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#i know we all have our theories about why
melbatron5000 · 2 days
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The Big Damn Kiss
Buckle up, my fellow Good Omens Ineffable Mystery Puzzlers, Crackpotters, and Assorted Brainrotters, because I learned something HUGE yesterday.
This will be a bit of a long post, because I want to show you exactly how I got where I am. I want you to understand. I want to put all the naysayers to bed (ha! But I'm still gonna try), and settle this once and for all.
I know (almost) exactly what Crowley gave to Aziraphale during the kiss.
DO NOT TAKE ANY OF MY THEORIES TO NEIL! PLEASE!
Okay? Okay. Thanks. Shall we begin?
Ahem.
Firstly, whether you believe me or not, I am 100% certain that Crowley did, indeed, give something to Aziraphale in his mouth during The Kiss. I've covered that in the link previous. Okay? Okay.
I did not know what it was. I've now heard theories that it was a bullet (nope), a ball bearing (nope), hellfire (nope), and no one, NO ONE has suggested what I see. (If you have, hello! Talk to me!)
Here's our first foreshadowing Clue:
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And here's our next foreshadowing Clue:
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And the next:
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And our last Clue:
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With me so far? Well, that first GIF is a bit off, I couldn't find one of Crowley actually spitting out the flies. But he does. When Beelzebub first drags him to Hell, he actually goes "Pleaugh!" and spits out four or five flies.
Moving right along, we come to Crowley in Heaven with Muriel, looking at the trial. We learn two important things here:
One, Gabriel doesn't have a desk.
Two, Muriel does. Where they keep the records. And it's a bit lonely. Every few hundred years, someone comes and asks for something. Muriel can't access the sensitive ones, you have to be pretty high up. A throne, dominion, or higher. Like, maybe Supreme Archangel?
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So if Gabriel doesn't have a desk, whose desk is he at when he's getting ready to leave Heaven? Of course I can't find a damn picture of Gabriel at the desk, but it's Muriel's. Where they keep the RECORDS.
Gabriel puts his memory into the fly, then gets on the elevator to go to Earth.
Now, when Gabriel opens the fly with his memories inside, we find out that it's a container. Bigger on the inside. You can put thing(S) in it. The bit we see of him remembering is shot in two parts, one where he's flying down a red tunnel, one where he's flying down a blue. If you slow this scene down and watch, you can see that he is NOT looking at just his own memories. There is more going on here, more that he was not present for. @embracing-the-ineffable put up a great meta about that here. Go look!
Now I figured Gabriel must have taken something else. Something important. Something useful. Something he meant to give to Aziraphale, except he forgot.
I also figured he must have left whatever it was in the fly when he took his memories out. Crowley must have realized while watching the trial footage that Gabriel also grabbed something else. I don't know when Crowley grabs the fly, but he does. And that is what he gives to Aziraphale in the kiss. Why? Well.
I had no idea what Gabriel took until I started working on the chiastic structure of season 2. I'm not done with that analysis yet, but let me show you one thing that I have found so far:
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(The numbers are just to try and help me navigate the story and its events without time stamps)
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My note #357 of what happens isn't quite right, but when I saw the only two times Aziraphale says "I forgive you" are towards the beginning of Season 2 and towards the end, I realized I had something.
Rephrase line 357: Crowley's kiss is forgiven IN EXCHANGE FOR RECORDS.
(Not that I think Crowley's kiss needs to be forgiven. It's just what Aziraphale says, and had to say at that moment, because the Metatron was listening in.)
What does Heaven in Good Omens remind us of most of all?
A big corporate entity. And what do powerful people do when they get fired from a big corporate entity? They download all their emails while they're cleaning out their desks. Damning emails. Emails that can be used to black mail or even destroy big corporate entities. Or, ya know, maybe they swipe some sensitive RECORDS?
Oh yes.
Records that Gabriel meant to give to Aziraphale, but he forgot. Records that Crowley realized Gabriel had put in the fly. The fly that Crowley grabbed once Gabriel had his memory out. The fly that he gave to Aziraphale when he kissed him. The fly that no longer held Gabriel's memory, but did still contain those damning records.
Here's Aziraphale reading the records:
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Here's Aziraphale being horrified and outraged by what he's reading:
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And here's Aziraphale realizing he has got some GOOD DIRT on Heaven. Maybe enough to bring them down:
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That's it folks. I have no idea what the records actually say, and maybe we're not meant to know until season 3, but whatever it is, it's GOOD.
That's my story, and by God Herself, I'm sticking to it.
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12triceratops · 3 days
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Where the rubber meets the road.
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These two didn't just have a relationship, they had a (soul)utionship. "The Prophecy" Hand on the throttle Thought I caught lightning in a bottle...
What these two had was magical. There is no debate that Karlie Kloss and Taylor Swift were electric: (I am using past tense for the moment, I will refer to them in present tense a bit later in the post)
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Fast forward a decade later to Fortnight. This record did not hit me immediately the way "Folklore" and "Evermore" did, It has almost been a week since its release and I hadn't been fully onboard with TTPD. I was expecting something different, something not familiar and I had quite literally thought maybe Jack Antinoff and Taylor Swift had reached their limit together as collaborators. The music produced by Aaron Dressner had flavors and connections to "Folklore" and "Evermore," while parts of the album was reminiscent of "1989." My next thought that maybe the three of them had done all they could do.
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And then the Matty Healy conversation exploded across the net (le sigh), and I just about gave up on the record.
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I damn near had a sanguinary struggle within myself over The Tortured Poets Department (I know, that is very dramatic lol), and then I finally got it. The brilliance of this woman is unmatched.
The last song "The Manuscript." Now and then she rereads the manuscript Of the entire torrid affair
"The entire torrid affair" meaning the last decade (probably longer, but I am sticking with 2014-2024). The title isn't lost on me and many others - The Man-U-Script.
The last segment of the song
The only thing that's left is the manuscript One last souvenir from my trip to your shores Now and then I reread the manuscript But the story isn't mine anymore
She is closing the chapter on all of it. It's over, the countless theories, the stories we all have created about her. They're our stories now, we built them into a formidable, monstrous entity that took on a life of its own. "The last souvenir" are her words to us on this album. From the Swifities, to the Gaylors/Kaylors, to the haters, critics, industry, fans, media. She won't play this game anymore. Taylor gave enough clues on this album to make EVERYONE'S theory plausible (Karlie, Joe, Matty, Travis, Harry, Kim etc). She connected threads to come full circle, which brings us back to "1989," that 1980s syth-pop (hello! "I Can Do It With A Broken Heart"). This is why she and Jack Antonoff brought us back to where it all began, Karlie Kloss and #Kissgate (Dianna Agron, too, who can forget "Wonderland). Aaron Dressner summons moments within this records of the two albums that fractured my soul, F & E. That folky-pop melody that gets into your skin to change the DNA. No joke, I sobbed listening to "Folklore" and "Evermore."
With TTPD, Taylor comes in like a thrashing, tumultuous storm; at times seething and others admonishing. She is singing to herself, for herself and without need of approval from the mainstream radio (or anyone else). TTPD is messy, too much, not enough, vulnerable, real, relatable and she is tired of our collective shit.
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Back to "The Manuscript" This Era has come to an end and she is leaving us with the ruins, the aftermath of what she went through: being forced to hide who she really is, having to placate the rabid fans who believe the stories of every boy she has ever dated. She has had zero privacy and the only safe place Taylor has ever had was her music, she is the ONLY one who knows to whom she sings. Does she love her fans, of course, but Mother is tired and done. She is ready to come clean and live the life she has crafted to keep in secret in order to protect the innocent.
The beards, NDAs, slight of hand, she is smashing all that we know. It's not her reflection she seeks to shatter, it's the illusions. In "Fortnight" the nurse, a woman (cannot convince me that it's not Karlie. A doorframe is 6'8" and that nurse is about 5" shorter that frame, which would make that person 6'3" :), comes to save her, gives her the key to set her free. The men in the video are the ones who are torturing her. Like the last 10 years, The poet has been tortured by the department of men: Joe, John, Conner, Jake, Harry, Calvin, Tom, Joe, Matty, Travis, Scooter, Scott, and the list goes on.
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It's "Robin" that has got a choke-hold on me.
Buried down deep And out of your reach The secret we all vowed To keep it from you in sweetness
She is singing to a child, a kid, and I am going to say a little boy. Is this song about Levi? I am going to say yes. Hands down the gem of the album, and our cue to realize she is telling us what is next, her family, the loves of her life: Karlie and the kids. That is what she wants and that will be her next chapter. We struggle to interpret the Taylor that is always ten steps ahead of us. Her Eras Tour, this will be the last one for a while. Once it has wrapped, I wouldn't be surprised if she disappeared for a spell. Will she produce more work, sure. Perform, probably, but this last decade has taken a toll, and this tour has been a herculean effort. Hence, its wild success. Could she retire (FLORIDA)? It's possible, but she would never tell us, we would have to figure that out for ourselves.
