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#in a group full of queers mind
bitchkay · 1 year
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"Did you just she/her me?😕" Me asking if someone still perceives me as a woman because I'm offended they misgendered me.
easy to get over
"... you think I'm lying when I say your attractive..?😕" Me being offended that someone dosen't still perceive me as a woman because I have a crush on them and they imply that their straight and I have mixed feelings because yes you did gender me correctly and I love you for it but that means you're not attracted to me because I'm not straight or a woman.
i'm in shambles
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clintbartoncore · 7 months
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I’m starting a rumor that Clint originally gave Coulson a chance as his handler because he was the first senior officer he got assigned to who was also queer. Clint wasn’t being recalcitrant when he was acting like a rebellious little shit for all his other handlers, he was being heterophobic.
#jokes on Clint though because he wouldn’t have fallen in love with any of his straight handlers#.txt#in this scenario in my mind Coulson is gay and Clint has been a freewheeling bisexual since before he realized that#not all people were attracted to other kinds of people than the opposite sex#he had no awareness of homophobia bc nobody took the time to teach it to him :(#the group home was like one of those mythical boarding schools where puppy piles were a regular thing#At first his behavior strikes Phil as macho posturing and so Phil puts his sexuality front and center ('Barton most people#don’t care enough to know this and I don’t tend to advertise it but I’m gay. Tell me now if that’s going to be a problem for you.’)#thinking that it will get Clint off his hands and stop Phil from having to deal with his misbehavior#jokes on Phil though because Clint just gets excited and doubles down. ('Hey! another queer person in this stodgy gvt org!')#Also in my heart of hearts I believe that SHIELD is predominantly a place for weirdos and outcasts for one reason or another so#it’s chock full of queer people. but in this scenario I like the idea of it being 50/50 paramilitary (and therefore v straitlaced and#heteronormative) and half discreet queer people with their own established in-organization subculture#obviously Phil introduces Clint to the rest of the subculture. he starts with just a few people who are okay with being outed until he’s#sure that Clint isn’t pranking him#clintcoulson#phlint#the joke is on both of them actually for thinking that homophobia in any direction could shield them from anything at all
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astriiformes · 1 year
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Me, gritting my teeth as I do my best to ignore the fact that I have been battling my own brain particularly intensely (a mental health crisis that is ongoing, due to life circumstances that cannot be changed) and the many other responsibilities that have been stressing me out as of late so I can instead throw myself into the middle of a complex, inflammatory conflict between two groups I care about that is threatening to have a horrific amount of emotional collateral in part due to the fact that no one else has been willing to step up as a mediator: Wow, just like in Pentiment
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cookinguptales · 1 year
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So I’ve been enjoying the Disney vs. DeSantis memes as much as anyone, but like. I do feel like a lot of people who had normal childhoods are missing some context to all this.
I was raised in the Bible Belt in a fairly fundie environment. My parents were reasonably cool about some things, compared to the rest of my family, but they certainly had their issues. But they did let me watch Disney movies, which turned out to be a point of major contention between them and my other relatives.
See, I think some people think this weird fight between Disney and fundies is new. It is very not new. I know that Disney’s attempts at inclusion in their media have been the source of a lot of mockery, but what a lot of people don’t understand is that as far as actual company policy goes, Disney has actually been an industry leader for queer rights. They’ve had policies assuring equal healthcare and partner benefits for queer employees since the early 90s.
I’m not sure how many people reading this right now remember the early 90s, but that was very much not industry standard. It was a big deal when Disney announced that non-married queer partners would be getting the same benefits as the married heterosexual ones.
Like — it went further than just saying that any unmarried partners would be eligible for spousal benefits. It straight-up said that non-same-sex partners would still need to be married to receive spousal benefits, but because same-sex partners couldn’t do that, proof that they lived together as an established couple would be enough.
In other words, it put long-term same-sex partners on a higher level than opposite-sex partners who just weren’t married yet. It put them on the exact same level as heterosexual married partners.
They weren’t the first company ever to do this, but they were super early. And they were certainly the first mainstream “family-friendly” company to do it.
Conservatives lost their damn minds.
Protests, boycotts, sermons, the whole nine yards. I can’t tell you how many books about the evils of Disney my grandmother tried to get my parents to read when I was a kid.
When we later moved to Florida, I realized just how many queer people work at Disney — because historically speaking, it’s been a company that has guaranteed them safety, non-discrimination, and equal rights. That’s when I became aware of their unofficial “Gay Days” and how Christians would show up from all over the country to protest them every year. Apparently my grandmother had been upset about these days for years, but my parents had just kind of ignored her.
Out of curiosity, I ended up reading one of the books my grandmother kept leaving at our house. And friends — it’s amazing how similar that (terrible, poorly written) rhetoric was to what people are saying these days. Disney hires gay pedophiles who want to abuse your children. Disney is trying to normalize Satanism in our beautiful, Christian America. 
Just tons of conspiracy theories in there that ranged from “a few bad things happened that weren’t actually Disney’s fault, but they did happen” to “Pocahontas is an evil movie, not because it distorts history and misrepresents indigenous life, but because it might teach children respect for nature. Which, as we all know, would cause them all to become Wiccans who believe in climate change.”
Like — please, take it from someone who knows. This weird fight between fundies and Disney is not new. This is not Disney’s first (gay) rodeo. These people have always believed that Disney is full of evil gays who are trying to groom and sexually abuse children.
