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#i mean s2 is definitely good. i think.
queenhawke · 7 months
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the thing about apple tv+'s non-hit show mythic quest (2020-?) is that: is it good? who's to say. but goddamn if that larp episode didn't completely break my brain and now i haven't stopped thinking about it for two straight years
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bisexualbailorgana · 6 months
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forestofsprites · 9 months
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to attempt to categorize aziraphale & crowley's actions into the simple dichotomies of 'correct' and 'wrong' or 'good' and 'bad' is to employ the exact same fallacy that the show warns of. throughout season two we see aziraphale struggle with morals and their ambiguity, no matter crowley's assertion (and demonstration) that there is no true 'good', no true 'evil'- that the lines are not only blurred but frankly non-existent- aziraphale can't move past the principles he was raised on. good actions are good (inherent to angels, inherent to heaven), evil actions are evil (inherent to demons, inherent to hell). aziraphale's decision to try to 'fix' heaven is the perfect representation of the reality of the universe. he believes it to be a simply good decision, something angels do and heaven is all about (he'll get heaven back to normal! back to being good!) but the reality of his decision is so much murkier than that. it isn't that aziraphale did something bad or evil, nor is it that he did something correct or good, he did something that, like many things in the universe, embodies both.
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kairithemang0 · 17 days
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Yknow what maybe my favorite relationship trope is "not actually divorced divorced gay men"
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Maybe I just have a type for ships I dunno
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asgardian--angels · 6 months
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I honestly just think it's funny that so many people have been watching ofmd as a 'comfort show' lmao like I'm over here specifically watching for the angst. I crave pain and suffering. As soon as High On A Rocky Ledge played in the pilot I was hooked because I knew I was in for intense emotional turmoil. Red Flags is now my favorite episode of the entire series. I honestly didn't expect Izzy to survive as long as he did. His fucked up relationship with Blackbeard has fed me so well.
Of course I adore the love story, and the fact that Ed and Stede's love is an absolute, an immutable fact, of the show's premise allows me to enjoy the angst all the more. But I feel like some people need to be reminded: David Jenkins never promised you fluff. He never promised no deaths, no tragedy, no violence, no difficult topics. Personally I think including a fair deal of all of those makes the hope, the love, and the comedy shine all the brighter and have more meaning. You don't have to agree, but you can't assign expectations to a show that never made such promises. There was never false advertising. David set out to tell the story of two troubled, complicated adults navigating love and a long-term relationship in an often harsh and unfair world, finding community and making meaningful gains in self-actualization along the way. Ultimately it is a 'feel good' story but it's a rocky and winding road meant to mirror the messiness of our real world. Maybe you need to step back and re-evaluate where canon ends and your headcanons begin, and what the 'goals' of the show actually are that may differ from what you're looking for in media, and not blame Jenkins et al. for 'betraying you' when they're just telling their story the way they set out to.
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gay-arsonists-lullaby · 6 months
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"I've killed mediocre men. I've killed exceptional men. But you're the worst kind: a mediocre man who thinks he's exceptional."
Can we all just agree that if no-nose Ricky wouldn´t have committed a string of violations of the Geneva convention while Zheng and Stede were having this fight, she would have absolutely beat him to death with that plank, or at least to the very brink of it?
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sunnibits · 2 years
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I think Izzy should get what I call the Marcus Kane treatment (when your hair growth directly reflects your character development)
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Working on the newest SMP Polycule Roadmap, feel free to tell me what I've missed!
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itsame-ariana · 8 months
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Based on this probably inaccurate 2 second google search and my current biggest fandoms I think I’m a Stede sun, Crowley moon, and Remus rising
It also might be moony sun and Stede rising I can’t decide
But definitely Crowley moon
Anyway good night I have lots of brain worms
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(Im probably more of an azi but shhhhhh)
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hattersarts · 8 months
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>>> Risk ineffable husbands, 7 pages
here's a little comic, it's not completely show!gomens compliant but its headcanons i enjoy
comic notes under cut :)
I enjoy Az already realising he likes Crowley by the time Adam appears but hasn't yet worked out what to do with that information bc acts-of-service Crowley Can't Talk, Wont Talk.
Crowley on the other hand has been VERY GOOD at ignoring why he spends so much of his time around Az so only on the crux of YOU'RE GOING TO LOOSE HIM did anything manage to force its way through to his brain. (i did not enjoy crowley being told he was in love with az in s2, i think he could have worked it out himself)
i rly enjoy hcs where they started sleeping together and with humans for fun (i mean the ox ribs scene sets some v good precedent for this) az sleeps with humans bc he indulges! he likes pleasure! crowely on the other hand is very bad at catching feelings and doesnt like it when they die so has mostly only slept with az (did i mention he's VERY good at ignoring his feelings) but they probably haven't slept together for a few hundred years when adam pops up.
my compliant show!hcs are still that az knows he loves crowley (i mean the scene with jim where he leaps out of the chair to attempt to protect crowley saying no he defo doesnt know ANYONE who he feels that way with, don't look closely at anyone he is with) and is just sort of sitting on it still, waiting for any hint from crowley, planning a ball definitely only for humans and no other reason. Crowley is obviously very protective of Az but he still hasn't clicked why he's worried about him but he doesn't have the excuse of heaven or hell anymore so it wouldn't have taken much for him to work it out (hello one of his first lines in s2 is "you ever think, what's the point?" the point is love you idiot)
(book!gomens is just they're already married and have been fucking for centuries but the book just doesnt mention that.)
