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diamarian-art · 2 years

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“All in your head II” 2022 oil on canvas 24x24 in

with close up details

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robster2016 · 4 days

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Wyvern’s Mirage

I am Dr. Alexandre R. Duval, with a PhD in Art History and Criticism from La Sorbonne. I’ve spent decades studying the evolution of art movements, with a particular interest in the cross-pollination between European and non-Western art forms. My passion lies in exploring the narrative potential of visual arts and the symbiosis between historical techniques and contemporary expression. I’ve been a…

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#Art Nouveau #Color Contrast #Contemporary Art #Dynamic #Emotional Impact #expressionism #Fauvism #Impasto Technique #Mythical Beasts #mythology #Surrealism #Symbolism #Visionary Art #Vivid Colors

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artisticdivasworld · 6 months

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Acrylics: Why They Shine Above Other Art Mediums

So far in this series, we have looked at the art medium of pastels here. The History of Acrylics Now let’s explore using acrylics as a painting medium. First, let’s talk briefly about the history of acrylic paint. It was originally created in 1934 in the hopes of finding a cheaper and safer way to apply paint to cars, but it was not until 1940, however, that the paint we know today was actually…

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olenaart · 3 months

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“Vivid Blooms in 3D.” This textured painting of flowers uses a thick impasto technique to bring the blooms to life in a three-dimensional way. The vibrant, rich colors and pronounced shadows and highlights create a truly unique and tactile representation of floral beauty. It was a joy to create and I hope it brings joy to those who view it.#3D #3Dflowers #artcommission #artcommissions #art #texturedart #texture #paletteknifepainting #3dflower #sculptureart #OLenaArt #painting #floral #floral art #floralpaintings #smallpainting #floralpainting #artfinderflorals #abstraction #floralartwork #reliefart #reliefpainting #reliefpaintings #texturedart #sculpturepainting #paintingofflowers 🌿🌸🎨🌿🌸🎨 https://fineartamerica.com/featured/vivid-blooms-in-3d-olena-art.html @FineArtAmerica @FineArtAmerica @FineArtAmerica https://www.olenaart.org/workszoom/5487318/vivid-blooms-in-3d#/ @FASO https://www.artfinder.com/products/vivid-blooms-in-3d/preview/#/ @Artfinder

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art-h · 1 year

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For this week we are looking to respond to our chosen techniques. For this I chose to look at impasto with oil pastels. I composed the first photo as the subject for part one of my diptych response. I purposefully chose accentuate the colours in view, making bold choices with how to portray the different browns of the woods involved.

Working on an A3 sheet and working with Pentel Oil Pastels, I chose yellows and beige to colour the foreground and really making the charcoal mark on the wood stand out by design. For a bit of fun, while I was eating lunch, I also noted how the foreground was shaping to be the same colour as egg yolk, so I smeared some egg yolk in amongst the oranges in the foreground. Impasto is created by use of lots of small marks to create a layered look to pictures, while I found this process time consuming, I also found myself being hypnotized by the process and falling out of space and time. I imagined if this is why Van Gogh used this process. I was overwhelmed with pride when I put down my pastels and saw the finished image. I have since sent the below scan to the printmaking department to be lasered onto a zinc plate for making prints at a later date.

Following on from this success, I was inspired to utilise the photo day on Thursday to use the studio time to capture myself in clothes similar to Van Gogh for a base image for a self portrait inspired by "Self portrait with a straw hat" I referenced in my Van Gogh research post.

I dressed up a bit by using a deep royal blue coat and straw hat of my own in homage to Van Gogh and created the below self portrait, using impasto again.

I tried to use varying shades of blue in the coat, to capture where the light fell and used purple to accentuate where parts of the fabric overlapped to the eyes. I found oil pastels very difficult to capture my eyes though, I found myself going over them time and again trying to perfect them. I showed the finished piece to another set of eyes and they said a viewer can clearly tell it is supposed to be me. I used spirals in the backdrop to represent fleeting thoughts and again, in homage to Van Gogh's own use of them in some of his other self portraits. I briefly presented it to some of my group and asked for critique on my self impression I strongly feel that in time, I will come back to this and try again as Van Gogh did.

