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#i just think it’s cool when he does
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jason needs to ominously appear from the shadows more often
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puppetmaster13u · 4 months
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Prompt 169
Danny is from a world where everyone has wings, even if most have long since lost the ability to fly. Something about loading and aspect ratio, wings being too small, body too heavy, now mostly used as display, whatever. 
It doesn’t matter even if he had blueprints from when he was like six of a jetpack to help fly. It won’t work anyway and hey, he has his ghost form! Which uh, might be perhaps, affecting his wings which were maybe sort of scorched black and practically down to the bone thanks to the accident. 
It doesn’t matter, he swears. Though he’s admittedly relieved to see the new feathers growing in are different from Dan’s angry sunset. Even if they’re not even supposed to be able to grow back. Alright, this is fine, no one is going to notice! It’s not like everyone knows about the poor Fenton kid whose wings were absolutely destroyed thanks to an accident! It’s fine. 
He’s not flying in a half-panic towards the Far Frozen while crying because his wings are coming back and he’s so scared. He didn’t panic and instantly fled the moment Jazz pointed them out while changing the bandages. 
He definitely didn’t trip over something while wiping away said tears and blacking out from all the stress and all of his problems that he definitely mentioned to someone and isn’t keeping a secret. Definitely. 
Hawkwoman and Hawkman would like everyone to know that neither of them were expecting a very small child to be spat out of the villain of that week’s machine that should definitely not be a portal. A very small child, maybe nine or ten, with a multitude of concerning wounds both old and fresh. Which isn’t even beginning to touch on the wings. 
Feathered, like baby down despite the gnarled scars, unlike their own metallic, with the beginning of tiny specklings like stars amidst the darker fuzz peeking from the wounded flesh. 
Who?! Who dared?! It’s (at least to the forever reincarnating duo) a literal baby! They still have down! Tiny baby fuzz! Was it the portal?! Oh this villain is going to taste their maces for causing this if that’s the case! 
The rest of the Justice League would honestly like to know what just happened and are honestly unsure on if they should stop the two…
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seungs · 1 month
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stray kids - sherlock cover (orig. shinee)
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mblue-art · 2 months
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once again i was fueled with coffee (did not sleep the whole night) but this time i doodled college au to cope bc ofc i did (also did not feel like sleeping wooo)
#self insert#cross!sans#epic!sans#mblue art#cm#m rambles#(that tag is needed bc hoo boy u can tell i did not get sleep and is fueled by caffeine)#(do not be like me!!!!!!!!! do not deprive urself of sleep 💀💀💀)#(get a good 6-7hrs a day if u can. if 4-5hr works better for u then im not forcing u to sleep more 😤😤😤 as long as u rest well 😁👍)#(AND HYDRATE... if ur reading this try to take a sip rn 🥤)#campus au#(college au scenarios will be tagged that heehoo)#not colored just lines bby 😎😎😎#idiots to lovers type shit where they both confide in epic n he's just chillin#waiting for the time when these dummies will finally confess to eachother themselves#(look i think it's rlly funny seeing cross be all cool calm collected in public but when he talks to epic abt his crush)#(he goes insane with a million different flustered/blushing emojis)#( 'they told me good luck on my test and gave me the nicest smile ever how was i gonna live after that' goofy ass. idiot /aff)#( 'DUDE THEY GAVE ME A MOTIVATIONAL NOTE. IN /PINK/ PAPER. ON CHOCOLATE. DOES THIS...... 😳' guys i love silly dorky cross to bits so much)#(man fucking explodes w his simping n epic just goes LMAO but he's v supportive for his bruh 💪😤)#(on the other hand my sona thinks he's sooo cool and awesome and smart and honestly fucking charming HHELLO THE TIMES WHEN HE LAUGHS AND)#(AND SMILES HELLOOO MR HANDSOME I MEAN WHATT)#( 'stars if he likes me back i wouldn't know what to do with myself. fucking EXPLODE? YIPPEE CONFETTI??' lots of flushge )#(going ueueue at big bro epic bc they got a super massive crush on his bestie but)#(but the head is entertaining 'what-if's BUT i think kuya epic knows how to steer the thoughts away from those and smack em w teasing 😎✨)#(ultimately distracting and successfully reassuring them 😎😎😎)#(tsundere mblue no way not in here im down bad astronomically full on simping my guys)#(he might be a dumbass sometimes but he's my dumbass) (ok i'll shut up now fr)#anywayz campus au is the my highschool au but we're all adults and more tired yippeee
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elfohim · 1 month
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y'all know that one goofy image
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wormie wormie wormie wormi-