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ineffable-suffering · 3 months
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The meaning of "I forgive you"
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Alright, hello again, I involuntarily dipped for a bit because real life outside of this lovely Tumblr Good Omens bubble got a little bit stressful, but! I'm back for a quick little post to say that I'm currently reading the script book for Season 1 and seeing this line again, spelled out on paper, just shone some more light on the whole „I forgive you“-scene of Season 2 for me again.
Because really, this first time Az says it to Crowley in front of the bookshop tells us exactly what the second time during the Final Fifteen means.
Aziraphale is not forgiving Crowley for kissing him. Or for using this moment to confess and make things explicit between them.
No, Aziraphale is forgiving Crowley for not trusting and believing (in) him.
Let's shove the Final Fifteen to the side for a second and look at this scene from Season 1 under the cut.
The situation at hand: The World is ending, with utmost certainty. In addition, Crowley is absolutely f*cked and Hell is out to get him. He tries to apologise for their Bandstand fallout and explain the other two things to Az (poorly, but he tries). Because to Crowley, Armageddon is a done deal already. Wherever the actual Antichrist is, he's gonna come into his power and the World will be wiped out for Heaven and Hell to wage their war on. Also, Hastur is coming to kick his demon ass. Time to dip!
And yet, Aziraphale doesn't want to come with him. He is adamant that he will be able to reach the Almighty, talk to Her and turn this around. Because if Aziraphale, Guardian of the Eastern Gate, thinks there's even the slightest, tiniest morsel of a chance that he can turn things around the right way, he will do it. Even if it sounds ridiculous. Even if it's a lost cause to everyone else. Even if all the other angels gang up on him and (literally) beat him up.
Even if Crowley calls him stupid.
Aziraphale decides not to be offended by this.
Because this is what he does. This is what a Guardian does. He stays and protects to ward off the intrusion, until the very last second.
Now listen, I'm the last person to blame Crowley for intrinsically wanting to choose Flight over Fight in this very situation, because Lord knows (literally) what happened to him back when he chose Fight and lost.
But at the same time we have to keep in mind that despite his last name, Aziraphale never Fell. He never made the horrible experience of being chucked away by the one who made you to love Her because you chose to question her ways. And yes, in so many ways this choice of his, to still believe that he can change something by questioning and suggesting (both here and in S2), is utterly maddening and hurtful to Crowley. Because it's a mirror of what Crowley himself did and a reminder of just how big the price he had to pay was. Aziraphale seemingly not realizing or understanding this stings. It does.
And yet.
Yet Aziraphale's choice to not take no for an answer, to not let a punch to the gut derail him from his plan, to not let even the most definitive thing such as Armageddon keep him from fighting back, is the one thing that ends up saving the World.
Because even when it all seems impossible and completely hopeless and bloody Satan himself is erupting from the pits of Hell, ...
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... Aziraphale picks up his sword and fights back.
And he wins.
Not without help, of course. But might I remind you of what got Crowley to cooperate and not simply surrender like he'd almost done that second?
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You might not see it at first, but tucked in between all the posh hedonism, hidden away underneath that tightly buttoned waistcoat of his, Aziraphale is a fighter. And a good one at that. I mean, for Someone's sake, he got discorporated, beamed himself down back to Earth, found Crowley somehow, possessed a psychic prostitute (love you, Madame Tracy), rode a scooter all the way to Taddfield and fought off Lucifer with sheer willpower (and a bit of emotional coercion).
Aziraphale can fight. Smart and hard. And not only that: He can win, too. And he knows it. Because he believes, truly, firmly and wholly, that he can make things right. It's the only thing he will settle for. This, ladies and gents, this is how he ends up saving the World, together with Crowley, Adam and the rest.
Because he didn't accept no as an answer. He didn't look at the impossible and accept it as such. Even when Crowley thought him to be an idiot for trying and even after his initial attempt at talking to God had failed, Aziraphale still found a way to stop The Big Bad Thing from happening.
Which is exactly what his plan is when he ends up being forced to come back to Heaven by the Metatron. (If you still believe this was a voluntary choice, read here). And which is exactly why he is so hurt and still ends up forgiving Crowley for the fact that Crowley doesn't end up coming with him. Doesn't end up understanding, trusting and believing (in) him, just like all the way back at the end of the World in Season 1.
Aziraphale decides not to be offended by this.
