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crybaby-bkg · 5 months

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cw: this got long sorry 😔 but creepy/perv bakugou, recording, film major bkg x art major reader, masturbation, coercion, dubcon before it just becomes con, voyeurism/exhibitionism

as an art major, you typically did some works for a few students on campus; for their plays, as background pieces while they danced, a cover for their released songs. it wasn’t out of the ordinary for people to ask you to create something for them, and you enjoyed it more often than not. but, you weren’t usually the art itself.

Bakugou is a friend’s friend that you’ve seen a few times, ran into at the library or at coffee shops. he’s a film major, and always looks so unhappy about the whole thing, as if he didn’t choose it himself. you joke to Mina that you think he’ll graduate and become one of those directors that hate everything and yell at the actors constantly and later on get sued for being a dickhead. you never say it to him though—you’ve never spoken more than a couple words to the man.

it’s why it shocks you when he approaches you one day. it’s after one of your painting classes, and he stands outside the door with a frown and his hands shoved in his pockets, his eyebrows scrunched as if pissed at the mere sight of you. he asks you, in that low and gruff tone of his, if you could star in his final project for the semester. says it’s supposed to be a film made with this criteria and that, but, you’ve kind of checked out on the conversation after the first sentence.

“You mean, you want me to create something and that be the star of your film?” you ask him, feeling so intimidated at his stature. he always seems to loom, his hair shadowing the lights above, creates a cast over a portion of his face, makes his eyes look…unsettling. like they’re looking straight through your flesh, can find the marrow in your bones. he scoffs like you’ve offended him, rolling his eyes into his skull, mouth pulled tight.

“No.” his voice is firm, gaze concentrated only on you, like the halls are empty and you’re the focus of his lens. “I want you to star in it.”

his words confuse you—you’ve never presented yourself as an actor before, never alluded to wanting to be in the spotlight if not for what you create with your hands. but he shuffles on his feet, looks desperate even. there’s some hemming and hawing for a minute or so—why not choose Mina?—she’s busy—why choose me?—‘cause you’d be perfect for my short film—what’s it about?—you’ll find out once you get the script.

and even after you hesitantly agree and get the script—you still don’t understand what you’re doing. why you’re here, why you’re the only person, why it has to be a solo film, why there’s damn near zero lines in the entirety of the have-to-be forty five minute film.

the scenes are all so long, and maybe it’s because movies aren’t your forte or chosen major, but you just don’t get it. one scene; you’re staring at yourself in the mirror while Bakugou holds a small, black camera over your shoulder. he’s eerily quiet behind you, whispers out a faint fuckin’ go when you have to wash your face in the sink, makes you do it over because your movements are too jerky and unnatural.

the rest of the scenes go that way; you doing regular at home activities, being put under a lens, quietly barked at to do this and move that way and fix your hair and remember to frown.

“Isn’t there another way to film this?” you ask him on the fifth day of shooting in his spacious loft. there’s a bubble bath scene coming up, one you dont understand the importance of, but Bakugou tells you it’s the most necessary part of the entire thing.

“No,” he grunts out, looking at you from under his lashes as he sits on the lid of the toilet. “But I’ll make it soapy, so the camera won’t see much.” the camera? much? you weren’t worried so much about what the camera captured as you were the man behind it. he looks at you with such intensity, you feel naked already despite the robe you wear that’s suspiciously already your size.

he leaves the bathroom when you sink in the hot water, returns before you can say it’s okay, hears the water splashing and thinks that’s good enough. he kneels on the floor beside you, camera pointed directly in your face, makes your chest hot and your skin feel prickly. the scene passes on regularly enough; you run the water over your arms, tilt your head back as you sigh, whisper the few lines scripted, lean back and close your eyes, sigh again. it’s almost relaxing, makes you forget about the friend of a friend recording you naked right now. almost.

“Touch yourself.” Bakugou suddenly demands, hushed and quiet behind the camera. your eyes immediately shoot open, looking to him in question, how he’s eerily still in his spot hovering over you.

“Huh?” you ask, unsure if you heard him correctly, looking around the rounded lens in your face, trying to ignore the red blinking light. but Bakugou only frowns.