I have more to say, but it's late and I am sleepy. As I get lost in the piano of "The Manuscript" I am reminded of the book "The Seven Husbands of Evelyn Hugo"
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Not sure if anyone is going to see or read this, but I needed a place to write my thoughts about this extraordinary album that I almost let slip through my fingers. Good night and sleep well everyone <3
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rainydayathogwarts · 5 hours
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Curtain call - Spencer Reid
Summary: You're an actress. Opening night of the show, a cast member is killed. FBI finds out you were the real target... Warnings: mentions of blood, a kiss 2k wc
Adrenaline rushes through you as you run through the wings, catching your breath as you made your way across the backstage. You had just about a minute until you had to be on stage once more, the big number now coming to its end. Rushing into the costume room, you barely acknowledge the one thing obviously wrong with the messy space until you reach for your next costume on the rack, moving all other clothes aside to find it. There’s something inappropriate about your outfit. One, there isn’t supposed to be any blood on it yet there it is, a bloody handprint, running all the way to the bottom of your dress. That’s when your eyes trail down to the bottom of the clothing rack, where you get a clear look of the body lying underneath the row of clothes. Blood was soaking through her entire costume and her skin was turning blue. It’s only when someone runs into the changing room at risk of missing your cue that you hear a gut-wrenching scream. Later, you’d be told that it had come from you. 
Being called into the theatre the next day for “mandatory debriefing” was not what you had expected after such a traumatic experience, but you came in nonetheless, afraid of losing the job after the scene you had caused the night before. After screaming bloody-murder, half the cast ran into the changing rooms to find you hysterically crying over your cast mate’s body, holding her cold hand. The audience had been scared half to death, and after the authorities made it onto the scene, everyone was evacuated out of the theatre. By finding her body, you had cost everyone a night of the show. 
But once you got to the theatre, angry yellow tape cutting off access to the public, you were approached by a handsome man with a serious face and confident posture, offering you his hand even as he walked towards you. “Miss L/N? It’s nice to meet you, I’m Agent Morgan with the FBI, and this is Dr. Reid. We just have a few questions we would like you to answer for us.” Agent Morgan had been a very kind man, who told you every formality that was written in the book, however the man he had introduced to you as Dr. Reid caught your attention in a way you weren’t aware would be good or bad. Dr. Reid stayed silent as Agent Morgan questioned you, deeply staring at you as you answered all that was thrown at you, shooting you quizzical looks every now and then and glancing down at your fidgety hands. 
“Thank you so much for all this Miss L/N, that’s all our questions.” As Agent Morgan began to stand, Dr. Reid looked up at you, “Actually, I do have a few more if you don’t mind.” Agent Morgan shot his partner a confused look, slowly backing down into his seat once more. “Do you know why Evelyn was in the costume room when she was? With my limited understanding of the play, I was under the impression that her character didn’t have any costume changes up to the point you had gotten to before she was killed.” And then those that followed:
“Was anyone other than you supposed to be in the changing rooms at that moment?”
“Is there anyone in the cast who has taken a specific liking or dislike towards you?” 
“Can you remember any specific encounters with anyone as you were going in or out of the theatre?”
“Have you received any eye catching letters from fans recently?” 
Finally, Dr. Reid’s prying had gotten you somewhere, leaving you more terrified than ever, with Agent Morgan reassuring you “It’s just a theory that Dr. Reid has, so we’re only taking precaution. There’s nothing to worry about just yet.” The two agents drove you back to your place where you led them to the curse fan-letter drawer in your study. "I don't usually read them because there are so many." You admitted, crossing your arms tightly over your torso, observing as the doctor starting frantically pulling letters out of the tidied drawer, eyes briefly scanning the name on the front of each envelope. He threw several to the side, dropping the rest onto the floor after reading the name until nearly ten minutes later, all the letters laid on the floor.
Dr. Reid scrambled to gather the letters he had tossed to the side, standing up hurriedly. You stared at the pile in his hands, glancing back up at the two men for an explanation. "These are all sent from the same person. I'd like to read them and see if analyse the language used. I think one of us should stay here with you for the mean time." You nodded at Dr. Reid's words, briefly looking over to his partner for confirmation. "I think Reid should stay here as he looks over the letters." He moved his attention from you to Dr. Reid "You can ask her any questions you might have and it'll be good protection." The partners nodded to each other and immediately, Agent Morgan exited the room.
Dr. Reid's hand came up before hesitantly placing it on your shoulder. "Do you mind if I get settled here? Ask some questions?" You shook your head silently before asking "Um, since you'll be here awhile, can I get you something? Coffee?" Dr. Reid nodded, muttering a quiet "That would be lovely." You don't know what it was: maybe the fact that he was here to protect to or trying to save your life, but felt your heart beat in your chest aggressively, as though trying to break through your skin. You brought him coffee, sugar and packets of cream on the side just in case and watched in awe as he emptied out the small cup of sugar. Sweet, just like him.
"Dr. Reid-" "Spencer. Please." You nodded, scooting your chair closer to him as he took a sip of coffee. "Did I make a mistake by not reading these?" The envelopes made loud unfolding noises every time he pulled a letter out of a different one, and he shook his head. "No. I know I wouldn't open so many of these and I have an IQ of 187." You grinned, your chest bubbling with a giggle. Spencer perked up at the sound of your laughter, smiling gently at you. He wasn't trying to joke around, but he was happy to lift up your mood. He studied all the letters laid out in front of him, and immediately noticed a pattern.
'02.02.18, I saw you in Oliver! today, you make an amazing Nancy.'
'14.02.18, I watched you in Oliver! again. You somehow get better the more I see you on stage.'
'07.03.18 I loved you today in the show. I watched the evening show. Did you see me too?'
'17.03.18 I saw your show again. I can be your Bill Sykes if you'd let me."
'11.04.18 I've been waiting anxiously to see you again since Oliver stopped touring. You make a wonderful Veronica.'
'15.04.18 We can be Seventeen together! Let me be your JD.'
"This isn't good." Without any further explanation, he pulled his phone out, dialling a number. "He's using obsessive language and saw her in Oliver! and Heathers, both of which have abusive partners who either kill or try to kill who Y/N's playing. You need to go visit his address right now." Coincidentally, just as he hangs up the phone, your doorbell rings. Your blood runs cold and you stand up instantly, but Spencer steps in front of you, blocking you from going anywhere. "Stay behind me, but stay close." He mutters, pulling his gun from his hostler. Spencer watches you closely, and the profiler in him notices how your breath begins to speed up and your eyes glaze with tears.
One of his hands comes up to cup your cheek and he whispers "Breathe. I'm right here so no one's going to hurt you, okay?" You nod, staying as close as you can to him without touching him until you get to the front door. He peeks through the peephole and his shoulders drop as an "Oh." Escapes him. He opens and closes the door faster than you can register, now holding another letter in his hand, identical to all the ones scattered on your desk.
Six words are written on the letter when Spencer opens him, and his face pales. It was meant to be you. Spencer grabs your hand, dragging you back into your study - the one room in your house with no windows. He locks the door, pressing numbers on his phone again before it's against his ear. "It's definitely him, he just sent another letter. We're in her study but he might be around the premises or returning to his house. I don't plan on getting her out of the study until you get him." The second the words leave his mouth you're processing them, and tears are welling in your eyes once more.
The sound of sniffling gets his attention back to you and his hands are gently coming up to your shoulders, leading you to sit down in a chair. "I'm scared." You whisper helplessly, looking up at the doctor. He crouches down to your level, and hand on your knee. "Hey, what did I say before?" He looks at you intently waiting for an answer. "No one's gonna hurt me." Spencer nods, a soft smile gracing his features. "Yes, exactly. No one's going to hurt you. I have an excellent team looking for that son of a bitch as we speak and I am right here with you."
You nod, not entirely convinced, which he can apparently tell, so he continues with "Come on, look at these muscles. You think anyone will get to you when I have these babies?" His tongue pokes out slightly as he flexes his arms, which are actually more toned than you realise. You laugh again and feel yourself launching your body at him before you can stop yourself, pulling him into a tight hug. He hesitates, but eventually, his arms are pulling you even closer to him, one hand rubbing circles on your back to soothe you. You break the hug, but before you can help yourself, you realise you're leaning into him, pressing your lips against his in a passionate kiss. To your surprise he immediately returns the kiss, his hands cupping your face as he deepens the kiss.
He's panting when he pulls away from you, whispering "This is unprofessional. I'm sorry, I like you, I do, but I shouldn't." Cocking your head to the side, you can't help but smile slightly. "It's only unprofessional for one of us so technically it's not unprofessional at all." His face twists in confusion as he tries processing your words. "That's not how it wo-mmph." the rest of his words are muffled by the second kiss you give him, which you feel him melting into as one of his hands comes to rest on your hip. "After- after the case. After the case, I'll take you on a date." His face falls at his own words, his face reddening in embarrassment. "That is- I mean that's only if you want. I wouldn't take you on a date if you didn't want to, that's totally fine."