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figmentof · 3 months
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now that we got confirmation that ofmd is free to be picked up, i think it's time we also direct our emailing/calling/social media efforts towards other streamers that would pick the show up instead of hbo since it seems they're not going to move forward with renewal (but don't stop bugging them. do this as well if you can!)
i'm heavily leaning towards apple tv for these two reasons:
they care about good shows with good stories and are willing to provide budget for them. their audience numbers are not always the most impressive or record breaking yet they still allow shows to tell their stories-- Foundation, Severance, For All Mankind to name a few
it's a service that is accessible both in the US and internationally. one of the biggest issues with hbo max was that a lot of international fans couldn't watch s2 of ofmd and had to wait for the show to stream on a local service and for some places ofmd never gets picked up
so here's what you can do to contact apple tv
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i had to talk to three separate support reps before i got transferred over to apple tv's technical service and this is what he told me-- use the feedback link for best results as they definitely will review them and take them into consideration: https://www.apple.com/feedback/apple-tv-app/
right now it seems this is the best way for them to document what we want, i did ask for a phone number but the rep said that they'll offer numbers within the feedback form once the feedback has been submitted, so you have the option to call them to elaborate if you want!
here's a script you can use if you don't know what to say:
Hi! I'm planning on getting Apple TV because from the lineup of the shows on the service. I’ve noticed Apple TV values good, original storytelling and allow shows to finish their story without cancelling them, even ones that might be underperforming in terms of viewership. One of the biggest incentives that would make me subscribe immediately is if Apple TV picks up the show Our Flag Means Death, a critically acclaimed queer romantic comedy with a 94% rating on Rotten Tomatoes for their second season and incredible audience numbers. The show was unfortunately recently cancelled by HBO. I know Ted Lasso, a flagship show for Apple, recently ended, and I think the service would hugely benefit from another feel good, found family sort of comedy. Plus I would gladly subscribe to as would thousands of the Our Flag Means Death fanbase if we got the show on your service!
now let's get our show back!!! please reblog this post so more people can know about it 🥰
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noneorother · 7 months
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All the music you didn’t hear: The Good Omens soundtrack is lying to you. *Part 1*
The Bonkers Meta Series part 2: Electric Boogaloo.
I so rarely get a chance to misuse my experience in classical music, but here we are. When I realized on my most recent watch-through of the series that the David Arnold score was brilliant, but also really wonky in some parts and I couldn’t put my finger on why, @embracing-the-ineffable suggested I listen to the album soundtrack to compare.
And when I tell you what I found hidden in there, you’re going to need Eccles cakes...
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1) The Song is the Clue
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So right up top we have this banger. The 12th track on the album is the orchestral backdrop to the scene in the Job minisode where Aziraphale reveals Crowley’s crow/goats. The duration is 2:22 (the only track with multiples on the album), and if you look at the track by itself it doesn’t mean much. But the song just before it is actually from this fucking scene:
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You know, the one where there’s a song that’s a clue to a mystery. Except Clue is capitalised, and Aziraphale pronounces it. I’ve seen guesses that this is a reference to the movie Clue, but I would put a lot of money on the fact that we are supposed to read the title of the song currently playing at that moment in the show *as a Clue*, which is super convenient, because the word Clue is capitalized in the track listing. 
Seems like the overlords of Good Omens have a message for us : The song is the Clue. It’s what God wants. Cool cool cool. WHAT SONG?
2) Symmetry in all things 
Before I straight up tell you, we have to go back and look at season 1.
Now I’m far from the first to notice tons of parallels between the story, details and even lines in both seasons. It got me thinking that maybe there are some fun synch-up parallels between the two season’s soundtracks, seeing as they are both 6 episodes long. Here’s the end of S1 and then S2
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Oh that’s a bummer, I thought to myself. 
They don’t even add up to the same number, or playtime, and neither of them is exactly 60 tracks. But do you want to hear a secret? S2 is actually missing 3 tracks on the album. And because there are 2 discs in S2 (cute), the numbers of the tracks start over again from 1. Remember how much God likes sevens? Check out where all the weirdness is happening in disc 2 (I’ve added the missing track listings in red to add context):
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After checking each track with the show and listening side by side (for reasons that will become clear in another post) I can definitively say that there is something *very weird* going on at the end of episode 4. 
First is track 7, Zombie dressing room, which seems to actually reach over two distinct scenes of the photo evidence in the dressing room and then Shax in hell even though it only has one title.
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But *between* these two scenes we get an eerily silent wine date with Aziraphale & Crowley.
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There’s really no music or even sound here besides the dialogue and room tone (until after the cheers), and it seems like a very intentionally silent version of a ritz date from season 1.
My best guess is that we are supposed to divide that track into two tracks of 7, before and after the date to get a second track 7. Or maybe the silent one is missing music? The third track number 7 is the weirdest one. It’s this scene here, when Nina parks her bike, and Aziraphale parks the car at the end of S2E4.
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If you take a close listen to the music, it’s a jaunty little piece, with an oom-pah base in 3 ⁄ 4 time. The thing is, this music does not exist in any Good Omens album. Please feel free to correct me, but I’ve tried to find any part of any song that this could even be a reprise of, and I Shazammed it to be sure it wasn’t anything else. This song does not exist anywhere except in this scene. (It quickly morphs into a reprise of the original theme once Nina leaves Aziraphale). It’s an invisible song.
So we have 3 tracks at the end of S2E4: a long one, a silent one and an invisible one. Only one of which is numbered 7, but that all fit into that place in the track listing.
Which, when we add the two extras to the original total of fifty-nine we get... sixty-one! Hey wait a minute.
How are we going to get to 62?
3) The real missing track. 
So the real reason we had to go back to the S1 album was because it contains the missing track that God is talking about. Let’s compare the last tracks on each album.