“It’s a masturbation scene. Touch yourself.” he repeats, voice louder, more demanding this time. your stomach twists at the thought of doing something so intimate in front of him. he’s a handsome guy, for sure, even made you consider asking him out after this, figured he was just serious about his work and awkward about certain things. but…something had been off about this entire thing since the start.

“But—but I don’t, I’m not,” you stutter, sitting up a little, the bubbles covering your chest starting to disperse with your movements. but Bakugou only sits a little higher on his knees, finally pulling the camera away from his face for the first time since he’s asked you to do this for him.

“You want me to fail?” he asks, booming voice eerily quiet in the silent bathroom, carmine eyes dull, shaded over with something terrible. “Then do it.” he tells you when you shake your head quickly.

you stare at him until he gets back into position again, camera back pointed at you. when he doesn’t say anything else, you swallow thickly, wondering if the art that will come out of this will be worth it. so you listen, sneak a hand under the water, start touching yourself in a way you never have in front of anyone.

is it bad to say that it’s exhilarating? being watched and recorded by someone who breathes so heavily every time your voice hiccups? being directed to touch your chest next when the suds start to disappear and your nipples start to peek through? is it bad that you want him to send you this portion of his film, only, just so you can watch yourself again and again? make a portrait of yourself with your fingers on your nipples and your knees raising from the water and your head thrown back from the intensity in oil pastels?

“That’s a wrap.” Bakugou announces when you finish, head spinning and still panting. you look over to him, how he closes the camera, the obvious bulge in his pants. “I’ll get you a towel.”

you wonder when’s the next time he’ll need you. or better yet—maybe he could be the star in your final drawing project? you had finished it already but, what was the harm in starting over with him as your muse? as naked as you are? camera not blocking his face so you can paint the similarities of his blushing cheeks and eyes when you direct him to look at you? to touch his chest? to play with himself just like that?

#this got. so long. sowwy #but I thought about this ummmm Sunday night #but I was DRAINED from writing 7k words of scorned past midnight and then having to edit it skdjfkf #so I was like. okay. put this idea in the drafts. NOW ms dory memory #anddddd I love this so very much #would’ve loved to turn this into a full fic #but it’s so exhausting trying to write long fics recently bc of this multichap #I’m just not used to it and I can’t do two things at the same time #and I already have like 9 fics on my list to write!!!! lol #but there is something so alluring about film major bkg 2 me #I think hes awkward and comes off as mean but he really is just that serious about his work #but he’s #also a creep for you LOL #definitely think he agrees to become ur muse for art as like a trade off #and you get that boy into SO many humiliating positions 😵‍💫#I need. to lie down. anyway.#I wrote this at 1am and was scared to post it then cause I didn’t think anyone would see it #so here it is in the morning :)#bakugou treats! 🍬#—new treat in the streets! 🍫

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the-judicial-assistants-notebook · 4 months

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sits up in bed. so lana and ema definitely thought they were responsible for edgeworth "choosing death", right?

(the rest of this post was supposed to go in the tags, because it's not very well organised or written, but it got too long so. here are the slightly edited tags for your reading pleasure (or otherwise)):

i was going to make this solely about ema because she's the obvious one with her open adoration of edgeworth, but the thing about rfta is that it goes to great lengths to emphasise the connection between lana and edgeworth as well.

the sl-9 incident showed that lana grows attached to people deeply, hence angel starr's comment on how, when neil marshall died, 'she (lana) felt like her own brother had died.' with edgeworth, i think it was similar but worse. because he's not just a coworker or subordinate who's dear to her. he saved her life. and it cost him his own.

at the beginning of the case, edgeworth says he was mistaken for thinking that lana was always looking out for him post sl-9 (a statement interesting on its own because that's when everyone else says she grew distant), and, later on, he brings ema fingerprinting powder because lana asked him to. then, of course, there's the 'lady luck' comment he makes.

similarly, on lana's side, you obviously have the end of the trial when she says he did well, but there's also that additional moment post-trial where she's the only one to notice — in a group comprising her, ema, phoenix and gumshoe — that he's 'hiding', listening to their conversation. point is, there's enough to suggest that she might have been the nearest thing edgeworth had to a mia; his 'chief prosecutor' to phoenix's plain 'chief'. they're as close as two people can be in a relationship where one of them is constantly lying and the other is von karma's star pupil.