The door to the study slams open just as he finishes rambling and you scream in fear, tightly gripping Spencer's hand and turning around expecting to find a middle aged balding creep, only to find a much sexier bald man, putting his gun back in his hostler. "Did you not hear us screaming for you? We thought he might have gotten to you before we found him. Ms. L/N, you're safe, we found him." Agent Morgan's gaze slowly trails to where your hand tightly grips Spencer's, and when he sees the flush on Spencer's face he makes a "Huh" noise, before walking out of the room once more.
taglist: @ineedtosusoutmyreadinglist
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I have an alternate pale theory…
Consider this like a ‘Pale-AU’ (i.e. I know it is probably not supported by canon, and certainly not supported by some other works like Joshua Jenkins designs, for example… also I haven’t finished reading PJÕL, so maybe my ideas will change after that) but I started thinking about it as a “what-if” situation: If there were to be a direct sequel to Disco Elysium :insert prayer hands:, how could we reconcile the multitude of different Harrys the player could create? What about the fates of other characters? Some change due to our influence, some die. How could a sequel storyline somehow accept all those possible variances? Introducing my almost-certainly not-correct pale theory!TM using a little bit of in-game info, some real-life stuff, and a sprinkle of imagination!
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Caution: Many spoilers ahead.
So what is Pale -- just the past?
After you talk to the Phasmid you’re given the impression that humans/people created the pale accidentally (with thinking and memory and ideas and invention?); and after talking to Joyce you learn that some think the pale is “rarified past.” It’s all pretty nebulous, but I think that the pale being a product (or a by-product) of the human mind/memory is close to what could be accepted as the canon origin of the pale:
INSULINDIAN PHASMID - The pale, too, came with you. No one remembers it before you. The cnidarians do not, the radially symmetricals do not. There is an almost unanimous agreement between the birds and the plants that you are going to destroy us all. YOU - Wait, the pale is human made? INSULINDIAN PHASMID - It is a nervous shadow cast into the world by you, eating away at reality. A great, unnatural territory. Its advent coincides with the arrival of the human mind. YOU - I don't have that kind of power. INSULINDIAN PHASMID - You are a violent and irrepressible miracle. The vacuum of cosmos and the stars burning in it are afraid of you. Given enough time you would wipe us all out and replace us with nothing -- just by accident. YOU - ...how? INSULINDIAN PHASMID - We suspect it will be something like the oxygen holocaust that wiped out anaerobic life 2.6 billion years ago -- when organisms first started breathing. Only much worse. CONCEPTUALIZATION - Instead of air, you exhale thoughts. There are no trees that eat thoughts.
JOYCE MESSIER – "Some say the damage stems from extreme sensory deprivation. Others argue that pale somehow *consists* of past information, that's degrading. That it's rarefied past, not rarefied matter." JOYCE MESSIER – "They call it *the blend-over of the self*. The pale does not only suspend the laws of physics, but also the laws of psychology, maybe History, even... The human mind becomes over-radiated by past." YOU – "Who says and who argues?" JOYCE MESSIER – "The logical positivists say -- the dialectical materialists argue."
An effect of the Pale is “entroponetical crosstalk" which you can experience when you use the doorbell intercom outside the whirling and hear the woman speaking from Tricentennial Electrics a long time ago, and additionally the old pale driver also talks to you about how she’s experienced the past in the pale, like the assassination of Dolores Dei. Both are snippets of human past:
KIM KITSURAGI - "It was a recording trapped in the circuitry. From some ancient tenant. This sometimes happens. Shall we conclude here? We have other mysteries to solve." YOU - "I do have one mystery that still needs solving... the radio ghost in the Doomed Commercial Area's electronic doorbell." SOONA, THE PROGRAMMER - "The creepy woman!" She slaps her forehead. "We were wondering about that when we worked there... but I had completely forgotten about it ever since!" SOONA, THE PROGRAMMER - "It must be entroponetic crosstalk. The one you get in radios and long-distance calls... Now it makes sense, with the pale right on the doorstep." KIM KITSURAGI - "Incredible..." the lieutenant murmurs. "This would also explain why we get it on the police radio all the time." YOU - "Entroponetic crosstalk?" SOONA, THE PROGRAMMER - "It's quite common actually. When the signal gets routed through pale, all kinds of irregularities take place. You may hear snippets of someone else's conversation, or the voice of your former lover, or an echo of an event that took place 100 years ago." SOONA, THE PROGRAMMER - "Pale is a shroud of memories and it doesn't really distinguish to whom those memories belong to. You could hear anything."
PALEDRIVER - "You don't need to turn back time. The pale is already churning with it. As the tide of pale rises, so does the past. Someday both will cover the whole world. That's it. That's the story." PALEDRIVER - "They say there is a point -- one that *I* have not crossed -- in the pale superdeep. If you stray too far off course on the U41-A, or in Lomonossov's Land... where every step you take is one step further from home, no matter the direction." PALEDRIVER - "It's a point you cannot come back from. Your mind becomes so radiant with the past -- there is a flip." She flicks the ash from her cigarette. "Instead of writing, it erases memory. Nearing some kind of..." She shakes her head. "Indescribable *finale*." PALEDRIVER - "Like Gabriel Buenguerro in 'Segure-me, Paraíso'..." She nods and smiles, unkindly. "You're the opposite of me then. I remember everything -- even the things I never knew." YOU - "Things you never knew?" PALEDRIVER - "The smell of liquor on Gabriel's lips after the shoot. In the motor park. The roses on the day of Franconegro's coronation. On the grand stairs of Raehl. The smoke from the fowling piece, when Dolores Dei was shot..." PALEDRIVER - "The look on her face -- like an orgasm. The wound in her chest. My hand in my father's hand..." She closes her eyes, her eyelids trembling. "Except I never had a father. And I never shot Her Innocence Dolores Dei." .. PALEDRIVER - "Thought insertion? *Dithering*? The Graad-Katla Magistral?" She savours the lungful. "It's more than dangerous -- it's *sad*. But... at first I had to make a living. Now..."
So you’d think Joyce’s theory checks out, it’s all history/memory---BUT! I did the moralist political quest my first play thru, and when you are trying to contact the airship you also get radio crosstalk from the pale.
KIM KITSURAGI - "It's cold now..." SHIVERS - A slight frisson at the point where your neck meets your spine. Something about the lieutenant's words, directed at you, but not *you*... YOU - "It's really coming down, now that you mention it." KIM KITSURAGI - "Mention what?" YOU - "It's cold, like you just said." KIM KITSURAGI - "I didn't say anything, detective." KIM KITSURAGI - "...someone has been maintaining it. The wiring has been repaired..." HORSEBACK ANTENNA - An uncomfortable silence falls over the connection. KIM KITSURAGI - "... It's been a long winter... Long and cold..." YOU - "Are you going to tell me you didn't say *that*, either?" KIM KITSURAGI - "I promise you, I didn't, even though it certainly *sounds* like me..." The lieutenant seems to wince at the sound of his own voice. YOU - "It must be entroponetic crosstalk. It's the only explanation." NOID - "So your partner's haunting himself. Trying to warn him off his current path, most like." KIM KITSURAGI - "It's eerie, for certain, but also harmless. I just wish I could remember what I was talking about..." ESPRIT DE CORPS - Something here is eating at the lieutenant, as much as he would like to move past it.
You can even hear it if Kim is not with you:
KIM KITSURAGI - "It's cold now..." SHIVERS - A slight frisson at the point where your neck meets your spine. You can *feel* the lieutenant's presence, even though he's nowhere to be found... YOU - "Kim? How did you get on my connection?" NOID - "Whoa, the cop's *own partner* is a radio-spooker. That's some *other core* business right there..." HORSEBACK ANTENNA - ... KIM KITSURAGI - "...someone has been maintaining it. The wiring has been repaired..." YOU - "Kim! Answer me." NOID - "No use, man. Don't think he can hear you." YOU - "I've encountered this before. It's entroponetic crosstalk. This is a piece of the past mixing in with our signal." NOID - "What..." KIM KITSURAGI - "It's been a long winter... Long and cold." NOID - "What have you gotten us into, lawman?" HALF LIGHT - Just *run*. Unplug that headset and get as far away as you can.
YOU - "Kim? How did you get on my connection?" … YOU - "What is he talking about?"’ SOONA, THE PROGRAMMER - "I believe you mean, what *was* he talking about." YOU - "Wait, what are *you* talking about?" KIM KITSURAGI - "It's been a long winter... Long and cold." SOONA, THE PROGRAMMER - "It sounds very much like entroponetic crosstalk. It happens sometimes when sending transmissions across long stretches of pale..."
Except IT'S NOT FROM THE PAST. It is Kim talking from the future, from the fort on the island. Which hasn’t happened yet.
And it can possibly NOT HAPPEN.
You hear Kim say this stuff even if he gets shot and doesn’t come with you to the island.
During gameplay they kind of just go “huh, how strange and spooky...” and don’t really delve into it.
But that completely changes the pale right? It’s not just past, it’s also future, and not just the ONLY future, POSSIBLE future.
So, my theory is that the pale is multiverse colliding: the near pale is the places where these universes begin to overlap, and deep pale is where universes overlap to such a degree they are cancelling themselves out into nothing.