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I’ve highlighted the mismatch between the in-show music and the album in S2, which means I had to add A Nightingale Sang in Berkeley Square back into the S2 album because guess what, it’s not in the S2 album. Even though it plays in the show. 
You want to know how not in the album it is? Amazon had to track it in the show as a season 1 song. They had to give Tori Amos credit for her song on Good Omens in the X-ray bonus features because that’s how not in the album this song is.
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So my fellow beings, if the song is the Clue, then It’s what God Wants.
And if God wants a happily ever after with Aziraphale and Crowley on their own side, then by Job, I think Neil is going to give it to her.
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And there's more where that came from! Part 2 coming shortly.
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onceuponapuffin · 22 days
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Ineffable Bureaucracy and Ineffable Husbands
So, especially in the early days after the release of S2, I saw and heard a lot of people comparing these two as if they were the same. There were fan comics and fanart and fanfiction that included dialogue that was something along the lines of "why are they so healthy after only a few years and we aren't?" or "why do THEY get a happy ending and we don't?" And I mean, I haven't seen any of that in a while so maybe people have come to this conclusion on their own, but just in case, I wanted to point out
That they are fundamentally different. They are not the same.
And the reason why comes down to this conversation from 2x3:
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So, hold this conversation in your brain while we go through this.
First of all, we have our Ineffable Bureaucracy, Gabriel and Beelzebub.
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So these are the ones who, figuratively speaking, were born in a castle.
Gabriel was the Supreme Archangel for however many millenia, and Beelzebub was the Grand Duke of Hell for the same, roughly speaking. They are equals in positions of power.
So, when they fall in love, you have two supernatural authorities who have lived their existences believing that they can reasonably expect to have and keep whatever they want. After all, that's exactly what their lives have been (with the one exception being Beelzebub's Fall) - they want something, they get it, they keep it, and no one tells them no.
The biggest risk is to Gabriel. If Heaven were to find out, he would Fall. I can imagine Beelzebub being a bit concerned, but "Oh no," Gabriel probably figured "I Fall to Hell, and straight into your arms!" And I could see Beelzebub with a little smirk saying "I'd look after you, babe," in response.
The only time Gabriel actually worries is when he finds out that there's another punishment that he didn't realize was a possibility.
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Falling to Hell is one thing, but having his memories erased is an actual threat, and possibly the first time he's ever been told no. This is when we see him panic, and leave Heaven in a mess, storing his memories away to keep them safe from the Metatron. We find out later that he was on his way to Hell anyway and just forgot halfway there and got lost.
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And so, we have two beings who were always told they were Good Enough, who approached each other knowing they were able to have whatever they wanted, and were therefore able to communicate and fall in love in a healthy way. They didn't need to tip toe or hide, because they had no reason to believe anyone would ever tell them no until someone did. Their risk, because of their positions of authority, wasn't nearly as great as Aziraphale and Crowley's risk.
So now we come to our Precious Ineffable Husbands
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Crowley and Aziraphale start off in much lower positions on the Celestial Food Chain. We know that they have to be very careful about their relationship to avoid the repercussions. They can't mention The Arrangement out loud, they can't put their feelings for each other into words. It has been made clear to them that they are always being watched, and anything they have can be taken away from them on a whim.
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So how can they communicate safely when they've spent millenia living on eggshells and tightropes? Of course they won't, and of course it's going to be much harder for them to believe they can once they finally are safe. I definitely believe that they will get there (for my own wellbeing I have to believe that their love is stronger than anything), but they will need to fight tooth and nail in a way that Gabriel and Beelzebub didn't. All because they aren't figures of authority.
It might honestly be another good argument for Crowley taking the Grand Duke of Hell job (even though I reeeeaaaally don't want him to). It would put them in the same position as Gabriel and Beelzebub, and might give them the footing to actually escape the system (even though I think it's more likely that they're going to dismantle and/or repair the system in s3, but that's my own opinion).
These two pairs aren't mirrors of each other. Rather, they illustrate the problems with inequity that Crowley was pointing out in Edinburgh. And if S2 showed us that, I'm hoping S3 will show us possible solutions for it.
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twig-tea · 2 months
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With 23.5 finally coming out, the people are rejoicing at finally getting a high profile gl from GMMTV. But there have already been several gls airing this year, including my fav TsukuTabe, that have been flying under the radar with fandom, and in general there are more gls already out there than folks seem to think. I just know you have a list of all the gls we should be watching, please share with the class!
Thank you for the ask! How did you know I had a draft of GL recs to make at some point? [Trick question, I mentioned it to you.]
It may seem like I'm out here hating on GL because i've made a couple of negative reviews of recently airing series recently (Love Senior and Chaser Game W in case you're curious) but I actually have lots of GL that I love and that I wish were better known! Thanks for sending this ask so I am inspired to actually finish it! I've limited myself to series so that I could keep the list and this post to a reasonable length. Where possible I've listed where you can find each of these and included a link. And I've included an 'elevator pitch' summary but I am NOT in marketing for a reason, so please don't roast me too hard for my terrible comparisons. Alright, enough waffling!