rfta is pretty straightforwardly depicted as the case which solidified edgeworth's resolve to do what he did; i don't think i have to prove that. rumours about him have reached new heights, his car and knife were involved in goodman's murder, he makes an unprecedented mistake in court by failing to connect the evidence room and carpark incidents, thus forcing the chief of police to enter the trial to do so himself, and he's publicly revealed to have relied on falsified evidence to secure a conviction in the sl-9 case, all of which only happened because of lana. jake marshall even claims that from the beginning — that if you trace edgeworth's rumours back to their source, you end up meeting one person: lana skye.

and it gets worse because at the end of rfta, she thinks he's fine!! she literally says, 'i was afraid the pressure would break you, but you rose above it,' and reminds him he's nothing like gant because he's not alone. she leaves the case thinking he will be okay. and then, what, like a week passes, and she finds out that he wasn't, and that he's gone, and it's her fault. even after she was freed from gant's control, even after she had finally stopped lying, she couldn't prevent herself from claiming another life. so much for 'lady luck', i suppose.

and the game reiterates this multiple times. gumshoe states at the start that edgeworth's ties to those higher up in the department have made him the subject of constant rumours, and phoenix says (in front of ema) that he shouldn't be held responsible for the forged evidence because that was all lana's doing, which then leads to edgeworth commenting (again in front of ema) that he feels as though 'something inside him has died.' it all goes back to lana. we can argue and say that it was technically gant's doing that caused all of this, but lana still took actions that led to it. even her complicated friendship with edgeworth isn't spared; it's that closeness between them that exacerbated those rumours. how could she not feel responsible in some way?

and with ema, it's rather obvious, isn't it? if she hadn't gone poking her nose into things, none of this would have happened or come to light. and, of course, she'd never choose anyone over her sister, not for anything in the world — it's simply not a question, but that's the problem, isn't it? it's not a question. it's not some hypothetical moral dilemma. it just is. she may not have killed neil marshall, but she still has one king of prosecutor's blood on her hands. and now she has to live with that. she just. has. to live with it. no matter if he chose otherwise.

moving on from that a little, i think it's actually wild how much of ema's journey to becoming a forensics investigator is paved with bad memories. neil marshall's death and her subsequent inability to testify are what drives her to begin pursuing it, her first proper investigation results in her idol's "death" and when she finally graduates, the person who saved her sister has been disbarred, and she can't even help because she isn't allowed to. all that pain and constant pursuit of her goals, and she's still the same ema skye, still that girl shrouded in darkness, always one step behind the truth, one step a little too late. no wonder she was angry in aa:aj. i would be furious.

#and then like a year later they find out edgeworth's fine and if that happened to me i think i would kill him fr #WKSHDKAHDKS #lana skye #ema skye #miles edgeworth #the skye sisters' relationship with one dramatic depressed prosecutor is something that can be so personal...#ive literally never thought this much about lana or ema ever. they never occupy my thoughts but somehow.#everyone else: man edgeworth's vanishing must have had a real impact on franziska and phoenix. me: what about these 2 side characters who #technically only appeared once in the whole trilogy. in a dlc. what about them.#it's actually so interesting how much lana is set up to be important to edgeworth. phoenix even says she reminds him of mia and when i #first read that i was like ??? bc of the scarf? there's more to mia than a scard phoenix. but then you pay attention to how she interacts #with edgeworth and it's like oh. i see it now. and then she disappears forever.#mind you i dont think she or ema were like. destroyed by the news of edgeworth's supposed passing. not in the way phoenix was anyway.#for better or worse both lana and ema are shown to have a tight hold over themselves emotionally speaking. lana keeps a lid on them for #years and ema is told she might have killed neil by accident and is functional after a brief faint and recess. like those women are strong.#but i do think it would have had a deep impact regardless of how well they were able to cope. like i've said i dont see how it wouldnt.#anyway this concludes my rfta moment. time to go back to being unable to say a thing about susato-san even though she occupies my every #waking moment. if you read all this ily <3 #it's also past midnight so if this is all a bit everywhere im sorry

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age-of-moonknight · 3 months

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House of M: Avengers (Vol. 1/2007), #1.

