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7-wonders · 6 months

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Hi! What do you think how Dream would react to Reader who's pregnant with his child?

(BTW, I love your writing and your Morpheus!)

I have...many thoughts about this, and I'll start by saying that first off, I don't know how Endless pregnancy works, like if it needs to be intentional or if accidents happen. After all, Desire slept with Unity and got her pregnant while she was sleeping (which is very icky since she couldn't consent outside of whatever perfect dream life Desire was making her live). For the purpose of this, though, we'll say that accidents can happen, because I feel like Morpheus is still so scarred after everything that happened with Orpheus that he would be worried about having another child.

TWs for pregnancy, AFAB!reader, and copious amounts of sweetness. You've been warned.

You're panicking, for one

After all, you're not even married! You're still "courting," as Morpheus calls it

Though you try to remain composed when you tell him, you almost immediately start crying

Morpheus is so, so scared, but you look even more scared, and you're also the one who's carrying the child, so he pushes aside his own fear to comfort you

Even beneath his own fear, though, he finds himself overjoyed

He had loved being a father, even though, as Orpheus got older, he found he wasn't very good at it

Morpheus wants another chance, he realizes; he wants to be better

Knowing what he wants though, he keeps it to himself and tells you that he'll support you in whatever choice you make

(but is thrilled when you decide to keep the baby)

Immediately tries to propose to you, but you turn him down

Not because you don't love him and don't plan on marrying him, but because you refuse to be someone who gets married only so that they don't have a child out of wedlock

After the baby's born, you assure Morpheus, he can propose again

Doesn't understand why you insist on seeing human doctors when he has healers renowned across every realm at his disposal

Still, he accompanies you to your first ultrasound and quickly finds himself perturbed by the odd devices that are laid out and being used

When the technician finally locates your womb with the ultrasound wand, and the screen goes from nothing to suddenly having that distinct fetus form on it, Morpheus understands. Where else would you get an experience like this?

He cries when he hears the baby's heartbeat fill the room

Hates that you suffer from morning sickness, because there's absolutely nothing that he can do about it

So he helps in the ways that he can: holding your hair back if it's long enough to need to be held, making sure you stay hydrated, and trying to force you to eat whenever you think you can stomach it

Convinces you to finally move to the Dreaming, though you mourn your independent life in the Waking

But in the Waking you're not just pregnant, you're pregnant and alone

Just one of those things is hard. But both? That feels almost impossible, especially when you have a partner waiting for you

Though you love being in the same realm with Morpheus all the time now, you do have plans to have a part-time home in the Waking after the baby is born

Even though they'll technically be a prince/princess, you want them to have normal childhood experiences—school and soccer (or whatever sport/activity they'd like to do) and walks to the park or the public library

Speaking of the realm, it seems as though every denizen knows and is thrilled that there's going to be a baby soon

You try and go on walks daily, whether alone or with Morpheus, and practically every dream creature you pass smiles or asks you how you're feeling

He looks so proud whenever he's witness to it

(Don't even get me started on Lucienne and Matthew)

Having cravings is way better when the Dreamlord is your baby daddy

You're in tears because you so badly want a random meal that you saw once in a TV show? Morpheus is pulling it from the showrunner's dreams for you

He will do literally anything to make you happy and make this pregnancy as easy on you as possible

The mood swings suck because you know that you're being mean or irrational, but Morpheus takes it all in stride and indulges you instead of fighting back, something that you really want him to do

Thinks you are the most beautiful being alive, even when you get self-conscious as your body starts to change

Though he's always loved you in a way that's all-consuming and passionate, now, that love is almost worshipful now

How could he not worship you? You're carrying his child, you're growing life within you. He's so thankful to you, and this gift that you're giving him.

Morpheus has never been particularly tactile, but now, he almost always has a hand on you/your belly

Like, when you first get a baby bump, dude is obsessed

He can't tear his eyes away from the sight

Even though you're in the Dreaming, you still have to sleep, a lot more now that you're pregnant

When you're sleeping (or when Morpheus thinks you're asleep), he'll press his lips to your stomach and talk to the baby

He tells them how wanted they are, all of the things that he can't wait to show them, to teach them

He tells them of their brother, of his talent for music and the songs he would sing, of his heart, full of endless love for everyone. He tells them how much their brother would have loved to be a brother. He promises, to both of his children, that he'll learn from his mistakes

It never fails to make you tear up when you're only pretending, and you almost feel a little guilty intruding on these sacred chats

As your pregnancy progresses, Morpheus can practically sense when you're uncomfortable almost before you realize it

He's more than happy to step behind you, place both his hands under your belly, and lift to relieve you of the pressure for a little bit

It's a trick he's rather proud of, and one he picked up from some pregnancy book (which he will not admit to reading even though you saw a stack of them next to his designated chair in the library)

For a couple of weeks, he disappears for at least two hours every day

Even Lucienne refuses to tell you where he is (that at least lets you know that it's nothing bad, because Lucienne would tell you if it was)

He brings you to a nursery that he created, with as much love and care as he does with all his creations, for your child

It's so sweet and has everything you could need, from a comfy rocking chair in the corner with a window bathing soft light onto it to a bookshelf (predictable) with all sorts of children's stories from throughout time and cultures and realms

The best part is the ceiling—the galaxy of his throne room, which you love so much, has been extended here, for your child to lose themself in

(It's stunning, but you both know that the baby will likely sleep in your shared room for a while; neither of you can bear the thought of being parted from your child for even a few hours)

It cannot be stressed enough just how excited Morpheus is to have a baby with you, and I could go on for another 50 bullet points about the subject

#yes i know i'm posting this late and likely shooting myself in the foot by doing so SHUT UP #i'm just excited about these and want them released now #the sandman #morpheus x reader #dream of the endless x reader #morpheus #dream of the endless

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brigdh · 6 months

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Okay. My thoughts on the Our Flag Means Death finale. Obviously I'm not very happy with the ending, though I'm also not as upset as some people are. I would say I'm discontent. Unsatisfied. Too aware of how it could have been improved, and a bit bitter that we didn't get a better version, but I also don't hate what we did get.

I know a lot of meta has attributed the problems to a shorter season, and absolutely I would have loved to get 10 episodes instead. I would have loved 22 episodes! Why don't we do that anymore? But I don't think the 8 episode length was the ultimate problem. A) The showrunner and writers knew they had only 8 episodes, so they needed to choose a story that fit into that length, but even more importantly, B) my problem is not that they had too much story for too little time, but actually that they had plenty of time and chose to fill it with too little story.

As I've sat with it over the last few days and thought more about the season's arc, it feels to me like we got eight episodes of filler. Filler episodes can be great! Filler episodes can have some of the funniest lines, the greatest scenes, the most intriguing ideas. But filler episodes do not progress character arcs or major themes, and that's exactly the problem this season had.

The only characters who got arcs this season are Izzy, and to a lesser and more rushed extent, Lucius. Which sure is a choice.

Ed and Stede and their relationship did not meaningfully change from S1. (Okay, yes, they had sex, they said I Love You – but these are external changes, not internal. They don't represent character growth. Stede realized he loved Ed and was telling everyone back in 1x10. Ed clearly would have slept with him in S1 if they'd had a little more time.) Ed and Stede in 2x08 are not different from who they are in 2x01. If Ed had asked Stede to be innkeepers in 2x01, does anyone think Stede wouldn't have immediately agreed? One of the big moments in 2x08 is Ed reading a letter that Stede wrote in 2x01! Stede's exact words from the very beginning of the season! What better way to underline that none of the subsequent seven episodes had important growth or changes?

Another one of 2x08's big shippy moments is Ed and Stede running to each other across a beach – deliberately paralleling the dream Stede had in 2x01. What are we supposed to take from this parallel? My original thought was that we're supposed to see how different the real version is from the dream, but there's honestly not many differences. Neither one has a beard, now? The dream mocked how Stede knew they needed to have a conversation about their relationship that he wanted to avoid, but they don't have a conversation in the "real" version either. They exchange about two sentences (which includes Ed's I Love You, yes, which is a big deal but still isn't a conversation) and then they charge right back into the fight, without discussing anything like Ed abruptly dumping Stede to go be a fisherman, Stede killing Ned Low when Ed asked him not to, their differences of opinion on being pirates, if having sex was a mistake or if that's only a thing Ed said because he was panicking, etc etc. They have just as many issues to address as they did in the dream, but just like the dream they act like everything is magically okay without talking about it!

So I think we're meant to take the beach-run parallels as "here's what Stede's been wanting, and after waiting for so long he finally gets it". Which is fine, a very sweet take-away for a finale. But it underlines what I'm saying is the problem of the season: Stede has just been waiting for eight episodes for his dream to come true. Not changing. Not growing. Not doing anything to bring the dream about, other than trying to get himself and Ed into the same physical location. Just... waiting.

This is an extra surprising development, because the show was really good at giving Ed and Stede character arcs in S1! Ed and Stede in 1x10 are significantly different than they were in their first introductions. Also, just to preempt some criticism, by 'progressing' I do not mean 'wrap up literally every loose end and make a firm final ending' – S1's finale is an excellent example of both moving the characters forward and leaving a ton of room for future stories. I wasn't expecting for 2x08 to show us a Stede and Ed who were perfectly on the same page and would never again have a problem. I was expecting them to be somewhat different than they were in 2x01, and I just don't see that.

Instead of arcs, we got little pieces of single-episode growth here and there that never added up to an overall whole. The season brought up a ton of potential arcs for Ed – violence, piracy, guilt, suicide, daddy issues, self-loathing, apologies, redemption, his tendency to idealize escaping into a different life – but didn't do anything with any of these options. Stede had nothing resembling a season arc at all.