Twig's GL Rec List
She Loves to Cook and She Loves to Eat S1 & 2 (Japan, 2022 & 2024, both seasons fansubbed by @furritsubs; if you need help accessing this show feel free to DM me!)
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Elevator pitch: Our Dining Table with lesbians and an even slower burn. Watch for beautiful food, acespec rep, mental health and therapy rep
What might turn some off: Extremely low heat, and quite slow-moving; warning for a disordered eating and family trauma plot (v gently handled)
Let's start with the one you've already mentioned. This is a heartwarming slice-of-life slow burn in which an autismspec-coded woman who likes to eat is invited by her neighbour, a femme acespec woman who loves to cook, to come and eat her food. It starts from a very practical place (when you love making food you need someone to help eat it), but their relationship grows as they spend more time together. The story follows them as they both move towards self-actualization in several ways: as a lesbian, as asexual, at work, with their families, with their friends, with each other. This show is so careful to say the important words aloud. And there is so much delicious cooking! Each episode highlights a particular recipe, and the food porn is real. Do not watch while hungry, but definitely watch. The found famiy vibes in this one one are also immaculate.
She Makes My Heart Flutter (Korea, 2022, YouTube)
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Elevator pitch: Younger lesbian friend group tries to help out (slightly) older lesbian bar owner with mixed success. I can't think of a good BL equivalent, The Moment Since feels the closest with its similar bartender/patron romance
What might turn some off: Comedic tone; short runtime; struggles with being closeted
This is a gem of a miniseries about a bar owner and an interior designer who smoulder at one another while an intrepid group of younger bar regulars (including the bar owner's neice) meddle. This series is really cute, solid, and full of sapphics! Once again found family vibes are immaculate (you may sense a theme in my faves). Run don't walk.
Fragrance of the First Flower (Taiwan, 2021, GagaOOLala)
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Elevator pitch: Right-person-wrong-time/second chance romance; tonally is a little like We Best Love 2: Fighting Mr. 2nd but with an ambiguous ending.
What might turn you off: Medium heat, second chance romance means they break up once, internalized homophobia, adultery/cheating, at one point there's a creepy dude, child with autism (depicted well), ambiguous ending
At its core this is a story of a woman who can't stop getting in the way of her own happiness. This series is a little more sad than the rest of this rec list but I couldn't not include it because this relationship is so poignant. Plus there's a s2 that supposedly is to come out in 2024 so maybe we'll get our happy ending after all?
Love Greater Than or Equal to 70 Degrees C (Korea, 2019, YouTube)
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Elevator pitch: Ingredients but with lesbians staring at one another over beautiful tea pairings! What more could you ask for?
What might turn you off: Low heat; short runtime; ambiguous ending; like Ingredients this is essentially a long ad for the café it's filmed at.
This is a Korean miniseries about passionate tea sommeliers making really fancy tea while staring at one another a LOT. Perfect sapphic representation, 10/10 no notes. This one packs a lot of the drama tropes into its short runtime, so even though it's short it's full of butterfly-inspiring moments.
Sleep With Me (Philippines, 2022, GagaOOLala/iWantTFC/Netflix w/VPN set to Philippines)
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Elevator pitch: The Truth About Cats and Dogs but the self esteem issues are handled without catfishing. BL equivalent: Hmmm. Closest I can think of is Gaya Sa Pelikula.
What might turn you off: There's some ableism (treated as such) in this show; Open ending.
Stellar GL between a late night radio DJ and an insomniac who listens to her show. One of the main couple is a wheelchair user and the show tackles ablelism and navigating disability in relationship as well as feelings of inadequacy in a relationship and how that manifests as interpersonal conflict.
Our Relationship Ended Before it Began (Korea, 2022, YouTube)
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Elevator Pitch: Along the lines of I Cannot Reach You; the show gives both perspectives and they are held back by queer angst.
What might turn you off: No kiss (but they make it very clear both want to kiss), internalized homophobia
Really sweet miniseries about having a crush and being afraid of being hurt so you don't actually make a move. I really like the way the girl who has not dated a girl before defaults to gender roles and it throws the more experienced lesbian lol I also really like the way this show makes clear that both of them are waiting for a kiss, and that if you get in your head about things, it can get in the way of your own happiness!
Pearl Next Door (Philippines, 2020, Youtube)
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Elevator Pitch: Gameboys but with lesbian vloggers.
What might turn you off: Love triangle, lots of teasing but low heat in the end, a lot of (good) conversations about mental health issues, ambiguous ending
This is the GL spinoff to Gameboys, starring Pearl from Gameboys. Pearl ends up being fought over by the two gorgeous women in the gif, an old love and a new. I love the queer friendships in this story as much as the relationships. I will say it's an open ending (that felt a bit like the showrunners didn't want to decide between ships) and definitely the love triangle features prominently but even in the face of these aspects that would normally turn me off a series I had a good time. The characters and interpersonal conflicts feel very real, and are allowed to be complex even when the show tone is comedic.
Dear Uranus (Taiwan, 2021, YouTube)
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Elevator Pitch: Schoolgirl ensemble GL; a little like My School President but without the singing.
