt whenever she saw Din in a dream. At least she thought it was a dream. They were getting more and more realistic every night. But what else could they be? She had asked her mother once if she had ever heard of someone being able to visit someone in their dreams. Her answer was that things like that went extinct long ago. No one had that ability now and if Korra thought someone did then it was just her dreams playing a trick on her. But she thinks that if it really was her dream and nothing more, her conversations with Din would be different. There would be resolution and conclusion, one way or another. It all felt too real. That if she were to ever see him again, that is exactly how it would go. She just wishes she had the courage to reach out and touch him. But there was something startling about seeing him in her dreams like that. Like there was a veil covering them from the rest of the world and obscuring their own views in a sense. Maybe it was controlling not just what she saw but what she did and thought too. She wasn’t oblivious to the idea that Din lunged for her every time as she was leaving. Korra always wondered what would happen if she stayed a second longer. If he reached her and was able to hold her. Did he really want to? Did she really want him to? Did she need him to? Part of her was happy just the way things were. There were no surprises and she couldn’t be let down. They had the same conversation every time and there was protection in that. Protection from the unknown, the unplanned. There was nothing scarier to her than that. He had broken her heart once already. She didn’t need him doing it every night.
----
Her morning started out the way they always do. The helped her mother prepare a small meal, ate with her while making polite conversation then made her way to the market in the center of town. She greeted the other merchants, nodding absent-mindedly as they explained their new harvest that they had brought to sell that day, and helping the younger children count their coins before they ordered something sweet from the stall across the way. Korra had built herself a sense of community. A new way to pad her heart and emotions from the trauma of the past. These people smiled when they saw her and waved back if she waved to them. Things were peaceful, just the way she likes it. Until they weren’t.
She should have known the sudden gusts of wind were not from a storm. Should have known the sand kicking up around her meant a ship was close. But none of that connected in her mind until the children squeaked and pointed at a hunk of metal landing in the distance.
“Look! Look! A ship!” They were not used to seeing such things. Her village was one where you came and never left, building your life and one for generations to come. But to her the ship caused her legs to be paralyzed. She didn’t know which direction she wanted to run in. Away from the Razorcrest or towards it. The one thing she did know was that the feeling in her stomach and throat meant she needed to find an appropriate place to vomit and fast. 
Korra ran against the sea of people towards the end of the path, ducking behind a house and emptying whatever miniscule amount of food was inside of her. It couldn’t be real. It couldn’t be him. Because if it was, she had no idea what to do. She was lost and scared and wanted the power to wish herself away to somewhere familiar and safe. That used to be him. Used to be Din. But now he wasn’t. He had betrayed her and her heart and her trust. Maker, how was she even supposed to look at him?
Din, for his part, was going against the sea of people to try and find her. He had fled with the Child and couldn’t think of anywhere else to go or anyone else who would know what to do with it. But Korra would know. He remembered how good she was with children. How much they loved her. How they flocked to her so naturally and how she enjoyed them doing so. On the run with him was no life but here, here the Child could be happy.
“I am looking for a woman named Korra. Do you know her? Have you seen her?” He remembered that it was a tight knit community. That she was heavily involved in it. There had to be someone in the immediate vicinity that knew where he could find her. 
“She ran when she saw you. You may be looking for her but she is not looking for you.”
“Can you point me in the right direction? It is urgent.” He wanted to fly away before those chasing after him knew he was here. That would put everyone on this planet in danger but more importantly it would put her and the Child in danger. The villager did not know what to do with a panting Mandalorian standing in front of them. They were the thing of legends. What was one doing here? What did it want with Korra?
“I am here. You do not need to threaten or harass anyone into helping you.” She had stood and watched him from behind a home just a few meters away. His armor was shinier than she remembered. It made him seem taller and broader. Maybe he actually was. Maybe it really had been that long.
“I need to talk to you. Somewhere secluded.” He was wasting no time with pleasantries. There was much that probably needed to be discussed between them. Should be discussed. And some things that they owed to each other to be discussed. But he had to push back the lovesick man that existed inside his heart and let the warrior Mandalorian take over.
“What did you do? What have you brought here?” She knew that tone he was speaking with all too well. Knew that he was being serious but also that he was in some sort of danger. And now he was trying to drag her into it.
“Something very important. And I need your help to keep it safe.”
“After all this time you come back and have the nerve to ask a favor of me?”
“Korra, please. We do not have the time to have this discussion.” He put a light hold on her forearm and began to walk her to his ship. If she wasn’t going to listen to him then he would have to show her. She only huffed and puffed a little bit, yanking her arm out of his hand, but she followed him nonetheless.
“There are so many nasty things I wish to say to you right now.” 
“I know. And an apology cannot begin to cut it. One day, I hope there will be time for us to have this discussion.” With the type of people that were after him, Din just hoped he had more days left in him.
“You better have a valid, incredible reason for all this-” She stopped as she made eye contact with a tiny green creature. “Oh, Din.”
“I know.”
“How did you...What even is it?” The little one trilled in response, tilting its head back and forth with an assessing gaze.
“I don’t know. But some powerful people are willing to pay more for it than you can imagine.”
“What could they possibly want with something so small?”
“I barely gave them the chance to find out.” It was then that it clicked inside of her mind.
“Din...Did you kidnap him from former Imperial leaders?” He didn’t answer. “And bring him to my planet? To my home?”
“Yes. Because I need you to take care of him.” As much as the little creature made her heart stir, she couldn’t risk the harm to everyone around her that having such a bounty in her possession would likely cause. Not to mention the hurt that came with Din so eager to leave her again.
“You know I can’t.”
“Korra.” He was exasperated. His heart was racing. And he didn’t know what to do. He was so used to only taking care of himself. Having her and the Child standing here with him. He didn’t know what to do. Din was lost. And he thought that ringing in his ears was his anxiety consuming him until he realized Korra looked like she was hearing it too. “Strap in!” He punched the door closed and bolted for the controls. Korra grabbed the Child and strapped him into the makeshift seat Din had made before strapping in herself.
“What’s going on? Why are you taking off?” Now she felt like she was the one being kidnapped.
“Razorcrest picked up something on radar. They found us.” She held on tightly as he powered up and lifted them off the ground and towards space, her home getting smaller and smaller by the second.  
“How dare you,” she whispered. She knew he heard because she saw his shoulders slump ever so slightly at her words. “I hate you, Din Djarin.” And she had been thinking it for so long but never said it. And for the first time, she knew in her heart that she meant it.
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bltngames · 4 years
Text
SAGE 2020: Fan Games
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I’d hoped to have this article out a little bit sooner, but I overestimated how long it would take to write about some of these games. Whoops! Like I said when I outlined the posting “schedule” on the first day, we’re playing it fast and loose, so this is just what you get.
Today is the day I talk about fan games! And even though SAGE has “Sonic” right there in the acronym, it’s always hosted fan games from all types, so today we’ve got Mega Man, Mario, Rayman, and even fan games of fan games, if you can believe it.
Sonic Pinball Panic!