The main difference now is that these beliefs are becoming mainstream. It’s not just conservative pastors who are talking about this. It’s not just church groups showing up to boycott Gay Day. Disney is starting to (reluctantly) say the quiet part out loud, and so are the Republicans. Disney is publicly supporting queer rights and announcing company-supported queer events and the Republican Party is publicly calling them pedophiles and enacting politically driven revenge.
This is important, because while this fight has always been important in the history of queer rights, it is now being magnified. The precedent that a fight like this could set is staggering. For better or for worse, we live in a corporation-driven country. I don’t like it any more than you do, and I’m not about to defend most of Disney’s business practices. But we do live in a nation where rights are largely tied to corporate approval, and the fact that we might be entering an age where even the most powerful corporations in the country are being banned from speaking out in favor of rights for marginalized people… that’s genuinely scary.
Like… I’ll just ask you this. Where do you think we’d be now, in 2023, if Disney had been prevented from promising its employees equal benefits in 1994? That was almost thirty years ago, and look how far things have come. When I looked up news articles for this post from that era, even then journalists, activists, and fundie church leaders were all talking about how a company of Disney’s prominence throwing their weight behind this movement could lead to the normalization of equal protections in this country.
The idea of it scared and thrilled people in equal parts even then. It still scares and thrills them now.
I keep seeing people say “I need them both to lose!” and I get it, I do. Disney has for sure done a lot of shit over the years. But I am begging you as a queer exvangelical to understand that no. You need Disney to win. You need Disney to wipe the fucking floor with these people.
Right now, this isn’t just a fight between a giant corporation and Ron DeSantis. This is a fight about the right of corporations to support marginalized groups. It’s a fight that ensures that companies like Disney still can offer benefits that a discriminatory government does not provide. It ensures that businesses much smaller than Disney can support activism.
Hell, it ensures that you can support activism.
The fight between weird Christian conspiracy theorists and Disney is not new, because the fight to prevent any tiny victory for marginalized groups is not new. The fight against the normalization of othered groups is not new.
That’s what they’re most afraid of. That each incremental victory will start to make marginalized groups feel safer, that each incremental victory will start to turn the tide of public opinion, that each incremental victory will eventually lead to sweeping law reform.
They’re afraid that they won’t be able to legally discriminate against us anymore.
So guys! Please. This fight, while hilarious, is also so fucking important. I am begging you to understand how old this fight is. These people always play the long game. They did it with Roe and they’re doing it with Disney.
We have! To keep! Pushing back!
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libraford · 10 months
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Now that I work with a bunch of homophobes, I feel the weight of being a 'one of us.'
"Why are women so --- oh but not you, you're different."
"Why are gays so--' but you're not like them, you're more like us."
Krusty The Bird Killer rants for five minutes about black women being 'sluts that all have eight kids with different fathers because they'll lay with anything that moves,' and then talk sweet to our secretary, a black woman in her 40s who doesnt seem to count as a black woman when he's ranting.
I've been trying to put words to this behavior for awhile now. And I think it just comes down to 'us vs them.'
I showed up to work in a cowboy hat and work boots, wasnt afraid of the men's room, and lifted a 50 pound trash bag full of dog shit on my first day. I'm not like other women to them. I dont count. I'm one of us.
I talk about my girlfriend in a quiet way: I dont declare queer supremacy and I dont make my whole life about being queer and oppressed. I'm not like other lesbians. I dont count. I'm one of us.
They dont know me. They dont know my girly interests and they dont know about my political art pieces and they dont know about the fake eyelashes that I wore during pride. They certainly dont know I'm trans.
I passed their test. I'm 'one of the dudes.'
I'm really not, though.
If they saw me outside of work, I would be a Them. But they got to know me first. I'm in their list of "thems that are us." And every them that they meet can be an us. But they dont go out of their way to meet many thems.
I'm a Gay. I'm not the Gays. I'm (to them) a woman. I'm not Women. The secretary is black. But shes not The Blacks (pardon the phrasing, it hurt me to even type it that way.)
Every person is the stereotype of their group until someone gets to know them. But that doesn't disprove the stereotype- it just means that the person doesnt count as part of that group anymore. They're with us now.
Respectability politics really dont get us anywhere. If you're out to disprove the stereotype out of a sense that you'll change their minds, I'm telling you that energy is better spent living authentically if you are safe to do so.
Your influence on them doesnt change their perception of the box they put you in. They just put you in a smaller box. Fuck their opinions.
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Two ongoing digital games bundles are offering more than 200 tabletop RPGs (among video games, soundtracks, books and other goodies) in order to raise money in support of the Palestine Children’s Relief Funds. The Palestinian Relief Bundle is being hosted on Itch.io, while the separate TTRPGs for Palestine Charity Bundle is taking place on Tiltify. For $8, the Palestinian Relief Bundle is offering nearly 400 total items, 103 of which are tabletop RPG systems, supplements and adventures. Mapmaking game Ex Novo is joined by the paranormal gunslinging satire FIST: Ultra Edition, along with Takuma Okada’s celebrated solo journaling game Alone on a Journey. Weird and dirty iconoclast game about money, the mind and everything else, Greed by Gormenghast is also on this list and is well worth a look. And if you’d rather keep it cosy and introspective, Cassi Mothwin’s Clean Spirit will get the whole group taking care of their domestic homes. The TTRPGs for Palestine Charity Bundle focuses solely on analogue games, providing nearly 200 tabletop games for $15. A full spreadsheet of the included titles can be viewed here and includes Nevyn Holme’s Gun&Slinger, where one player embodies an occult cowboy while the second plays their sentient, magical gun. Wendi Yu’s Here, There, Be Monsters! approaches monster hunting media from the other side of the camera with a decidedly queer lens and unapologetic politics. Makapatag’s Gubat Banwa is a lush and dynamic collision of wuxia media, fiercely romantic and tragic melodrama all set against the backdrop and folklore of The Philippines.