What might turn you off: Short runtime; ambiguous ending; a little bit of bullying; very standard romance trope execution
The first Taiwanese GL miniseries, this series was produced by a Taiwanese lesbian couple (Rabbit & Wolf)! Lots of excellent drama tropes, and incredibly gorgeous women (I think the entire watching audience fell in love with Erol.
Lily Fever (Korea, 2015, YouTube)
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Elevator pitch: Complete crack; YYY but with more kissing and frankly an even less coherent story.
What might turn you off: The lack of coherent plot; less a romance and more a very thirsty lesbian kissing everyone she can
This miniseries is utter chaos. Nothing really makes sense, it's all just random excuses to cause very suggestive moments (and kissing) to happen. I love so much how this series depicts women being so absolutely thirsty for one another (and yes that date isn't a typo, this series is ~9 years old). Not an "happy ever after" ending but it really isn't that kind of story.
Chasing Sunsets (Philippines, 2020, YouTube)
Elevator pitch: Ocean Likes Me with lesbians. Resort romance with a mental health twist.
What might turn you off: Some of the mental health stuff gets intense, this was filmed in 2020 so the pandemic features heavily; hopeful but slightly ambiguous ending.
A complex story from the Philippines covering mental health and finding yourself. A woman shows up to a resort and befriends one of the women running the resort. They get closer as they spend time together, and the resort owner realizes something is off. There's also a BL side couple in this series.
Show Me Love (Thai, 2023, YouTube)
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Elevator pitch: A little like My Day the series with lesbians, in that they work together and fall in love and it's full of tropes
What might turn you off: The advertising for the Miss Grand competition, there is some bullying and cheating (though way less than I was expecting tbh), not a lot actually happens, the editing gets a bit wonky at the end
This is essentially a massive ad for the Miss Grand Thailand competition; this GL was produced by the same company that produces that competition, and the stars are mostly Miss Grand competitors. The main pairing were shipped in the actual competition, and the company decided to make a GL about them. It's very slow paced and low-stakes, and there are better kisses than I expected considering everything I just said about where this show came from. There are a lot of cute moments!
Girlfriend Project (Korea, 2022, YouTube)
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Elevator Pitch: Love Class with lesbians
What might turn you off: One of the leads is kind of mean in that pgitail-pulling way? It ends abruptly (but happily)
This is a short miniseries about two girls paired in a class that are assigned to "date". The chemistry is chemistrying. And there is a kiss (a good kiss, and a tiptoes kiss at that!). This show also has one of my favourite tropes, in which someone who seems like a pushover stands up for themselves and their partner finds it very attractive. For the record, in this show they are watching another GL by the same company, Love Tech.
Lulu (Philippines, 2022, Vivamax/grey)
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Elevator Pitch: Present Perfect with lesbians (but with a better ending).
What might turn you off: Depictions of panic attacks, brief depiction of drowning, pandemic lockdowns, illness, exes, waffling, happy but open ending (which I actually liked for this story)
Two women trying to move on from the garbage in their lives meet at the beach of a B&B (where one saves the other from drowning) and become one another's company during their escape and then something more. They both have baggage that seems determined to keep them apart even as they continue to be drawn together. In the end, they decide to stick it out and see where they end up, with no guarantee of happily ever after, which I found very sweet. Requires either a VivaMax account or searching the grey for it, but it's worth the effort (check MyDramaList comments for suggestions on where to find it). Plus one of the leads has a cactus as a pet.
Welcome to the Lesbian Bar (Korea, 2023, YouTube)
Elevator Pitch: A little like Fudanshi Bartender but without the fudanshi bartender and all of the bar patrons are lesbians lol
What might turn you off: Short, can get a little bit preachy, abrupt ending
Cute short series with different very stories every episode as different patrons visit the bar. The stories range from women who have been together for awhile, to people meeting from an online app for the first time, to someone visiting a lesbian bar for the first time; and yet the story all weaves together in a way that's satisfying though ends abruptly. Includes some solid marriage equality propaganda.
GAP the Series (Thai, 2022, YouTube)
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Elevator Pitch: Kind of the vibes of Together with Me but lesbians and in an office instead of school. Angry boss falls for charming new intern and
What might turn you off: This one is the highest heat of all these recs; homophobia especially amongst family, brief depictions of death by car, brief mentions of suicide, cheating, bullying, abuse of power in the office.
A list would not be complete without this one! Honestly the plot is a bit wobbly but the show is a lot of fun. The girls are very cute, the feelings and tension builds really well between them, the friend group is excellent, and in the special we get a wedding.
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The rest of these have caveats of one kind or another, but i couldn't leave them off a rec list, so here are the side couples and censored stories that are still worth your time anyway (I might do a separate more detailed post for these, as well as for films, one day if there's interest):
Nevertheless (GL side; Korean, 2021, Netflix) Not sure it's worth watching a whole kdrama for side lesbians? Search soljiwan on youtube. They are great. Even the Netflix account stans them. I watched this (ngl, I watched the SolJiwan cut) as it aired and was constantly braced for it to let us down but it did not! A really good friends-to-lovers story.
Friend Zone 2: Dangerous Area (GL side; Thailand, 2019, YouTube): These sapphics are messy and I love them. Decent conversation about dating someone with mental health issues in this series, and they're one of the only couples in this ensemble to get a happy ending. If you're just watching the lesbian couple (which you can, their story is pretty self-contained) you don't need to have seen s1.