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Pinball is one of those things where I’ve always been obsessed with it, but never very good at it. And now, with access to digital pinball collections like Pinball Arcade and Pinball FX, I don’t actually find myself playing as much pinball as I thought I would when I was 14 years old. Still, I find myself fascinated by a good pinball table, and this honestly caught me off guard. This could very easily be an official DLC release for one of those aforementioned pinball collections and I wouldn’t even bat an eyelash (in fact, if you ask me, this is better than Pinball FX, which has always had weird ball physics). This looks, sounds, and functions exactly like a real pinball table should. My complaints are minor: for starters, the table feels kind of easy. I’ve never been a pinball wizard, but I was losing balls left and right here and it still took a good 15 minutes before I finally got a game over. Score accumulation is also pretty slow; most pinball tables will dump millions and millions of points on you, but here, it felt like a struggle just to reach the 379k I finished with. Both contribute to the fact that the table feels a little flat, like it’s missing a spark to really put it over the top. And, third, it would be nice if it had controller support. The keyboard works just fine, here (it’s just pinball, after all) but I find that the triggers on a controller feel really good with pinball flippers, and mapping the plunger to the right stick is great, too. This is a Unity game, so I wouldn’t think it’d be that hard to hook it up to the controller mapper. Still, I came away impressed.
Mega Man: Perfect Blue
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There are two things out there that always give me pause: fan-made Doom level packs, and Mega Man fan games. Fan made gaming content generally has problems when it comes to difficulty balancing anyway, but these games have earned a certain reputation for their difficulty, which creates a problem when you have content made by fans, for fans. This insularity means these things are usually way too hard for what I would consider “normal” people (read: casual fans and outsiders). Add on to the fact that I’d even say that there are official Mega Man games with bad difficulty balancing, and you have a recipe for frustration. Sadly, this is how I’d characterize Perfect Blue: though this introductory level isn’t impossibly hard, it’s definitely pushing that edge where it’s not very accommodating to someone who hasn’t played and finished every Classic Mega Man game ever made. It almost immediately throws you into scenarios where you have jumps you can barely reach, insta-kill spikes, and enemies that not only actively dodge your shots, but invincible enemies that launch counter attack homing missiles. And then it starts making you juggle all of this stuff, together, at the same time. None of this is insurmountable as long as you’re paying attention, but as a very casual Mega Man fan, it’s an unfriendly first impression and makes me worried about what the rest of the game is going to be like as the challenge naturally ramps up. For those hardcore Mega Man fans among you, the rest of this is solid, at least. The presentation and controls are excellent, and the new sprites are beautiful. It’s a game I’d love to enjoy when it’s done… but I’m assuming I’ll be left out in the cold. A shame, really, because there’s so much promise here.
Sonic and the Mayhem Master
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There’s a lot to like about this game, but there’s a part of me that really wonders if this should even be considered a Sonic fan game. Mayhem Master’s depictions of Sonic and Amy Rose are atypical to put it mildly. Here, Sonic seems to be a bookish nerd of sorts, a sidekick to Amy Rose, who has been turned into a burnt out, cigar-smoking detective. Most of the game plays out as half an adventure game, half an RPG, where you roam around the world talking to NPCs and gather clues while being assaulted by random battles. The battle system is super off-the-wall, too, perhaps taking inspirations from games like Mario & Luigi and Undertale. This means that battles aren’t passive -- you spend most of each fight dodging or nullifying incoming attacks with simplistic action-based commands. It’s weird, and different, and occasionally even a little bit overwhelming. That’s kind of the whole game, really. It’s the sort of thing that really doesn’t feel like a Sonic game at all, but it also doesn’t feel bad. The artwork is very charming, I’m interested in seeing the characters develop, and there’s plenty of worldbuilding and mystery. Would this still be as intriguing if you removed the Sonic connection, even if it’s so threadbare? That’s a hard question to answer. I know that some of my interest in this game is seeing how it spins more familiar Sonic elements into something that’s completely different. Worth checking out, for curiosity’s sake if nothing else.
Sonic and the Dreamcatcher
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This is a fairly brilliant little game with two unfortunate quirks. If you didn’t know, the special stages in the original Sonic the Hedgehog were inspired by an arcade game of the era called Cameltry, published by Taito in 1989. Now, Sonic’s special stages were different enough from Cameltry that it wasn’t a case of Sega outright stealing the gameplay, but there’s a clear lineage there, and it only becomes clearer when you compare the special stages in Sonic 4 Episode 1 to Cameltry (spoilers: in that game, they’re nearly identical). Dreamcatcher is also from this lineage, but is infinitely more charming than either Sonic 4 and maybe even Cameltry itself. The idea is that you must collect a specific number of blue spheres in order to reveal the Chaos Emerald, after which you have a limited amount of time to find and collect it. It’s very simple, but the presentation really sells the game’s charm. It’s just a game that looks good and sounds good, with an interesting premise executed very well. Also, you get a dedicated “& Knuckles” button to spawn infinite Knuckles to help you collect blue spheres and bash enemies. Being able to have unlimited numbers of these guys sounds like it would break the game, but once that countdown clock begins, the last thing you need is 20+ echidnas clogging up the route back to the emerald. The first quirk this game suffers from is that there’s only two levels. Parts of this have a very “game jam made in a weekend” vibe to it despite the rock-solid music, sound, and gameplay, and only having two levels contributes to that. Hopefully more are coming in the future. The other quirk? You can’t actually download this game -- it’s embedded in a webpage. I’m sure this is to make it easy to play on any platform with a web browser (phones, PCs, etc.) but I find myself greatly desiring a hard copy of this game that can live on my computer forever.
Sonic Galactic
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Now here’s just a good old fashioned Sonic fan game. Though it clearly takes inspiration from Sonic Mania’s aesthetics in some places, it’s clearly doing its own thing, featuring not just the core cast of Sonic, Tails, and Knuckles, but also Fang the Sniper, and even a brand new character named Tunnel the Mole. Unlike a lot of Sonic fan games at SAGE, this appears to be using something besides Clickteam Fusion, Game Maker, or Unity. Here, it’s the “Hatch Game Engine,” whatever that is. Whatever the case may be, the game runs very well and is basically indistinguishable from just playing Sonic Mania. Visuals are sharp, music’s good, the two included boss fights are surprisingly fun to fight -- everything seems to be in order. As a result, there’s not really a lot to say. This is just a good, fun game. Anything else I’d say would come off sounding like nitpicks. For example, there’s no way to set graphics options yet, so the game is stuck in 2x Windowed mode. Fang and Tunnel are cute additions, but I wonder how much utility they have as characters. Unless I missed something, Fang’s pop gun is mainly for a weak double-jump ability, and Tunnel’s ability to dig and ricochet off floors, walls and ceilings is cool, but it doesn’t have quite the universal utility of Tails’ flight or Knuckles climbing and gliding. It’ll be interesting to see how or maybe even if their abilities have a chance to grow into something special. Anyway, like I said, those are nitpicks, so try to give this a shot if you can.
Sonic Robo-Blast!
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Remasters seem to be a bit of a theme this SAGE, between Sonic Triple Trouble 16-bit, Sonic 2 SMS, Sonic 1 Revisited, but this is perhaps the most surprising of them all: a loving remaster of the original Sonic Robo-Blast. SRB1 was perhaps one of the first true “landmark” fan games, given that it was basically a whole entire game that people could play. It's not a stretch to say that SRB1 probably helped kickstart the fan gaming community that still survives to this day -- I certainly owe my involvement in the community to seeing SRB1 for the first time. The problem is, as historically significant as the game might be, it’s nearly impossible to go back to nowadays -- it’s much, much too dated to be any fun. This remaster completely re-envisions SRB1 as a regular Sonic game, while also pulling in gameplay elements from Sonic Robo-Blast 2. It’s a bit of a time paradox mindwarp, but it helps give it a bit more personality than just making a bog-standard 2D Sonic. It works, aided by the fact the sprites, music and overall presentation are fantastic. The only downside is the Act 2 boss, which commits the cardinal sin of taking away player agency and making you wait around far too much. Here’s hoping this gets finished, because it’s definitely on my radar now.