#falmouthify #drawing #van gogh #pentel oil pastels #impasto #technique #nervous #anxious #hopeful

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g-h-o-s-t-2000 · 6 months

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Jackson Pollock, American painter (1912-1956)

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artshoppingtoday · 1 year

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Vibrant Colors for Home Decor

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fudgecake-charlie · 12 days

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"rebelle painter has an in depth brush engine to simulate traditional painting techniques" is all well and good until you only use your digital painting method. at least the impasto is really pretty

#hi IRL if you see this i PROMISE i am going to start the commission i am just so procrastinationpilled #hermitcraft #goodtimeswithscar #hermitcraft s10 #at least it's trying to be?? i kinda saw the leather get-up again and gave him leather chaps as i blacked out (/d)#if the quality is weird in some places blame the fact that i'm new to rebelle and the fact that i shrank the canvas down a lot to stop lag #this program is slightly a nightmare but i will get used to it... i will brave it for such nice textures #art out the oven #[scheduled]

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atalienart · 4 months

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@ianwaite replied to your post “Does Al also make you paranoid? Look at this...”:

Why do you assume that AI artists are not interested in their cause? What do you think of digital art?

There are no Al artists, there are Al prompters. If you've ever been interested in something then you must know that the object of your interest is what really counts. You want to know more about it, you want to fully experience it. You want to be a writer, you sit and write, you develop your skills, find new techniques of writing and telling stories through written words. If you don't want to write, you're not a writer. You can tell stories but that doesn't mean you're a writer. You can have ideas but that doesn't make you a writer. If you tell another person or a machine to write you something you're not a writer. If someone else composes words for you, you're not a writer. You are not a carpenter when you tell a machine to make you a table in a rococo style. You're not interested in carpentry, you just want a table and want people to clap saying "wow, what a beautiful table, you're such an amazing carpenter" and then to buy it. This is what they're interested in. Al prompters are interested either in the technical aspects of Al, or the final "product" that can give them money or a pat on the back, or a short lasting pleasure of seeing their wife's head on a supergirl body. Tell me the difference between prompting and image searching? There is none.

What do I think about digital art? It's great and beautiful. Graphic programs artists use are another medium. Graphic programs don't lead your hand, don't magically pop images like Al. You draw lines with a stylus on tablet the same way you draw with a pencil on paper. Every medium has different properties. With oil paints you can do impasto paintings, watercolours react beautifully with water, Clip Studio allows you do draw on layers. There is no dark magic but Al prompters see a sped up, edited screen recording of a digital art proces and they think the drawing magically appears on screen without a physical input of the artist. They don't see work, just pats and some "product". I love digital art because it allowed me to share my art with other people much easier. I admire digital artists who can create amazing art pieces. I hope they won't give up when Al people constantly steal from them.

#q&a

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tofupixel · 28 days

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im sure youve been told this before but you have a wonderful way of making your art seem as textured as one of those oil paintings where the artist slapped on the paint thick as hell to create shadows and indents and things. ive never seen that in pixel art before and its so eye catching!!

thank you very much !! since talking about impasto technique i really want to show off a mutual makrustic who does it amazingly :=3 the greatest

#qna #pixel art

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thedreadvampy · 2 years

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every so often I see GIFs of the van Gogh episode of doctor who on my dash and I'm not gonna lie I hate that episode for reasons unconnected to my ongoing vendetta against Moffat era Who

bc like. there's some stuff about the mawkish popular depiction of Tortured Genius van Gogh but for me. and this is incredibly petty. it's the way that the concept of the episode is 'He Saw Things Differently, Literally, It Looked Like His Paintings'

hate it. hate it hate it hate it. he was a creative person working in an expressionist and advante garde art scene. it's so. diminishing. to the fact that he was making deliberate stylistic decisions in how he represented stuff and they were good decisions. it's not. gah. it's embarrassing bc I know It's A Story but this stuff gets up my nose so much, I think it's the autism. all the 'he saw the world differently bc X and that's why his paintings looked like that' HIS PAINTINGS LOOKED LIKE THAT BECAUSE HE SPENT HIS LIFE WORKING ON DEVELOPONG AN EXPRESSIONISTIC STYLE THAT CAPTURED AN ESSENCE NOT A VISUAL REALITY