Six Survivors (GL side; Japan, 2022, Viki) This show is a horror comedy and it is SO MUCH FUN. Warning for zombies and blood, but way less than you might think. One of the eponymous 6 survivors is a lesbian who keeps trying to convert them to veganism lol. If you watched Chaser Game W you'll recognize one of the actresses in this, the lead actress is from Kamisama no Ekohiiki, and one of the guys is from the prequel series His as well as I Want to See Only You! And yes there is a kiss. Also a surprising number of Mallrats references. Not for people who can't handle gore or relationships being complicated/not a "true love" story/ambiguous ending.
Kamisama no Ekohiiki (complicated question of is it GL in parts, Japan, 2021, furritsubs once again coming through to save the day) This one is a bit complex because there's bodyswap, but the girl who falls for the bodyswapped boy-in-a-girl's-body is clear that she is only interested in the girl. One of the better bodyswap stories because the bodyswap is not a secret for very long, so instead there's a lot of introspection about what gender means and who/what they are attracted to. Feels wrong to call this GL, necessarily, but it's very queer.
Couple of Mirrors (Censored GL, China, 2021, Viki) Story of a rich girl and her assassin girlfriend. This production did an amazing job getting away with what they could, just don't watch the last five minutes and we've got essentially a happy lesbian family.
Legend of Yunze (Censored GL, China, 2021, @douqi7s) Very cute very low budget xianxia miniseries with two seasons and a special. The special is set in modern times in a future lifetime so if you want a cute censored-but-clearly-a-soulmate-love-story this is the one for you. Don't be thrown off by the weird cuts/abrupt episode endings, that's in line with cdramas in general.
Led Astray by Love (Censored GL, China, 2021, @douqi7s) A very fun and adorable isekai story in which a modern day girl is transported to a wuxia novel setting and has to figure out how to get home, and gets romanced by the princess along the way.
And a few additional links for people who even more content:
My Indian sapphic webseries rec list
My suggestions for content with toms (Thai category that's similar to but not exactly the same as butch lesbians) in response to this post.
This really good GL MyDramaList list (not made by me!) lists what seems to be everything I've mentioned and about 200 more. Even I haven't seen a few of these!
My YouTube playlist of sapphic content: This includes anything I stumble across or find in my searches, a lot of music videos and random shorts as well as some microseries and miniseries that I don't consider GL but are WLW/sapphic in addition to true "GL" content. For serialized content, I add just the first ep. A complete mess, but you can trawl through to find stuff to watch, like Hetero!
SOONOTSUE: The same producers of She Makes My Heart Flutter have other short series on their channel worth checking out; if you liked that one, try Out of Breath!
Shakeshoulder: Thai YouTube producers of very pulpy (read: low budget and dramatic plots) shorts
FuFuKnows: This YouTube channel is owned by a gay Taiwanese couple that produces shorts every week, including some with GL mains and sides. These are very low budget but cover a whole swath of queer themes.
@douqi7s is a godsend providing subtitles for all kinds of content, including sapphic shorts and more series than I've listed here. Check their tumblr for links to all of their content; A Practical Guide to Being a Superstar's Assistant has one of the best setups to giving us great moments in the guise of something else so that they get past censorship I've ever seen; I also recommend The Vampires if you're into genre fiction, as well as Legend of Yunqian if you enjoyed the xianxia parts of Legend of Yunze. @wlwcatalogue did an excellent summary of many of the non-wuxia options here.
Quick pitch for the streaming platform GagaOOLala; it's affordable, has a ton of content, including a whack of GLs (originals, license series, and a ton of shorts), and is run by queer people out of Taiwan who care about good quality queer content being made and having an audience, and using the soft power from those successful series to support social change. And if you can't afford a subscription it's worth checking out what they have for free, they open up temporary free access to some things for various events throughout the year.
In searching for gifs for this post I found fellow tumblr user @drowningparty 's WLW compendium list; they've listed more series and films so check it out if you still need more content!
*wipes sweat off brow* that should be enough to be getting on with, but it's really just the tip of the iceberg! If there's something specific you want to see with sapphics let me know and I can tell you if I know it exists. Anyway, I hope this gives you and everyone else a taste of what all is out there! I of course always want more, I am serious about being a sapphic dragon hoarding every crumb i can get my lizardy hands on, but I do think what we have should also be appreciated more. If I missed one of your faves, please tell me!
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dandylovesturtles · 1 month
Text
I should be asleep lol
Immediately post-S2
———
Donnie grew up in the sewers, so maybe he has no room to judge, but Draxum’s apartment is pretty terrible.
The first night - after they defeated Shredder, with their home so destroyed they couldn’t return, Draxum had (only a little begrudgingly) offered them a place to stay - Donnie had been so tired he hadn’t given it a second thought. He’d collapsed in the nest of blankets and sleeping bags they’d made and slept blissfully through the night. He learned the next morning that Raph had not gotten much sleep at all, too keyed up and full of adrenaline, but the rest of them had conked out immediately.