Fungal communication – mycorrhizal network
When Joyce talks to you, she talks about a fungus growing at the edge of the porch collapse. I think this fungus could be acting like a mycorrhizal network, which in our world are an underground networks connecting fungi and plants allowing them to communicate or share information. I think the fungi/spores in Elysium pop up at origin points and thrive along the porch collapse and are allowing the universes to “talk” to each other.
SOONA, THE PROGRAMMER - "I understand..." She closes her eyes. "A theory of the pale where instead of an *outer ocean* it metastasises -- like a cancer or a mould -- erupting in points *inside* the world."
JOYCE MESSIER - "An uproar of matter, darling, *rising* into the pale. Rolling. Evaporating even, a great vision. The area of transition between the world and the pale is called *porch collapse*." JOYCE MESSIER - "Imagine a grey coronal mist, cold vapour, marked by spores of an opportunistic microorganism -- a mould that's adapted to grow at the edge of the unrest. It's..." JOYCE MESSIER - She closes her eyes and breathes out heavily: "... the most *disco* thing you will ever see.
INLAND EMPIRE - The white noise turns into a wall of mist and grey mould, bubbling, sweeping over the city... it tears up buildings and raises sidewalks into the sky. It's Revachol -- at the end of the world. INLAND EMPIRE - ...and it hasn't even really started yet.
Destructive interference – “le gris”
When Lena tells you about the cryptid the Col Do Ma Ma Da Qua, you learn that they are nearly extinct because the scientists played back their own calls and since they are creatures made of sound, the recordings cancelled out the birds. They died because the signals matched and cancelled each other out.
LENA, THE CRYPTOZOOLOGIST'S WIFE - "It's the *Col Do Ma Ma Daqua*," the woman corrects her glasses. "Its name means 'thin whisper of sound'. And that's *precisely* what it is -- self-replicating sound waves, invisible and intangible! The Col Do Ma Ma is very afraid of us, which makes it incredibly difficult to track..." YOU - "Why is the Ma Ma Daqua so afraid of us?" LENA, THE CRYPTOZOOLOGIST'S WIFE - "That is a sad story." She frowns. "A group of university students assisting with the field work, in their enthusiasm for the project and, no doubt, because they were preoccupied with impressing their professors, nearly drove it to *extinction*." YOU - "Extinction?" LENA, THE CRYPTOZOOLOGIST'S WIFE - She nods gravely. "They tried to communicate with it, and had no other means but sound. So they started sending out sound waves at frequencies they thought might match the Ma Ma Daqua's. And what happens when a sound wave meets another sound wave of the same frequency, dear?" YOU - "They cancel each other out."
So... admittedly this doesn’t directly connect to the pale, but it’s illustrating the concept of signals cancelling each other out and, I'm going to say, indicates that this concept is possible in Elysium. The pale is destruction, the overlap between universes causes matter, physics, and even numbers to dissolve. The more complete the overlap, the more complete the destruction.
In conclusion...
According to my theory, the pale is the areas of the world that are affected by these fungal organisms that allow very similar, but different universes to communicate with each other, and since their 'signals' are so alike, they are being cancelled out.
So why did I force myself to jump thru these mental hoops? I think having a multiverse like this would make a sequel more possible since there are so many ways the game can be played. Any possible playthrough would be its own universe. Having a multiverse like this acknowledges and validates any play thru as 'canon,' no player will feel that they somehow played the game “wrong.”  Whatever Harry appearing in the sequel is one of the possible Harrys even if he wasn’t “your” Harry. If a character died, they died only in some of the universes, not all. Whatever world the sequel would take place in is just one of the many possibilities.
Anyway, I thought WAYYYY too much about this and now you can too. Sorry!
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https://www.gbnews.com/royal/kate-middleton-prince-louis-birthday-picture-royal-family-news
“The couple eventually posted a new photograph in the afternoon, despite having traditionally provided it to the press under an embargo the day before.”
I’m new to the whole process of how the birthday pictures are shared, but from the online articles (especially the above one), it seems to me that the Wales’ circumvented providing it directly to the press this time and only published the picture themselves on social media. If so, good for them!
Hopefully, the media has FAFO’d. And GB News may be salty, but they have no one to blame but themselves.
So how the birthday photos work is that usually the afternoon before a birthday (or a milestone anniversary or a new baby photo), William and Kate will send the picture out to the newspapers/photo agencies/media organizations with an embargo not to release before a certain time. This "certain time" has traditionally been around 10pm London time, which is usually when the UK morning newspapers "go to bed" - i.e., the layout/content is finalized and sent to the printers and the electronic copies are published to the internet/posted on social media.
Because of the time difference (10pm London is 5pm East Coast and 2pm West Coast), American social media tends to make the new pictures go viral on our side of the internet while the rest of the world is asleep. This is why you may have seen some American blogs cheering on Monday afternoon - the UK papers went to print without new photos of Louis for his birthday on the Tuesday front pages.
So then on the day of the actual birthday/anniversary, Kensington Palace will post their "Happy birthday to Kiddo" message with their original photo first thing in the morning to coincide with the locals waking up/reading their morning news. A few hours later, usually around their lunchtime/early afternoon, Kensington Palace does a "thank you for the happy messages" post with a second photo.
What happened this week with Louis's birthday is that Kensingon Palace did not provide the newspapers, photo agencies, media orgs with a new photo of Louis for his birthday. According to Rebecca English, this is because William and Kate didn't want to share photos because either a) it felt hypocritical after spending January through March begging for privacy or b) how the press treated them over the Mother's Day photo and Kate's video message.
But something happened, William and Kate changed their minds about not sharing the photo and decided to post one anyway. They posted the new photo straight to their own social media first, before then sending it out to the news and media organizations.
Why they changed their minds, we don't know. Maybe their office got too many phone calls about it. Maybe their staff reported on all the social media tributes. Maybe there was a ton of mail/birthday cards delivered for Louis. We know that they probably intended to share new photos. You don't have a photoshoot with young kids for the heck of it. My theory is they did the photos, someone got cold feet about sharing photos after what happened last month, and they were on the fence about it until they saw the genuine love, support, and appreciation for Louis (and the family) from the general public.
I'd like to see this being the new MO going forward - pictures released exclusively to their social media first, then circulated to the media (or forcing the media to use the social media copy exclusively). We won't really know till Charlotte's birthday next week if this was a one-off or truly a change in how they handle the media.
On that note...I do kinda feel like we might be getting an anniversary picture this year. With Kate's health issues, they may feel like an anniversary picture would comfort people who are worried about her, and it may be how they thank the public for their support and well wishes. Of course, the caveat being that Kate has felt well enough to be photographed/appear on camera.
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cool-person-yey · 2 days
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ok but what are the puter voices trying to say????
or: my theory on what the fuck Chester&Norris have going on
so first of all, the voices are trying to communicate with the OIAR through reading the incidents, that's something that basically everyone has noticed, now here's the thing: what are they trying to say?
we only got one Augustus case ( at the moment I'm writing this) so I'm gonna leave him out of this.
anyways, now to the good part, first off let's start with our favorite whiny little toad:
Norris
Norris speaks in episodes 1, 3, 8 and 12
my theory is that Norris is trying to warn them of the consequences their actions (and choices because this is the "at the end of the day, you just need to make a choice" podcast) could have.
in episode 1, this one's a bit obvious, but it shows the consequences ( only " some parts" of their loved one coming back) of them trying to get the person they loved back.
in episode 3, it shows the consequences ( the guy turning into a fucking tree) of the ' statement giver' ( can't think of a better name sorry) killing his ex.
in episode 8, this one I'm not 100% sure tbh, like yeah the consequence is the guy getting a part of their body eaten, but the cause I'm not so sure. maybe the fact they accepted to go in the building ( even if they didn't understand why they did it. something something even if the choices are shitty you still made a choice), or maybe something relating to the ex-wife they mentioned earlier in the incident? that'd be a bit of a far reach, but I'm not discarding anything. It could also be just the fact that they applied and got hired for the job.
in episode 12, the consequences ( whatever the fuck that was. I'm still not over that) of Gwen giving Mr Bonzo that envelope. do i even need to say anything else?
now, to our beloved Archivist Spooky Computer Voice!