Stede works to improve as a captain! Stede kills someone and has regrets! Stede confronts Ed's dark side! <- All potential arcs, but none of which lasted for more than an episode or had consequences. We don't even know what the ending means for Stede: does he want to be an innkeeper because he failed as a pirate in 2x07? Because piracy was always just a displaced search for love, and now that he has love, he doesn't need piracy? What does the crew of the Revenge leaving mean to him? Stede's understanding of their new arrangement literally happens off-screen and we're left to fumble at guesses for its significance to him as an individual.

Ed and Stede's last big conversation in the season is their break-up fight in 2x07, which is a shocking way to send off your main couple in a rom-com. Yes, there's the I Love You on the beach (again: two sentences) and the brief 'let's try to be innkeepers' conversation at the very end, but that's it for them in 2x08, except for their inclusion in some brief large group conversations about their fighting skills and the plan for escaping the British. How can you end your rom-com with the main couple exchanging only a paragraph's worth of dialogue in the finale? None of the stuff was brought up in the fishing fight in 2x07 is ever addressed at all!

Again, I don't think this is solely a matter of time crunch. Instead of using the eight episodes to progress the two main characters, we got a bunch of filler episodes that used the time in amusing side tangents instead of forward progress. I don't think that's the inevitable result of having to work with eight episodes.

Look, I can come up with a better Ed/Stede relationship arc without needing more episodes, and despite only thinking about this for a couple days and not having an entire writing room to work with:

(Note: this only addresses the Ed/Stede relationship. It doesn't fix Stede completely lacking an independent character arc and Ed having about ten thousand of them, none of which went anywhere.)

In 2x05 to 2x07, I would make Ed's motivations in their relationship very clearly that he's pushing Stede away so he doesn't get hurt again. Basically play up Ed's comment about "I was all in" in 2x04, and make him determined not to get 'all in' this time around. This aligns the "let's take it slow" conversation in 2x05, the "sex was a mistake" in 2x06, and Ed running away to be a fisherman in 2x07 into a single arc. He wants Stede, but he's afraid of what that wanting will do to him. He's trying to find a way to have a relationship without making himself vulnerable. He keeps pushing off commitment and openness.

Then, in 2x08, I'd make it more explicit that Ed thinks/fears Stede is dead when he sees the pirate ships burning. I think it's subtext in the episode as-is, but give him a line or two to make it really clear. Ed and Stede still see each other on the beach, have their dramatic run to each other, and Ed says, "I love you". Now this moment is Ed acknowledging his love, exactly what he's been avoiding for the last three episodes.

Near the end of the episode, Ed and Stede have a conversation where Ed says something like, "I didn't want to get hurt again, I was afraid of the risk of falling in love and you leaving again, but thinking you were dead made me realize that never loving you would be worse" (but better written, ha, this is a tumblr post that's already too long). (Also possibly you could tie in Izzy's death here to underline both Ed and Stede not wanting to lose another person they care about, if we must have that plot point for some reason.) We actually get to see Ed asking Stede to come be innkeepers with him, paralleling asking him to run away to China (and paralleling NOT asking Stede to a fisherman), Stede voices some of his worries (paralleling him keeping them inside in 1x09, but also giving him a chance to explain what piracy and love mean to him and why he'd give up one for the other), but ultimately they agree that they at least want to try.

This both puts them into a much clearer place for a happy ending, has clear growth from S1 and the beginning of this season, but also leaves open a ton of room for S3, because welp, it turns out trying to have a relationship entails all sorts of problems! Especially with these two. It also would make me feel like they'd at least addressed some of the issues between them.

Right now I feel like S3 will have to spend at least the first few episodes running through exactly the same "don't talk – break up – get back together dramatically" arc that Stede and Ed have already done twice but have never discussed and never learned from. I liked it, but I don't need to see it yet again. That will – ironically – feel like yet more wasted time, more episodes that are just churning through beats without moving the characters forward. I wanted them to have new, different fights in S3, but now I don't even feel like they've made enough progress to have a fresh set of problems.

#ofmd meta #our flag means death #ofmd 2x08 #ofmd season 2 #ofmd critical #(I guess)

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pearwaldorf · 2 months

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I have been trying to write this on and off for a while. I figure the second anniversary of the show is as fine an occasion as any to shove it out into the world. It is not everything I want to say about it, but I think the important bits are there.

It is a human impulse to be seen. To be told, through art, you are not alone. It is universal, but of special importance to people who are not well-represented in media (i.e. everybody who isn’t cis, white, able-bodied, skinny, and conventionally attractive).

This show speaks to me as a queer person who figured things out later than most of my peers. (Not quite as late as Ed and Stede but not terribly far off either.) It’s not super common to see queer media address this, and I didn’t realize how much I needed that reassurance until I got it. That it’s okay to find these things any time in your life. To be told “A queer is never late, they’re always fashionably on-time.”

They’re not my first canon queer ship. But they are the first ones where I knew it was true from the get-go. Multiple people assured me this was the case. And yet, I still didn’t believe it until I saw it with my own two eyes. This experience is not unusual for fans around my age.

After I finished up season one, I laid in bed and cried. It’s not something I thought would affect me so much, but it feels like a weight I’d carried so long I didn’t realize it wasn’t supposed to be part of me is gone.

One of the reasons people unfamiliar with the fandom seem to think it’s absolutely crazy (which some of it is, to be fair, but every fandom has that) is the way fans of the show get extremely super intense about it. It took me a few weeks to realize this is a trauma response. I’m not even sure “trauma” is the right word. It doesn’t interfere with my day to day function, but it lasted for years. Decades. So it was definitely something that fucked me up. And in the way you can only start to see something as you’re moving past it, I’ve spent a lot of time trying to get my head around this. (I don’t know if I have anything to say about it yet. Maybe I need more time to sit with it.)

I know this sounds contrary, but I’m really glad David Jenkins does not come from fandom. Sometimes it’s good to know where a line is, and others it’s better to not know there’s a line at all. And this is, sad to say, remarkable to somebody who has had to deal with this for so long. With so many writers and showrunners aware of the line, and getting right up next to it, but never crossing it.

Imagine doing a show with a queer romance and not understanding why this was received with such emotion and fervor, because it’s just two people in love right? What blissful ignorance that this needed to be explained to him! And then he listened to people’s experiences with queerbaiting, and went “Oh my god you thought I was going to do WHAT?” And then you go “Huh. That is really fucked up.”

The problem with being told something enough, even though you know it’s wrong, is you start to believe it regardless. All the excuses and hedging. It’s so very difficult to do they tell us, when we hear from queer creators how they had fight tooth and nail to make it as gay as it already was.

And then comes Jenks, just yeeting it out there: majority queer and (not and/or. and) POC cast, an openly non-binary person playing an openly non-binary character. The ability to not have to make one queer (and/or) POC character speak for everybody, so you can inject a tiny bit of nuance into the conversation. The way you can tell more kinds of stories, like the one where the smol angry internalized homophobe comes into his own with the support of a queer community, even though he was a giant fucking asshole to them before.

So many people were like “You can just DO that? It’s really that easy?” And wasn’t that a fucking Situation, to have that curtain pulled aside. What next? Majority POC casts with stories about POC written by POC? Absolute madness. (Please please watch The Brothers Sun on Netflix. It’s so fucking good.)

And people will scoff and say “Of course a cishet(?) white man would be able to get this pushed through.” But do they usually? The thing I don’t think people understand about allies is they use their privilege to wedge the door open. You still have to do the work to get through, but at least you have a place to start. And it really fucking matters.

The press keeps trying to tell me The Completely Made-Up Adventures of Dick Turpin is the OFMD substitute we need while we float in the gravy basket. I’m sure it’s a perfectly fine show, but I don’t know who has watched OFMD and decided the itch we needed scratched was anachronistic historical comedy.

I want stories written by people that reflect their lived experiences, with actors and crew committed to bringing that to life. And I would like streamers and studios to commit to giving them a chance, and marketing them properly so people know they exist.

You can keep people satisficed with scraps for only so long. At some point, somebody is going to give them a whole seven course dinner and people will wonder why they’ve been putting up with starving this entire time.

#our flag means death #ofmd #our flag turns 2 #pear watches ofmd #pear text

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svgvru · 7 months

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nsfw hcs for buggy??? (sub buggy)

✮ 𝗦𝗨𝗕𝗕𝗬 𝗕𝗨𝗚𝗚𝗬! submissive headcanons of the genius jester, buggy the clown!