Super Mario Flashback
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This has been floating around for a few years now and I’m glad to see it’s finally starting to get some more substantial content as it moves towards becoming an actual game. That being said, this is also one of those games that’s kind of hard to talk about because it’s just… really polished. The art is incredible, it controls exactly like a Mario game, and there’s already a decent mixture of ideas at play in the demo. Anything else I’d say would sound like nitpicking -- like, for example, the backseat game designer in me wonders if maybe the game is prioritizing aesthetics a little too much. This is a wonderfully animated game, absolutely gorgeous, but some actions, like the butt-stomp and the wall kick, feel a bit sluggish, and I think it’s because they show off fancy animations. Even if it’s a split second, waiting for Mario to attach to a wall to kick off of it feels slow. Really, though, that’s an insignificant complaint. This demo is still well worth checking out.
Sonic Advance 4 Advanced
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This game seems like a greatest-hits of Dimps best ideas, spanning the first Sonic Advance all the way to Sonic Rush. There’s just one problem: the game seems broken. Now, my desktop PC is starting to show its age. I built it four and a half years ago, and though it can handle game like Gears of War 5 on high settings at 60fps, slowly, newer games seem to be leaving it behind. That being said, I don’t think a game like Sonic Advance 4 here should be running at what appears to be half its intended speed. It also originally launched in a teeny-tiny window (we’re talking, like, smaller than a postage stamp) and even though the options menu has a toggle for full screen mode, it doesn’t want to work. Something about this game under the hood seems to be struggling very, very, VERY hard. It’s a shame, because if this actually played at the proper speed, it seems like it might actually be an alright game, if a bit complex and busy.
Sonic 2 SMS Remake
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Here’s a game I was all buckled in expecting to enjoy. Like it says on the tin, this is a remake of Sonic 2 for the Master System (and Game Gear), but with wide screen visuals and huge expansions to the mechanics, roster of playable characters, and levels. On the outside it seems really impressive, and to a certain degree it is, but something about the controls feel a little off. Sonic’s heavier here than he is on the Master System, perhaps to simulate “real” Sonic physics a little more accurately, but you can also pretty much stop on a dime, and the combination of the two feels awkward. The camera also needs a lot of work, as it’s basic at best and does a poor job of letting you see what’s below (to the dev if you’re reading this: there’s actually video tutorials out there on how 2D scrolling cameras work, it might be worth looking a couple of them up). It also leans into some of the tech limitations of the Master System, like how you aren’t given any rings for boss fights (and even hiding the HUD, a move done to save on resources for the large enemy sprites). I could be picky on a bunch of other little stuff, too, like how the flight mechanics feel, but there are other games to play at SAGE and I’ve got at least two more articles to write. Needless to say, this is a solid (impressive, even) foundation but it’s missing a lot of late-stage polish to clean up the tiny little rough edges.
Rayman Redemption
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I tell this story every so often, but it was about three quarters of the way through Rayman 2 on the Sega Dreamcast when it struck me, suddenly: I love this game. I was being chased by a pirate ship through some rickety bridges and even though I was dying over and over and over again, I realized I had been enjoying Rayman 2 enough that I might put it in my top ten Dreamcast games. But that was 2002, and the years haven’t been so kind to ol’ Rayman. From the strangely celebrity-infused Rayman 3, to the tragedy of Rayman 4 (eventually becoming Raving Rabbids) to the endless, careless ports of Rayman 2 to every platform under the sun, one gets the impression Ubisoft maybe didn’t know what to do with Rayman. Especially now, when most of Ubisoft’s games are some form of online live service or cookie cutter open world experience (or increasingly both). But the fans know what they want. Rayman Redemption takes the original 1995 Rayman game and lovingly gives it a fresh coat of paint. The results are akin to what Taxman and Stealth did for Sonic CD in 2011, with wide screen visuals, improved controls, touched up level design, but gameplay that still feels faithful and accurate to the original experience. Except that Sega charged money for that, and here, fans have released this for free. Ubisoft’s loss, I guess. I didn’t play Rayman 1 until well after I’d finished Rayman 2, and I’ll admit, I kind of bounced off of it back then. It felt slow, and awkward, and when the difficulty ramped up, it got very hard, very quickly. Now, admittedly, I’ve only put about 30 minutes into Redemption here, but just the addition of a run button is incredibly welcome, and the retooled level design and powerup mechanics helps the game feel way less obtuse overall. It’s just a cleaner, tighter, more accessible and more polished version of Rayman.
Stay tuned for the next article: Indie games.
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rigelmejo · 4 years
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How much effort does the mass immersion approach require?
(one of my many lol) final thoughts on the mass immersion method:
*information on the mass immersion method can be found at massimmersionapproach.com and on various language study youtuber’s videos.
so, contrary to what it looks like from an outsider’s perspective, it appears to be plenty of hard work and study. from an outside glance, it looks a bit ridiculous, in the sense that the method looks like “just watch/read target language content and you will magically learn it over time like a child!” 
that is not the actual method.
the actual method, (to my understanding) boils down to:
Immerse often. Start on day 1. Immerse all in the target language (no language-you-already-comprehend subtitles or anything as a crutch). Immerse in anything you can manage to - shows, radio, podcasts, reading if you can bear it, etc. Look up new words every few to several minutes, when desired.
**Use mnemonics, repetition, SRS flashcards/review methods, or whatever you want to learn the kana (and romaji pronunciations) if studying Japanese. Or use these methods to at least get somewhat familiar with the radicals, if studying Chinese. (My personal additional suggestion: if studying chinese, use whatever methods to read through, listen, and become somewhat familiar with the pinyin system, tones, and radicals. You do not need to have these memorized, as immersion activities and vocab study will keep reinforcing these things, so just get a quick overview of what these things are.) Do this in the first few weeks/first month.  
**Use mnemonics, SRS flashcards/review methods, and possibly a reference book, to learn the 1000 most common characters if the language is Chinese or Japanese. Do this in the first few months, to first several months. 
LEARN the first 1000 most common words in a language. Do this in the first few months, to first several months. (My understanding is mia suggests doing this after the 1000 characters.)
READ through a grammar guide, early on. Do this in the first few to first several months. (mia suggests doing this while learning the 1000 most common words, if desired).
Once done with the two steps above, switch to learning more words are you run into them with sentence mining. Preferably, sentences where there is only one new concept or word you’re learning in the sentences. Preferably, make SRS flashcards for those sentences you’re studying.
While doing the step above, start using your immersion activities as the basis for your sentence mining. The words you have are looking up in immersion activities will be a source of your sentence mining. If desired, you can also look up word-frequency lists to get ideas for what to add to your sentence mining. If desired, you can utilize pre-made sentence mining decks like 10k core Anki deck for Japanese (although mia highly encourages making your own decks). My personal suggestions: Clozemaster app for sentence mining, using example sentences from Pleco as your sentences (when looking up new words in pleco), sentence examples from Baidu Translate app or Tatoeba, sentences from shows/novels you’re consuming. 
At any point, but definitely if you have learned 3,000ish words, start immersion using long texts - articles, novels, stories, etc. (In comparison to only using target-language-subtitles as your reading immersion.) Read regularly, read a lot. Look up new words every once in a while. Continue sentence mining as desired, as long as its helping you. 
** = steps which are specific to certain languages. Some languages will require similar steps to those. Other languages will not need anything like that done. 
There it is, the method. So, is it as easy as “immersing and magically learning a language effortlessly”? NO. NO IT SURE ISN’T.