Writer: Christos N. Gage; Penciler and Inker: Mike Perkins; Colorist: Laura Martin; Letterer: Rus Wooton

#Marvel #Marvel comics #Marvel 58163 #House of M: Avengers #Moon Knight comics #Moon Knight #Marc Spector #Iron Fist #Danny Rand #Hawkeye #Clint Barton #now THERE’S a dynamic I would love to see explored (and it’s not /entirely/ motivated by my desire to get more into Iron Fist comics)#I just think (as presented here) Danny’s optimism would be an interesting contrast to Marc’s realism (that occasionally dips into cynicism)#even as they both deal with some /strongly/ supernatural aspects of the Marvel universe #like sure they were on that Midnight Sons team in Vegas and the Contagion team but they didn’t interact much you know?#so all that and the description of Moon Knight’s past here fascinates me #(naturally….what can I say the only thing comparable to the amount of time I’ve spent studying Moon Knight #is the amount of time I’ve spent studying the CIA’s crimes against humanity)#but more importantly heck YEAH I’m all for putting some respect on my guys’ names and how both individually and together #Marc and Danny are considerable forces to be reckoned with

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yume-fanfare · 26 days

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clown crown really did all that

#rereading it to see if i come up with anything to draw or write Now (its noooot happening) and wah. i can't believe it did all that #it hit all the spots #childhood flashback. fairytale comparison. princely princess gender talk. comparison past and future #it's exaaaaaaactly what ive been meaning to write but i need aaaaa connector thread if that's a thing in english yeah #if i could find something all my other unfinished ficlets have in common ...!#mar's midnight rambles

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appleswithhoneyarethebest · 1 year

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Dome and Katha accomplished the feat of being more gay than all gmmtv ml couples, and yet theyre ✨️bros✨️

#i swear i'm losing my mind #there's no one who can convince me that those two aren't in love and this is not about a red thread thing #and Katha was all this time searching for his past lover #seriously i'm aroace and i can see theyre in love #thai series #bl series #gmmtv #thai drama #gmmtv 2023 #midnight museum #midnight museum the series #thai horror #thai mistery #horror drama #mistery drama #kathadome #tor thanapob #gun attaphan

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moregraceful · 6 months

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Also I deleted the post bc it was a bad version of myself, but I'm gonna say it again, it is bananas to me that Taylor Swift only sang one song off of her self-titled album in the Eras tour movie. like girl you cannot hide from "Tim McGraw" and "Teardrops On My Guitar" even if you were just cosplaying Tennessee country like those songs put you on the goddamn map and this is how you repay them??

#the thing abt the eras tour movie is. it unlocked many opinions about taylor swift's music i didn't realize i had #''is fearless her greatest album'' i asked myself. ''all these songs are bangers i still know all the lyrics''#no dummy you only know all the lyrics bc your 15yo sister put the house in 24/7 tswift lockdown every time she released an album #these songs are fun but more importantly your sister is 6in taller and an athlete so you didn't control the aux past the age of 17 #i haven't listened to a taylor swift album in full since 1989 was released (when my sister moved out)...some of her newer stuff is fun #don't blame me is pretty good. wish i had not been surrounded by middle schoolers the first time heard it.#but she's got some bangers. DON'T tell me anything about her personal life i don't wanna know and i don't care to learn #(my coworker: ''i forgot she swears so much on reputation and midnights 😭 oh well our kids probably see worse tiktok every day''#me: 🫠🫠🫠)#also side note my 21yo coworker was like do you ever call our kids ''my kids'' around people and do people get really confused #i was like yes. people think they are my real kids and ask how old my kids are and i say high school and they get kinda worried #she was like yeah....my college classmates asked how old my kids are when i said i was taking my kids to the eras tour movie #and when i told them middle school they got really really alarmed and worried about me #nonprofit work lol. i'm stressed all the time about other people's children. i call them my kids. they all lowkey hate me. life this is it #fresno oilers.txt