tbh this is also an objection I have to Hannah Gadsby's van Gogh bit where she says his meds have a known side effect of making yellows more vibrant. maybe they did for him and maybe they didn't but that's not why his sunflowers are so bright and lively. they're bright and lively because he painted literally hundreds of them trying to capture the thing that made them beautiful and exciting to him, which I'm going to guess has a lot to do with them being bright and lively and energetic and sunny. he painted the wind in the trees and he used swirling lines because he wanted to capture the sense of motion, not because aliens put a swirly filter on his vision.

you don't need to EXPLAIN why van Gogh painted the way he did by finding ways his vision was altered by magic or drugs or madness. he made artistic decisions. because he was a devoted artist who spent his life focusing on obsessively figuring out how to capture something he wanted to get across about a scene. he used loose expressive brush strokes and impasto techniques not because he saw something nobody else saw, but because, and I cannot stress this enough, he was working at a time when finding less detail-orientated and more holistic ways of representing a multi-sensory experience was what the cutting edge of European art was fascinated with. and he was hanging out with other painters, and he was actively interested in the wider European art scene. it's a conscious fucking choice! he wasn't some sort of passive vessel for Genius Ideas he was a guy who focused single-mindedly on exploring and developing the limits of his painting. HE MADE DECISIONS.

#red said

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diamarian-art · 2 years

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“Carry On” 2022 oil on canvas 24in x 18in Exhibition ongoing at Meatspace Web3 Art Gallery (@meatspacew3) ---- The Grand Opening show of Meatspace Gallery is themed as the “Meat Market”. 📌ABOUT THE SHOW 📌 meatspace / (ˈmiːtˌspeɪs) / the physical world, as opposed to cyberspace or a virtual environment. Let's make this as dope as possible. You all have heard about our infamous word, “meat,” right? And you all are probably wondering what in the world it means. Well, listen up, we gave the word ‘meat’ a more in-depth meaning similar to the flesh, which refers to a person's or an artist's extensive inner existence. For example, what makes a person whole, like their concepts, works, perspectives, and so on. Therefore, the meat market is basically full of everyone’s concepts, works, and perspectives that are unified or one through art. Our Grand Opening exhibition is chopped into three sections: market A, market B, and market C. Market A is made up of many conventional artists who express themselves artistically via tangible things such as paints and canvases. Market B and C are made up of various digital artists that express their creative thoughts via the use of digital art and the application of great concepts from Web3 technology, which gives you complete ownership of that item even if it is in the digital world. So, with open arms, we welcome you with these two sorts of experiences at our Meatspace Art Gallery, where you can also see our featured artist in Market C. Market A: Physical Paintings Market B: Web3 Digital Pieces Market C: Web3 Featured Artists Disclaimer: The poster Layout idea is inspired by the great minds of DHNN, an independent visual-communication studio established by Lucas Davison and Juan Crescimone in 2008.

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pmamtraveller · 6 months

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DOUBLE PORTRAIT (1986) BY LUCIAN FREUD

LUCIAN FREUD, renowned as one of the foremost portrait painters of the 20th century, is renowned for his expressive neo-expressionist style. This BRITISH artist was renowned for his use of animals in his portraits, such as in his DOUBLE PORTRAIT.

The painting depicts his daughter sleeping, one hand shielding her eyes, the other stretched out in front of her, while her companion, a dog, rests its head on her outstretched arm. The artist paints both figures with the same intensity, their bodies merging, their limbs entwining, and reverberating.

He used impasto technique to paint the canvas, depositing the paint densely onto the canvas. He frequently cleaned his brush after each application, allowing the colour to remain consistent.

He also required the sitter to dedicate a significant amount of time to the sessions, which were analogous to his grandfather SIGMUND FREUD’S psychoanalysis. LUCIAN FREUD’S goal is to bring his direct perception to the drawing board, resulting in delicate, candid, and intricate canvases.