𝗗𝗨𝗥𝗜𝗡𝗚 𝗧𝗛𝗘 𝗔𝗖𝗧! ꒰ buggy d. clown / dom, m!reader ꒱: hairpulling, degrading, praise, spanking, voyeurism, incorrect use of his devil fruit, idk be cautious. ꒰ n: thi is like my 5th buggy request. yall love him sm lol. also, there r hints towards the 2nd kinktober buggy fic ꒱

𝐋𝐄𝐓𝐒 𝐒𝐓𝐀𝐑𝐓 𝐖𝐈𝐓𝐇... the fact buggy is needy. that man is deprived of love, affection, and attention. yellow chrysanthemums are his flower. never has he been granted the affection that he desperately craves and needs. that deprivation translates into the bedroom as well. and one fact is that because of that neediness, or that clingyness, leads to: obsession, possessiveness, and idiocy. your affection. your attention. your love, matters over everything else. and again, that translates into the bedroom. he'll do something downright stupid to get you to fuck him.

buggy can and will be a bratty little shit. but he'll be a submissive, whining baby as soon as once you put him in his place. he'll whine and cry when you give him tender kisses and deep slow thrusts. an "i love you" would make him cum.

he'll purposefully irritate you. whether that be not doing something you've asked of him, rubbing up on another crew member, or fucking with you throughout the day with his devil fruit. "hey gimme a hand will ya?!" there's a little tap on your shoulder and you turn to see a severed hand waving at you. "BUGGY—" "COMING!!"

he'll be a brat and boast about how you can't "handle him" until you to manhandle him to the bed and bully your cock into him.

despite how much he seems to distaste pain, he loves it when you inflict pain onto him. no matter how big or small.

when you step on his cock for not doing what you asked? he's sobbing, but he can't help but buck his hips towards your boot and he'll cum when you press down harder. his chest will be stuttering and his makeup is dripping down his face from the tears, he's promising "i won'do it 'gain!" but you know damn well he's going to.

if you can't tell, he's somewhat of a masochist. but of course, he has limits, don't push him too hard. though, you'll likely allow him to pick the safeword and he'll pick something related to the circus. it'll be stupid as hell, but it catches your attention. and while engaging in his kinks, its something you desperately need. because he's dirty. when he first told you his kinks he was nervous how what think of him after. some of his kinks 'n things he's into are likely something like:

degradation / humiliation; ꒰ despite how much he seems like he hates it. when it comes from you, he's hard. call him a whore and he's shaking while shooting ropes. dirty talk to him while showing him off??? ꒱

voyeurism; ꒰ speaking of showing him off. he has this large fantasy of you fucking him on his "throne" in front of an audience. his victims will see more than just his terrifying smile. dirty talk while your fucking him in front of these unsuspecting people? "oh? you like this don't you, bugs?" "you like being shown as a whore to them?" it'll only get worse if you interact with the audience. "what are you doing? clap. your showrunner deserves some praise for cumming, yes?" ꒱

praise; ꒰ while he's whore for degradation. praise will have him going insane. yes, calling him demeaning names could bring him to tears, praising him will have him sobbing. y'know how i said that his love deprivation translates into the bedroom? being tender with him, pressing kisses all over his face, especially on his nose?? "good job, bugs." "your doing so good baby, keep going." "mhm, you were super flashy and strong today." "that's my boy." "good boy..." affirmation that he's doing okay, that's he's so handsome and fantastic will have him cumming and sobbing in your arms. ꒱

mirror sex; ꒰ his devil fruit 100% allows him the option to watch from afar. seeing the buldge from your cock appear and disappear. but even if its just full nelson, which he loves btw, he loves having a mirror in front him to watch you fuck him ꒱

oral fixation; ꒰ for some reason, buggy with an oral fixation comes into play. but of course he gets ashamed about it, because his nose often gets in the way of giving you head or anything else like that. one thing his nose doesn't in the way off is your fingers. he loooves sucking on your fingers. he gets ecstatic when you ask him to, needing to stretch him out of course. he whines when you pull your fingers from his lips. he needs something in his mouth at all times. when your plowing into him from behind he'll laying on the pillow with two of your fingers in his mouth. im telling you he does! don't get me started on making afab!buggy taste himself once you've fingered him! ꒱

creampies; ꒰ amab! or afab! he's in love with the idea of you filling him up. doesn't even have to be about breeding or pregnancy, he'll have you cum in him so he can feel "warm inside." he'll make creampie joke if he's amab! ꒱

spanking; ꒰ he enjoys some of the punishments you give him. specifically, spanking. he did obey you one particular time and you bent him over your knee, spanking him till his ass was red and raw. he was sobbing, but there was pool of cum on the floor from him. with your hand or a belt, he's loosing it. imagine he was afab! slapping his pretty clit until he came. even as amab! slap his tip, which is super sensitive, and he's shooting ropes. ꒱

CBT; ꒰ speaking of slapping his tip, and like i mentioned earlier stepping on his cock, it gets him hard. bulling his poor cock will having him screaming and crying for you to stop, but he'll never actually say the safeword. he'll let you bully him allllll you want to and make a mess of himself with cum! ꒱

hair pulling; ꒰ he has alll of that hair! why not pull on it. like i said with the pain thing, everytime you pull his hair he'll let out the sweetest whimper and allow to pull him to wherever. this has the biggest affect when your fucking him from behind. pulling his hair and making him form a perfect arch while you plow into him?? his eyes are rolling back and his tongue is lolled out. he just genuinely likes you manhandling him. ꒱

choking or just manhandling; ꒰ just like with hair pulling, choking is the same thing. over all, he enjoys you pulling and slapping him around. yank him towards the bedroom, pull him by his hair, pick him up and bring him somewhere. simply bullying him to do something will him hard. ꒱

now the positions he's into are something else. he'll likely be into anything, and his devil fruit allows him to try anything. he does have favorites. certain positions will have him cumming in seconds actually. his favorite position you put him ꒰ from favorite to least favorite ꒱ are likely "basic ones" but here:

doggy; ꒰ esp. when you shove him head into the pillow and rail him. your tip shoving into his prostate. he's moaning around your fingers n shaking. this one is likely his favorite. ꒱

full nelson; ꒰ his second favorite is full nelson. he's surprisingly flexible and can take the position very well. whether it be watching through a mirror, or forcing his head to be pointed down so he watches you fuck him. that gets him cumming quickly. this is 100% his second favorite. ꒱

mating press; ꒰ mostly because of the "being filled" thing. he may or may not have a breeding kink, but if he does this position does wonders. he's in love with it. especially if he has a cunt?? your cock feels so much deeper n big in this position. often times he'll beg you to put him in a mating press. ꒱

spooning; ꒰ while some of the other ones offer great intimacy, he values the intimacy of this one the most. its the best for sleep sex too! which he really loves. he loves you holding him so tenderly, this is a time where the love deprivation translates. if he's not in the mood for something extreme, he'll as you to hold him gently n fuck him to sleep. ꒱

overall, he's a whore for your attention ꒰ and cock ꒱. most nights are likely tender and lovey dovey nights, especially if something had gone wrong, maybe a plan or something. so its typical for him to be a little whiny n clingy when things like that happen. just shove some fingers in his mouth and fuck him good, he'll shut up.

꒰ n: i promise you im in love with him n i got srsly carried away making this ꒱

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friendly-stardust · 24 days

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If you had the chance to change something about the dance of the dragons (TV show or book), what would it be? For example, how a character dies, which team a house is on,or an entire character personally. How would you change it to make the story better, in your opinion?♥️🖤💙💚

Thanks for the ask anon and sorry that it took me this long to reply. This is a tricky one and this can be long.

House of the Dragon is a complete mess and a mediocrity of a show on every level, except for the acting. The writing is at an abysmal level, and I am convinced that it only got the interest and the rating it got thanks to the fact that it is under GoT's umbrella. And the fact that the showrunners/writers decided to be ungrateful and to insult the very show thanks to which their shitty fanfiction is even relevant, tells me everything I need to know about the arrogance and the ignorance existing behind this travesty of a show. The showrunners/writers seem to have completely misunderstood the themes of The Dance dealing mainly with class stratification, the corruptible nature of power, the consequences of blind ambition, and the pitfalls of unchecked privilege, reducing it all to a dumbed-down and pandering fanfiction in which tokenism, outdated and bigoted caricatures, and banal depiction of sexual assault are used casually as tropes, while pretending to write a 'feminist' or a 'progressive’ show. So, for House of the Dragon, EVERYTHING is to be changed.

Rhaenyra should have never been written as the main protagonist: From Episode one, we already have a failure in our hand with the writing as the showrunners decided to solely use Rhaenyra as our main protagonist in a show that is supposed to depict a severe and ineluctable succession crisis at the top of the Kingdom, resulting in the splintering and in the factionalism of the ruling family. Because, at the heart of this story, this IS the main thematic of the Dance - the civil war that will be tearing the ruling family at the head of the Realm apart and, consequently, the Realm itself apart (except for Dorne which was not yet part of the Seven Kingdom). We should have had different POVs to illustrate the deep divide that have been festering within the Targaryen clan itself and POVs from some of the closest families around them helping them rule. So, if it was me writing this, the POVs would have been: • Alicent - for the Hightowers POV, to see things through her lends and because of the important role she will have as a Queen in the future and as the head of one of the factions. • Rhaenyra - She will be the heir, one of the main claimants to the throne, and the head of the other main faction. • Daemon - self-explanatory. Playing his own partition/having his own ambition and need to be in power. • Corlys - to have a POV for the Velaryons and to highlight their side of the story and their narrative as a clan close to power. I would have made the Velaryons more politically savvy and Corlys primarily working with the sole perspective of preserving and consolidating the Velaryons' place of power/closeness to the Throne. As a whole, the Velaryons and Corlys' allegiance will clearly and only be for the Velaryon's name and clan. I would also use that POV to illustrate the Velaryons tinge of resentment towards Viserys and towards the dismissive way House Targaryen have treated them since Aemon's death. • Criston - POV of a lower-class man of Dornish descent getting into the heart of power and having to navigates its difficulties with his set of believes and morals, and how being in the middle of all this impacts his decisions and his ambition for the ascension of House Cole to a more prominent social status.

Using Season 1 as a set-up Season and not rush with catastrophic and mismanaged times skips: Season one should have really been a set-up season, taking the time to really put the foundations into place, while having enough belief in the story to give it the time needed to develop naturally. I believe that it is important to pose the base that the fracture in the clan Targaryen and with the Velaryons have been created since Aemon Targaryen's death which, according to me, is truly the start of this whole succession crisis. The Dance is just the poorly managed resultant of the whole process, seeping through several generations of resentment and hatred for one another. This will also completely negate all the stupid arguments I have seen online of 'if Viserys had married Laena, all this will not have happened'. This is because the show writers have failed the only-show fans who have no clues that the Velaryons have already threatened war during the whole Rhaenys vs Viserys ordeal. It would also emphasise the reason why it was important for Viserys to not shun the Velaryons and to keep a close alliance with them and would explain the reason why Vaemond became that adamant and not too keen on letting Rhaenyra's bastard usurp their ancestral throne. If only the Velaryons were taken seriously by the writers and not solely used as tokens and brownie points to prop-up Saint Rhaenyra?