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gemharvest · 1 year

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(id in alt - do not repost)

Ekubo Week: Day 1 (Friendship) @dimpleweek

#artings #dimple week #mp100 #mob psycho 100 #ekubo #kageyama shigeo #reigen arataka #arataka reigen #shigeo kageyama #dimple #first things first pretend i am not posting this late. back was killing me today so it took until fucking. 9pm for me to get to this #and then i decided to still go through with painting it which i think looks sick as hell.... but also my hand huuurrrts i shouldnt have #done that... blegh ah well #also i misspelled expletives despite literally googling how it was spelled..... in my defense it is 1am #also mentioning that it is 1am i might touch up the alt text in the morning bc i have no clue if its good or not #but i want this posted now so i dont get the luxury of waiting until morning to write it #ANYWAYS. tomorrows maayyyy be a little later again since i have shit going on but i am REALLY excited for the prompt.....#hopefully not past-midnight late but well see

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scramble-crossing · 11 months

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i deffo agree with your entire analysis (including the questionable canon of the anime canon) and yeah for sure the original game supports this imo. for one thing i don't think that hanekoma would have supported sho even as a back-up plan if he thought that sho would've destroyed shibuya or fundamentally ruined what HANEKOMA liked about it. hanekoma considered a shibuya under sho to be better than a shibuya erased by joshua, so whatever shibuya sho would've made couldn't have been a dumpsterfire or whatever. like not saying that sho would've kept things squeaky clean or something but hanekoma considered it 'good enough to support'. hanekoma isn't exactly the best but i think that he wouldn't have picked sho if he didn't think that sho had some attachment to shibuya.

in NEO we literally see him come back to his shibuya on W3D7 to fight soul pulvis even though he could've just fucked off. yeah we have the scene of neku "convincing" him, but the dude already came back to shibuya and decided to stay to fight for his city. he also literally warned rindo about soul pulvis and about the presence of angels (the japanese version with him talking about "hyper-real" numbers is even more obvious) back on W3D4 even before neku showed up!

the wicked twisters and all of shibuya would've lost without him and his contribution to operation: awakening. period. (along with everyone else)

he learned his lesson about teamwork! when he goes to another day, he makes a fuss about "you're joining MY team" but he actively walked up to the guy signing up team members and went "hey i need a team lol" like a student asking their teacher for help getting a partner for the group project. he's gone from "not a social animal" per megumi to "zetta dig[ing]" konishi's "style" to teaming up with the WTs to protect them to understanding the value of working together in an equation for the sake of his goals

also it's worth noting that the line about only doing it for his sake is slightly different in jp. neku says that they have to get to shiba as soon as they can and says "渋谷を守るためもし力を貸してくれるなら――" (if you can lend us your strength to protect shibuya). sho interrupts him and says, "フン、俺は俺の目的のために動くだけだ" (hmph, i only work for my own goals/i do want what i want) basically, telling neku to stop telling him what to do. neku says, "それでいいよおまえも渋谷を狙ってただろ" (that's fine, since you're aiming for shibuya too, aren't you?) and then "その渋谷の崩壊は許せないよな" (shibuya's erase would be unforgivable, right?/you can't allow shibuya to collapse, can you?). so like yeah it's similar to what the english script did but it has a very different implication. here neku isn't convincing him to help but rather being like, "yeah, you'll only do what you want to do, and i know that you're going to do things that help shibuya because you're aiming for it as well." like i said, we literally see sho ALREADY have been offering rindo helpful advice before neku even showed up.

he gives the WTs tons of advice in the first week that have nothing to do with his interest in soul pulvis but rather to expand their powers. in field walk rpg he has a ton of random character dialogue about how he loves random shit in shibuya like the holographic hachiko statue (tokyu plaza) because he thinks that dogs are stylin' or how he thinks that rhythms that shake the heart (specific to him being interested in picking up music records from tower records) are as beautiful as a flawless equation or whatever. why would he want to destroy all of that? he wouldn't

he doesn't even care if other people cart away his artworks! he didn't seethe about that in the og, just made more and then walked away