#double portrait #lucian freud #contemporary art #contemporary artist #modern art #expressionism #surrealism #realism

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yoannlossel · 1 year

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[ENGLISH]

I am pleased to announce a collaboration with L'Atelier d'Offard, a world-renowned manufacturer from France (Tours). They have honored me by adapting one of my designs into wallpaper (and it is now officially available). As an admirer of William Morris' work, I couldn't have dreamed of anything better.

Atelier d’Offard perpetuates the know-how required for creation of hand blocked wallpapers as produced by the great factories of the 18th and 19th centuries. Specialized in the reproduction of old wallpapers but also in the contemporary creation, the manufacture works for a great number of prestigious places. We had the pleasure of discovering their work in 2018, in Florence, Italy, when we visited the magnificent Officina profumo-farmaceutica di Santa Maria Novella.

[FRANCAIS]

J'ai le plaisir d'annoncer une collaboration avec L'Atelier d'Offard, une manufacture tourangelle au savoir-faire mondialement reconnu. Celle-ci me fait l'honneur d'adapter un de mes motifs en papier peint (et il est désormais officiellement disponible). En admirateur de l'œuvre de William Morris, je ne pouvais rêver mieux.

Atelier d’Offard perpetuates the know-how required for creation of hand blocked wallpapers as produced by the great factories of the 18th and 19th centuries. Specialized in the reproduction of old wallpapers but also in the contemporary creation, the manufacture works for a great number of prestigious places. We had the pleasure of discovering their work in 2018, in Florence, Italy, when we visited the magnificent Officina profumo-farmaceutica di Santa Maria Novella.

[ENGLISH]

I created the "Thistles & Stars" pattern in 2021, for the endpapers of my book Forgotten Gods. It is a motif that evokes the theme of my book and links the vegetal interlacing with celestial symbols. "Thistles & Stars" is a contemplation of the sky from the forest, a pattern that brings earth and sky together to accompany reverie.

[FRANCAIS]

J'ai créé le motif "Thistles & Stars" en 2021, pour les pages de garde de mon livre Forgotten Gods. Ce motif évoque le thème de mon livre et associe les entrelacs végétaux aux symboles célestes. "Thistleles & Stars" est une contemplation du ciel depuis la forêt, un motif qui réunit la terre et le ciel pour accompagner la rêverie.

[ENGLISH]

To create this wallpaper, Atelier D'Offard uses the beautiful traditional technique of hand block printing: The paper is made especially for the Atelier d'Offard. It is first painted - background coating - using large silk brushes (respecting this ancestral gesture guarantees the pictorial qualities of their wallpapers). The paints used are made from natural pigments and binder (rabbit skin glue), the colors respect the principles of conservation and give the wallpapers brightness and mattness. Then, printed repeat after repeat, and possibly color after color, the "Thistles & Stars" pattern is painted by applying the board with a manual press. The pictorial layers are thus deposited, giving the finished product the material, the impasto and the chromatic richness that allow it to bear the true name of wallpaper.

[FRANCAIS]

Pour créer ce papier peint, l'Atelier D'Offard utilise la très belle technique traditionnelle de l'impression à la planche : Le papier est fabriqué spécialement pour l’Atelier d’Offard. Il est d'abord peint – couchage de fond – à l’aide de grandes brosses de soie (respecter ce geste ancestral garantit les qualités picturales de leurs papiers peints). Les peintures utilisées sont fabriquées à partir de pigments naturels et de liant (la colle de peau de lapin), les couleurs respectent les principes de conservation et confèrent aux papiers peints éclat et matité. Puis, Imprimé raccord après raccord, et éventuellement couleur après couleur, le motif "Thistles & Stars" est peint par application de la planche sur presse manuelle. Les couches picturales sont ainsi déposées en donnant au produit fini la matière, les empâtements et les richesses chromatiques qui lui permettent de porter le véritable nom de papier-peint.