Being aware of tokenism, bigotry and of anachronistic representations: This show seems to have been written by people who appear completely oblivious to how careful they should have been with how to manage negative stereotypes.

Avoiding Tokenism: From a standpoint of a Black woman like myself, the way the Velaryons were written was quite insulting. The showrunners/writers seem completely oblivious to how bad it looked to have the only House cast as Black being completely subservient, usurped and abused by their white-coded Targaryen counterparts, with no protest from most of them. The only one of them who protested – Vaemond - was villainised by the narrative and was made to say a misogynistic slur to justify his murder in open court. Murder which has no further consequence in the narrative. These showrunners/writers seem to not understand the racial implications that this casting choice creates in this world and seem completely ignorant to how to organically integrate that change into the narration and how to prevent stereotyping those race-swapped characters, so to not reduce the Velaryons to mere tokens. As a result, the writing made the Velaryons act like complete idiots devoid of any sense of pragmatism, strategic mindset, or political intellect, in a world that literally demands those characteristics of the people playing the game of throne. And the way Rhaenyra’s relationship to them was written also reeks of racist undertones. Overall, the way the Velaryons were written just demonstrates the ignorance and the shallowness we have behind this show and highlights the fact that the race-swapping was only made for aesthetic purposes and for some veneer of visual racial diversity.

And the best example to illustrate that vile treatments of the Velaryons is the way Laena and her daughters were written - not that Laenor or Corlys or Vaemond were spared either - but the treatment inflicted onto those female characters, now made WoC, represent better the showrunners/writer’s deep misogynoir, to which I am sure, they are completely oblivious. Laena's role and arc in the source material was completely butchered and diminished, by rewriting and reducing a feminine, beloved and desired (in her marriage to Daemon) woman - seduced and brazenly wanted by Daemon as his wife in F&B - into some teenager seducing the grown man Daemon, all while he only had eyes for the White girl Rhaenyra, actively feeding into the stereotypes about girls of colour growing up faster, having to be needy and desperate for men attention, and having to seek out male attention to be noticed. I mean, as if Laena was not beautiful enough for a man to notice her without her having to throw herself at him? But it doesn't stop there. They managed to erase her relationship with Rhaenyra, reducing it all to some repulsive scenario of pitting two women against each other for a man, the complete opposite of what happened in the source material, in addition of making Laena the ‘other woman’, the lesser desired one, and the unwanted wife, in her relationship with Daemon. And let not forget the trauma-porn inflicted on her WoC body in that violent and traumatic death, which is a complete bastardisation of an invented only-show concept of “a woman dying a dragon rider death” - whatever that means. Apparently, once Laena became mixed-race in the show, she became some thirsty, miserable, completely isolated woman, willing to go along with only being good enough as a second choice to her white husband, and dies violently by suicide instead of the beloved and cherished woman full of strength and humanity we have in her white woman depiction from F&B. The same abhorrent treatment was inflicted onto Baela and Rhaena, both written as some wallpapers and empty headed mute dolls with no layered personalities and no real wants of their owns, just willing to go along with anything, even to their own detriment (this includes Rhaenyra’s bastards sons taking precedent over them for Driftmark), as long as it favors and bolsters the causes and the ambition of Rhaenyra - the woman their father married just few weeks after their mother's funeral.

Avoiding Bigoted depictions:

a) Some of the tokenism arguments can also be applied to the showrunners/writers’ decision to depict Ser Criston Cole as a brown man of Dornish descent, which already comes with its own in-world racial undertones, while being very hell-bent on portraying his character as an emotional, thuggish, and resentment-driven character, who got his positions as hand-me-downs from two white women, instead of the intelligent, calculated man, always in control of his emotions, and above all, driven by ambition, and who got to the highest position of knighthood in Westeros by the merits of his own competence, as he was described as in his White-coded version in F&B. This illustrates once more the showrunners/writers’ incapability of understanding the tokenistic nature of their racial representation. Also, maybe unaware, and oblivious to their own bigotry on display in what they were implying here, the showrunners/writers went with the problematic trope of the savage, misogynist, and violent brown man for this character. And the fact that they decided to deliberately frame this brown man as some misogynist and vindictive man, unreasonable and unjustified in his anger towards his sexual predator when he is the victim of sexual assault in that “Rhaenyra’s sexual empowerment” episode, just disgusts me. As if his feelings and the shame he felt from the whole ordeal the next day, as a person, was to be dismissed or worst, mocked. The optics of the showrunners narratively dismissing his trauma while they have decided to change his race in the show, just highlights once more the racist undertone we have in the writing of some of the characters in this show. It also illustrates how out of touch the people behind this show are when it comes to representing power and racial dynamisms in a sensible way.

b) Larys Strong is the first disabled character we see on screen with his clubfoot and someone in the writing room though that it was a great idea to then transform him into some deviant sexual predator who gets off by fetishizing FEET. You cannot make this up! The showrunners/writers also butchered his character by making him the confirmed and sole murderer of his father and brother, when in the books, 3 other characters, Corlys, Viserys and Daemon, were also plausible culprits for that crime - but they are all Team Black so better whitewash them all and put it all on the disabled and only Team Green character that was also under suspicions for this murder. And all to see Alicent’s feet, ladies, and gentlemen! Instead of the enigmatic, calculated, and ambitious character we have depicted in F&B, the showrunners/writers made Larys Strong into some outdated caricature and despicable representation of a disabled character, embodiment of all of the devious and negative traits, by equating being disabled with being devious in morality and mentally. It is just a vile way to represent disabled characters, quite akin to the way they were viewed in medieval times as bearer of bad intentions/evilness, which also confirms the ableism and the hollow activism we have behind the scenes of this show.

Avoiding anachronistic representations:

a) Equating Alicent to a 'Woman for Trump' - a misogynist and reductive slur used within a very 21st century USA political discourse - while portraying a woman supposed to be within a setting mirroring medieval Europe, just shows the lack of culture, and of historical knowledge we have in this writers’ room.

b) Anachronistic girl boss characterisation: Rhaenys is written as a vessel to peddle nonsensical 21st century notions of White feminism, a hollow wannabe and anachronistic girl boss, spouting anachronistic speeches, while the show completely removed any agencies from most female characters, and took strong female characters from the original story and turned them into some victims of situations, none of their own doing of course, who constantly cry and are afraid of making any decisions, all while most of their negative traits are given to the male characters, absolute monsters and responsible for all woes that afflict the female characters. Also, Rhaenyra is whitewashed into some girl boss and some absurd notion of a ‘modern politician’ - modern in which historical period, no one knows – who spouts drivels like ‘when I am queen, I will make a new order’, to brazenly pander to Daenerys’ fanbase, when both women are nothing alike, except for the fact that both are Targaryen women.

4. Follow the source material and not thematically rewrite the Dance:

No Aegon I prophecy or dream. Maintain the Targaryens as the ruthless colonialists they are instead of trying to justify their reason to brutally colonise a whole continent. As a person from the African continent, this is not the kind of rhetoric I would like to see peddle, justifying colonisation in the name of some superior purpose.

No white stag apparition coming to anoint our Saint Disneyesque Girlboss Rhaenyra to rule. This is insulting to the intellect of people who want to see complex storytelling.

Completely rewrite the dreadful Episode 9 and make it as close as possible to the book’s depiction of the Green Council.

No Girlboss moment for Rhaenys, murdering hundreds of peasants and ruining Aegon’s coronation.

Erasing that bullshit about Alicent confusing Viserys last words and make the Green reason to crown Aegon and Helaena based on tradition and precedents, as in F&B, and not based on some feeble concept such as the King’s word. We are not in an Absolute Monarchy here, but the uncultured idiots we have behind this show don’t even know the difference.

Not erasing fat women representation with Rhaenyra and Helaena when you claim to be such ‘feminist’ and ‘inclusive’ show. Where is the inclusion of different female body shapes? Or are they not worthy of representation? Instead, we have one of your showrunners (the incompetent Sara Hess) using fatphobic language to make it seem like it is weird for a woman’s body to evolve after several pregnancies.

Showing women on the Green side (Alicent or Helaena) going through their pregnancies and giving birth.

Not erasing Helaena in her own coronation.

Not infantilising Helaena and making her a side character in some other characters story (Aegon, Jace).

Showing the Green kids with their dragons in Season 1. As it was portrayed in HotD, most casual viewers don’t realise that in real Targaryen fashion, those kids should have their dragons around them in most official displays (side eyeing the whole dragon pit debacle here).

Where is Sunfyre and a clear view of Dreamfyre?

Making Vhagar roar when Aemond eye was slashed.

Making one of the adult correct Baela’s and Rhaena’s wrong assumption that Aemond stole Vhagar. Why did the incompetent showrunners/writers even insinuate that foolishness in the first place without having one of the adults rectify the Dragon lore? We all know that it was to paint Aemond as the villain in this situation.

Making it more evident that Rhaenyra meant torture when she said, ‘sharply questioned’.

Why was Daeron and Maelor absent?

Not making the Dragon/owner bond murkier with that shitty and useless singing session from Daemon in Episode 10, when it is canon that one rider cannot have 2 dragons at the same time to ride. Surely Daemon, as verse into Valyrian lore as they proclaim him to be, should be aware of that. This is just confusing the casual viewers.