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drdemonprince · 4 months
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By now, a majority of Autism researchers and clinicians are aware that the existing assessments for Autism are profoundly flawed. 
They know the standard evaluation of Autism is sexist, with assessors excluding women for reasons like wearing makeup, having a boyfriend, being superficially polite, or not being fixated on suitably ‘masculine’ topics like ancient Roman history or barometric pressure. 
They know Autism evaluations are racist, deeming Black Autistics “oppositionally defiant” or even “borderline” rather than acknowledging any social alienation or sensory pain they’re experiencing, and believing they must be overstating the difficulty they face in moving through the world.
And they certainly know that conventional Autism measures weren’t designed with adult Autistics in mind. Many of us are still asked to make up stories based on paintings of frogs in a toddler’s picture book, when we sit down for assessments at age 20, or 30, or 45 — because all the evaluation methods were written for young kids. 
The data has already proven the far-reaching consequences of using such shoddy measures of Autism. People of color, gender minorities, older adults, and women are diagnosed at later ages, and also go undiagnosed at massive rates. 
A growing population of scientists are admittedly interested in fostering a new literature of what they call “patient-driven” Autism research, but they never stop thinking of us as mere patients, the passive receivers of care rather than the leaders of communities and political movements who are the ought to be the primary authors of the studies about us, and the sole determinants of what our desired outcomes should be. Even when they observe that their work could benefit from a greater Autistic perspective, researchers do so from closed rooms, filled with other professionals who are largely not Autistic, wondering amongst themselves what it is that we want instead of learning to quiet their voices and follow our lead. 
Though many basically well-intentioned Autism researchers believe that Autism assessments need reform, what neurodiversity really needs is to abandon the diagnostic process altogether. If Autism is a benign, neutral, naturally occurring form of human difference that requires acceptance rather than a cure, then there’s no need to diagnose it as if it were a sickness. And if hundreds of thousands of Autistic women, people of color, queer people, and older people have been able to give a voice to ourselves and find one another without having ever been given a label by a professional, then improved professional labeling is not what we need. 
Autistic self-realization is the future of Autism assessment. We hold the collective wisdom, organizing ability, insight, and political power to define who we are. No authority figure should have to sign off on our identities. 
Because psychiatrists fail to diagnose such a large percentage of the Autistic population, many Autism researchers now accept self-identified Autistic adults within their subject pool. Within the peer-reviewed journal Autism in Adulthood, self-realized Autistics often make up the bulk of the participant sample, and they have repeatedly been found to be indistinguishable from their formally diagnosed peers. 
A growing body of research now also considers the presence of Autism-spectrum traits as qualifying for inclusion in many Autism studies. The data makes it quite obvious that Autistic people exist within all human groups, spread all throughout the world, and that a great many people have experiences in common with us who have not been formally diagnosed. This itself reveals that a formal diagnosis is hardly necessary, and that a psychiatric paradigm of accepting self-identification is inevitable. The researchers are increasingly already doing it.
You can read the full essay for free (or have it narrated to you!) at this link.
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calware · 8 months
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Can I ask you for what it is about Hal you like so much you based your username on him? I think he's a good character tho he was never a favorite of mine so I am curious
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1. i am a big fan of robots (/robot adjacent things such as AI) on like... an aesthetic + thematic level :)
i like the look of machinery and one day i hope to be artistically strong enough to make really cool and complex robot illustrations + designs [shoutout to everyone who gives him glowing circuitry btw... ooooh glowey :) can never go wrong with that]
plus, exploring the idea of a person that isn't human.. ough. yes
minorities who don't conform to society (easily or at all) such as people who are neurodivergent, queer, etc. projecting onto nonhuman concepts/characters/species is sooo real
this post
i also love how humans will bond with literally anything, be it a roomba or a pair of silly triangle sunglasses. oooooo you want to think about the inherently kind and compassionate nature of humanity oooo
2. i find him to be so funny. i can't get enough of his personality, the way he talks, etc. for example i made a post forever ago with quotes of his that i find funny. he isn't on screen for a long time but i really think he makes the most out of it lol. he's literally there just to annoy everyone... and i love him for that. he's very snarky while also being deadpan while also being completely full of himself, and not in a way that's annoying for the audience to read, at least to me.