#tiny little guy!!! teeny thing!!!#i imagine that wormie acts kinda like a cat mixed with a crow#also she Violently wiggles her whole body when she sees barnaby. thank you for coming to my ted talk#fully convulsing. acting as though she's jello in a centrifuge#and she Does Not Stop until she is held so barnaby has to figure out how to pick her up w/o hurting her#its very amusing in my mind... hes laughing his ass off as she flops all over the place#she doesnt make noise except for very brief quiet squeaks!!#also wormie is not technically female. no one knows what the fuck she is if anything#but barnaby started referring to her with feminine terms and it Stuck#kinda like finding a cool object and going 'oh she's neat'#yeah like that!#wormie lore hidden in the fantasy au...#scribble salad#wh fantasy au#im melting picturing barnaby holding her by the 'handle'#he commissioned the harness himself... made out of the same leather as his gloves! & the same etched design as his boots!#guys im so soft thinking about them.... barnaby and his little pet worm...#i imagine he teaches her tricks... carries her on his hat.... baby talks her cause she's just that tiny how could he not....#im picturing a Scenario where barnaby full speed full force bodyslams eddie who was just walkin along#like Full Force. eddie flies back ten feet and leaves a groove in the dirt when he lands - everyone goes Hey What The Fuck Barn?!#but as soon as he does it barnaby is rushing over like 'omfg im so sorry but i had to - you were about to step on wormie'
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aroanthy · 1 month
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i love how fraught and complicated discourse around various utena characters ‘dying’ is when anthy is literally stabbed to death eternally by a million swords imbued with human hatred. and then utena gets stabbed to death by them also. like. ‘death’ is incredibly interesting in rgu because most of the time it’s this ambiguous figurative thing that has interesting implications re: ohtori as a closed-off world one can escape. we are all trapped in our coffins. mamiya is the only named character with a grave. nemuro memorial hall functions as one all the same. ruka is implied to have died in the hospital— was he dead all along? who was the boy we saw for these two episodes? is this dead boy the same boy, or is this just another coincidence from the shadow girls, cutting like a knife? it’s heavily implied that akio and anthy murder kanae by poisoning her, adding to the previous implication that they were poisoning mr ohtori too, but there are no perceptible consequences of this. kanae’s absence is not felt. she’s fed an apple slice. what happens to the bodies? we know what happened to the 100 boys, but what about everyone else? and so on and so forth. ‘death’ is a tricky thing in utena, i think it’s constantly functioning on figurative and literal levels in very different ways for very different purposes. dios died. dios was dying. dios didn’t die. he grew up. etc etc
#what am i trying to say here?#idk! think about all of the pieces you have#dying is complicated in ohtori in countless different ways#and i find it boring to see so much ‘this character is dead and that’s it’ stuff#when death is used farrrrrrr more figuratively than some ppl give credit for#and i think the movie too does wonderful things with death#and what ‘dying’ really means#being disbelieved. being forgotten. being rejected. haunting despite this#much more interesting to think about wrt commentary on abusive relationships than it is#to think about what?? oh me when my brother died but plot twist he’s alive and can walk on this road all cool. like?????#akio doesn’t have the power to make himself revenant#he THINKS he does and he absolutely has power when he’s alive and he imbues that power with such meaning that it does live on after him#but ANTHY. anthy is the one struggling with herself and her feelings and the impact of trauma and abuse (that power!!) in aou#he’s dead? he died? she brought him back through her memories? or she’s left him (metaphorical death) and he’s haunting her??#all such interesting interpretations#i haven’t mentioned touga bc i don’t have the energy today. if dead and just illusion of others memories then why active. why awful#like in aou akio is only Obviously scummy when he’s alive. his illusory self is based upon anthy’s love for him#if anime!touga is nothing more than nanami/whoever’s memories of him before he died……. why does he actively choose to suck again and again#like nanami wouldn’t do that. unless it was meant to be a subconscious thing like ooo he’s dead all along but that’s not what her arc is#it’s not ‘he’s been dead all along’ literally or figuratively. it’s ‘he’s unsafe and i don’t want him’#sigh. once again i am asking people to think about nanami and touga’s dynamic through touga’s eyes#it’s so interesting to me how people forget to consider his motivations or feelings on ANYTHING#like sure his motivations and feelings are scummy but they’re interesting!!!!! they intrigue me!!!!#compel me even#anyway ignore how i said i didn’t have the energy for this and then typed it all out anyway#dais.txt
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seth-kia · 2 months
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everyone shut up and acknowledge how fucking incredible alexander ward is. thank you that is all
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prince-kallisto · 9 months
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I’m so ready to be clowned on when my “Crowley is Levan/Revan” theories turn out to NOT be true, but for now I’ll make the most of it 😭🤡 this comic was originally just based off the Lilo and Stitch scene where Stitch bites Pleakley’s head and gets called ugly (lmao), but I got carried away 。゚(゚´ω`゚)゚。 ALSO Crowley better show up with his tacky ass vacation outfit in the new event 😭😭 he has it for a reason I need to see it again
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hanzajesthanza · 25 days
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when your friend is writing a fic or analysis it feels like this
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boyfriendgideon · 10 months
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as yr favorite local jason todd fan sometimes i get so fed up with the apparent inability of most dc comic writers to write a class conscious narrative about him.