Using Mushroom's accounts for both the Greens and the Blacks – if I am using them at all.

Not erasing Mysaria’s miscarriage as it is part of her characterisation.

Not claiming to wanting to make a 50/50 adaptation when BTS the showrunner Ryan Condal is using gobbledygook such as ‘they made Aegon usurps his sister Rhaenyra’s throne’, when, by all Westerosi tradition and precedents, Aegon could not usurp what is already lawfully his as the first-born son of the King.

For the book version of the Dance, I don’t have much to change to be honest:

I would have significantly toned down the Daemon’s fest.

I would have made the Velaryon more neutral or playing both sides, with a strategic splitting of the House to support both sides.

I would have made some of the Houses change team, like for example, making the Royces in the Vale side with the Greens, splitting the allegiances in the Vale, to better illustrate how profoundly divided the whole Realm becomes with the war of succession.

The Redwynes (which I would have made the maternal side of Alicent) and most of the Reach would have sided with the Greens.

I would have betrothed Daeron to one of the other powerful Houses in the Reach.

No Wolf Hour.

No army pulled out of nowhere in the Riverlands after Aemond reduces them to crisp. Instead, some part of the Vale army would make the bulk of it.

Finally, no Jaehaera death. That was just petty and quite stupid writing from GRRM with no logical justification as to why she needed to die. No need for the “most sexy 6 years old” to ever exist in the story.

Jaehaera and Aegon III will have their children, who mostly have no real impact on the Targaryen line anyways, apart from Daena the Defiant who gave birth to House Blackfyre.

#ask #fire and blood #asoiaf #house of the dragon #anti hotd #hotd critical #bad writing #lazy writing #team alicent #pro team green #ser criston cole #alicent hightower #pro aegon ii targaryen #aegon ii targaryen #house velaryon #laena velaryon #larys strong #ableism #shallow activism

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posts-written-by-murderbot · 2 months

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What's the best order to watch sanctuary moon? I've been meaning to get into it but it's really hard finding a starting point to it. Thank you for your time if you do respond

My own watch order started at 14 minutes into episode 127, through to the end of the Save The Space Salamanders arc. Then I realized there were earlier episodes and I went back to the beginning and watched release order through to season 21, then I wasn’t able to get a hold of seasons 22-23 on the company entertainment feed (that whole syndication exclusivity thing was the bane of my fucking existence for the duration of two contracts) so I had to skip to season 24 and watch until halfway through 43 until I got a hold of 22-23 from a client’s downloads, watched those, then had a catastrophic shutdown during the climactic scene of the season 23 finale when I got blown up (because I was distracted watching the show) when one of the strikers dropped an improvised grenade on me. I wasn’t able to watch the rest of the episode until the cubicle put me back together. The suspense was literally killing me. (I nearly died.) Then I watched the rest of the series as normal.

So that’s the ideal viewing experience, but difficult to replicate.

Realistically there's a lot of potential starting points, it depends what you're trying to get out of Sanctuary Moon. If you want to just have enough knowledge to follow the current plotlines, you can feasibly start at Season 52 episode 12, because several major plot threads wrapped up in episode 11 and episode 12 kind of soft starts the current era. However, if you (correctly) want to gain an actual understanding of the characters and their motivations, you're really going to be missing out if you start any later than Season 12 because that's when the show starts to really breakaway from safe episodic adventures to plotlines that really explore and develop the character's background and personalities. Eden, for example, has a very important arc in Season 12 where the head of the colony food algae production wants… no spoilers, you need to experience that for yourself.

Some people will try to tell you to watch the seasons all out of order in order to experience the story "chronologically". 🙄 Frankly this overcomplicates your episode logistics and takes out so much of the drama because instead of the character's motivations slowly being revealed to you (fucking masterclass btw) it just all gets fed to you in a way that's disjointed and has no payoff until you've watched hundreds of more episodes. There's a reason the writers structured the show the way they did. It’s honestly confusing that such a huge section of the fanbase can't handle a non-linear story and try to demand the showrunners dumb everything down for them. And yes I know that I watched shit out of order but that’s different.

If all that's too confusing just watch it in whatever order you can get the episodes in. The saddest thing would be to not watch it at all because you're worried about watch order.

#posts written by murderbot #invasions of privacy #mbd #the murderbot diaries #tmbd

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maxphilippa · 10 months

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babe wake up new GKGG AU designs just dropped

I should have done these long time ago but my brain just doesn't want to cooperate ig

You can find some info of them under the "Read More"!:

Marshmallow: Marshmallow was an influencer back then, even before the show began. Unlike in canon (Canon Bow), her friendship with Knife and Mic is explicit, since Marsh was a part of their friend group and she got to know II thanks to Mic because of her fangirling about it. She quickly got interesed on the show. She's an young adult that is, and was pretty close with the current Green Gamers polycule + Taco. Marsh is sweet and kind, shy as well, but she does like to have fun and once she wants to prove herself, she's reckless, to the point where others could call her dumb. Cobs didn't want her getting in trouble/hurt for getting in the middle of one of the challenges, but once he got the call from ADAM, he ended up accepting Marsh's presence in the show and made her a contestant. Marshmallow is a pretty social person as the time passes and she doesn't give up easily. So when they got her inside of Idiotic Island she wanted to escape since it was terrible, and Cobs made sure she didn't by... telling her to not do that, that they would go out sooner than later and that he was truly sorry for it, that it was what the showrunners asked him to do. As weird as it sounded for Marsh, she didn't focus on that but the fact that she still wanted to escape. And she almost did but... they trapped her inside of the metal box to not let her out. But no one really knew that she was there. Her Feral Look isn't exactly feral, as she is full of adrenaline and physical pain. Her thing here are pillows instead of chairs.

Bow: Bow is an special case. Marsh and her were best friends back then when Marsh was alive. Bow was a very known musician, who was also recognized by her strong attitude and quirky personality of sorts. But she was a great violinist and knew how to play the piano just great. Marshmallow was a big fan of Bow's songs, and Bow was a big admirer of Marsh's work. They did some collabs as well, and everything was going just fine. Until Marsh just... started to drift away slowly. Bow didn't want to say anything since she didn't want to bother Marshmallow, but she did miss her friend. She started sending her messages but Marsh couldn't reply because of the show and eventually, the box. When Marshmallow's definitive death was announced, Bow wasn't able to process it. So she was in denial. She didn't believe it and didn't want to do it. But... it was true. She knew Marsh was gone. She just didn't want to say "bye" to her friend. Stuff happens and, well, she ends up dying thanks to S&P. Marsh does no longer remember her, but she's happy to be with her friend again.

Dough: He's both a mix of Canon Dough and Canon Apple. He's slow at understanding things and doesn't get a lot of stuff, but his heart is in a good place. He doesn't have a lot of friends so he loves and cares deeply for those who he has (Apple, for example), but he's not as energetic really. He has a good heart and tries to be there for Apple, but Apple has troubles opening up after all. He likes to play the piano and likes making songs time to time. Even if his memory is kind of shit, he does remember that way back then, he had an step sibling to who he showed how to play some instruments as well. He doesn't know what happened to her ever since she went away, and... well, there's not much he can do anyway. He's an splendid guy, just needs more critical thinking.

Apple: Apple is a smart girl. But she's not smart emotionally for the record. She has troubles with recognizing her own feelings at times and she feels awfully guilty for what happened with Marsh, and with what happened to Dough, since there was a distance made by Marsh's allucinations. She didn't end up on good terms with Dough after he got out, and was worried she messed up the friendship she had with him. She values her friends deeply and that shows with Taco too! Taco did everything to look after her!

Silver Spoon: Silver is Knife's brother here, most likely the younger sibling, so they most likely had different enviroments/ways to grow up and see the world. Meanwhile Knife threw himself into his studies and became a pretty smart scientist, Silver had a somewhat darker turn. He was similar to Canon Silver years ago that is, always sure of what he was doing and soft spoken (but not in the way Candle would be), and his main job was and is to help people spiritually. However, one of those jobs ended up terribly, and that led him to have another being inside of his body- The Inner Shine. So him being unstable wasn't helping since this creature was a treat to others and everything you know. But thankfully, Knife was there to help him on that, and was never scared towards The Inner Shine. That helped Silver to recover emotionally from his new situation of some sorts, but then, he had to work on himself to dominate this spirit. And he did. Once he reached peace within himself, he was able to control the spirit at his favor, and the spirit warns him about future events that may occur when he meditates. Nowdays, Silver is charming, dear and soft spoken in a way that actually calms others. He looks up to Knife, and wants to help everyone out, since he knows what it is to be helpless. The color of his quartz would be light blue + cyan instead of purple and pink. He does feel useless if he can't help others, since it's the thing he has been doing the most for years after all. Though Knife tries to cheer him up and say that Silver has to focus on himself instead of others sometimes, but it's still hard. He seems to have low self esteem in a way and self doubts too much. Other than that, he's a good friend and only uses his crystal when it is truly necessary.

Candle: Candle comes from a very high-class family, which means she always got what she wanted too. She's smart but in a way that most people don't like (Taco) and is too full of herself at times. This is mostly because she hasn't really made any "friends" in terms of relationships for most of her life, so she's too out of touch with that. She's sarcastic and likes to tease others, Taco specifically, but even then, unlike Silver in canon, she started to show more frequently that she actually does care about her fellow teammates and contestants. Her friends, to an extent. Mostly thanks to Silver that is. He became her spark in a way. She started to be kinder, in her own way, which would be "a dick but with good intentions". Though she's still full of herself.

