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#icons kc cooper
abcwordsurge · 4 months
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Sorry for bombarding you with asks, especially about the cities. i just really value ur input and i wanna here what you think.
Another thing that has been treating the mind muscle like a trampoline is Texarkana (and all the other border cities). Like, okay if we have established relationships would it be hella awkward? And if you see the cites as the states kids you have to think about the co-parenting situation. Do you think some of them would have pulled a milk and cigarettes and dipped, sending birtday cards w 5 dollars in it every other birthday?
Firstly, don't apologize, I like the asks! (and thank you, you're too kind)
So for the sake of the entertainment value, let's say that cities are indeed the states' kids, and border cities are the kids of both of the states they're in between.
As for the parenting situation, it's probably a case by case situation, y'know? Like, on one end of the spectrum, there's Toledo, who's Michigan and Ohio's kid, and is parented by Ohio because of a long and violent court case over custody. (But Michigan still loves them, and he visits when Ohio's out of town.)
And the opposite of that is Union City, in between Ohio and Indiana, and as the name suggests, the parenting situation is way more peaceful there. I mean, I don't think Ohio and Indiana are in a relationship (*cough* anymore *cough*), but they like each other as friends and their parenting styles work well together (maybe I'll make a post about that later).
But I mean, be real, most of these border cities have situations closer to Toledo's. Like, think about Kansas City, the iconic Kansas Jr, who's definitely Kansas's kid (as in, they have a lot of similar traits and interest as Kansas) but they live with Missouri, their other dad, who's very protective of them. I think Kansas was probably an absent father when KC was first brought into existence- hence, why Missouri is so defensive of KC- but he's trying to get better and be more involved in KC's life, and who is Missouri to stop him? It's a bit tense between the two, but KC's a sweet kid and they keep their dads from fighting each other. (I keep going back and forth between whether Kansas and Missouri's relationship would be platonic or romantic in this AU. Whatever your heart desires, I suppose.)
And of course I can't talk about border cities without talking about Texahoma. I mean, just imagine the nightmare that parenting situation would be. Actually, cool idea: a romcom slow burn between Texas and Oklahoma, where it's declared that they would have joint custody over Texahoma, and they're forced to cooperate so Texahoma can have a good childhood, and they eventually fall in love. That could be something.
Ok, you mentioned Texarkana specifically, so I'm gonna assume you have thoughts on them. I'm gonna be real with you, I don't know anything about Arkansas? So I don't know whether he'd be a good parent or not, or what his relationship with Texas would be. Sorry :/ If you want to talk about what you think about Texarkana, though, I'm always here to listen!
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usafphantom2 · 2 years
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VIDEO: B-1 bomber in reverse flight at Edwards Air Base
Fernando Valduga By Fernando Valduga 10/21/2022 - 12:00 at Air Shows, Military
B-1B Lancer bomber during inverted flight at Edwards Air Base. (Photo: Bernardo Malfitano / Cavok Brazil)
A U.S. Air Force B-1B Lancer bomber was captured in image and video during an inverted flight during a recent air show at the iconic Edwards Air Base in California.
The aircraft made a low passage over the base and on the ascent performed an "aileron roll", when it was captured in reverse flight.
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This type of maneuver performed by B-1 is not unprecedented. It has been done before, especially at previous air shows at Edwards Air Base, but it is still amazing to see.
Unfortunately, moments like these will become rarer in the next decade as the B-1 bomber with variable geometry wings should be retired in the coming years.
Tags: AirshowMilitary AviationB-1B LancerUSAF - United States Air Force / US Air Force
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Fernando Valduga
Fernando Valduga
Aviation photographer and pilot since 1992, he has participated in several events and air operations, such as Cruzex, AirVenture, Dayton Airshow and FIDAE. It has works published in specialized aviation magazines in Brazil and abroad. Uses Canon equipment during his photographic work in the world of aviation.