and yes, i know that comics are a very ephemeral and constantly evolving and self-conflicting medium.
and yes, i know they’re a profit-driven art medium created in a capitalistic society, so there are very few times where comics are going to be created solely out of the desire to authentically and carefully and deliberately represent a character and take them from one emotional narrative place to another, because dc cares about profit and sometimes playing it safe is what sells.
and yes, i know comics and other forms of art reflect and recreate the society within which they were conceived as ideas, and so the dominant societal ideas about gender and race and class and so on are going to be recreated within comics (and/or will be responded to, if the writer is particularly societally conscious).
but jesus christ. you (the writer/writers) have a working class character who has been homeless, who has lost multiple parents, who has been in close proximity to someone struggling with addiction, who has had to steal to survive, who may have (depending on your reading of several different moments across different comics created by different people) been a victim of csa, who has clearly (subtextually) struggled with his mental health, who was a victim of a violent murder, and who has an entirely distinct and unique perspective on justice that has evolved based on his lived experiences.
and instead of delving into any of that, or examining the myriad of ways that classism in the writers’ room and the editors’ room and the readers’ heads affected jason’s character to make sure you’re writing him responsibly, or giving him a plotline where his views on what justice looks like are challenged by another working class character, or allowing him to demonstrate actual autonomy and agency in deciding what relationships he wants to have with people who he loves but sees as having failed him in different ways, or thinking carefully about what his having chosen an alias that once belonged to his murderer says about his decision-making and motivations, you keep him stuck in a loop of going by the red hood, addressing crime by occupying a position of relative power that perpetuates crime & harm rather than ever getting at the root causes, and seesawing between a) agreeing with his adoptive family entirely about fighting nonlethally in ways that are often inconsistent with his apparent motivations or b) disagreeing and experiencing unnecessarily brutal and violent reactions from his adoptive father as if that kind of violence isn’t the kind of thing he experienced as a child and something bruce himself is trying to prevent jason from perpetuating. because a comic with red hood, quips, high stakes, and familial drama sells.
it doesn’t matter if it keeps jason trapped, torn between an unanswered moral and philosophical question, a collection of identities that no longer fit him, and a family that accepts him circumstantially. it doesn’t matter if jason’s characterization is so utterly inconsistent that the only way to mesh it together is to piece different aspects of different titles and plotlines together like a jigsaw. it doesn’t matter if you do a disservice to his character, because in the end you don’t want to transform him or even understand him deeply enough to identify what makes him compelling and focus on that.
and i love jason!!!!! i love him. and i think about the stories we could have, if quality and art and doing justice to the character were prioritized as much as selling a title and having a dark and brooding batfam member besides bruce just to be the black sheep character are prioritized. and i just get a little sad.