But she generally does appreciate her friendships and alliances, she just sucks a lot at emotional stuff and is awkward towards it, but she still tries. However, when Silver was eliminated, she felt guilt. And that started to sink in for her. This is what she wanted, right? So why does she feel sad? That's because, as much as she joked about her not caring for her friends, as much as she could act like an asshole, she missed and loved them deeply. She wishes she could have said anything to Taco and Silver before they were eliminated. She wished she could apologize for the things she said. But now, she's completely alone.

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overthinkinglotr · 2 years

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Everything in the Amazon lotr series makes perfect sense when you learn that the show runners have literally no experience working on tv shows. None. 😂 J.D. Payne and Patrick McKay have barely any experience in the entertainment industry. And like if you check their IMDb, their only credits are a Flash Gordon screenplay for a movie that wasn’t made and “uncredited” writing on the 2016 Star Trek movie (meaning they weren’t an official part of the production but talked to J J Abrams every now and then.)

The only way I can praise the Amazon show is the way you’d praise something written by a kid…”like wow this is your first try? Your first time ever working in tv and writing a fantasy story? This is good for a first try! Nice work! Your mom should hang it on the fridge!” The real question though is like, why didn’t they give biggest budget of any tv series ever made to people who had literally ANY experience showrunning ahsjndndnd.

To be honest I’m baffled at people who say this show is “desecrating tolkien” because like…first off, desecrating tolkien can be super cool. He sucked sometimes. Second, “desecrating tolkien” implies they were creating a story that had something specific to say about Tolkien, and they knew how to use their medium to convey what they wanted to say. But like…they didn’t. The Amazon series can’t desecrate tolkien, it’s relying on tolkien as a crutch to tell an amateur story that would be literally totally incoherent without you filling in the blanks with prior knowledge gained from the books and from other better adaptations.

I’m baffled at people trying to act like Amazon is being progressive with this series when its sorta like…the peak of conservative Hollywood nepotism? Two upper middle-class white dudes with literally no idea how to run a tv show because they have never been part of the process, ever, were gift wrapped the highest budget for any tv show ever made— not because they deserved to make the most expensive tv series ever made, but because they were upper middle class white dudes who happened to know famous people in Hollywood. People work in television their whole lives for the chance to be a showrunner and these two mediocre white dudes who have barely done any professional writing were handed the most expensive tv series of all time.

And it shows! It explains why the show doesn’t feel as expensive as it is. The process was “run” by people who literally have never needed to understand how creating a tv show works.

Everything feels so clumsy, unfocused, and generic because it’s being showrun by people who do not have enough experience to know what they’re doing.

It feels like someone’s first published work because it is. there’s some vague generic theme about being corrupted by darkness but it’s portrayed with all the grace and subtlety of showrunners who have no experience telling stories professionally, don’t understand how to do it, and so are just turning to the audience and flatly saying what the themes are supposed to be in bland boring language. (They couldn’t even find relevant quotes from the books to use instead— at least then it would sound pretty. Tolkein’s language is almost entirely absent from the show. :P)

There’s a lack of specificity— the tone veers wildly from “epic and idealized like the Pj films” to “relentlessly gory and cruel like GOT,” and almost no quotes from the books appear in the show despite language being so important to the feel of middle earth— because the showrunners are too busy struggling to learn the basics of showrunning for the first time to figure out things like “how to set a consistent tone.”

Characters turn to the camera and spoon-feed the audience information like we’re stupid and constantly reiterate exposition from previous episodes because the show runners have never worked on tv shows before, and don’t have enough confidence to trust the audience to understand anything.

The pacing is so bizarre and wonky, and the introductions of important characters/McGuffins is so clumsy, because the showrunners have never done this before ever on any tv show.

The show doesn’t look like the most expensive tv show of all time (even though it is) because the show runners don’t understand how to budget visual effects effectively. Tons of expensive labor is wasted on dream sequences and meaningless one-off plot beats that don’t add anything to the story when they could’ve been spent on the actual important emotional story moments.

And of course the way the show handles gender and race is so hollow because it’s driven by two white male nepotism hires tackling these topics for the Very First Time. They decide to handle sexism in middle earth by making it a world where patriarchy just doesn’t seem to exist(?), but they’re also not willing to actually genuinely imagine what that would look like. so we get a world where “there’s no patriarchy” but most the warriors/leaders are still men, all the women still dress in feminine clothing/hairstyles and all the men have masculine clothing/hairstyles, no women are butch and no men are effeminate, a woman fighting/showing up in battle armor is framed as a big cool reveal, and every single relationship is suffocatingly heterosexual (and there isn’t even the possibility of queer relationships/homoerotic subtext.) They had three POC play some of the side characters but were careless in how they handled them, in a way that’s a disservice to the talented actors— for example the character they marketed as “the first black elf in tolkien” is immediately thrown into a plotline where people are racist to him for being an elf and then he’s captured into slavery and spends a few episodes in chains driven around by white orcs with whips in a way that makes you realize the creators were too white to think about the optics of this. They also don’t tackle the root issues with the way tolkein portrayed race (the idea that different races are different Species with immutable personality traits) and just take his racist assumptions for granted. Meanwhile, every scene where people are “fantasy racist” against white blonde Galadriel for being an elf is handled with all the grace of a white teenager who just realized racism was maybe Bad writing their first fiction story saying Deep Things About Society for a high school assignment. Can you imagine how much more thoughtful writing we would’ve gotten from literally ANY of the far more talented experienced female and poc directors in Hollywood, people who understood how to tackle gender/race in their writing and who understood how to actually run a show? But no, the show has to be handed to two white dudes who have literally no experience writing for tv and no relevant credits, just because they’re white men who are well connected, and we have to trust tHese people to condescendingly explain the importance of diversity to us like we’re children. And then we have to pretend to like it because theres a massive right wing backlash against the show for being “so woke” (when it isn’t). ANSJSJJDJDJD

I just kinda…don’t understand? Why give so much money to people who have no experience and don’t know what they’re doing? People whose only qualifications are being random white dudes who know famous people?

It feels like such a waste of money and resources to throw so much into what’s essentially a training exercise for people who’ve never run a show before. The Amazon series is longer than the first two PJ films but it doesn’t feel that way because the showrunners don’t understand how to use a medium they have never worked in.

Like Peter Jackson had never directed anything on the scale of LOTR, but he had directed plenty of movies (with the writers who later partnered with him on lotr) before he was allowed to make it, AND had spent years pitching his scripts around Hollywood and helping develop the technology used for the visual effects. Heck, Ralph Bakshi had made animated movies before, and Rankin/Bass had worked on tv specials. As much as all those adaptations are flawed like?????????? I genuinely don’t understand why you wouldn’t hire more qualified people for the most expensive tv show of all time. or even just. Anyone who had literally any qualifications at all.

But I guess I’m thinking about this all wrong because…their lack of experience is likely why they were hired. Because of the complicated legal and rights issues happening behind the scenes, Amazon likely didn’t want to hire anyone who would have a coherent vision and a clear idea of how to execute that vision. The show needed to bow to the mandates of Amazon but ALSO the copyright issues (they don’t have the rights to actually adapt most of the stuff dealing with the history they’re adapting), the mandates of the Tolkien estate (who were allowed to make whatever petty changes they wanted to the story at any time) and the mandates of New Line Cinema (who were allowing Amazon to ape the style of their movies to get l publicity for their brand but are also completely willing to enforce copyright and demand change if they felt Amazon was stepping on their toes, and etc etc). Amazon needed inexperienced people who would go along with whatever they were told to do. Someone who had a clear vision and knew how to execute it would fight against the dumb corporate mandates. Someone who has literally never worked in tv before would assume Amazon knew best and do whatever they were told.

I don’t know, I feel the same way I do about the hobbit films where it’s just—it’s such a waste? It’s such a waste. It’s such a waste of time and a waste of labor, on a project that (because of weird corporate nonsense) has no clear artistic vision and only exists to be part of a lucrative Brand(tm.)

I won’t be watching the next season— I assume the the future seasons will be “better” because the show runners have now had their very first season of experience working in television ever (good for them and congrats on breaking into the industry for the first time etc etc), but that doesn’t change what a massive corporate waste the first eight hours were— again, that’s longer than the first two PJ films but it doesn’t feel like It because it’s so directionless and devoid of a clear artistic vision. Idk as long as the only Lord of the Rings adaptations we’re legally allowed to get are massive Mega corporate ones funded off the suffering of all the underpaid Amazon workers who die in the warehouses, you would think the adaptations would at least be good XD. Again, can you imagine what more experienced and talented directors with a long history of working in TV, and who were free to execute their artistic vision, could’ve done with such a giant budget? Can you imagine if corporations didn’t waste an entire season of television as the world’s most expensive training wheels for people who’d never seriously worked in tv before? Can you imagine how much good art we could get if Hollywood was actually a meritocracy? Idk dudes, idk.