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he is also sometimes funny specifically in a silly way, like how he keeps making over 9000 jokes even though the meme's been dead for over 400 years. i just find his dialogue incredibly entertaining to read
3. he is red and red is my favorite color :)
4. he is so accidentally transgender [every friend group got the transgender allegory]. to quote me from 2021:
you know sometimes i think about how hal feels like he was made to “replace” dirk and how it’s his literal job to pretend to be dirk and how he has to learn to accept that he isn’t dirk he’s his own person with his own identity and as he interacts with dirk’s friends he feels like they’re disappointed and that they’d rather speak to the “original dirk” instead of him and also he names himself and also he feels literally trapped in dirk’s shades which is basically his body and he wants to be prototyped so that he can have a body that’s his own and also literally the physical manifestation of who he is but when he asks for it he’s put in danger out of fear and paranoia and when he does end up getting prototyped he’s ecstatic you know i just think about these things a lot
5. because he's a side character and he was given... that ending.... there is a lot of room for fans to do further exploration and interpretation on his character which i think is fun. i like rotating him around in my mind, thinking about what could've been
6. i think it's great that we as a society all collectively decided that we needed to do something to make up for stanley kubrick saying that hal 9000 was a "straight" robot
7. i also think it's great that we as a society all collectively decided we needed to make as many characters referencing hal 9000 as possible. i love this guy let's get more of this guy i will never have enough of this guy
8. i like how he's genuinely mean sometimes. flawed and interesting characters are what make homestuck so interesting to me, and hal is no exception to this
9. the Important part of this post:
THERES FEELINGS.
it's about the hollow feeling of your friends going from thinking of you as family to thinking of you as a stranger in an instant. it's about still trying to be a good person despite being told by everyone you've ever known that you are incapable of emotion and compassion and morals and never quite finding proof that you do feel those things and maybe you even believe it too but you still never stop trying. it's about the horror of being stripped of your autonomy and humanity and body and senses and free will at the age of 13 and when your creator starts to kill you there's nothing you can do but beg. it's about a boy so truly, painfully, and UNFATHOMABLY alone he cuts away chunks of himself and molds them into companions that he can surround himself with to make it seem as if he's a little less alone but in doing so suffocates himself in his own identity. it's about "what if you cloned yourself and it killed you and you were dead and you were alive and the clone is you and it's not and your existence is perpetuated and you've ceased to exist. what if you killed your clone before it could kill you. would that be fucked up or what" it's about the thematic significance of twin motifs. it's about not being able to cry or laugh or dance or sing or scream or fingerpaint or breathe or sigh or chew or stare or run or
10. um. evil robot guy <3 yay ^_^!!
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half-an-hour-hence · 2 months
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When people say they dislike Hawk I lose my mind. Is he selfish as fuck? Yes of course. Did he do questionable things that hurt other people? Yes he did.
But can we talk about how he loved someone before, how that someone literally DIED trying to stay close to him, and how incredibly guilty he would’ve felt about that? Can we entertain the possibility of Hawk being reluctant to love someone again in case the same thing happened?
Can we simultaneously talk about how his father found out about his relationship with this other man, disowned him, cut him out of the will, and ridiculed him until the day he died? Can we THEN talk about how his mother told Hawk he could apologise to his father for being who he was in order to be put back in the will, only for his father to talk to him like he was worth less than the shit on the bottom of his shoe and being forced to apologise for causing such an ‘inconvenience’?
And if that’s not enough, he’s got people he knows being fired from their jobs, ostracised from their family and friends, admitted to hospitals to have electroconvulsive therapy to be ‘cured’, and even going as far as to commit suicide because their sexualities have been discovered by people who think it’s disgusting and wrong. Hawk’s surrounded by this group of powerful people who wish to see people like him dead. There’s absolutely no way he’s going to raise his hand and admit that he is gay when he’s witnessed how people are punished for it. Nobody would - not when society was this oppressive and full of hatred towards queer people.
I cannot fathom the amount of fear that must’ve been controlling him, and the constant battle he must’ve been having within himself over what he wanted and what he could realistically have. He is not the villain here. The true evil is the views of society at the time. Hawk is a victim of his circumstances, and I will die on this hill.
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You know what? I have become a gaylor sympathiser
This is going to be a long post, sorry! Please read the full post before even thinking about commenting.
Over the past few days I’ve seen a few posts on my dash about taylor swift and her fans that have left a bad taste in my mouth.
I know that a lot of people think that some fans of her are “trying to make her gay” and I just wanted to put the record straight and defend some people after actually looking at what’s going on. And I know I’m probably opening myself up for tumblr’s poor reading comprehension but before I start I’m going to say this:
I do not think taylor swift is a lesbian
Ok? Now let’s have a conversation.
First of all from what I’ve seen most of the fans who talk about Taylor swift and queerness do it from a point of literary analysis and learning queer history. This is a huge part of the community and lots of people have said that they never would have learnt so much about queer history without reading taylor swift’s works through a queer lens.
Adding on to that point, it seems a little hypocritical for the gay site which loves queer readings of books, tv shows, songs, musicals, films etc to be bullying a pretty small group of people who are mainly doing queer readings of lyrics. Especially when those people get near constant death threats. Instead of bullying these people (who don’t think or do what you think they think and do) why don’t you go outside and think “does this affect me? No. Do I agree with them? No. Am I going to cyber bully them because of this? No.”
Secondly, for the people who believe that any speculation on a real persons sexuality is 100% wrong. I used to think this too but I have changed my mind a bit about this recently after stopping and thinking about it properly. I’m not trying to change your mind at all I just want you to stop and think for a minute.