#jason todd#jason todd meta#red hood#batfam#batman#dc comics#comic analysis#classism#tw: csa mention#maybe someday half of the most intriguing and nuanced aspects of his character will be touched upon#red hood outlaw 51-52 had some cool moments wrt jason + class + hometown friends + systems of power but. that was a two issue arc#and even then it was admittedly messy#GOD i want him to be three dimensional and well rounded and well used#even if a writer wrote a fucking. filler comic for an annual or smthn exploring what jason does outside of being red hood#keep the name if u want. have him have deliberately taken the name of his killer and twisted it until ppl from his city know rh#as a protector of kids and the poor and sex workers and so on. that WORKS. but show him connecting w his community#have him get involved in mutual aid. have him do something when he’s not out as red hood at night. let us see jason & barbara interact more#or jason and steph !!!!!!!! or another positive but complicated dynamic (he has a lot of those)#i just. i think that his stagnancy makes me fucking sad. i liked some aspects of task force z. felt like it ended too soon tho#FUCK the joker lets unpack his self concept & have him be a real person outside of vigilanteism (?) and vengeance#i liked some aspects of the cheer arc in batman urban legends mostly bc he had SOME agency and bc he wasn’t completely flat#even tho i hate the retconning of robin jason being angry and moody and so on#part of the problem is we don’t see him too too often for more than semi brief appearances so im so happy to see him i’ll just accept it#love the idea of a nightwing & red hood team up comic. hate that tom taylor a) wrote it and b) gave jason that stupid ass line abt justice#u think this man trusts cops ????? or the legal system !????????? BITCH.#get jason todd into like a sociology / gender and intersectionality / feminist studies class NOWWWWW#ok im done im sleepy and going to watch nimona. thx for reading to anyone who did#PLS anyone who reads this let me know what u think im frothing at the mouth rn#wes.txt#mine
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lil-vibes · 11 months
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hc that dazai only eats food that 1. came from a can that he just opened or 2. food that he can confirm was made by chuuya. sometimes he'll wait until chuuya takes a bite out of dazai's food because he is paranoid enough to think that it's poisoned
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spaghettiandart · 11 months
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Charlie and the Puppet. Charlie kind of gives me 80's goth teen energy tbh so I drew a lot of her design from goth fashion trends at the time.
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mugiwara-lucy · 5 months
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I've seen how some people (especially after the last chapter) think how the eventual meeting between Luffy and Dragon will be a "high tension" reunion moment for both Luffy and Dragon. But, personally....I think the tensions will be strong on Dragon's end while Luffy will be as apathetic as ever 😅
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plan-3-tmars · 6 months
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"You're Just Sitting On The Train" - Double MV Analysis
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There's a conversation between the two main character's in a podcast I love called Red Valley which reminds me of the imagery in Double.
"You know when you're on a train, and it's held up, and you're just stuck in the middle of a field while they get the leaves off the line or whatever, and you're going to be hopelessly late, there might be awful consequences to get stressed about but... there's literally nothing you can do about it. It's not your fault. Hopefully you've got a book or something. You're just sitting on the train."
The conversation in context with the scene is about being able to put your problems and stresses, like being late for work, on someone else's shoulders. Let them take responsibility for what's going on so you can feel some relief. It got me thinking about Mikoto and Orekoto (who I'm just going to call John thanks to Neoplasm) and I want to talk about what I think the meaning of it is!!
Trains have many, many different meanings - like almost a ridiculous amount of different interpretations can be made - but I think the meanings that are the most important while talking about Mikoto are trains representing the passage of time, destiny and loneliness.
Loneliness:
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While on a train, or waiting for one, you are surrounded by people. However as shown here, most keep their head down and don't speak unless spoken too. It gives a sense of loneliness, you are surrounded by people yet completely alone.
I think this could apply to Mikoto's situation and was possibly a stress factor for him. It is implied from his T1 interrogation questions that Mikoto was popular enough, knowing a lot of people either now or back in high school, but he doesn't seem to open up to any of them. He's alone in the big city with nobody to talk to. He lies to his mother that everything's okay in their phone call and bottles up his stress. Because of this he is dependant on John to function : "But if you persist, I guess it's my job to keep things on an even keel."
The Passage of Time:
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This shot showcases how long the train actually is, it flies through each carriage insanely fast, blurring slightly from the speed alone.
It's been extremely clear since T1 that Mikoto suffers heavily from dissociative amnesia, something that is a very common symptom of DID, and I think the fact this shot blurs could be representing that.
Trains representing time and how humans view the passage of time is probably one of the most popular ways they appear, we tend to think of time as one thing that moves forward constantly in a straight line, similar to an uninterrupted train on a train track, but for Mikoto (and John) time is blurry, hazy. It may seem like things move too fast to keep track of (pun not intended) or individuals with DID can sometimes describe it as feeling like you're missing hours, fronting in a place or room you know you weren't in before and being unaware of the events that led up to you getting to this point.