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disneypsd · 3 years
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Icons: K.C Cooper
Like or reblog if you use/save, please. ☃️
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iconzendaya · 5 years
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like if you save
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ocstxff · 2 years
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like/reblog or cr @itslevious
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mrswinchestxr · 3 years
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zendaya coleman icons
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like or reblog if u save :)
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simpleedits · 4 years
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𝐾.𝐶. 𝐼𝐶𝑂𝑁𝑆, 𝐿𝐼𝐾𝐸/𝑅𝐸𝐵𝐿𝑂𝐺♔
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suspiriaedits · 4 years
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Zendaya icons 
━ like if you use or save.
━ give credits on twitter to @calkestistan
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illuvgirl · 5 years
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mculayouts · 5 years
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KC Cooper icons (5). fave if you save/use. Credits are not needed, but appreciated. Twitter: @hollandsimpkins.
PSD: psd1278 by l-agallerrie.
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kodzusken · 4 years
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Ah yes we both have Disney icons, mine is Maya Hart, your is KC Cooper😆
yess i love kc and maya
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disneypsd · 3 years
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Headers: K.C Cooper
Like or reblog if you use/save, please. ☃️
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iconzendaya · 5 years
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like if you save
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ocstxff · 2 years
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like/reblog or cr @itslevious
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berlysbandcamp · 3 years
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IG Culture’s LCSM “Likwid Continual Space Motion” releases 18 track LP and theatre soundtrack Earthbound on Super-Sonic Jazz Records. With last year’s ‘EP1’ release on the Super Sonic Jazz label, broken beat icon IG Culture introduced the world to the afro-futuristic and forward-thinking jazz of LCSM “Likwid Continual Space Motion”. Now, the UK pioneer kicks off the new decade by expanding on the project with a full-fledged album entitled Earthbound. The interstellar instrumentals blur borders between funk, soul and space-age jazz, while maintaining the signature ‘London Bruk Boogie’ sound IG Culture is recognised for. The album also serves as a score for the accompanying science fiction theatre production that goes by the same name. Earthbound delicately propels listeners out of orbit and into the vastness of space. The conveying message behind the album is based on the work of author Zecharia Sitchin, who translated ancient Sumerian tablets that explain the origins of humans. The story revolves around the ancient people of Nibiru who return to earth, only to discover that the humans they had once passed down their knowledge are now living in a world of chaos. LCSM translates this esoteric journey by using intergalactic live jazz fusion. The resulting collage is a melange of live sax, alternating percussions sessions, Sun-Ra like piano lines, and otherworldly synth sessions. Produced in cooperation with Saido Lehlouh, Johanna Faye and Summer Dance Forever Amsterdam, Earthbound sees IG Culture team up members from the London artist collective Steam Down, Alex Phountzi of Selectors Assemble (Bugz In The Attic), and Rhythm Section’s Neue Grafik. Collectively, the hive mind creates a holistic listening experience, to be enjoyed both on and off the dancefloor. IG Culture is one of the most important protagonists of the UK’s broken beat jazz scene. Having set up the legendary CoOp night at Plastic People, he’s also the man behind CoOp Presents and Selectors Assemble. IG Culture is no stranger to Super-Sonic Jazz, having released an homage to Sun Ra on KC The Funkaholic first imprint, Kindred Spirits back in 2003. With three decades worth of prolific production nuance, Earthbound is the next challenge in the IG Culture’s legacy, an idea that was spurned on and encouraged by Super Sonic Jazz central figures KC The Funkaholic and brothers Vincent and Siemen Tenzer. With the theatre production making its debut late 2020, the full soundtrack and LP sees its release on June 15th.
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theinvinciblenoob · 6 years
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If you are a woman who has used the internet to buy something, particularly if you are a woman who has used the internet to buy something in the Bay Area, there’s a very high likelihood you have seen ads for Rothy’s everywhere you go on social media, particularly Facebook. In fact, they’ve likely been following you for years. The reason: spending big on Facebook and, to a slightly lesser extent, Instagram, has paid off hugely for the three-year-old, San Francisco-based company, which makes shoes out of recycled materials.