Chester
Chester speaks in episodes 1, 5, 7, 9 and 11
my theory is that Chester is trying to warn them to not fucking mess with that type of stuff, and if you're going to, fucking be ready
in episode 1, this one's a bit obvious, RedCanary choosing to explore the magnus Institute, and that resulting in... well, we still don't know yet it but it sure as hell didn't go well. that was a very clear " do not go to the fucking magnus institute manchester" and what did they do? go to the fucking magnus institute manchester
in episode 5 a warning about being desensitized to horror, the characters ( especially Alice) have mentioned dozens of times how they just don't get scared that much anymore, that episode was showing that that isn't always a good thing. also the more obvious don't trust spooky shit but eh
episode 7 it's a bit tricky, I'd say it's a warning to either a) hiring new people (aka Celia? maybe Chester doesn't trust her? idk) or b) trusting people, just like, in general?
episode 9, a warning about making choices, and how ppl are gonna make shitty choices bc they're in shitty situations— but hey, at the end of the day, you still made a choice. or simply about Spooky Artefacts™
episode 11 this one seemed to be very much targeted at Alice, and it seems to be warning her about the paranoia that a paranormal experience can give you. And considering Alice's earlier comment about being followed, I'd say the tattoo being the boat bring hunted by something is definitely something to consider.
but well, this is just a theory, a magnus protocol theory.
seriously tho, i love this initial point of every series cuz i can just make up a lot of connections that in the future prob won't make sense but like, we don't have shit so might as well make up our own lmao.
that being said, maybe i got a few things right! only time will tell. my goal is to say as much random theories as i can until i get atleast one (1) thing right.
thanks for reading all of this, and if you have any addition that you'd like to make feel free!
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brujahinaskirt · 2 days
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I will never shut up about how Kingdom Come: Deliverance is the most tenderly written game served to the most loutish horde of jackasses. I think it is possibly one of the greatest pieces of popular fiction made about feudalism in recent history, even if it's not always the most historically accurate.
And that's because the whole damn thing is about the profound, authority-enforced inhumanity that self-propels feudal order... but this time, it's written from the perspective of, for lack of better word, "humanity undermines, and humanity wins."
Love wins, if you want to be cheeky.
This was originally meant to be a reply to @feelinungry's excellent post on the subject, but it outgrew itself and got super bloated, so I'm plopping it in its own post to not be obnoxious...
KINGDOM COME: DELIVERANCE MAJOR SPOILERS BELOW
And the reason all this about humanity and love is so important to the core of the story, to the very backbone of the narrative (even beyond the plot), is that it exists in opposition and to the impairment of the feudal system. Kingdom Come: Deliverance means to teach us, by way of deeply dramatic plots following individuals, how feudalism works and why it worked the way it did. And why and how that system fails.
The vehicle by which the game does this is by showing us, over and over, how the stratification of feudal class is eroded and sometimes outright dissolved (either in general, as with Henry and Hans, or when it matters most, as with Radzig and Henry) by plain and simple love.
Feudalism, like most class-stratified systems, relies upon 1. dehumanization of those beneath one's appointed status; 2. fealty (mock-love) to those above one's status, their title-appointer class; and 3. the maintenance of a deep separation between these artificially bestowed statuses, as enforced by church (as in word of clergy, not word of god) & state (legal rules and law). Those words and laws existed to propel the system by divide-and-maintain (of the workforce populace, placing it firmly below the next class in line, etc.) in the service of unify-and-profit (for the ruling class).
Sigismund & his invading army are wholly separated and adherent to the feudal theory, even if they have flouted codes of warfare & inheritance; they are presented to us as the main dehumanizing force of the story world, a wave of Order that indiscriminately burns opposition flat rather than an individual leading a royal coup, a cyclical destruction that paves the way for the next flavor of rule to continue the feudal system ad infinitum. They're thoroughly separated from the story even when they are burning down a village in front of our eyes and generally move as one, with Markvart occasionally stepping out of that mass of Feudalism and its antihuman nature to give it a face. They're more a force of nature than an individual as far as the narrative goes.
And we are meant to understand that in sharp contrast to the "close" story, the cast we get to know and watch as they attempt to answer this force of nature. And the second we see these characters get close enough to each other, by raw proximity, to poke a pin into the wineskin of feudal order as dictated to them by authority, it bleeds--everywhere. Not in the sense of ruination but in the sense that a tiny wedge of empathy cracks open the dam and leads, yep, to rehumanization--and love, the most human driving force there is.
And that changes everything, for everyone. Not just internally, as with a character's personal development arc (i.e., Hans learning why his duties, which he resented and viewed as an impingement on his freedom when dictated to him by authority, are incredibly important for real people who experience pain) but externally as well (as @feelinungry so elegantly points out in the original post).
Over and over, at every stage of the story, it's the rehumanization of and by these decision-makers (at a family level, at a community level, at a regional level, at a national level) that cracks the feudal cycle, even if in very small ways. Hans really brings this back home in a petri dish in late game, after the siege, when he complains to Henry about the noble's code (letting Istvan go) potentially leading to pain and disaster for the common people Istvan's machinations are likely to harm in the future. He chafes--and we chafe, and so does Radzig, and so does Divish--against feudal stratification because he has learned a general empathy through loving an individual, and that has in turn reshaped the way he sees the world.
And that's exactly why and when feudalism begins to fail, and why it thrashed itself the way it did, from the enforcement of sexual mores (though this wasn't exactly like it is in movies) and gender law to terror upon its own populations.
And it's the crucial understanding I think we begin to forget after being exposed to so much Hollywoodification of history, where the oppression always exists for cruelty's sake alone rather than in active and deliberate service to a political construct.
And I think it's why we've "lost the plot" so horribly when it comes to understanding that people in history were still people, not monolithic one-mind entities (as the feudal system demanded they be). And why we somehow forgot that such people fall in love, in all kinds of love, in a way that has never given a damn about authority. And that this in turn undermines supposedly supreme authority, even divine authority, and will always continue to do so, as long as people are people.
This is what it always comes back to. Always. From Henry's parents and their mysterious bond with Radzig informing the protagonist's journey from "the past"--to Henry & Hans falling into stupidly fierce soulmatehood with each other in the present--from Istvan & Erik's destructive fuck-the-world romantic love on the "enemy" side--to Divish's humbling, humanizing realization that he loves Stephanie in some way, he really does, despite the chasm of age/gender enforced upon them by their adherence to feudal order that doomed their romantic love to failure.
People will always love each other, even when the world orders them not to, even when faced with death and worse. People will always, given proximity and shared experiences, learn to see each other as human again. KCD reminds us of that. It's why the "slow" storyline exists and why it works.
And that is why this game is so fucking fantastic, and why the genpop fandom has utterly failed it.
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lorelaiislatte · 8 hours
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Do you think there's a chance a streaming service will pick ncis:h? I've signed the petition but do we dare to hope? I'm tired of this happening all the time. I just dont understand. It was doing fine in ratings and it's a part of a franchise that keeps getting more spin offs? How that makes sense? Do you know the ratings compared with the others ncis shows? Sorry im asking you but im not from usa and i have no idea how american netwoks work. So sad rn.
okay SO i am also not from the us but have done this dance before sooooo:
1) from what i’ve heard, they were planning to move either another ncis show (i think sydney?) or another cbs show to paramount plus - which they now are no longer doing. in theory yes, this opens up the possibility for ncishi to move over there; in practice, i’m not holding my breath, as typically that negotiation would happen before a cancellation announcement
2) how does it make sense? the honest answer is that it doesn’t. like, it really doesn’t. it’s been holding steady at sixth of 14 cbs shows in the ratings (which is a brilliant number, ensures it’s profitable, and is also impressive for a procedural that’s still relatively new). it’s been beating a LOT of other crime procedurals in viewership and viewer retention, and reviewers have been singing its praises. i think this is why it feels so much as if it’s because they just view this show as less valuable (socially and economically) than their usual white guy cop shows; it’s very difficult to argue that your profitable, successful show is too expensive when you’re flying cast and crews across - or, potentially, internationally to - australia, to continue a less-highly-rated show with no issue.
3) as far as ratings go - ncis hawai’i episodes were pulling in as many as 10 million viewers last year (s2 e10 came in with 10.5 mil, as per variety telecast viewership reports) which has it going toe to toe with the core ncis (seems to pull approx. 8-10mil per episode, via hollywood reporter). for the 18-49 demographic across us series, ncis hawaii is ranking at #13 of #21 as per tvseriesfinale.com - this is significantly above ncis sydney (renewed, #15), and elsbeth (#19, renewed), two other cbs shows, one of which in particular is incredibly expensive. crucially, ncishi has actually increased its viewership, which is VERY difficult to do on a year to year basis. its up by 4.18% among 18 to 49 year olds - for comparison the core NCIS is down 0.83% and fbi international - a competing show - is down by 3.73%. bear in mind that even a single percentage point represents hundreds of thousands of viewers.
i also want to point out that ranking at #13 isn’t strictly representative of viewer numbers, it’s about percentage of viewers that are within that core age bracket. the neighbourhood is ranking at #6, but only pulling in 4.8 million viewers - ncishi is at #13, and pulling in 5.2 million. ncishi pulls in over half a million more viewers than four shows ranked above it in that chart.
so essentially - it doesn’t make sense. from any perspective. it doesn’t make sense from a business perspective (ncis sydney is more expensive to produce and brings in approx. 200k less viewers than ncishi, and ncishi crew had already agreed to a shortened, budget-restrained final season), it doesn’t make sense for a ratings perspective (it continues to outperform many of cbs’ own shows, including ones that have been renewed), it doesn’t make sense from a social perspective (people are loving it, even outside of our fandom spaces).
objectively, it’s a really, really bad move by cbs. i also thought being part of a franchise would be a kind of safety net - fool me once, i guess. all the evidence suggests that they just don’t care enough about ncishi, especially when they’ve got their bullshit white guy ncis origins show, a young sheldon spinoff (?? who asked?) and a plethora of other cookie-cutter shows they can just keep going with. and we can make a pretty educated guess as to why, when the main things that set ncishi apart from the other ncis shows are its diversity and character dynamics
(edit: it was pointed out that people aren’t being flown to sydney from the us, which is true, and bad phrasing on my part - but many are flown across australia at seemingly similar costs to mainland us/hawai’i flights, and i believe not all of the leads are based in australia either, so i’ve updated that bit for clarity. apologies!)