i agree with him being obsessed with beauty and art and probably shibuya's. i mean the guy wanders around the phone booth of love at molco and shit trying to pick up cool pieces for his next artwork (and leaving something precious of his own in its wake, suggesting that he isn't interested in stealing shit, he just has a unique value system of exchanging items and art and stuff), makes people play Tin Pin Slammer and doesn't even participate himself but just hangs out in the crowd watching and seethes when joshua cheats him out of an interesting match, and possibly even stuck negative noise on ken doi to catch their attention about ramen given that the negative noise in W1 was all mission-related that a reaper must've put on someone (and with their relationship in another day). he's not a "good person" but people treating him like he's evil or sadistic or whatever just pisses me off. he's an arrogant asshole who, as far as we can read from the text, genuinely wants to see a shibuya full of cool art projects and sick murals like the udagawa one he likes and cool people like the WTs with their interesting UG powers and stuff.

ok thanks for listening to my essay. 3.1415926

Hey there.....it's been a couple months and I live in shame

Thank you so so much for this I absolutely LOVE your thoughts! I wanna try to respond them in as organized a way I can so I'm gonna address each point individually and in chronological order.

First of all, I 100% agree with what you've said about Hanekoma. If he wasn't able to directly remove Joshua from power even when he threatened Shibuya's very existence, and instead had to approach him in an extremely tedious and roundabout manner by guiding Neku when he could and using Sho as a sort of half-proxy, there's no way he would've shoved a dangerous or otherwise incompetent person into the Composer's seat and forced himself to repeat this whole process weeks later once Sho had a grip on Shibuya. Like you said, "hanekoma considered a shibuya under sho to be better than a shibuya erased by joshua," and that means something coming from a person who belongs to a class of beings who willingly "purify" cities that do not live up to their standards. It's not impossible to think that if Hanekoma thought Sho unfit and saw no other alternative, he would've come to see Shibuya as a lost cause and let it fall, preferring a dignified end over allowing it to rot and fester as a shell of its former self. Granted, he doesn't exactly sing Sho's praises. He certainly seems to view him as being convenient over an actual good candidate for the position. However, regardless of the fact that Hanekoma's criteria seems to be "the biggest, most unlikable freak in the UG," I think my previous point still stands. Would Sho have been a good Composer? Impossible to know for sure, but if nothing else we can extrapolate from what we understand of Hanekoma's values that he would've at the very least safeguarded Shibuya against erasure and kept it intact enough to still be worthy of existence in the eyes of some very, very picky Angels. And this is saying something when Joshua refers to Shibuya as being a massive influence on the world around it, so much so that he fears it corrupting other sectors of the UG. To put it simply, maybe Sho just passed the bar when it came to Hanekoma's standards, but that bar was set extremely high. Also! Just in case anyone mentions it, while Hanekoma saying that he relied on Sho's attachment to Shibuya is exclusive to the anime, technically speaking it's canonical that NEO is a sequel to the anime rather than the game. It's still very much relevant to Sho's character in NEO, if not his character in the original game...