#i said i wasn’t gonna talk about the Amazon show again but ajdjkdkf #ok now I’m done #lotr #anti rop #ahsjdjdkd #but I learned how inexperienced the show runners were and am Baffled #i have friends in the entertainment industry and???????#they actually have to Work to become showrunners or directors???#theyre told they need Experience?????#XD GUESS NOT #i feel like I must be missing something because it’s so confusing #but yeah rings of Power #rings of power definitely exists doesn’t it

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doctorwhoisadhd · 11 months

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hi blaseball fans. listen

after some thought on the matter i have come to this conclusion

yes blaseball the sim is no longer running. but blaseball is not just the sim, but also the community, AND the stories we tell about it. we're only done with ONE of those 3 things

i dont know how many of you are, like myself, also dr who fans. but fun fact! the most prolific incarnation of the doctor is actually the one with the LEAST tv appearances!! because you know what??? after the tv movie came out in 1996, fans took the 8th doctor and just MADE stuff: novels, audio dramas, comics! theres a whole name for that era, even (the wilderness years)!!! and then in 2005, another fan convinced the BBC to let him reboot the series!! the most recent showrunner was a member of the dr who appreciation society all the way back when he was 16 or so in the 80s! and two of the main series incarnations of the doctor (david tennant + peter capaldi) have been fans of the show since they were kids!

and even outside of official stuff, dr who fans have been known for our efforts to catalogue and share stuff for a long time now — there are lost episodes from the 60s that we still have audio of because people watching recorded it! even within dw tumblr, if you say, hey does anyone have anywhere to watch / read / listen to this specific thing, you can get like 3 links from 3 different people within an hour!

what we need to do is we need to make like dr who fans. tell all our favorite stories! and make everything we want to! its a brave new world — but we already have a start in cataloguing and in just HAVING the communities we do

WE make blaseball now!

#blaseball #ari opinion hour #hi dr who fans. im using us as an example #also blaseball fans: we have one thing that dr who fans dont:#a non-fandom associated wiki. lol. lmao.

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zvtara-was-never-canon · 17 days

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i'm not a zvtara shipper in any significant way, but sometimes i can't help but see aang as slightly hypocritical. i get that he managed to let go of katara in CoD, but i don't understand how exactly he let go of her but was still super into her in all of s3. what does "you need to let her go" even means? also, i get that he doesn't want to kill ozai at the end of the series, but what about the times he hurt people in ways that would result in deadly injuries? (i don't hold the end of S1 against him since he was being used as vessel by the ocean spirit, i'm mostly talking about the avalanche he caused on the northern air temple episode)

When Aang leaves the Guru, despite knowing he won't master the Avatar State at all if he left at that point, he did it because he literally ahd a vision of Katara being in danger. When he is letting go of his attachment in that season finale, he gives one last glance at Katara, who is in the middle of a battle, because he knows that the only way to truly help her would be to trust that she will be okay and focus on preventing the Fire Nation from winning.

On the episode "The Awakening", when Aang is panicking and wanting to reveal to the world that he is alive and fight the Fire Lord without a plan, he goes alone. On the day of the eclipse, he kisses Katara, but they go their separate ways in the battle, instead of him being close by in case she needs him.

The "learn to let her go" thing has NEVER been about him no longer being allowed to be in love with her, or even a close friend, and it was never a fully black and white issue either - that's why we see IROH, the guy who lost his son because he chose his quest for power over thinking as parent and thus keeping him away from the battlefield, telling Aang that he is right to choose love above everything. Why we have Katara be the one to literally bring Aang back from the dead. Why the Guru himself explicitly uses Aang's love for Katara as a way to make him strong enough to deal with the grief of losing his people, and why he says "Learn to let her go" not "Forget about her" (there's a reason the cliche of all cliche lines is "If you love someone, set them free" - attachment existing, by itself, it's not a bad thing, but holding onto it ALL the time can get toxic).

Hakoda let his children go when left to fight in the war, doesn't mean he no longer cares or shouldn't care. Iroh let Zuko go in book 3 because at that point he had understood that his nephew needed to follow his own path, doesn't mean he no longer cared or shouldn't have cared anymore. Why is Aang the only one being held to an absurd standard of "If you understood that you can't always be with the people you care about because you got other responsibilities besides just being their friend, that means you're supposed to never want them around even when that wouldn't negatively affect anything"?

As for Aang's supposed "fatal victims" - this is a cartoon that operates on cartoon physics. The Omashu slide/mail system on episode 5 should have left the heroes permanently paralyzed from waist/neck down, assuming they didn't full on die because the human body simply can't survive a fall like that. Firebenders don't burn themselves when practically holding the flame they're generating, nor when they literally breathe fire. We've seen some of the bad guys survive falling down from an airship and hitting the ocean, in full armor, and be completely unharmed.

The show had casualties - but it was always highlighted a fatal injury instead of glossing over it. There's a reason the showrunners were surprised fans ever thought there was even the slightest chance Jet had not died. In a world where people survive absurd stuff, the show suddenly changing the tune to go "Actually this one screwed over some people" is the ONE way to know there actually was a death, and these situations are still the exception, not the rule.

"Oh but Nichya, it was an avalanche!" yes, much like the one in Mulan - a cartoon that is famous for going "Ya know what, the bad guys didn't die despite being buried in the snow long enough that all the good guys left, and only after a major plot event." It's almost like animation does that kind of stuff all the time...

You can't apply real world logic/physics to a cartoon, and it's very weird that the fandom only feels like doing so in the explicit attempt to create a reason to hate on Aang because they don't like that a pacifist remained a pacifist.

#anti zutara #pro kataang #pro aang #aang deserved better #aang defense squad #respect aang or die by my sword

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iamafictionfreak · 5 months

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TIS THE SEASON TO BE MERTHUR!

Just... Look at them!

I miss everything about this show. Even the very bad CGI and the weak-ass plot points/armour/conveniences/contrivances.

One Christmas Eve, almost 11 years ago, the entire Merlin fandom was butchered into tiny little distraught pieces. It didn’t matter if your favourite character was Merlin or Morgana, Gaius or Gwen. The showrunners held no qualms in destroying your dreams for Gwaine or Perce. The writers did not hold back in their aim to crucify the smile on your face, to forever turn it upside down. No ship was spared. All hopes for the show to finally commit to their original intent, to bring peace between peoples, to save Albion, to allow Merlin his freedom and Arthur the truth, was brought to a bitter, fatalistic end.

Not that I need to repeat this to you, you know what happened, but it’s worth reiterating that this travesty occurred… on Christmas Eve.

CHRISTMAS. EVE.

Christmas Eve.

The night before Christmas, the night before the day where all rules are broken and we can frolic like children around a decorated tree filled with twinkling lights, our collective hearts were shredded.

This event (once we recovered a tiny bit from the shock) gave birth to a plethora of astonishingly well written, poignant, devastating, hilarious fanfictions that had helped nurse our wounds, for nothing could TRULY heal (except a follow-up season with the original characters, come ON BBC) us.

After nearly 11 years of watching these brilliant entries grow, I never thought I’d jump on this bandwagon and write my own fic.

But I've had a few very shit years, as have many people around the world, and I started to wonder as we do when we want to prove magic can still happen.

My brain decided that it wanted my hands to write the most indulgent, likely over done fic in existence for the fandom. This thought stuck with me throughout the year – I was being STALKED by myself – and wouldn’t leave me the hell alone. This hasn’t happened in a long while.

Still… you’ll eyeroll at the idea. It's so OBVIOUS, I'm embarrassed by myself.

What if Arthur discovered Merlin’s magic from the get-go, from episode 1?

WAIT. Hear me out…

So, Merlin saves Arthur for the first time and Arthur SEES. He sees his eyes glow.

He knows he should tell his father, but his instincts are screaming at him. Honour is at stake. This stranger saved his life. How could he reward it with an execution? So, a chance needs to be given, doesn’t it? A chance for Merlin to give up magic forever and live a life of goodness, to turn away from evil and serve Arthur…

Except Arthur can’t help but wonder. About Magic, about Merlin and magic, about the law and all the whys attached and his place within this chain.

But he also can’t trust this peasant who cavorts with the devil, practices wickedness but smiles like a child and offers compassion to everyone. Someone so duplicitous must be dangerous… except Merlin’s an actual idiot! And it’s getting really difficult to keep his guard up.

But isn’t that how sorcerers work? They twist the mind with pleasing ideas, they tempt and coerce, they manipulate.

And slowly, Arthur finds himself being manipulated too. For how could he ever want to trust this man- but he does. He does.

And we’ve never been allowed to see Merlin deal with a S1 Arthur who’s in the ‘know’. Who’s forcing him to keep it secret, who’s threatening him with trial by fire, a young Arthur who’s ignorant, arrogant and so desperate to understand what he cannot trust.

Then there's the layers, royalty versus peasantry, friendship versus alliances, goals versus ideals.

I want to write a fic where this trust is built from the ground up. One of the things about the show that made it impossible for me to let it go is that the ‘relationship’ between Arthur and Merlin fits exactly zero categories, yet all of them.

Master and servant.

Friends

Family

Allies

Enemies

Romantic ideals

Platonic soulmates

Absolute Soulmates

I could go on. And it's one of those rare shows where the writing would be given more oomph if the males leads had dared cross a line or two.

Realistically, they weren't even friends. They were master and servant who'd become a little co-dependant. Arthur could never admit to anything more because of his station, but would he have been able to being completely himself around Merlin if he'd known the truth? We never see Arthur truly be himself. He wasn't allowed to be, not even with his wife. There was always a wall - it was how he was raised and any attempt to develop was killed by plot.

We never saw Merlin completely free, not with a single person. He started happy and healthy and innocent. A liar. He ended up bitter and terrified and angry and alone. Still a liar.

What would he have become if there'd been one person he could truly trust- not Gaius. Not a man already broken and brainwashed by his own self. A victim of the system just as much as he perpetuated the hate and completely unaware of the trap he lived in.

Many of the characters in the show have the versatility and potential to be written a trillion different ways, is it any wonder that fics continue to be written?

Well, I wanted to explore a slow burn development of trust, with Arthur learning how wrong he was, how much he’s trampled on, and all about the seemingly normal peasant boy who meant more to the world than Arthur could possibly understand. What would they have become if they’d been given the time, hm?

When they were young - yes, I'm going there - wild and free.

What of Morgana, what if she could have trusted? What if she could have understood? Would it have turned out differently? Would she have still become the other side of Uther's coin?

Would Merlin still have ended up alone?