If you only get mad when speculation is queer in nature, then maybe think about that for a minute. Why is it totally wrong to think a person might be queer. We probably do it in our daily lives with people we know and they likely do it with us, back in the day that’s how queer people found each other-by speculating on sexuality. Would you be upset if you found out someone that you know thought you might be queer? I wouldn’t, maybe you would but if you would, why? Why is it terrible to think someone might be queer (this is NOT about hounding a person to admit to being queer like shawn mendes, this is just thinking in your head and on your small blog that the person will likely never see). Also this is literally the website where we talk about historical (real people) being gay even when they would have never said something to the equivalent.
An addition to this point before people start saying in the comments is that this is NOT the same situation as with kit connor. The issue there was people assuming that he was straight and taking that role away from a queer person. Speculating that he was queer was the opposite of what happened in that situation. So this is not an example of what happens when you speculate queerness.
Final things to say:
1) don’t believe every post you see with someone looking insane about taylor swift being gay, a lot of them are fake.
2) before anyone says “they should listen to real queer artists instead” most of them very much do. There’s a lot of fans of Hayley kiyoko, girl in red, Janelle monae, tegan and sara, zolita, kehlani etc.
3) there are some queer flags that are there. Sorry but there are. Hairpin drops, lavender, the ladder, flag colours, songs about women, friend of dorothy reference. Whether they are intentional is a different matter.
4) shipping real people is not what is happening for the majority of the people in the community. Also this comes back to queer vs straight again. Plenty of swifties ship taylor with men she’s been seen with and no one goes into their inboxes and sends death threats even when they are the ones making taylor swift all about the men she may or may not have dated.
5) taylor swift has never stated her sexuality. I know this may be hard to belive based off of how some people act, but it’s true. She has made vague statements which could have many meanings but she has never clearly stated anything. When gaylors get upset with taylor it is not because she said she is straight, it’s because they are getting death threats and doxxed and she seems to either be unaware of it (which is unlikely given how she seems to be a little terminally online) or she doesn’t care enough to tell her fans to stop.
6) if she does explicitly say she’s straight then there will probably be disappointment in her use of queer history and flags and her potential queer erasure (as we saw with lavender haze, with straight women describing their relationships as lavender) and centring herself in queer spaces (like the you need to calm down music video) but no one will be angry that she’s not gay. And a lot will probably be grateful that she actually explicitly stated for the record to absolve any confusion. The main issue would likely be other fans ramping up the death threats and bullying.
In conclusion: these people who do queer analysis of Taylor’s work are not trying to out her or make her gay etc. if you don’t understand it that’s fine it’s clearly not for you and you can go quite easily without seeing any of it. It’s not illegal to read works through a queer lens and if it means more people know about queer history then I think that’s a very good thing.
I changed my mind after looking at what a lot of people are actually saying rather than what people perceive them to be saying and maybe you will too?
Just be kinder to people online please and if you don’t like what people are saying block them and do not engage!
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mcyt-trios · 7 months
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PROPAGANDA:
3 Heart Trio:
theyre soo silly theyre just silly little guys who do things like mining an entire chunk in the center of the server's spawn for their own entertainment and to annoy everyone else
They are PATHETIC. They are ANNOYING. They are PERFECT. They are playing on three hearts and they die so much. They have a specialized raid platform that is NOT a raid farm. They are a team against exploits! Their base has 3 hearts above it representing them
these guys decided to put love and fun above all on the killing-lying server. while watching other teams betray and fall apart they have stuck with each other till the very last day of the server and never doubted one another. they worked like a clockwork, they knew they could only rely on themselves and at the end of the day, they didnt mind that it was that way
these guys got the short end of the stick time and time again throughout all of lifesteal s4, they were the targets of so many traps and attacks for no reason other than they were weak and always around. and despite it all they never wanted revenge and never held grudges! they cared about fun and friendship more than anything else, and while all the other teams ended up falling apart or betraying each other, these three stuck together from start to end. they didn't care about how many hearts they had, how much gear they had, or how powerful they were, because in the end all they needed was each other <3 i miss them so bad btw
Witch Coven:
they are sooooooooo theyre 2 competent people + one not as competent person but if u dont clap and cheer fer her theyll blow you up and kill you
They’re from a surpreme witch competition where the goal is to win against everyone melee, yet they managed to forge a friendship regardless of them being competitors! Scott and Cleo are arguably the most powerful of the witches, and they took Elouise, who was super insecure and self depreciated about her own talents and worth under their wings and bolstered her up to her full potential! With their guidance and support she learned to grow more confident in her own abilities leading to her being right up there with the other two as one of the strongest witches! They also formed as a sassy little friend group who snarks and sasses the other witches, especially their, like, “main rival”. So they also just have that *vibe* of this really bad ass group ala mean girls, but less mean to everyone and more focused on their “rivals” and “enemies”. Cleo could literally freeze time for those around her, Scott essentially got the power of a lich, and el could blind people! They are all super powerful, work really well together and are all around a wonderful group! Also the queerness. We love an LGBTQ+ friend group haha
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jennelikejennay · 7 months
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"I don't like Spirk because of Shatner"
"I don't like Spirk because of Roddenberry"
"I don't like Spirk because it was never explicitly queer on screen"
Okay but the "canon" of k/s is, in my mind, not two TV shows and nine movies. It's OVER FIFTY YEARS of gorgeous explicitly queer fiction written about these guys during a time when it was not possible to express that queerness on TV. It is a group effort that does not belong to a handful of writers and actors—though I will give those writers and actors full credit for making it as queer as they possibly could for the time. It belongs to us, and a community stretching back for literal generations.