Let’s go over how it’s definitely got its share of difficulty. Even though it’s not a standard textbook and structured course approach, that doesn’t mean it’s any easier. It still is going to take hard work, dedication, consistency, and effort. 
I would guess, the main reason this method looks “easy” from an outsider’s perspective - is because it tries to focus on primarily engaging the learner’s interests, and in building up comprehension skills as quickly as possible (so the learner can enjoy engaging in their interests). The immersion means a learner is regularly engaging in content in the language they specifically care about and want to understand - compared to standard textbook study that may include various topics some learners care nothing about. The immersion focus also means learners study how to comprehend more than they study how to produce the language themselves in a way with minimal-errors. So learners are more quickly rewarded with being able to listen to speakers, watch shows, read. Learners also will ultimately be able to communicate, although (and this is only my guess) their communication may have more errors earlier on. Communication is possible even with imperfect production. So a learner, once producing, can comprehend well enough to at least recognize their errors and comprehend when others tell them of errors they’re making. At this point, I am guessing, is when studying of more accurate production happens and errors are worked on. For learners who simply wish to communicate for enjoyment and engagement with others, this is fine and much quicker than many traditional classroom based courses. 
The downside being, traditional textbook/classroom study is going to more specifically be helping students learn what they need to pass tests of fluency level (such as job/school required exams, JLPT, HSK, CEFR, etc). Mass Immersion Approach learners may not be developing those same ‘perfecting production’ skills of certain levels, at the same time as traditional textbook/classroom learners. Since traditional classroom/textbook learners are studying in the same order as often widely used tests, they’ll be prepared according to those test levels to do the ‘expected things’ each test level requires. Whereas a mass immersion approach learner, may end up with some gaps that the traditional course would have covered, and so the mia learner will have to fill in those gaps later if planning to take a test. This is probably an issue that stems from mia learners getting to immerse in content they desire which will be specialized to THEM, versus traditional textbook/classroom learners being forced to study ALL topics considered relevant by commonly used tests of language proficiency level. Now... many mass immersion approach learners claim, that after a certain amount of time, their grammar/word use is MORE NATURAL/correct then many people who studied traditionally from a textbook/classroom. Perhaps they are right, and they do ‘naturally’ pick this up over time. But I would still guess there are differences in WHEN mia learners versus traditional learners can utilize certain words/structures to a sufficient level to pass exams they need to pass to get jobs/get into schools etc. These differences could matter, depending on the specific needs of the learner. I would imagine that if an mia learner say, needed to pass HSK 5 in a year for a job - they could use their mia approach, and also HSK 5 prep-materials as desired to help them fill in gaps/practice points they MUST do correctly within a year on that test. 
In summary - the mass immersion approach appears easy at a glance, not because it is easy, but because it has the learner always engaging in specialized content they ENJOY and always USING what they’re learning (either for comprehension, or eventually for producing with the goal of communication over perfection). Encouraging a learner’s passion to keep studying, will make them feel motivated and make them feel the subject is not unbearable. While still difficult, it is often going to be enjoyable at least.
So, how does the mass immersion approach require effort? Why is it difficult? Well, it’s not exactly “learning how children do” and it’s also not easy just because some of it is a little bit LIKE “learning how children do.” The learning like children angle, refers to how the learner should be picking up a lot of new words/grammar concepts in the context of real use of the language - real dialogues in shows/books, real writing instead of textbook examples, sentences mined from that content, and mass amounts of exposure so learners have a LOT of context to help them comprehend all these words/grammar concepts. In mia approach, learners are not learning from textbook examples that may or may not be natural, and may be limited in how many are even contained in a given book. Learners are learning from massive amounts of input, massive amounts of examples they’ll see and hear. In this way, yes, it is picking up a lot of things the way a child does.
But mia approach also involves learning these things much faster than a child would, by doing specific activities to maximize how to speed up the process. This part is why mass immersion approach is a lot more hard work than just “turn on shows and watch and you’ll magically learn.”
Lets go through the steps of the approach again, in regard to effort:
Immerse often - you are using none of a language you already understand to rely on. So no, watching anime with english subs doesn’t count. Immersing in totally target language content is exhausting! The less you comprehend, the more exhausting it is! So it is very difficult for beginners starting out on day 1, month 1, etc! Immersion also generally means the learners should be trying to comprehend whatever they can manage to comprehend, and that requires attention and focus for the duration of immersion. Which is also exhausting, and the MOST exhausting at the beginning stages. Does that sound easy? This is one of many reasons it is vital a learner picks immersion material they are interested in. Because they need to be paying attention to it, and enjoying it enough to keep immersing. They’ll fail the whole approach if they give up immersion because they can’t tolerate the ambiguity and focus required at the beginning stages! (As a personal note, this is likely why my personal study approach is not as similar to the mia approach as it could have been - I had low tolerance for ambiguity and the exhaustion of trying to comprehend anything as a beginner, so I only immersed once every couple weeks for short periods. Whereas a mia learner would need to be doing it every day, or every other day!) Try to immerse in target language only content, in any language you don’t know yet or have just begun studying. Tell me it’s easy... I really don’t think it is.
**Learning romaji/kana if studying Japanese, or pinyin/radicals if studying Chinese. This step is pretty much exactly the same as a traditional textbook/classroom approach. It’s the same amount of effort. So mia learners still have to put in that initial effort, that includes reading and listening to an explanation of these things, repetition (either drilling or SRS). It may even be more effort for mia learners, if they had no textbook or resources suggested to them - then this step is also when they have to look up those things on their own, and find ones they like, to study these things from.
**Learning the 1000 most common characters. WOW IS THIS ONE AN INTENSE AMOUNT OF EFFORT! This is a step that many traditional textbook/course methods stretch out over months or YEARS, and usually teach alongside vocabulary and grammar so learners can integrate the characters into things they already know and use the characters they’re learning right away. mia learners do not get the luxury of having these characters integrated into a web of thing they already know. mia learners have their immersion, so they at least get regular exposure to start SEEING the characters they’re learning. But the sheer effort it takes to grind through learning 1000 characters is immense. It takes a lot of people years. Even with diligent learners, it takes several months. With the most dedicated learners, with the most intense amounts of time they can spare, it takes them a few months. This step is where, I imagine a lot of learners attempting the mass immersion approach will just give up. So I guess, if you’re studying a language without this particular hurdle, congratulations you may have an easier time getting yourself to keep studying consistently using the mass immersion approach! (In my own personal studies, I could not bear to do this with japanese or chinese - so I have always delved into learning maybe 200-500 characters this way, then immediately moving on to learning common vocabulary at the same time. I personally prefer to have a web of connected information in my head, so knowing vocabulary that uses characters, helps me learn characters better than studying characters in isolation. I just learn my first 500ish characters first so that I have a rough idea in my head of some really common characters, so I’m used to seeing the radicals in different ways, and so I’m used to making mnemonics. I have NEVER been able to get myself to purposely work through the 1000 most common characters before studying other things too. My method has its own benefits and drawbacks. The biggest benefit for me was it allowed me to keep studying consistently instead of giving up, since giving up would have been the worst thing. The biggest drawback - it took me 10 months to learn around 1000 characters. Whereas dedicated mia learners may have achieved that in 3-6 months). So, yeah, this step is a MASSIVE AMOUNT OF EFFORT. Arguably a lot more frontloaded work than traditional textbook/classroom learners. The benefit of doing this is that, later down the road, mia learners will comprehend reading more easily with less effort, and have less of a struggle learning new words compared to traditional learners. And a lot of this just has to do with when the different approaches learn this bulk of characters. A mia learner will either give up at this stage (so then they wouldn’t improve in the language reading-wise to any degree), or they’ll get through it and then have the tools learned to be able to keep improving their reading skills and vocabulary indefinitely without too much struggle. In comparison, a traditional learner may find limited gains in reading ability with each course they work through - maybe first they can read short informational signs, then menus and shopping tags, then short emails and texts, then news articles, then simple stories, etc. But they will also find if they quit, they may struggle to be able to improve their reading level because they have a limited base of characters they know, so they struggle to learn more words/characters unless they purposely pick up active studying again. This would be most noticable if they took classes that start off with pinyin only, or take courses that only end up teaching say 800 characters after 2 semesters, etc. If this learner quits too early, having less characters under their belt may require more effort for them in the future. mia learners put in most of this effort upfront, in the first several months. It is... a slog. 