Its signature product is its ballet shoe for women, which comes in two silhouettes — a rounded and a pointed-toe version — and 21 patterns. But like most e-commerce brands, Rothy’s hasn’t been content to stop with one apparently winning product. Instead, earlier this year, the company introduced a woman’s loafer, followed by a line of shoes for girls ages five through12 that mirror its ballet shoe line for grown-ups.
Today, it’s extending its product line again, introducing what it calls a sneaker, though it’s really a sneaker in as much as Vans classic slip-on skateboarding shoes are sneakers. In short, they’re fun and colorful, but you probably don’t want to play basketball in them.
A year ago, to learn more, we talked with Rothy’s cofounders Roth Martin and Stephen Hawthornthwaite about the company, which has so far raised just $7 million in funding — all of which closed last year. Yesterday, we chatted with a newer executive at the company, Kerry Horton Cooper, who joined Rothy’s president earlier this year after working previously as the COO an CMO of ModCloth and as a VP at Walmart.com, among other roles. We asked if Rothy’s is raising another round any time soon. She also caught us up on what else is happening at the startup, which has now grown to 500 employees, including 450 who work out of the company’s own, 100,000-square-foot factory in Southern China.
TC: Rothy’s is a hot brand. Will we see another round close in 2018?
KC: We haven’t raised anything beyond that one institutional round that closed last summer. We’re profitable and cash-flow positive, unlike a lot of other [newer brands] so that hasn’t been an urgent issue, though it’s something we entertain as we think about what’s strategically important.
TC: How many shoes has Rothy’s sold?
KC: We don’t disclose that, but in May, we passed what we’d sold in all of 2017, and our sales in 2017 were probably 1,000 times the sales were generated in 2015. I think we clearly have product-market fit.
TC: You introduced some newer products earlier this year — a loafer and a kids’ line of shoes. Why?
KC: The durability and washability of our shoes appeals to a lot of people and to a lot of parents, some of whom especially enjoy the mommy-and-me look. The shoes are also easy to dress up and dress down, though it’s still a small part of our business.
TC: Are Rothy’s shoes still available exclusively through your website? 
KC: We also opened a store on San Francisco’s Fillmore street in May, an old cobbler’s store that we restored.
TC: Is that the first step to more stores in more cities?
KC: There are obvious other markets like New York and Washington and Boston — heavy transit cities. There’s probably a little more opportunity as we think of more locations here (in California). But we want to be measured in how we approach this to ensure the retail strategy is sustainable.
TC: Rothy’s has its own factory in China but I assume you are past the point of making your shoes to order.
KC: We aren’t doing made to order. There are core colors that we always want to have in stock, and we’re pretty clear about just how much we need to make. When it comes to newer colors, we have a supply chain we can chase. We’ll launch some things on a Thursday and basically, by the next day, we can tell what the winners are. We also produce limited runs of shoes to surprise and delight people visiting the store. We’ve played with embroidery, for example.
TC: Why introduce slip-on sneakers, too?
KC: It’s kind of an iconic stye that we’ve been watching for a while but we wanted to wait to introduce to get the right fit and appearance first, especially because we don’t have laces to make the fit right. But these, too, are made from all recycled materials. They’re machine washable. They also have a foam wedge that provides more cushioning.
TC: Has Rothy’s marketing strategy changed at all? Judging by my Facebook feed, it has not.
KC: Social media continues to be a really important channel for us, though the largest channel is word of mouth. It’s a very distinctive-looking shoe, so people stop and ask people about them, which increases returns as more people wear them. But Facebook and Instagram are the biggest drivers. On Instagram, our customers send us more beautiful photography than we could do ourselves and we’ve leveraged that. We’ve also dabbled with influencers, though less at the Kardashian level and more around interesting women with interesting style who other women look up to.
via TechCrunch
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