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arogustus · 2 days
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Splatband Analysis - Chirpy Chips
(Disclaimer: This analysis is based on what I get out of looking into the character descriptions we have of the splatband characters. If you disagree with what I say, that is fine, we are all beheld to our opinions. Just don't be a jerk about it.)
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Splatband Analysis - Chirpy Chips
It’s the autism and ADHD squad! The chiptune chippers, Marie’s and Nintendo’s favorite band and the only one to survive Nine years together without drama (bar that one time), it’s the Chirpy Chips! Love these dudes.
Now, before we go into this, let’s address the Harmony in the room. Specifically that she has a room, in-game, where she exists in the polygonal flesh to interact with as a shopkeeper. Her autistic swag made her popular enough to be the first Splatband character to show up in the games, which means we actually know her and how she behaves. So, I’m gonna leave her for last and go about her like this: First, I’ll look into what we used to know before Splatoon 3 about her, and then we’ll compare that to her appearance in-game to see if it matches up. See if she was done right by the game. Now let’s meet these chips!
The Band
The Chirpy Chips debuted after Squid Squad all the way back in Splatoon 1, nine years ago (God). Dominating the charts thanks to their chiptune rock style, made with the help of multiple Nintendo machines (Gamers), this band has managed to outlast Squid Squad without disbanding all the way to Splatoon 3!.. Ok, actually that’s not true. According to a Famitsu Interview for Splatoon 2, the Chirpy Chips actually disbanded ever so briefly! No word as to why, but they reformed shortly after and wrote and performed Blitz It during the high of joining back. After that they’ve stuck together ever since, only really going on break because Harmony started working at Hotlantis. 
Don’t site that NoA post for Chirpy Chips Splat 3 that said there was drama by the way. The band was just on break, they are fine and NoA is just trying to stir up fake drama. It’s just like real life!
All of these guys are autistic. Like, that’s not a theory, but a fact. None of their descriptions make them sound neurotypical, that’s for sure. The band just seems to vibe perfectly with each other despite some of their issues, and they all go at their own pace. Turns out the secret to surviving in the music industry all along was to make neurodivergent friends. 
One of their performance tricks that they do is to glow in sync during songs. It’s a super cool visual to imagine, though probably done through artificial means, at least for Orion and Sid. As far as I know, there aren’t any bioluminescent crabs or flapjack octopi. Anemone and squid on the other hand do have glowing members, but it doesn’t confirm if they do it naturally or are using artificial means too. Either way these guys are a colorful bunch. And also none of them know how to dance, emphasizing further that these four are all dorks.
Noiji
Noiji is the hyperactive guitarist of the band, a stark contrast to the significantly less energetic rest of the band. He’s described as uncontrollable and bright, with a sunny disposition and an irresistible urge to run up and down slopes. He sounds overwhelming, and maybe impulsive if that slope running thing can be applied to other actions, but somehow he manages to get along well with the others. What is his secret? Also to keep with the neurodivergenceness, he has a special interest for vending machines. He would have loved them in Side Order, that’s for sure. Honestly I love vending machines too, they’re really cool, but just too expensive for someone of my income level (for now, anyway).
He used to be a part of a punk band called BariBari before he joined the Chirpy Chips.Surprising considering his colorfulness, but he seems to either formerly be, or still is, a punk. No word why he left the band though or what happened to it, but during that point he met and befriended Orion and formed the Chirpy Chips with them. They’re described to be on good terms with each other, which makes sense since, again, they knew each other before the rest joined up. 
Orion
The band's bassist and composer, a shy flapjack octopus. Yeah, despite being an octopus, they’re not an octoling, likely because of the fact the flapjack doesn’t naturally produce ink. They must be classified as something different to the inkfish, but what that is is something I don’t know. They’re an introvert, they don’t enjoy standing out or performing in front of crowds, and the compositions they upload independent of the band are done quietly. Makes one wonder how exactly someone like them made friends with Noiji. They’re an intellectual, geeky type, with a taste for outdated and strange subjects, as well as a preference for chiptune that they ensure the bands music keeps to. 
Surprising us all, Orion also got actual dialogue of sorts in the Splatoon 3 Chill Season 2023 update! Specifically in the form of Harmony reading a letter written by them. As Harmony herself describes, they talk the way they play the bass, EXTRA. Mostly in the form of excited statements and jokes about the band's lack of dancing ability. Kind of a stark difference from what we know of them, either because they’re doing this via text without having to face anyone, or because they’ve become more outgoing over the years. Either way an honor. Also canon they/them! Good for they.
Sid
The band's drummer, and the eldest among them. They’ve been drumming for a while, having performed for several other bands before joining the Chips, and they have a strong reputation in the community because of it. It seems that because of this, they’ve taken something of a silent mentor role to the others, supporting them in the background without ever taking the lead. Sort of a big brother style relationship going on. 
They’re described as easygoing, but with a hidden temper that only ever surfaces once a year, where they become way crabbier. To me it says that they don’t really express their frustrations often, just letting them simmer before they snap and vent it out. And even then they don’t draw a lot of attention that way. 
Harmony (and fish)
The anemone of the hour, the band’s vocalist and visual designer. As said above, I’ll first go over the info we knew of her before her appearance in Splatoon 3, and then compare it to what we’ve learned now to see if it was faithful to her character. 
She’s described as relaxed and going at her own pace, but to the point of being unmotivated. She’s frequently late for practice, and considering the state of her fish, who is “dying” of neglect (quote marks there cause the little guy is still alive somehow), it sounds a lot like executive dysfunction. I would know, I’m like her sometimes. Her singing voice is mentioned to also have been pretty flat and listless, but it seems years of performance has made it change to a much livelier tone in the intervening two years. She talks loosely and moves peculiarly, something the fans secretly enjoy. Why secretly? Is there a stigma against it? Her listless singing is mentioned to be a hot topic, so it might be the case.
We see in the bands’ album art for Splatoon 2 that she’s the one who mixes the chiptune music on nintendo consoles. Easy to say that she’s the pre-requisite in-universe Nintendo fan for this game. There’s one in pretty much every franchise. Skipping to “3” a bit, we can also assume she’s the one who edited the trailer, which shows off a lot of fun visuals and jokes, as well as her just goofing off like the dork that she is. For how reserved she comes off, she’s got an eccentric, goofy side hidden under there.
But now we’ve actually met her as Hotlantis’ shopkeeper! She’s a fan of the place, so despite the threat of having to work retail, she’s staying in the area in the actual manager’s place while he’s gone. She’s a fan of the store and all its useless knick knacks. As for herself as a person, it’s safe to say it all matches what we used to know of her. She’s pretty self-paced and blunt, commenting on your achievements out loud no matter how rude it sounds. She admits to it too if she beats you at tableturf, she doesn’t really know how else to talk. Her lack of motivation shows up anytime she needs to recite something Barry told her to do. She just plain doesn’t want to do any of it. She still does the work she’s willingly doing, she’s just going at her own pace. 
The fish is a fish, no telling what is up with them. Though according to some artbook information in “3” (correct me if I’m wrong), the reason they’re so sick is actually because Harmony’s hair isn’t protecting it very well. They’re still sticking around anyway, granted we’re not sure how clownfish do without an anemone, but it still seems like they’re staying of their own volition.
Harmony’s, and later Dedf1shes inclusion, gives us all hope we can see more of our favorite obscure characters in the games themselves. And looking at Harmony, we don’t have to worry too much about them being out of character, since she’s pretty accurate to the info we know.
I love these weird goobers. They should continue showing up. But now we are in the finale. Ω-3 is all that’s left now. See ya next time!
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mokeonn · 2 months
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Before I go to sleep I leave you all with this piece of advice: sometimes you don't actually have to answer big political questions, sometimes you can just say "I am not smart enough to know that, I just know the small things I do to help." Like you can often times completely avoid making a fool of yourself if you just say you don't know.