Learn the first 1000 most common words. First off, it will pay off immensely in improving your comprehension. This is a great thing to do no matter what language you’re learning, and no matter how you do it (whether you study like a maniac and learn them in 2 weeks or a month, or whether you take your time and learn them in a year). Now, if you’re an mia learner - it is a slog. In the mass immersion approach you are trying to learn them relatively quickly so that they’ll improve your comprehension for immersion. Whereas in a traditional learning approach you’re probably just learning them as they pop up slowly over time in your textbook/course over a year. An mia learner will benefit more in their other study activities, if they prioritize learning these 1000 words at a relatively quick pace. This is why mia learners are probably encouraged to use SRS flashcards for study, because its fast and efficient. They’re also encouraged to use mnemonics and associate the words with context to help the new vocabulary more easily stick in their memory. Alternatively, one could probably also learn these words through rote memorization, golden lists, exposure (probably the slowest way?). Now, learning new words is hard. We know its hard. There’s choices - mnemonics and memory tricks are faster, but require a learner to figure out how to do them and then dedicate time to doing them for each new word (versus traditional learners that in a class might skate by memorizing for tests by just looking at a word list then forgetting). SRS flashcards mean purposely dedicating study time to review, on a regular basis (also making the cards yourself if you can’t find/don’t like any pre-made resources). Some learners prefer physical flashcards and spaced repetition review of them - that means making the cards yourself. And, if you hate flashcards as ardently as I do, it means hell. (My personal study method involved picking up some of 1000 most common words from - reading word lists and reviewing them on occassion, since I think that’s less draining then flashcards; reading through some pages of high frequency dictionaries; reading the vocab lists in my textbooks and character reference books; looking up common words during immersion; and finally going through an SRS flashcard deck of the 1000 most common words to fill in the gaps and also to REVIEW in an efficient way so that they’d stick in my long term memory. I do think SRS review is a very efficient way to remember things long term, and I do recommend it if you’re trying to be efficient. If you are like me though, and hate flashcards - its up to you how much you want to use other approaches as an alternative or in addition). Learning these words is again, putting the bulk of the effort required on the beginner stage learner. A traditional learner may learn these words over a year, or years. A mia learner will probably want to learn these within the first year, hopefully within the first several months. Like the previous point about characters - there’s benefits and drawbacks to each approach. An mia learner is going to have more to study upfront, regularly, so they might want to give up from the workload. But the payoff is that the words they study will pop up regularly in their immersion, and they’ll be rewarded with greater comprehension for each word they study. This reward will happen a lot faster than for a less-intense paced traditional study plan. So more effort, more reward. The traditional learner, if their course isn’t too intensely-paced, will probably learn these words over a greater length of time - and so won’t get to read them or listen to them and comprehend as fast. But they’ll be less likely to give up because of intense effort required and burnout. In contrast, a traditional learner may be more apt to give up because its taking them longer to get to the level of comprehension they want. 
Read through a grammar guide early on. This is easier than traditional learning, in that an mia learner doesn’t have to do ANY grammar exercises or read to the point of memorizing/internalizing any grammar points. It is harder... because a learner needs to read over ALL of the main grammar points, in a matter of weeks or months. Many traditional learning courses will cover that material over a period of years, spending a week on one or a few points at a time. Reading through a grammar guide requires an mia learner to read one or a few points a day, and to read MANY grammar points in the few weeks-months that the learner spends going through the guide. While completing exercises is not required of mia learners, instead they are required to read through material in a short amount of time that is complex and requires attention and focus. Material that traditional learners are exposed to much slower and with more support as they get a plethora of examples on how it works and in depth details on the topic if they want/need it. Traditional learners also often get to skip reading a formal grammar guide at all, if they have teachers who through example teach them, or if they have textbooks that have a plethora of examples if they don’t want to read ‘why’ to do things in a formal way. An mia learner must read through this grammar guide knowing they’re not going to have any of it memorized, knowing its all basically a ‘summary overview’ for them. Knowing they’re going to be re-looking these points up in the coming months as they keep seeing them in context of immersion and struggling to comprehend them because they look familiar but the learner can’t remember the specifics of the grammar point. Also just... have you ever read technically informational texts like a grammar guide? They’re draining to read through. It takes effort and dedication to start reading a grammar guide (when you aren’t motivated by needing to pass a test in class), and consistency to complete it. (My personal studying experience: YES, YES, YES, I recommend doing this. It’s a slog but if you’re dedicated it will take 1 week to 1 month tops, and can be done alongside any other study activities you’re doing. I can’t emphasize enough how immensely reading a grammar guide in the first few months helped my own progress down the road for any language I’ve ever studied. It helps so much, because after you read through one, everything you run into that is ‘confusing’ you already have a summary in your mind for to build connections and more understanding to. And you can start noticing all grammar points at work immediately, and recognize their examples and proper use. Compared to a traditional study method, where you may only be aware of a few grammar points even Existing when you’re a beginner. YES, I highly encourage you no matter how you are studying a language, to do this sometime in the first year. You don’t have to memorize anything, just read through a grammar guide and try to treat it like a curious interest-read you’re doing. Try to understand the explanations you can, and try to just get some exposure to those explanations that don’t click yet then move on. It will pay off so much later on.)
Sentence mining. In my opinion, this is almost like making your own note-version of your own textbook. Writing your own study book is a lot of effort! Making all the sentence mining flashcards it will require as you keep studying and improving will eventually add up, and take a lot of time and effort to make. Then, as usual, also means dedication to regularly studying and reviewing. Studying and reviewing material is something you’re doing regardless of if it’s the mass immersion approach, or a traditional textbook/course approach. The big difference again, is mainly that mia learners are learning based on their specific interests/needs based on what they’re immersing with, and mia learners are making their own study materials instead of relying on a pre-made textbook. Making your own sentence mining materials is a huge undertaking over a long span of time, it’s not ‘easy’ (unless you are the very opposite of me, and absolutely LOVE flashcards and think they’re the funnest thing in existence - in which case, yay, the mass immersion approach is at least 50% your dream study method!). As someone who does hate flashcards, this sounds so horrible! Although the method itself makes a ton of sense - its studying vocabulary and grammar in the context of examples. So, if you learn better from examples instead of explanations, this method is very well suited to you. And if you need explanations - you just go find that grammar guide again and reread a section on the topic you want further explanation for. Alternatively, a traditional learner’s equivalent studies may be: continuing to work through a grammar book with examples, reading graded readers in progressing difficulty so they’re also basically exposed to sentences that introduce new vocab/grammar over time based on their level, eventually branching out into reading/watching native material at or just above their comprehension level - and possibly writing some sentences down for study or flashcards, on occassion. Sentence mining, in essence, is not easy unless you think flashcards and all the efforts that go into making your own study material, are so fun and delightful you happen to not notice the effort you have to put in. 