The second night, Raph had joined them in sawing logs. And they’d all slept soundly through the third night, too. But now it’s night four, and Donnie’s finally well-rested enough to realize that everything is very wrong.
The sheets are a different texture. The thermostat is set too low. The ambient sounds of the apartment building are not the ambient sounds of the sewer.
His dad’s snores from the couch and Raph’s deep rumble are familiar, at least. Both of them are out, Splinter the first to fall asleep that evening in front of Draxum’s crummy TV. Even Leo is asleep again, his insomnia yet to rear its ugly head, and Donnie can’t help but be a little jealous.
And of course, Mikey can sleep anywhere and anytime, so Donnie knows without even looking that he’s asleep. It’s just Donnie awake, then, staring at the ceiling and trying to will away the persistent itch of incorrectness.
At least, that’s what Donnie was thinking, until he hears a distinct sniffling noise from the pile of sheets that is his little brother.
Donnie goes as still and quiet as he can, listening closely. Maybe he just misheard? No, but that was definitely another sniffle… and the mound of sheets is quivering, now.
Mikey is crying. Donnie’s little brother is crying, and he may not be the one who usually handles these things, but Donnie is still a big brother, and more importantly he is the big brother who is awake.
He sits up, blanket draped around his shoulders, and carefully scoots himself around Leo’s tangle of limbs. Then he flops down next to Mikey’s mound, reaching out to lay a hand on top.
“Mikey?” he whispers.
There’s some shuffling, and then Mikey’s face peeks out from under his sheets. His eyes are wet, visible even in the dim light of the room, and he keeps snorting. Donnie makes a gallant effort not to flinch at the sound.
“Dee?” Another sniffle. “Did I wake you up?”
“No, I was already awake.” He rubs at the mound, for all the good it will do. “Are you okay?”
Mikey snorts hard, then blinks furiously to banish his tears. It doesn’t work. “I’m fine,” he insists, but it comes out hoarse and stuffy.
Donnie holds up a finger, then pushes himself to his feet. He pads across the apartment to the coffee table they’d shoved aside to make room and retrieves a box of tissues that he brings back, setting it pointedly in front of Mikey.
Finally, Mikey sits up, letting the sheets pool around him. He pulls out two tissues and blows his nose as quietly as he can - it’s still pretty loud, but Splinter’s snoring covers it up.
“Thanks,” he whispers once he’s done, tossing the balled up tissues to the side. Donnie pointedly ignores them (no matter how gross) and focuses on the matter at hand.
“What’s wrong?” he asks, not giving Mikey an out this time.
Mikey chews his lip. “It’s just… hitting me finally, I guess.”
Donnie tilts his head. “What is?”
“That… that the lair’s really gone. That we’re not going back.” New tears spring to his eyes, and Mikey grabs another tissue. “It’s just… I mean, we saw it yesterday, but… I don’t know. It’s l-like I didn’t really g-get it until right now.”
His voice is wobbling hard by the end. He chokes off a sob, rubbing his nose furiously with the tissue. Donnie knows that there’s definitely snot on Mikey’s fingers and probably his arms, too, but he can’t watch this anymore. He offers Mikey a hug, his arms barely open a second before Mikey is throwing himself into it.
As Mikey holds onto him and cries, Donnie thinks about the day before (well, really the day before the day before - it’s after three AM, now). They’d gone to the lair, to see what they could salvage. Everyone had been subdued; even Leo wasn’t managing to joke like he normally would. Only Mikey was still upbeat, able to see the silver lining in every cloud, cheering over every item they found that was still intact enough to bring with them, encouraging them to come back later and look for more.
Maybe they’d been a little too complacent that Mikey was going to be okay, after all that. But of course he isn’t; he loves their home as much as the rest. Sewers and all.
“We’re homeless, aren’t we?” asks Mikey after a minute or two. Donnie hasn’t really thought of it like that, but now that Mikey has said it, he knows he can’t refute it.
“In the technical sense, yes,” he says, and regrets it when Mikey bursts into a fresh round of tears. For the first time in his life, he abhors technical correctness.
But while it may be correct in the technical sense, what about other senses?
Donnie pulls Mikey down onto the sleeping bag, then works the sheets and his blanket over the both of them. Finally, he snakes a hand around to grab another fistful of tissues for Mikey, passing them over without dislodging Mikey from his hug.
“Do you know what I think Dr. Feelings would say, if he were here?” Donnie asks, once they’re both settled.
Mikey blows his nose again, then peers up at Donnie. “What?”
“I think he would say that home is where the heart is. As long as you’re with me, and Leo and Raph and Dad, you can’t be homeless.”
He delivers this with a great amount of conviction, so he can’t help but be a smidge irritated when Mikey laughs.
“Hey! I’m trying to help!”
“I know!” Mikey giggles, burying his face against Donnie’s plastron and lightly head butting into his chin. “That was a really great Dr. Feelings, Dee. Thank you.”
“…Hm, well, I was just passing along his recommendation.”
Mikey hums. There’s still a bit of a wheeze from breathing through a stuffy nose, but he sounds like he’s stopped crying.
“Hey, Donnie?”
“Yeah?”
“Love ya.”
“I love you, too.”
Sleep doesn’t find Donnie that night. But it finds Mikey, and he considers that a win.
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