#simon says#to explain here and not in a reblog:#sometimes when you try to explain big picture solutions you're gonna sound dumb#you might not have done enough research#you might not have a rebuttal to a counter argument#you might not be articulate enough to explain why you think this#sometimes you gotta take a step back and give the simple solution. the one man solution#you do what you can to fight against the problem#you talk to people to help spread awareness and how to fight the bad problem#and you vote and invite others to vote for bigger steps towards solving the problem#like you can talk about theory and how you believe we need to do a huge drastic thing to solve and issue#but people will disagree and argue til you're blue in the face#they'll poke and prod until you mess up or lose your temper and use it against you#and you'll feel dumb and they'll learn nothing#sometimes the best thing to do is step away from the big picture and just say 'idk what the solution is I just know the things I can do“#sometimes you gotta admit you're not a scientist/expert and you can't answer that#i used this while talking with my Dad tonight#he brought up our climate crisis and space travel as a possible solution#and I said I think that's just addressing the symptom and not the cause and we need to care for our Earth now#and he asked me what solutions I think would fix it#and knowing my incredibly smart Dad who is articulate and ready to throw rebuttles at a moments notice to play devils advocate#and my past experience in struggling in this topic with him before#i just told him I didn't know. all i knew is the little things I can and do do to help#and that hopefully by spreading the word and habits and encouraging others to vote for those bigger solutions I could help make a change#but all I really could do is the little things I have control over#and the topic became much less stressful about the little things we have control over#like planting native plants and recycling and adopting habits that are healthier to our planet#which was 100% more preferable to if I tried to give a big solution. because I would reveal i didn't have all the knowledge needed to argue#and my articulation would make me sound like a stupid kid who only thinks they know what's best#so yeah I basically suggest that if you dont wanna feel like shit after debating someone just step away from the big picture for a moment
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hellolulu · 7 months
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My theory about Furina is that the girl we know is simply a meka/puppet expertly made to look like the real Furina (we know this is possible with Ei, she has two puppets in her likeness), and the reason Neuvillette HAS to be around her at all times is because she isn't allowed to talk about highly secret topics, unlike the real Furina, down under the opera house, under the Oratrice, powering her Gnosis with the people's belief (in Justice, of which she is the archon). I believe she must be holed up there, possibly buried in research, likely trying to solve the primordial sea crisis without alerting the research institute, and I believe that she was the one who called out to Lyney when he performed his trick.
Neuvillette, as the dragon bound to the hydro archon (I HATE when they throw away these tiny lines that reveal insane lore, like how Celestia stole the dragons' power to give to the archons, which I now believe to be what is stored within the Gnoses. This also informs my idea on what the Tsaritsa is planning, but that's another theory haha) is faithfully taking care of this Meka-Furina and covering for her weaknesses. When she doesn't have clearance to speak on a matter, Neuvillete steps in. When a matter has no bearing on her true, secret work, she is free to act as she wishes (though she does still have a sort-of retainer in Chlorinde, who seems to know plenty more than she lets on). He attends important meetings at her side and rules over the court, responding to the oratrice, in order to keep up appearances while the true archon is trying to solve the crisis. And perhaps, the supposed real Furina is the one calling the oratrice's judgements, instead of it being The People; and when she noticed something off about Childe, she overruled the guiltless charge.
I can't explain the "curse" thing, perhaps it's just tied to the oratrice or the primordial sea, I have yet to know enough about her to figure out the curse's nature, but I think my theory covers a lot of ground otherwise. A meka created only to be a figurehead doesn't need to have any power within it, and as we've seen with Raiden, puppets are capable of having their own personality. In the past I considered Raiden's personality to be the "robot is emotionally cold" trope, but now I think Raiden was created to be strict and unbending on purpose by a grieving woman, as such traits would make her a perfect ruler in the absence of the real one - which also makes her reaction to Wanderer's gentleness make more sense. Rather than "omg why is he crying?? Sweet boy be free! Rip!" it paints a "you and I were not built for this painful world, and I don't wish to hurt a being that feels so softly" painting. That was a tangent, but in any case, The Wanderer, another puppet, also has a unique personality. We know him well, and that he even has his own desires and goals. The Katherines are also unique, even if they have a much lower level of consciousness (?). So why shouldn't a Meka Furina have such a unique, at-odds-with-itself personality, a true facade inside and out?
I had more I wanted to say about this theory but I've suddenly forgotten because I'm SLEEPY thank you for reading I love you goodnight
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home from work
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#if I speak…#one of the girls walked out yesterday#the best worker we have is on the verge of blowing up on this bitch’s leaders bc since he can do everything quick and efficiently already#they’re putting 3 to 4 ppl’s workloads on him to see how far they can extend his worth and then they’re over his shoulder the whole time#micromanaging him so today he almost lost it and was literally walking around mumbling about his disrespectful they all are (facts)#and how if they don’t think he’s doing it right then they can do it and I know for a fact one of the ladies heard him#bc he wasn’t even trying to hide it at this point and like this dude is cool he has a lot of patience and helps out any way he can#so if HE’S on the brink of snapping then the rest of us don’t stand a chance LMFAO#anyways today was a fucking mess those leaders know nothing about our store yet so they have us making less than what we need until we need#it so we get behind constantly and they made prep a disaster bc again they think they can just prep a bunch of stuff in the morning#and it’ll last the whole day and yes that works in theory but the reality of the situation is every day is different and today#we sold double what we did yesterday so they had to move me to prep to fix their mistakes bc we were running out of stuff 4 hours in lmfao#and I’m the only one left who knows how to do everything on prep bc the other girls had never done it before#we’re supposed to prep 20 mac n cheese trays in the morning for the whole day#we open lunch at 10:30 tell me why I go into the cooler at 12 put more in the oven and there’s only 5 left#it’s been less than 2 HOURS and you’re already running out of macs which means those idiots prepped barely anything just to try and save mo#*money to cut down waste but that gag if you’re losing money bc now you’re short on everything and customers are leaving bc they’re having#to wait a long time for their food#and macs take 40 minutes to cool LMFAO#I get over there they’re out of parfaits they’re out of fruit cups they’re out of kale salads the front is coming in and having to take#stuff as I make it bc they keep getting orders and it’s all just a fucking mess#I have to make a custom wrap and what happens?? those morons didn’t pull the flatbreads out of the freezer like they’re supposed to every#night so now we have no flatbread and I had to run back there and put them in the warming drawer to defrost and we lost an order bc I had#nothing to make the wraps with <3#I go back there to get more cold chicken SPOILER ALERT they didn’t have anyone make any this morning so now there’s no chicken for the wrap#and salad and it has to be grilled and then chilled for 2 FUCKING HOURS before it can be used#they’re a fucking disaster like 😭#was the store perfect before?? ofc not but it ran quickly and efficiently as it should and now it’s literally just a mess#this bitch hasn’t even owned it for a full week yet and has already fucked it all up#womp womp!!!!!!
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trashcanwithsprinkles · 2 months
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Ooooo if we’re talking Ashikai- what did you think of her Childe inspiration analysis? I’m not asking about how it may or may not apply to ur fic (though that sounds fun if your up for it!! I just love ur star foxes. Then again… not mutually exclusive ig) but what u thought of it!! I hardly get to talk to anyone about them and ooooough theyre such good videos and leave me reeling everytime.
her childe video was so fucking good holy shit. also i absolutely agree, her videos always leave me sitting there like 'holy fuck', even if sometimes i knew half the stuff she was bringing up, but the way she mixes it with the real-life research and stuff has me,,,,,,,, it's so good,,,
i think the only video that never like- surprised me? or told me something i didn't know or hadn't already like- figured out myself? was the latest one, the one about adepti and their visions. but that's bc i've uh. read xianxia before. so like. you read one xianxia, you know how it's going to go. when she said genshin was a xianxia i was like thank you, that's what i've been saying hahah,,, it was still such a good video, i really liked it;;
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suddenrundown · 6 months
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considering faking my death to get out of this project. would still like to get a passing grade for it.
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sternbilder · 1 year
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ok so today I had one of the most fascinating and enlightening discussions maybe of my life and I need to share bc it blew my MIND (warning: long)
here's the context. there is a friend I have. they are a pretty good friend of mine that I've known for many years now and I appreciate them as a person very much. lately I have noticed that they've been texting me fairly frequently. which, from my point of view, is once every couple of days. not because they had something specific to say, but just saying hello or asking how my day was.
I'm sure this was well-intentioned, but this was starting to get a tiny bit grating for me. we just met up in person literally two days ago! and you had texted me not long before that, too! nothing new has happened since then! my day has been quite boring, actually! I thought, in my mind, as I swiped away the notification—and immediately felt like an awful friend.