Immersion using long texts (also just immersion, generally, as your comprehension increases). This is learning by doing. See the very first thing I wrote in this list, about immersion the first time - immersion where you are aiming to comprehend without anything to rely on but your target language takes attention, focus, and effort. It will only get easier over time, if you keep practicing consistently. It only gets easier by doing it more. Every other step in the mass immersion approach, just seems to be ways of helping make THIS step more bearable and easier. The alternative would have been... to only do this step, immersion. Can you imagine doing that? Just consuming native content and looking up new words either intensively (every single time you ran into a new one), or occasionally (every few minutes)? Some people in this world must have learned a language this way. It certainly does not sound easy. Even harder... would be to truly learn it like a child, where you would do only the immersion step and barely look things up until you comprehend enough to understand a monolingual dictionary. That would be a mega-slog. Which pretty clearly shows why the mass immersion approach is not exactly the same as “learning language exactly how a child does.” The mass immersion approach relies on immersion to learn from context, but it also includes several other study activities to help a learner build a basis of vocabulary and grammar early on in that language (the character, grammar guide reading, and vocab grind in the first several months). Then activities for the learner to keep studying grammar and vocabulary based on their interests and what they’re immersing in, by doing sentence mining - which is like textbook study with examples catered to the specific learner. Only after that, once a learner should be comprehending at least the GIST of material, is the learner expected to be learning a big chunk of things from context of the immersion material - and even then, everything made into sentence mining sentences is getting the added support of srs flashcards that can be regularly reviewed to help speed up learning. Immersion, once a learner can comprehend the basic gist of things, is the act of practicing a skill to improve. Practicing, as with anything you aren’t good at, is difficult until it gets easier. A mia learner may find it less draining at this stage, because they have so many tools that allowed basic comprehension to be managable - so their attention and effort it hopefully only being used on a few new confusing parts of material per immersion content. Whereas a traditional learner, especially if they weren’t doing any listening/reading immersion throughout, is going to have to suddenly start doing this when they’re ready to ‘consume target language content.’ The traditional learner is going to find it brutal, because they haven’t been practicing this skill from day 1. So this... may be why it seems like sometimes mia learners seem to ‘learn’ faster. I can’t say for sure if they lag in other areas of learning a language - but in the area of basic comprehension of the gist of content, to the point where consuming immersion content is bearable, they win. Every study activity they do helps to make this task easier for them as quickly as possible. A traditional learner, depending on their own study methods and how their class/textbook taught, may not have developed these skills and may not have had as many study activities that specifically focused on building THESE skills. Being able to basically comprehend, is when people can start to do things with the language - watch, listen, read, and communicate (comprehensibly, if not perfectly). Maybe an mia learner, depending on how they studied, cannot do buisness emails or talk about college majors in chinese - but maybe an mia learner CAN read an article in chinese ABOUT business emails, about college majors, and quickly look up the unknown words that involved the details they don’t understand. Maybe they’d still have to practice to learn to do such things. But maybe the mia learner’s goal was being able to discuss video games instead, so they know a whole bunch of topics specifically in their area of interest (because of the sentence mining). Whereas the traditional learner maybe never practiced reading novels so is still slogging through, where a different learner practiced that from day 1 and is much better at doing it. In the end... at this level of language proficiency, I think either learner who used any study methods, at this point will have difficulty/ease depending on what practice they personally did and what vocab/grammar they personally studied up to this point. And also at this point, practice for anyone will generally be showing where their knowledge lags and needs to be improved. So... this part is hard, no matter how you studied a language. And this part is years, maybe your entire life.
Does the mass immersion approach take effort? Yes.
It is one of probably a plethora of independent study approaches that will work for learning a language. (Probably the most important thing, I think, is just whatever methods keep you studying consistently, since consistency over time is what will ensure improvement eventually no matter what else you’re doing.) The mass immersion approach seems to be very ‘front-loaded.’ As in, the bulk of the ‘hard work’ is in the first several months to first year.
It seems very make-or-break. Learners are expected to study and review a broad overview of the language within the first year (most common words, overview of all grammar, overview of writing system), and also expected to practice comprehending target language material from day 1 (which for any learner, is a process that starts out difficult and only gets easier with lots of practice, and as you learn the language). So learners will either give up during that initial year of studying tons of words, *characters, grammar points, while also constantly regularly immersing and attempting to practice comprehending what they can while their comprehension is at it’s absolute lowest beginner-levels. When trying to comprehend anything in immersion content is likely to be the most draining, intensive, that it is ever going to be. 
Then, if the learners get past that initial front-load of constantly studying and immersing, things ease up a little. They’ve made themselves go through all the ‘hardest’ parts of studying. Comprehension of immersion material becomes more bearable, now their study material will largely be words/sentences/grammar they choose to pick based on their own goals (so study material is creative and self directed). All new words/grammar will be surrounded by a lot of context the learner already understands. Any new grammar that a learner runs into, will be something a learner already has at least some other grammar basis to compare it to and build it from. The immersion portion of study will be incredibly enjoyable and rewarding. The new word/concept initial study will be relatively rewarding too - it will be based on content the learner cares about, and will be surrounded by context the learner understands and so easily can digest. The only real ‘slog’ will be reviewing new concepts/words every so often (like srs flashcards). Which is not too hard of a task, it’s just flashcards to jog your memory until you don’t need them. And beyond the structured sentence mining, any immersion will now be word/concept study review for you for any material you can comprehend. And you will eventually be able to learn some new words only from context in the immersion content and repeated exposure, so not everything will require any structured study at all. At the point when that becomes a relatively normal occurrence, SRS flashcards won’t even be necessary - they will just be an option to use if you want that particularly efficient review method. 
Now, this second part - any language learner will eventually get to this part. I and the level of difficulty at this part I think will probably be mostly the same. Any learner is going to have to get through the initial hurdle of understanding-almost-nothing and struggling to comprehend anything. mia learners go through it throughout those first few months. Traditional learners either will go through it from day 1 (if they start immersion immediately) until whenever their textbooks/courses give them the basis needed to reach the immersion-while-comprehending-the-gist stage (or until they self-study to learn those things early). Traditional learners who wait to do this until after all their courses/textbooks, will hit that initial difficulty - and may find it a bit more bearable since they likely will have way more stuff they comprehend than an mia learner did on day 1. And then that difficulty will soon wane until they’re also at immersion-while-comprehending-the-gist stage. 
Mass immersion approach seems like a good study method to consider looking into if you are a self-study learner, or if you’re learning from a textbook/course and are considering some other study activities to add onto what you’re already doing. Mass immersion approach seems geared on getting the learner to comprehend the basic gist of immersion content as quickly as possible, so that they can learn from the context within immersion material as quickly as possible. That means a lot of intense study in the beginning. That means that although there isn’t a lot of focus on doing exercises. But there’s still a lot of focus on studying/reviewing basic common vocabulary, getting an overview of all the grammar, and on ‘practicing’ the language in other ways such as attempting to comprehend immersion material every day from the very start. 
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sockparade · 4 years
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tips for surviving the pandemic: things i learned from my immigrant parents
It’s hard to believe that it’s only been a little over a week since the WHO announced that the coronavirus (COVID-19) was officially a pandemic. This has been a long, challenging week for a lot of people and it is nothing short of terrifying to read reports of what is happening in Asia and Europe as many predict that we’ll likely endure a similar fate here in the United States. In the midst of all of this chaos and uncertainty, I’ve been reminded of so many lessons that my Taiwanese immigrant parents taught me. I’m sharing them here so that others might also benefit. Thanks Ma. Thanks Daddy.