This feeling of missing hours is relevant to this specific scene as after the camera moves through the train the first person we see is Mikoto - not John, who was in the doorway.
Destiny:
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Trains are always headed to a specific location so they can also be associated with life's journey, or in other words, fate and destiny.
Both Mikoto and John are shown as the passengers on their train, not the conductor. They are not in control over life's events, just sitting on the train and this is extremely stressing - especially for Mikoto. John says things like : "another day with that hardly barely there of a smile // You're going to break // You're overdoing it, you're already broken". Mikoto seems to find it hard to deal with life's events, aka the train ride, and perhaps feels like the end destination is unattainable at times of stress.
This point is stressed further imo by the fact that we can't see outside. The windows of the train are either white or black for the majority of the MV, sometimes light or 1 image makes itself known but never a full image of what's actually outside.
Bonus: The Train's Maps!
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The map's of the train are shown glitched out, also possibly hinting to the feeling of the train's final destination being unattainable, or could also be referencing hazy memories, but I think this specific detail is about John.
We see the maps glitching out when John sings the lyric : "I don't even know the reason why I'm here." [Future Mars I now know this was Mikoto singing but um.. my overall point still stands.] I think the maps glitching could represent the feeling of the loss of purpose.
John was 'born' in order to protect Mikoto, to help carry the burden of whatever is stressing him so much, yet instead of helping Mikoto he ended up being scared of him ("hey, now I saved you right? So why in the hell are you crying?") and it was John's actions that landed them in Milgram - an environment that Mikoto finds extremely stressing, to the point of there being a chance he goes dormant in T3.
Trains are created to arrive at a certain destination, so a train with no idea where it's going (glitchy maps) has lost its purpose.
Despite being an alter 'born' to protect, John has accidently caused Mikoto more harm when he tries, so he questions his role in the system.
Edit: Journey into the Subconscious
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After staring at the MV a couple more times I think there's one more train theme I forgot to mention that fits here too, which is that trains can sometimes represent a journey into the mind.
I think there's a chance that the train could represent the system as a whole, or more specifically headspace. The only people on the train are John and Mikoto and the fact we never see what's outside gives a sort of surreal, dream like atmosphere, almost as if this was happening in an environment with no psychical appearance.
The lyrics sung in Double seem to be more directed at Mikoto than the actual audience, and from the last line "I'm so sorry" we can deduce that this song is something of an apology and explanation of John's actions that he wants Mikoto to hear.
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no-light-left-on · 1 month
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I often wonder about the quote-unquote logistics of Corvo the Black/Emily the Butcher endings. Emily makes more sense to me, in a way, carving her way through the empire only to come back with blood caked under her fingernails and realising that she did everything her father refused to do 15 years ago. but why did Corvo have a similar choice?
what happens to the statues later? does Emily keep her father trapped in stone? does Corvo look at his daughter, frozen in the moment and considers freeing her? is he at his deathbed when he finally reaches out and cups Emily's cheek, freeing her into a carcass of an empire that he gutted for her, in her name, in the name of her mother?
when I first heard of the endings I thought that if you reach very high chaos, you are locked into this choice - Corvo or Emily tries to free the other and the stone just doesn't budge. they are trapped. the quest is over but the world knows that the bloodshed was extreme and this is the punishment they have to face
#li.txt#dh#dishonored#kinda like the high chaos brigmore witches ending#there is no reason for corvo to kill daud if you finish BW in high chaos. but he still does. because the world Knows#but the very Active choice of the player and by extension the character to take the throne and keep their last family locked in stone....#its certainly a choice. and it makes me wonder about many a thing#i really wish we got more info#karnaisbear mentioned that itd be cool if we got comics expanding on alternate endings and like arkane. arkane can we please get those#I just really wanna know What It Was Like to live under the rule of Emily or Corvo in the very high chaos endings#and the fact that it seems like they can still free the other person? that adds so much more angst and tension to it#is there a time limit? do years pass and does corvo grow old and weary and thinks that yes#he has done his job and he has done it well. and the empire is righted and he can hand it back to emily now#and he cups her cheek and it remains cold marble#and all he did was for nothing#and he cries#(can u tell ive been reading thru the corvo the black tag)#not to mention something similar to that but with emily!!#imagine she grows old! older than corvo was when he was frozen!#the century is coming to a close when she finally frees him and she is older so much older and corvo will have to live with losing her#in every single impossible way he has lost her#and then he gets to bury his daughter#these tags got so dark wtf
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