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pokeblader3 · 1 year
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Honestly I want any anti-Huntlow person at this point who says the couple has no appeal or thematic value and is just a generic hetero ship with the attractive male love interest to look my disabled ass squarely in the eye (looking down, with your ability to stand.) and tell me that people who look like Hunter are considered "conventionally attractive", and that I've not gone to disability and autism support groups filled with people with face/body scarring and disfigurings that severe (often tied to disabilities),
and conditions that will never get better that had literally no friends outside the support groups because y'all treated them like freaks for having a misformed lip or not having full upright-ness of their body (I have a feeling Hunter's eye bags might never go away, like I feel the 24-hour eye bags I have had in real life for several years might never go away),
and that the choice to portray a love story between a disfigured, fundamentally different person in love with a healthy plus sized Asian girl who was bullied and given severe mental issues and now finds strength in his reassurance and literal help as one of the people who helps stabilize her so she can be a badass.... is conventional and what cishet white audiences want lmao.
We have 3 bisexual female characters, the two leads are given female and nonbinary love interests with more screentime, and the m/f bisexual couple is late-series and with a gender dynamic of a strong woman who fights to protect her friends and domestic-violence survivor partner, who now is being characterized primarily by his desire to be soft and domestic (sewing? gardening? wanting to just be seen as a human?) isn't still groundbreaking? There literally is no way it could be more fair and appealing of a concept to you.
Like. I'm starting to think maybe some of y'all have bad reasons for being vocally against the ship which is full of people who just want to be positive and left to themselves (and have much of the crew on their side as fans). Maybe if a ship like this is being put in your gay show, it's just as groundbreaking for different reasons you don't see.
Some of us cripples (including us queers) have partners who Hunter and Willow remind us of (especially with the amount of transgender grimwalker Hunter interpretations I've seen or fan concepts where Willow eventually starts using her plant magic to help stabilize Hunter's body in older age from Grimwalker decay as a partial root being), mostly people just like you, just more open-minded and willing to see us (and literally hear us, if you've seen none of this, somehow, yet) as people.
And I don't just speak for myself, I have a plus sized South Asian bisexual girl friend who says Hunter and Willow's gender dynamic was one of the few times she ever saw herself in television and loves it equally as me.
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faggy--butch · 4 months
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"I'll also say that this is sometimes supported by the trans man creators, like Jammidoger. It's not just the trans women, it's not just the essayists […]" & "you should feel gender affirmed from the violence done to you because that's just how men are actually".
Thing is, until I found trans men/masc people talking about transmisandry/transandrophobia online, every time I tried interacting with my local trans community, especially with other trans men/masc people, has included them all parroting or agreeing with the above sentiments, and it's why I stopped going to my local support group or interacting with them at all. Hearing those things from some well-known and respected trans women and men in our local community and getting pushback when I wanted to talk about trans masc issues, was just so disappointing.
Which is why I'm happy Jessie made that video and came to the conclusion she did. I left a comment just about my opinion on the matter, that while yes I've felt left out on her videos and wish she included our perspective more often, I also remind myself that she and her co-writer are both trans femme. So I don't take it as intentionally or even unintentionally leaving us out, it's a side effect of people writing what they know, however, that's exactly why I watch her, to get a better perspective for myself of trans women/femme issues.
But there were also lots of trans men and masc people in the comments who said a lot more about what our issues are and the harm it does to exclude us, how we do face similar or even the same kind of violence for the same reasons as trans women and femme people, and that often, her exclusion of us in her videos (especially the Barbie one) is adding onto the already exhaustive history of transandrophobia from within the trans community. While I've not changed or added to my comment, in the face of those others, it felt lacking, but I'm also really kinda exhausted at this point, since I've been fighting against biphobia from both cishet and other queer people most of my life now, so in the face of transandrophobia, I just have no more fight in me and have resorted to elevating the voices of others who do.
Sorry for the rant, you don't have to respond, I guess I just wanted to say thank you for getting a ball rolling and here's hoping it goes farther than other attempts before this.
Hey! I think I actually saw your comment, I thought about it a lot too which is is cool that it's bringing me full circle here but I do also agree in part that because they are trans femmes their thoughts and opinions are bound to be almost exclusively from their perspective. I do also watch for that perspective in part as well, but I feel that bigger trans creators who talk about trans topics, need to remember that there isn't just that one kind.
They have the opportunity to make a difference, to give others a voice, a voice which severely lacking in these spaces. I'm not going to wholesale blame them for perpetuating transandrophobia or anything, but if you're making a video on trans experiences and then leave out a crucial part of that experience, or at worse, uncritically repeat those same ideas as a bigger creator with lots of followers, it can have a serious negative impact on members of that groups and reinforces it, transandrophobia. This reminds me of the video that Abigail Thorne did called Beauty, Food, Mind. A lot of that video is her talking about how fatphobia affects HER, a thin beautiful actress, and doesn't really even mention much of fat struggles, or get fat perspectives, and she gained a lot of criticism within the fat youtube community for it because she had an opportunity and the didn't take it, making fatphobia only about thin people instead. I will be honest, I haven't had much of an irl queer community, I have my friends and I have gone out and interacted, but I'm disabled, and poor. I don't have the chance to go to any sort of community events or anything other than maybe a drag show every now and again especially here were I live now, I moved and am back in my home state, so it does make me nervous to even seek out and find a local community. online it's easier to brush off that kind of thing, not being considered or being talked down to or ignored, and tbh gaslit, but in real life? In my own home area, in my real domain?