你昨天已經出去了.
“You already went out yesterday.“
1. Learn how to stay home. Our family is eight days into self-isolating at home and Tony asked me this morning if I had cabin fever. And strangely, the answer is no. I’m not. Not to downplay the difficulty of this moment but my experience with this “shelter-in-place” ordinance reminds of pretty much all my summers between kindergarten and 8th grade. Both of my parents worked full-time so summer was just three blissful months of nothing. No structure, no plans, no camps, no playdates, and no responsibilities. My parents never made me feel like I was missing a thing by staying home and I don’t remember ever feeling bored. There were always library books to read, stories to write, and thoughts to journal. Hours were spent playing school with my big sister (now a first grade teacher!), making up random games like who can avoid touching the carpet longest, learning Kim Zmeskal’s latest gymnastics floor routine, writing lyrics to Kenny G saxophone solos, and rehearsing for our variety show that we would perform to our tired parents at the end of the day. And that’s not even including the hours we spent watching The Price is Right, CHIPS, Knight Rider, and Airwolf (yep, no cable).   
As a teenager I carefully plotted all my hangouts with friends so that I didn’t have too many consecutive days when I was out of the house. Whenever I asked my parents if I could hang out with friends, they would always say, “But you already went out yesterday. What’s wrong with staying home? Why do you always have to go out?” It was as if having too much fun two days in a row was off limits. If there was a big party on Friday, I would purposely make sure I stayed home Wednesday and Thursday just to increase the chances of being able to go out on Friday. I know a lot of people talk about how awful their high school years were but I was one of those lucky kids who had a really great group of friends that made me feel seen, loved, and cared for. The downside was that I couldn’t get enough of it. I was always thinking about the next hangout, the next event, the next thing. It took me all the way until my late twenties to fully appreciate the fine art of staying home and to finish my unexpected transformation into the expert homebody that I am today. 
I’m reminded of that old quote by Blaise Pascal, “All of humanity's problems stem from man's inability to sit quietly in a room alone." 
It’s great to be out and about, but it’s also really important to learn how to stay home.  
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晚上要吃什麼?清冰箱.
“What are we eating for dinner?” “Cleaning the fridge.”
2. Be creative with what you have. I love food. Not in a foodie sense, but I get a lot of pleasure out of eating. I’m not a food snob by any stretch of the imagination. I thoroughly enjoy a Stouffer’s frozen lasagna or a peanut butter and jelly sandwich as much as I enjoy a fancy, inventive, Michelin-starred meal at Commis. What’s hard for me is when food is eaten as sustenance rather than with delight. But my parents taught me that you can always take pride in preparing a meal. No matter your ingredients.
My mom is an excellent cook. I know a lot of people think their mom is a good cook but my mom is legitimately skilled in the kitchen. There were some nights when I’d ask what was for dinner and my mom would just reply, “Cleaning the fridge.” 
Now for some, this might sound terrifying. But my mom could honestly make something out of nothing. I still crave my dad’s simple egg and garlic fried rice. My parents raised me to be able to make an tasty meal just from rummaging in the pantry and fridge for random leftover things. There were plenty of summers where lunches and snacks were an individual culinary adventure for each of us kids. I still remember the day I witnessed my baby sister add a Kraft single on top of her onion ramen noodles. She saw my confusion, shrugged and said, “You should try it, it’s good.” 
With all the hoarding folks have been doing during this pandemic, I’ve found myself feeling quite anxious. Trying to calculate if we have enough food. Estimating how many more meals we can eat at home before we need to make another grocery run. As someone who struggles with a scarcity mentality it has been hard not to panic. But then I keep reminding myself that I know how to make good food using just whatever’s available. 
You know, I was pretty disappointed with Mary H.K. Choi’s second novel, Permanent Record, given how much I enjoyed her debut novel, Emergency Contact. But I was absolutely thrilled with the shine she gave to what her protagonist calls “Hot Snacks”.
Here’s an excerpt from Permanent Record that is a beautiful ode to creative food mashups and immigrant kids everywhere: 
“I edit and post a Shin Ramyun Black video set to music. My favorite instant noodles with three flavor packets and so much garlic. It’s a classic Korean HotSnack, especially when you throw in cut-up hot dogs, frozen dumplings, extra kimchi - and this is where the artistry comes in- eggs, cheese, corn from a can, and a drizzle of sesame oil on top. And furikake if you’re feeling wealthy. The next night I put up a bacon, egg, and cheese not in a bagel but in a glazed honey bun. Laced with sriracha and pan fried on the outside. Then it’s chilaquiles with Spicy Sweet Chili Doritos and chorizo. Jamaican beef patty casserole disrespected with a smothering of Japanese curry and broiled. With Crystal Hot Sauce over the top and pickled banana peppers. I’m trolling with that one but the controversy is berserk. When I run out of old videos, I make saag paneer naanchos with Trader Joe’s frozen Indian food, and it’s a hit. Especially when I add yogurt and a thick layer of crushed-up Takis on top.”
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看連續劇.
“Watch soap operas.” 
3. Find a way to escape. I’m generally pro technology but I’ll admit I’m a little bummed at the way iPhones and iPads have made TV viewing such an individual activity. I like how Disney+ has gotten some families back to watching TV together again. Although I will say, we really coddle our kids these days. I grew up in a time when movie ratings only applied in the theaters and we watched movies with our families like Alien, The Fly, and Gremlins. We were scared out of our minds and sometimes could only watch through the cracks between our fingers covering our eyes because it was so scary. Okay, this also might be why I can’t watch horror movies as an adult. 
From a young age, my parents taught me that watching other people’s drama unfold on screen is one of the best way to escape your own drama. Some people say binge watching became a thing when the TV networks started releasing shows on DVD. Others give credit to Netflix releasing their original content a whole season at a time. But truth be told, I first learned how to binge watch from my parents. 
We would rent 30-40 VHS cassette tapes from that random spot in Bellaire Chinatown. Can you picture it? You needed multiple plastic bags to transport that many VHS tapes. 
Do you remember the one about the dying mother who needed to find homes for each of her 7 children? I don’t think it’s normal for a 10 year old to cry so much but you better believe it’s made me learn the true value of a soap opera escape hatch. 
Are you in a pandemic? Now’s the perfect time to pick up that YA novel, binge that reality show, start that kdrama, or rewatch all six seasons of The Sopranos again.
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下個禮拜會下雨.
“It’s going to rain next week.”
4. Be informed about what’s ahead. If you ask either of my parents about the weather at any given time they can reliably tell you the daily percent chance of precipitation and humidity for at least seven days out. They’ve always been this way. They would inform me of the weather at various points throughout the week. They planned their yard work and car washes around the weather forecast. There’s something about the way the weather forecast is available to everyone. And it feels like it’s just a matter of making the small extra effort to access it and gain a slight advantage. I feel like so much of the immigrant mentality is to be diligent in making the right choices to not screw yourself over and seizing opportunities whenever you can. And it wasn’t just weather but this is such an obvious example of it. 
I remember my dad saying to me once, "Can you imagine if someone decided to read every book in their local library? If they just went shelf by shelf and systematically read all the books? You could do it, you know. It’s free, it doesn’t cost any money to check out a book from the library. But no one really does it.” 
I think immigrant parents get a bad reputation for forwarding chain letters and health/science hoaxes they get on email, WeChat and Line. And in a pandemic, yes, they are definitely susceptible to misinformation, rumors and flat out untruths. But the thought behind it seems right. 