[ENGLISH]

It is now possible to order the wallpaper "Thistles & Stars" by contacting the manufacture (Please read the details below):

[email protected]

In order to harmonize this wallpaper with your interior, you have the possibility to select the background color as well as the color of the pattern (or several colors). The wallpaper is delivered in rolls of 50cm/10m, at a price of 294€/roll (one background colour plus one pattern colour). It is necessary to order a minimum of 3 rolls when ordering, that is to say 15m² (the technique used requires great care, calibration phases and tool changes. Therefore, during the production phase, it is preferable to make a large yardage). Here is a sample of what the company sent me. My first love is the burgundy and gold version, as I originally conceived this design, but I really like the blue / gold, red / gold and the plum / gold / purple version that I discovered.

[FRANCAIS]

Il est désormais possible de commander le papier peint "Thistles & Stars" en contactant la manufacture (Veuillez, s'il vous plaît, lire les détails ci-dessous):

[email protected]

Afin d'harmoniser ce papier peint avec votre intérieur, vous avez la possibilité de sélectionner la couleur du fond ainsi que la couleur du motif (ou plusieurs couleurs). Le papier peint est livré en rouleaux de 50cm/10m, au prix de 294€/rouleau (une couleur de fond et une couleur de motif). Il est nécessaire de commander un minimum de 3 rouleaux lors de la commande, soit 15m² (la technique utilisée nécessite une grande minutie, des phases de calibrage et des changements d'outils. C'est pourquoi, lors de la phase de production, il est préférable de produire un grand métrage). Voici un échantillon de ce que l'atelier m'a envoyé. Mon premier coup de cœur est la version bordeaux et dorée, tel que j'avais originellement conçu ce design, mais j'aime beaucoup la version bleu / doré, rouge / doré ainsi que le prune /doré / violet que j'ai pu découvrir.

[ENGLISH]

Thank you to L'Atelier d'Offard for this collaboration, I am delighted to work with a manufacturer of this quality.

[FRANCAIS]

Merci à L'Atelier d'Offard pour cette collaboration, je suis enchanté de travailler avec une manufacture de cette qualité.

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olenaart · 2 months

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“Impasto Wildflower Symphony” https://www.artfinder.com/product/impasto-garden-symphony-c9865/ A Lively Meadow in Colorful Relief

Impasto Garden Symphony

Step into the vibrant and textured world of “Impasto Wildflower Symphony”, an enchanting artwork that celebrates the exuberance of a blooming meadow. This three-dimensional masterpiece bursts forth with expressive character, capturing the essence of nature’s joyous field.

Key Features:

Impasto Technique: The artist skillfully employs thick impasto strokes, breathing life into the vivid flowers. Each brushstroke adds dimension, making the scene dynamic and captivating.

Rich Palette: Reds, pinks, yellows, purples, and blues intermingle harmoniously, mirroring the riotous hues of a sun-kissed meadow.

Textured Delight: Dabs and splatters of paint create a tactile experience, inviting viewers to explore the wild growth of the landscape.

Three-Dimensional Wonder: The canvas comes alive, inviting you to immerse yourself in the blossoming beauty.

Don’t let this unique and captivating artwork slip away. Add “Impasto Wildflower Symphony” to your collection and revel in the expressive nature of a flourishing meadow. 🌸🎨🌿 #texture #colourful #acrylic #canvas #vibrant #relief #pallet knife #artwork #painting #wildflowers #meadow #impasto #colorful #vibrant #dynamic #expressive #nature #texture #blooming #richpalette #three-dimensional #joyousfield @Artfinder @ArtRepublic

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seaquestions · 1 year

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refractive belief

[ID: a digital painting of a street in nighttime with three streetlamps & two cars in the distance, their lights making big red and white streaks. in the bottom right is a diagram of an eye with light going inside. the style is inspired by impasto techniques. in the top left is text that reads:

"red and white streaks of light, in the cold dark of night, uniquely bright, every divine street halo, shimmering rainbow, beams stretch far above and below. squint and they flood the sky, then sink down into wet roads, eyes wide and they almost disappear. in pairs and rows, from heaven to eye, it seems the angels are here."

the colour palette of the whole piece is mostly shades of magenta & blue/cyan. End ID]

#niksartstuffs #personal art #poetry #illustration #artists on tumblr #idk i just wanted to make art that wasnt 3/4 person with hand on hip for the nth time this week dfsgdf #had a lot of fun! rec. trying out these brushes. thickpaint expansion & impasto on the asset store

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