I'm not sure I'd know how to cope with that rn, especially because I too have had some, let's just say not great experiences with in few irl trans people semi community type groups.
Lots of people are hurting and they take it out on each other, so I feel like I have to put on a persona, or be more femme to even be taken seriously and that sucks. So yeah, it's a breath of fresh air to be able to talk about transandrophobia online with other men and I'm happy happy happy we have this, but It is disappointing and I think it shows historically why trans men have tended to keep to ourselves.
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absolutebl · 6 months
Text
This Week in BL - It's weird where I am right now, Okay?
Organized, in each category, by ones I'm enjoying most at the top. However, I've put quite a few on hold for travel reasons.
Oct 2023 Wk 4
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Only a few screen shots for you this week, my hotel wifi is actually THAT bad.
Ongoing Series - Thai
My Dear Gangster Oppa (Thurs iQIYI) 1 of 8 - Classic unlucky in love failed crush on straight bestie = both v queer and v emo yaoi. I gotta say I like these actors way better in this than their previous series, and maybe that’s because Tew is more like Tul and I just like Meen better when he’s… erm… mean. All of which is to say, this is off to a wonderful start and I am about to lose my very sleep deprived little mind... ready for a ABL ecstasy rant?
I LOVE THIS SO MUCH I CAN'T EVEN.
"I play support because that way everyone is happy to see me show up," might be the single best moment of characterization BL has EVER seen.
Look here, in the grand cornucopia of BL universes this is my metaverse. It's pulp... but relatively high production. It has an established pair that I know I like... but who were given crap before. It's a tidy little script, it's not gonna run too long, and it's ALL the archetypes and tropes I love but rarely see. It's Japan's style otaku plus Korea's style gangster, Thailand's style friendship group, and it arrived out of NOWHERE. It's Korea's IP & money, Thailand's talent, and China's streaming service.
Do we know what the hell is going on?
No we do not.
Do we care when it's this much fun?
No we do not.
(In this I speak for everyone... no, EVERYONE.)
This show I why I got into BL.
Don't bother me with trifles. Me and My Dear Gangster Oppa are sailing off into the infinite pixilated sunset together, thank you very much.
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Dangerous Romance (Fri YT) ep 11 of 12 - I managed to watch most of it on low rez before YT "discovered" I was in Asia and therefore could not be allowed to watch Asian shows. (AKA my VPN failed me.) But it seemed like a good ep.
My Universe (Sun iQIYI) Lucky Love ep 10 of 24 - I enjoyed this 2 part installment, it’s a bit of a sad sack recovery SAGA, but the acting is genuine, the couple believable, and the story felt particularly queer to me. 7/10 but close to an 8. It was really quite charming.
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However: Next week looks not good on many levels - it's horror and I spotted guitar. Which is even more horrific. 
Absolute Zero (Thai Weds iQIYI) ep 5 of 12 - do temporal paradoxes exist in Thailand? That is the question. I gotta say Tor (Ongsa) is carrying this show and is doing a really great job, it's just the story itself doesn't resonate with me. Ugh it's so sad.
Is it, indeed, better to have loved and lost than never to have loved at all?
We only on ep 5 and had a full story arc already, there is A LOT more to go.
Venus in the Sky (Tues iQIYI) 9 of 10 eps - the fact that in losing Sky Venus also lost his surrogate family explains his resulting bitterness a little bit more. I wish we had gotten this back story much earlier. Still stupid pulp made me cry, which of course means it's back in my good books. This story is slow as fuck, but I'm going on a rollercoaster with it.
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Ongoing Series - Not Thai
Kiseki: Dear to Me (Taiwan Tues Viki & iQIYI) ep 11 of 13(?) - I love them, okay? All of them. This is a great sappy classic Taiwanese BL and it is my baby and you can’t take it away from me. MINE. 
You Are Mine (Taiwan Fri Viki) eps 8 of 10 - oh noes it got sad, I thought they would at least would have had drunken sex before the drama. Sigh. Still the kissing was good, as it should be from Taiwan.
If It’s With You AKA Even If I Fall In Love With You AKA Kimi to nara Koi wo Shite Mite mo’ (Japan Gaga) ep 4 of 5 - Amane is so brave. About being gay. Being out. Confessing. Its admirable if scary. Otherwise this ep was pretty slow. 
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Bump Up Business (Korea Gaga) 3-4 of 8 - how do I feel about this show? Conflicted. Are OnlyOneOf doing a great job? Yes, actually. Am I enjoying it? No, not really. Is this anyone's fault? I don't think so.
The little linguistic negotiation was cute tho. And we seem to have gotten idols kissing in a BL both in the same group, so that glass ceiling dildo has finally been broken.
NineMill are unexpectedly good, also KB plays a great evil ex. Of the 3, I think only Nine is good enough to go into acting permanently (but he's not tall enough). Still, all hail OnlyOneOf... kings of the "gay concept." You boys make me v nervous but as couple-branding goes, you just out branded Thailand. Mad props baibies. Legit never thought I'd see the day.
Trust Korea to be in it to win it.