I knew from past experience that responding to the message would invite an immediate and not easily escapable conversation that, due to my poor multitasking skills, would distract me from work or require me to context switch away from whatever else it was I was doing at the moment—cooking, doing chores, watching TV—and worse, amount to little more than idle chit-chat about the same boring quotidian complaints as usual. I am not one of those people who thinks they're above small talk or don't see its social value, but I found myself thinking, am I the one who is being not normal here in not enjoying having this specific kind of interaction MULTIPLE times a week with the SAME person?
so recently, I've been finding myself routinely avoiding opening this particular friend's messages for fear of hurting their feelings if they saw that I had left them on read for a prolonged period of time. I had even gone so far as to avoid posting in a group chat in which we're both participants so that they don't realize that I have, in fact, been online, just not responding to them, specifically. my hope was that after enough slow responses, this friend would eventually get the hint and give up on trying to maintain a steady steam of conversation, but somehow this has not worked so far.
this was starting to weigh on my conscience. I realized that I will have to eventually fight my conflict-avoidant tendencies and just confront this friend directly, for the sake of both my sanity and our friendship. but how to do this gently? tactfully? without implying that I don't value their friendship or that I perceive them as needy or annoying? that was the tricky question. because I know that my friend isn't doing anything wrong! if anything it is probably me that is weird and antisocial and I probably just need to work on my social skills!
but not wanting to feel like a total asshole and hoping to go in with an informed and reasonable mindset (knowing full well that my understanding of social norms isn't always the keenest), I asked a different group chat for their opinion, hoping to gain some perspective on what boundaries they generally considered normal and acceptable to exercise. I phrased my question thusly:
how many friends* would you say you have where you text on a regular basis (say, multiple times a week) 1:1 just to say hi, about nothing in particular *explicitly a friend, not a family member or SO
y'all. the responses were eye-opening.
there were four people who participated in this discussion, all four of whom were in different camps and had wildly different experiences:
0, and assumed most others were the same
0, but assumed most others were not the same
multiple, and assumed most others were the same
multiple, but assumed most others were not the same
1 was me; in retrospect, I am realizing that because I had assumed that these kinds of interactions were not typical, I had interpreted my friend's gesture as something much more significant than it probably was in their mind, which is to say something that they just happen to do with everyone they know and like—which created a sort of pressure in my mind not to let them down and caused a sense of intense anxiety when I found myself struggling to reciprocate. I am absolutely floored at the revelation that it is apparently normal and common for people to have MULTIPLE friends (not even partners!!! or family!!!) that they are talking to on a constant ongoing basis at any given time, and at the possibility that I was treating my friend's feelings with kid gloves when it REALLY wasn't that hashtag deep for them.
2 clarified that they never initiate these kinds of chats, but when others initiate with them, they're fairly comfortable with simply letting these kinds of pings go unanswered, assuming the other person will just move on to someone else without taking it personally.
3 confessed to me that they once tried to do something similar with me, and eventually gave up, but had felt a bit hurt and rejected at my lack of enthusiasm, because they assumed that I was doing this with other people, just not them specifically. they sympathized very strongly with my friend.
4 also recalled that they had at one point tried something similar with me, but sort of got that I wasn't one of those people who would be receptive to this style of communication and wasn't particularly bothered by this, agreeing with 2 that the expectation is not that the recipient HAS to respond, and that my friend should probably pay closer attention to the face-saving social cues I was sending by not responding or responding slowly.
but yeah, the takeaway from this conversation is that people's preferences and experiences and expectations when it comes to digital communication are WILDLY varied, and because both communication technology and the social conventions surrounding them are changing CONSTANTLY (just a few examples: are read receipts good or bad? what about typing indicators? online status? are emoji reacts or gifs/stickers an acceptable substitute for an actual reply? group chats vs. 1:1 DMs? synchronicity and formality of various communication methods like email and chat and video? are phone calls are still socially acceptable?) there are either no agreed-on norms or different camps of people have vastly different understandings of what the norms are
among the other highlights/a-ha moments of this discussion:
Friend 4 asked another friend who is even MORE extraverted than they are what their # was and they reported somewhere in the ballpark of 20-40 people in any given week which is absolutely buckwild to me (importantly, all four of us in the original group happen to be software engineers, a class of people notorious for their lack of sociability, so I have no confidence that I have captured a representative sample size even within this particular group—the numbers both 3 and 4 gave were still both in the single digits, though they are definitely the warmest and friendliest of the bunch)
I realized that one difference between me and 3/4 was that we fulfill our social needs quite differently? specifically, I mostly connect with friends over group chats, of which I have a handful that are quite chatty and at least one or two that I'm actively posting in on any given day. I also typically have at least one, often multiple, real-life social plans every week! I am, in fact, very satisfied with my social life, to the point where it is almost maxing out my social quota (especially recently now that I've started dating someone)! but anyway—I find group chats to be my ideal form of day-to-day communication because there's less urgency and pressure for any individual person to contribute if they're not feeling up for it, and ALSO in the case of group chats where at least one member is a straight man (which is the majority of them for me, and I call out straight men only because they are the only demographic I have historically had this issue with) there is less room for platonic interactions to be undesirably misinterpreted as romantic
3/4 expressed that they prefer 1:1 conversations because they feel more personal and they can be more vulnerable about sensitive topics, which I would generally agree with—though in several of my group chats, I personally do feel comfortable enough with all the members to share things about myself with the entire group just by virtue of having known everyone for a long time and having built group camaraderie, but they seemed to not be comfortable with this without having previously established a consistent 1:1 pattern of day-to-day communication (or maybe they meant they were uncomfortable with the group forum itself, even if they were cool with sharing with everyone individually)?
they also expressed that for them, frequent unsolicited checkins and 1:1 attention from a friend would feel exciting/flattering/validating for them, whereas for me it would feel overwhelming, especially if we weren't THAT close
I do use 1:1 DMs also, but for a very different set of use cases: 1) if I haven't caught up with someone in a while (read: weeks or months), in which case we'll often just not text super long and make plans to call or meet in person instead, or 2) if I have something specific to say, like "here's this meme/song/piece of news I think you'd like to see" or "I need advice on X" or "guess what happened that made me think of you" or "I heard X happened, are you OK?"
I found that whereas I have a very clear distinction between communication preferences with a friend (someone I talk to on a regular basis but don't have a constant line of individual communication with) vs. a significant other (more or less willing to do this, unless they preferred not to), such a boundary between a platonic and romantic relationship does NOT exist for all people which boggled my mind
but yes anyway. I am learning so much about the way people view socializing in the digital age and I am so curious to know more and I kind of wish more people talked about this more openly (specifically among friends! because in my experience this is something that is fairly common to sort out explicitly in a romantic context) because I think this is probably the kind of thing that no one talks about because people are either afraid of potentially hurting feelings or everyone is just kind of assuming by default that their takes are universal without realizing that no actually, many people have strong opinions on this that are the polar opposite of theirs
but my gut feeling is that there is a lot of completely unnecessary friction that could just be resolved if only we could agree that it's cool to be more upfront about what our communication preferences are without worrying about that being taken extremely personally by the other party? bc idk, every single person I talked to about this today was like holy shit this was a whole fucking revelation actually, I can't believe I hadn't thought about this before thank you for bringing this up
#cam thoughts#I still have to talk to original friend#but am thinking maybe doing this next time I see them in person bc I find it so much easier to convey tone not when typing#bc there is an external factor that I suspect may have to do with why they're suddenly reaching out so frequently and I want to be sensitiv#but now I want to know the answer to this question for literally everyone I know. Im SO curious what is actually objectively normal/typical#but my gut tells me that this is like#inherently a delicate question to ask bc it can really make it uncomfortably clear if 2 ppl are not on the same page re:their friendship#also I realized that most of this group are specifically SWEs who have worked ON a chat application in the past.#so of COURSE we all have super strong opinions about literally all of this which is hilarious#also I didn't want to say it but have I definitely been thinking *meme voice* is this attachment theory? this whole time? lowkey mayhaps.#also also if you're reading this and I ever left you on read please do know that I do feel bad about it and I am sorry#final postscript I do not mean to suggest that I never want to be reached out to or checked in on. just. my capacity for social threads#is extremely low so please don't take it personally if I cannot prioritize your message right away or scale back chatting to a slower pace#tl;dr everyone is normal and fine and just different and the sooner we realize this the healthier our digital social lives will become.
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ironmanstan · 1 year
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#sometimes i wonder if i should just go by maryam professionally#i feel like this would extremely lower my chances of getting outed on accident lmao.#all my branding is centered on my renegaedz username anyway like if i switched over itd alter pretty much nothing.#my dad simultaneously being so neglectful but such a fucking busybody and all my transphobic irls literal only reason id need to do this.#in theory i would not have to have literal separate art identities to keep up the facade but then i would have to play a balancing game#but then this means letting everyone i know irl into my little zone lmaooo i hate everyone .#i hate so many of my irls lol you all make me so fucking mad and make me hate being trans so fucking much sometimes.#why do i have to compromise on who i am just so i can fucking exist#'what if i compromise on how i present myself so i dont need to worry about being open about my art ventures'#all this so i can be open to people who i went through hell for over a decade to#connect to who rejected me already just because im autistic . everyday im violent.#people who would want me to fucking die and spit on my existence forever if they knew i didnt hate gay people#let alone that im fucking trans haha ? hahaha yeah so true i should suck up forever and vie for the attention of people#who hate me already and keep me around to be nice#i hate everyone so fucking much sometimes honestly. you all act like youre on some moral warfront fighting against westerners pushing queer#as if historically queerness was pushed out of muslim communities and south asia because of FUCKING COLONIZATION#i fkjhckjhk يا الله the people on this earth are in their stupidity arc#i hate u all i hate u all . acting like we must fight to protect our communities but then turn a blind eye to how u hurt ur communities.#there aint no fucking queer epidemic and even if it WAS haram you know what is worse? fucking LYING. go worry about THAT#vent#sorry i am so insane rn i have suddenly gotten so mad for no reason lmao
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