The mistrust of government leadership is actually quite relevant right now in this pandemic. Many immigrants left countries with governments that were overtly corrupt, oppressive, and used propaganda to influence its citizens. And while many Americans still take pride in living in a country that verbally champions freedom and democracy, the truth is that our government has already failed us and lied to us in many ways. During this pandemic, we cannot wait on leaders to tell us what to do. We must be diligent in reading for ourselves, seeking experts, using our critical thinking skills, and making preparations accordingly.
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會不會冷?
“Are you cold?” 
5. Check in with yourself. Check in with others. I have so many memories of my parents walking through the living room and asking me and my sisters if we were cold. It felt like they couldn’t walk past the thermostat without asking us if they needed to raise it or lower it. As if they couldn’t hear us sneeze and wonder if they needed to turn off the ceiling fan. They couldn’t see us sitting in a dim room without turning on a light for us. There are so many times I fell asleep reading on the couch and woke up with a blanket over me. Or sometimes I was fully awake doing something random, like playing Egyptian Rat Screw with my sisters (a cardgame for the uninitiated), and my mom would walk by and wordlessly drop a warm, heavy blanket over my shoulders. That’s care, y’all. Consistent, immediate action, and often without words.  
The tip here is to pay attention to your discomfort during a pandemic. There’s this immigrant stereotype of stoicism and that’s true to some degree but maybe the resilience is made possible not because of unnatural toughness but largely because immigrant parents can also be so incredibly perceptive and tender in some very tangible ways. 
When everything is chaotic around you and you’re busy multitasking these next few months, don’t ignore your needs. Notice how you’re feeling. Physically and emotionally. Where are you carrying your stress and tension in your body? You don’t have to tough it out. Oh and remember to check in with your people on how they’re feeling. Is there a light switch you can turn on for someone? 
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笑死人.
“Laugh to death.” 
6. Laugh to survive. Look, we didn’t have the perfect family or anything like that. We’ve definitely had our share of difficult times, financial stress, health issues, arguments, and pain. But my parents also really knew how to laugh and taught us to laugh with abandon. Like, bent over, tears running out of your eyes, can’t breathe kind of laughing. Our dinner table was kind of like a writer’s room. It was difficult to tell a mediocre story. You had better come prepared with a punchline or a point. It was a tough crowd, every night. On many occasions I stopped myself halfway through a story upon the self-realization that there was no real way to land the plane. Polite laughs were nowhere to be found, except perhaps a charitable smile from my baby sister. But it didn’t stop us from trying. I think my sisters and I are all probably better storytellers for it and we definitely have learned to try to bring humor into difficult times.  
I know that this pandemic is so incredibly dark and depressing that it can sometimes feel disrespectful, inappropriate, or childish to laugh at anything. But my parents taught me that you laugh to survive. Nothing is ever so dark that you can’t find a reason to laugh. And sometimes you really need to find something to laugh about.
I’ve been taking long breaks each day from major media news outlets but I have been finding such joy and laughter from the meme creators on IG and the comedic geniuses on Twitter. In Taiwanese when something’s really funny, people will say a phrase that is imperfectly translated as laugh to death. Like you killed a person it was so funny. Now’s the time to find that content or those people who will get you to laugh to death. 
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我要去挪車.
“I’m going to go re-park the cars.” 
7. Go to bed with a plan for the next morning. I grew up in a suburb of Houston, Texas where one property developer built the entire neighborhood and used the same eight or nine floor plans for all the houses but changed up the brick and trim color to keep things interesting. Most homes have a long driveway that connects a garage set near the backdoor of a home to the street. By the time I was driving, we had four cars in total -- two in the garage and two on the driveway. At the end of the day when everyone was home for the night and my dad was getting ready to go to bed, he’d announce, “I’m going to go re-park the cars.” Then we’d all kind of stop what we were doing and rearrange the order of the cars to match our morning departure schedules. This meant figuring out who was leaving when in the morning and sometimes also prompted brief check-in conversations about any changes in our usual routine. 
In a pandemic it can sometimes feel like there are a million different things to attend to and large conceptual concerns that demand your attention. But there’s something calming and centering about spending a few minutes each night thinking through specifically what needs to happen just tomorrow. Not the day after or next week. Get super tactical and specific about what tomorrow morning looks like. Check-in with your partner about any aberrations to your schedule (e.g. I have a super important conference call at 7am tomorrow) to minimize any unnecessary surprises. There’s something magical about setting up your morning that helps you rest just a little easier at night. 
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星期三我們有禱告會.
“On Wednesdays we have prayer meeting.”
8. Make time for your spirituality. Growing up my parents both had physically demanding jobs. My mom was a seamstress for many years, providing alterations at my aunt and uncle’s dry cleaners. She later worked in an elementary school cafeteria and then eventually became a classroom aide for special needs students. My dad worked at that same dry cleaners for years until he got a job at the post office. He then became a letter carrier, delivering mail on foot. The summer months were especially grueling, carrying a heavy sack of mail in 100 degree, humid weather, and walking until sweat soaked his shirts and blisters formed on his feet. They had every excuse to skip weeknight events. But unless they were sick in bed, I can’t remember a time when they missed their weekly prayer meeting with their friends from church.  
Pandemics have an unsettling way of forcing us to confront our mortality and can trigger a bunch of unresolved shit that has been bubbling underneath the surface. We’ve lost some of our usual coping mechanisms and it can be super hard to quiet the anxieties, fears, and other demons that we usually try to keep under control. This isn’t a lecture about a particular faith or belief system. It’s just a reminder to prioritize your existential questions, your interior life, and your connection to things much bigger than yourself -- whether that’s a community, a yoga practice, a faith group, a tradition, or something else. 
I have a fledgling meditation practice that I’ve been trying to strengthen since last year. When I say fledgling I mean that sometimes I bail before the ten minutes is up and check my phone. Even though I’m not very good at it yet, I can really tell the difference on the days that I make time for it. Our church started hosting its weekly Sunday service online and that’s challenging for me because a church service feels like it’s designed to be so much about the physical rhythm of going to a place, seeing faces of people I love, hearing their voices co-mingling with mine in song and in prayer, and tasting the bread and wine in my mouth. The online service was short, and just for viewing through a zoom conference call, but there was still something meaningful about setting aside that time Sunday morning, asking our wiggly kids to be present, and saying the liturgy out loud knowing that in homes all across the country, other people are doing the same. 
If things are really going to get as bad as some are predicting, we’ll need the spiritual strength to make it to the other side. Those habits are hard to form overnight. My parents taught me that you really have to make the time for your spirituality non-negotiable, so that you won’t abandon it when it’s inconvenient or when you are too tired.    
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沒辦法.
“What choice do we have?” 
9. Rise to the occasion. Whenever my parents are telling old war stories about things they had to do to get to where they are today, inevitably one of us will say, “Man that’s crazy, how did you manage to do it?” And instead of pointing to some super personality trait of theirs or some complex self-help principle, they always say, “We had no choice.” It’s not said in a defeated way, but in a posture of accepting that life can be cruel, unfair, and capricious. And that it’s not helpful to dwell too long on the why’s and how’s. My parents taught me that you can’t stay in despair mode. You eventually have to push yourself into problem solving mode and you do whatever it takes to move forward.  
This coronavirus is so unlike anything we’ve ever experienced in our lifetime. It is so unprecedented for me that my brain is having a hard time processing the reality of what’s happening right now and the rest of my lived experience. I spent the first few days of this week just being overwhelmed, anxious, angry, and irritable. At this point though, I’m in go mode. I’m doing what needs to be done for our family and taking care of business. What choice do we have? I can hear my parents saying it. One day, if we’re lucky, we’ll say it to our kids too. 
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