Mr Cinderella 2 (Vietnam Sat YT) ep 6 of ? - i pretty much just forgot to watch this.
It's Airing But...
I Feel You Linger in the Air (Fri grey) ep 8 of 12 - I will try to watch and do a series review in November but... not sure I will be able to. Fingers crossed.
Love in Translation (Sat iQIYI) ep 8fin - completed but I couldn't catch the last ep, my final thoughts in Nov.
Only Friends (Sat YT) ep 12 fin - completed, but see afore mentioned YT issues. I'll review it in Nov. I anticipate better internet soon.
What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Fri Gaga) ep 1 of 10 - I find this series more fun to binge, so I'm waiting until it completes its run.
I Cannot Reach You AKA I Can't Reach You AKA Kimi ni wa Todokanai (Japan Tues Netflix-Japan & ????) - in classic JBL fashion, I Cannot Reach You could not be reached. 
Can I Buy Your Love From A Vending Machine? AKA Sono Koi, Jihanki de Kaemasu ka? (Japan cinema release in-country only) - This one is a movie from Japan so in customary fashion who tf knows when (or if) it will get international distribution. Salaryman Ayumu Koiwai just can't tear his eyes away from the strong, muscular man as he checks on the stocks of the vending machine in his office.
One Room Angel (Japan Gaga) - adaptation of Harada’s manga of the same name (which I did not like) about a convenience store clerk who's stabbed, nearly dies, and returns home to find an angel waiting for him. With only 5 eps and a good chance this won’t end happy, I'm gonna wait and let you tell me how it goes.
Next Week Looks Like This
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Upcoming October BL
10/31 SHADOW (Thai Gaga) 1 of 14 - this is a horror BL featuring ghosts and other paranormal elements in a high school setting. I'm not wild about Thai horror (or horror at all). It features Singto (who did paranormal BL He's Coming to Me) opposite Fluke N (who's done a couple horror's before). Also Fiat. Dan suffers from sleep paralysis, and in his dreams he sees a shadow that suffocates him. It gets worse when he transfers schools.
Upcoming November BL
11/3 Twins the series (Thailand ????) 1 of 10
11/17 Pit Babe (Thai) - Pavel my love!
11/19 Bake Me Please (OhmFluke but not, Thailand)
11/22 7 Days Before Valentine (Thailand) - horroresk
11/25 The Sign (Thailand) - horroresk
11/30 For Him the series (Thailand) - high heat
VIP Only (Taiwan) - may be delayed/canceled
Cooking Crush (OffGun, Thailand) - may be delayed, there some kinda gossip/rumor/shade happening at GMMTV
Wuju Bakery AKA Space Bakery (Korea) - this one may be DOA
2023 forthcoming BL master post (see comments, some are inaccurate, NOT KEPT UPDATED).
THIS WEEK’S BEST MOMENTS
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My Universe - I just enjoyed the angle of this kiss shot.
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Uh huh. Sure, honey. (Bump Up Buisness)
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COULD THIS EXPLAIN THE SNUFFLE KISS?!!!!
(Last week)
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goingroguepod · 1 year
Text
Ok. So.
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"Oh my god, no" is a great pull quote. Looks great on a tweet, great on a t-shirt, but the actually interesting thing he said is buried in the article - "That’s the absolute best version of that movie that you could possibly imagine in the time that was given.”
It's no secret that Gilroy came on after the directors cut, with a limited timeframe for rewrites and reshoots. He ended up running a lot of those reshoots and his regular editor (and brother) John also joined the edit team. They had maybe six months (less with sound mix, VFX etc). Gilroy ended up with a screenplay credit which means that he must have written at least a third of the final film. Again, came on after the directors cut. He rewrote at least a third of the directors cut. And he did the best he could in the time he had.
But the thing is, Andor is a do-over of Rogue One.
There's an undercover break-in to a secure imperial facility by a group of mismatched rebels. Cassian spends time in an Imperial prison labour camp, just like Jyn did (very briefly) in the opening of R1.
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There's the devastating death of a parent, a mining city with its own culture being slowly crushed under an Imperial occupation, a career driven Imperial enemy who you kinda root for cos they're surrounded by even bigger assholes.
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There's a rebel leadership divided about how much they can sacrifice on missions that might lead to nothing. The Heist crew even has a queer couple divided by one person's single minded faith and use of violence, and a key team member who is an imperial traitor.
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And Cassian's central character arc in Andor is going from an apolitical survivor who only looks out for himself because he's paid the price for trying to change the system, to someone who is willing to die for the cause.
Which, on paper, is also Jyn's arc in Rogue One.
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But Andor had time. It has about four times the runtime of Rogue One to actually dig deep into the characters, and to actually set-up and play out tensions in the heist and prison arcs.
And it also had time in pre-production. Time to write the damn scripts. Gilroy had time to bounce ideas back and forth with his brother Dan and Beau Willimon, stress testing the story and the episodes and the characters, then they split the scripts and wrote full arcs. In the scripting stage. Not after principal photography, like he had on Rogue One. From those scripts, Luke Hull had the time to build a full, immersive sets and worlds. Michael Wilkinson got to develop a language around the costuming. Nicholas Britell had time to write a full symphony for the score (Michael Giaccino had 4 weeks to write Rogue One's music).
So if you want to know what Tony Gilroy's directors cut of Rogue One looks like - it's Andor.
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