Which leads right into your next points! Just for a moment, I want to jump to what you said about the japanese version of the game because I find it extremely interesting. That's SUCH a different implication from what we get in the english version!! Whereas we're given more of a sense that Neku is corralling Sho into working with him and the rest of the Wicked Twisters on the basis that he can't be Composer without a city to rule, basically using his preexisting goal to try to get him to adopt a new one, that of saving Shibuya, here he's saying that he knows that Sho already has a goal of saving Shibuya. It's less "Look here asshole, you have to save Shibuya because you can't be Composer without it," and more "You and I both know that you want to save Shibuya, so stop being so stubborn and help us out already!" Yes it's subtle, but personally I think it lines up better with the version of Sho that's put forward by the anime's ending, and, perhaps more importantly, lends better to interpretations of Sho's motivations In english, it reads closer to "Sho wants to be the Composer -> therefore he must save Shibuya. In japanese, it can more easily be read as "Sho wants to save Shibuya -> Ergo, he clearly cares about Shibuya -> Sho wants to be the Composer because he cares about Shibuya. Again, it's minor stuff, but the japanese version, I feel, more obviously connects his motives with his actions, presenting him helping to save Shibuya as a natural result of his affection for the city instead of it being an obstacle in his way or a diversion from his ambitions. It's really a shame that this nuance is lost in the english version. Sho is already kind of a mess in the fact that it can be difficult to discern what the writers are trying to do with him. He's built up as a persistent and deadly threat all throughout twewy only to be unceremoniously killed off in a scene that feels more like a bit than an actual serious story beat. Neo's promotional material paraded him as a core character in the protagonist's group, and yet he ends up being booted out 1/3 of the way into the story and made unplayable until post-game. He is one of the most integral characters to the plot, and yet what, in the end, does he have to show for it? Nothing! He leaves the secret ending having returned to the exact same position he was in at the start of the first game, at the exact same level of power, still gunning to take on the Composer. It feels like he's being used as sequel-bait in a series where it took 14 years to make another game, not to mention the fact that the last time something interesting was implied to be happening to him, A.K.A A New Day where he was positioned to become Neku's partner, that plot thread was dropped hard and absolutely nothing came of it. I'm not saying he's been completely abandoned by the narrative. He's definitely shown to have improved as a person since the events of the first game, and I love that! I love his cryptic mentor/moderately shit big brother arc and the fact that Neku, Mr. Twewy himself, is willing to put his faith in him. But to me at least it feels like he's being underutilized, especially in comparison to characters like Beat, who I love, but who certainly didn't need as much as he got in neo given that he had a totally satisfactory arc by the end of the first twewy. Sho is perfect for a redemption arc that's reminiscent of Neku's while still being unique and complex, one that would fit seamlessly with twewy's themes of growth and the necessity of human connection. If we ever get another twewy game and this is exactly what happens I will kiss neo on the lips for being the PERFECT in-between phase and kick-off for this arc, but I mean...it's twewy. Waiting for another game to complete his storyline is like pushing Sho off a cliff with nothing to catch him but a prayer and the world's shittiest little kiddy pool. Also the hose that's trying to fill it with water is clogged by a giant knot in the shape of mickey mouse ears.

But I've gotten sidetracked. Mostly because it's been so long that I totally forget the post that spurred this ask in the first place. I might be stupid. But honestly I think you've already put it perfectly. I'm especially grateful for the info on the field walk rpg because it's something I know very little about. I'm glad Sho got to have a fun day out with his child soldiers/teenage besties :] Overall, it's absolutely true that Sho is a very morally complex character. I tend to dislike labels like "good person" vs "bad person" because it leaves little room for nuance, something that this series is chock-block full of. The idea that Sho is an utterly selfish and sadistic individual who can never truly change irks me because it's so antithetical to the messages of this series, "Anyone can change for the better," and, "By letting others in, approaching their different worldviews and values with genuine, good faith, and by extending compassion towards each other, we make the world a better place for both ourselves and the people around us." Sho is doing this. It may be with baby steps, but it's clear from his interactions with the Wicked Twisters, as well as his enthusiasm for art that is not his own whereas before he expressed disdain for any artistic vision that wasn't his, that he is making an effort to be better and allowing these experiences to change his worldview. If he is never extended the same narrative reward that other characters are shown for this exact same kind of growth, if he is instead trapped in this cycle of scratching and clawing and desperately yearning for some sense of divinity only to crash fantastically, met with violence and isolation and the loss of the few, good things he's managed to scrape out of life...well that'd be pretty miserable, I think.

#maybe this is a liiiittle bit of a mess but oh my god. this has been in my drafts for way too long #I would've added screenshots and maybe I will come back and do that eventually? especially for things like josh's comment on shibuya #I dont see it brought up much to the point where Im a bit worried I hallucinated it...#anyways this has been another episode of 'fable makes a sho analysis and gets totally sidetracked by her bitterness over his neo arc'#EVERYTHING THAT HAPPENED. AND ALL HE DID WAS END UP IN THE EXACT SAME PLACE #I CANT IMAGINE A WORSE WAY TO LEAVE OFF HIS CHARACTER. QUITE POSSIBLY FOREVER #biting and scratching and mauling and killing #its past midnight #real talk do not trust anything i say about minamimoto after midnight. we get a little silly about it #idk what im saying anymore. yeah lets post it #asks #minamimoto

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