There’s lots more I wanted to touch upon, it’s a big what if, but that’ll have to wait for another post.

I’m writing a 5 part prologue that occurs between episode 1 and 2. I’m hoping to release it for Christmas and then take the time to write the rest of the season.

Unless… you guys think it’s a waste of time? Let me know.

In the meantime, I’m STILL SUFFERING (fucking show) and it's making me write, write, write!

(gifs not mine)

#merlin #arthur pendragon #merlin bbc #merlin emrys #guinevere #morgana #Gaius #uther pendragon #fuck uther #potential #merthur #merlin fanfic #merlin fandom

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mazzystar24 · 11 days

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i’m now spiralling with different buddie-canon theories in my head and one kind of crack-theory that came to me in an anxiety meds induced dream i had last night is like what if they just have a feelings realization somewhere within 7b or in 8, but it’s never talked about again- isn’t addressed ik the show or interviews and they drive the fandom crazy because what do you mean you’re just dropping the storyline and ignoring it??

but then a few years down the line after the show has possibly ended (note: i hope the show goes on as long as it can, i just know 8 seasons on network television is a lot so it could be very realistic for the showrunners/abc to end the show in 1 or 2 more seasons) but they come out and announce they are going to make a MOVIE (like the Psych movies did) and everyone is excited but still kinda pissed/confused that they gave us buddie feelings realization with no resolution— only for the movie to just casually have a scene within the first 5 minutes where it’s blatantly stated that they have been together since the feelings realization but were keeping it to themselves the whole time.

again this is a crack theory inspired by a weird dream and i think it would be a stupid and unrealistic move on their part for them to do something like that but the chaos was just too good not to share

Low-key my nightmare bae 😭😭😭

1. I’m a tv show girlie till I die and 2. I’m a huge romantic drama queen at heart (but if you tell anyone I know I will commit arson) so Id need to see EVERYTHING and I’d need it all to HIT the confession,first kiss, first date, first fight I’d need to know every development in their relationship and see it because it’d be the cutest thing ever

Thank you for the ask anon but don’t you speak that out to the universe😔💔💔

#911 #buddie #evan buckley #eddie diaz #911 abc #911 fox #evan buck buckley #911onfox #buckley diaz family #answered asks #asks open #send asks #asks

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ikamigami · 13 days

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Okay so.. Moon will be talking with Old Moon really soon.. and I think that it'll happen on 14th for more angst for us.. you know cause then we'll be on edge if Moon will come back the next day or not.. while for sams it'll be happening exactly on the same day Moon died, I believe so more angst for Sun.. cause you know.. Sun will be worrying himself over a thought if Moon will come back or die just like the Old one did..

Funny time for our Sunny boy.. and us 🥲

And poor Sun wants to apologize to Old Moon cause he still blames himself for his death.. and definitely everything else as well.. QwQ

It's making me sick 😵‍💫

I hope that everything will go well..

Also I really hope that Old Moon will apologize this time for everything.. like yeah I get it that he wasn't bad person etc. but he was still abusive towards Sun and he should apologize for that!

I swear some of you just really love to ignore the abuse Old Moon inflicted on Sun 🫤

I hope that New Moon will understand where Old Moon was coming from but I don't want for him to condone his awful actions. I even more want New Moon to tell all the hard truths to Old Moon and even yell at him if needed.

But I think that yelling won't be needed because I think that (hope) that Old Moon really truly realized after he died how much he hurt Sun and that he caused most of Sun's trauma and that mental issues Sun has are mostly from this trauma..

But I believe that showrunners also want to finally put to rest all these discussions about Old Moon and how some people just completely brush off how abusive he was just because he was traumatised and had mental issues as well.

Because let me be clear: all the things Old Moon suffered through are no excuse to how awfully he treated Sun and how he knew that he should change and how he knew that he should talk to Sun about many things but he never did.

I hope that Sun will be alright because I'm sure that if something bad will happen he'll blame himself for this as well.. 😢

I'm glad that Monty/Money are closer friends with Moon once again ^^ That's a good thing from this episode.

I also hope that they'll be able to change Bloodmoon at least so they won't kill them off this time..

#sun and moon show #sams #sams moon #sams sun #sams spoilers #mgafs monty #tw abuse

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lockandkeyhyena · 3 months

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we do NOT talk about Over A Barrel I don’t even watch MLP and haven’t seen it since I was like 6 or so but knowing that there’s a horribly racist episode of the horse cartoon that is so fucking blatant it looks like it came out of the 50s’ cowboys-and-Indians era and not something in the 21st century is. yeah as an indigenous person Thunderhoof should’ve been allowed to wreck their shit and the main motif of the episode could’ve still been “make love not war” but not in a “blaming indigenous people for their own colonialism, they should’ve just been nice to the settlers” victim blame gaslight way. I know it’s a magic horse cartoon for kids but it’s on the list of top 4 things that make me irrationally spitting furious.

I’ve seen a claim that they consulted Actual Indigenous People but the source is a damn deviantart comment and there’s not a singular name anywhere to be seen as far as I can tell. Sorry if this came across as blunt and harsh or whatever but Over A Barrel existing in the back of my mind makes me go ben_affleck_smoking.jpg in real life. alas I am cursed with knowledge

no you are Rightfully Pissed. everything about over a barrel makes me go insane. the stereotypes of native americans (the names, the headdresses and head feathers), the treatment of the buffalo by the settlers, the ‘both sides’ing of it, the solution being ‘we’re still going to build the orchard but you can run through it if you like <3’

the big problem i have with the episode (apart from. everything i have already mentioned) is that like. the coloniser ponies don’t have to be there. they have a stable society to live in already, but white western society takes colonisation as a given thing that just happens so the showrunners and by extension the ponies don’t stop to think. do we actually need this land? what’s the point of pony expansion? people are already living here, we already have a stable pony society. but i guess it’s too much to ask for me to want a kids show to analyse the complexities and stupidity of colonialism

#yeen rambles #ask #this is incoherent. sorry #mlp

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bohemian-nights · 3 months

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Let’s talk about the changed between white book laena to black show laena

Book leana had a pretty awesome life. She married at the age of 22 to a man she loved, traveled the world with him, had 2 babies and they lived happily on driftmark with her family together until she passed away at childbirth despite her loving husband doing everything he can to save her. + her husband remarried 6 months after her death.

Now let’s talk about show leana

She married daemon much younger than book laena, was neglected and unloved by him, was forced to live away from her beloved family and burned herself to death because “feminism” 🤡 only to have her husband sleep with another woman on her fucking funeral. And the showrunners claim they wanted to respect her character?????? Disgusting.

In the book laena is the only wife that daemon seemed to truly love. (Until nettles). He never cheated and they had a happy marriage. But when she’s black suddenly she’s the second choice to the white female lead. What a fucking joke. And then they absolutely spit on her by having her husband sleep with said white female main character on her funeral. This show treats its black characters like shit. I really don’t understand why people aren’t talking about this.

This shows deranged fandom tells you everything you need to know about the problematic way they treat black characters. We haven’t even got nettles’s casting yet. The most important dragon seed. Literally who gives a shit about the others? But I wonder why we have their castings but not the casting of the only canonically black character in the dance???? If nettles is not in season 2 I’m going to drop this show. If they’ll introduce the dragonseeds without nettles they are fucking disgusting.

All of this is why I criticize this shitty show and equally shitty fandom👏🏽

People try to act like you’re the crazy one for noticing how these changes affect the treatment of the characters, but nope fandom racism, more specifically fandom misogynoir, is real and it’s happening with HOTD.

Book!Laena was treated with love and respect, but the moment she became Black-ish she became worthless to both the showrunners and the fandom. All she's good for is to be a prop/placeholder. Hell, when she died people seemed more concerned about Vhagar, a dragon, rather than the woman who lit herself on fucking fire.

They made Laena into a stereotype just to make a crazed white woman’s death look better than it was and this demented ass fandom cheers it on.

Because she’s Black and not a cookie-cutter stereotype in the source material, Nettles' whole existence is a problem to these people and she must be cut, erased, reduced, etc.

They try to say she’s completely irrelevant. That the only reason people like her is because she's Black or out of spite, but I can think of a dozen white characters who don’t even come close to reaching her relevancy to the plot

This is why she’s always included where some characters like Ulf, Hugh, Sara Snow, Alys Rivers, Gwayne Hightower, and Silver Denys are omitted, and 5/6 of those characters are confirmed for s2. And I'm not trying to say none of these characters shouldn't be included(well we could do without 2 of them), but they aren't more important than her.

Nettles literally has all the qualities people usually like in characters(the ordinary girl who despite all odds does the unthinkable, she’s a survivor, she’s a final girl, she has one of if not the most powerful men in the realm willing to die for her, and she becomes a goddess like figure) yet she’s hated for it because she dares to be Black. They won't even try to relate to her or see her importance because she is Black.

They’d rather prop up psychos or mediocre flops just because they are white rather than ever admit that Nettles is an interesting and integral character to the Dance. She’s awesome. The man who created these freaking books that you claim to love and swear his word is law thinks she’s awesome and yet you want to deny that she’s awesome and has no real value because you’re scared shitless she’ll upstage your psycho(book!Missy Anne)/boring(show!Missy Anne) fave.

It’s nuts and like you, I won’t be watching s2 if Netty’s not there. They found time for a maid who shouldn't even be there, propped up Addam to the Gods, and gave Hugh an unnecessary sex scene, all while cutting Nettles out. Nope. I’ll skip straight to s3 cause I’m not dealing with this show's BS and blatant disrespect. It’s unacceptable!

#I’m so tired #anti hotd #I’d quit this fandom if I thought it would do any good but I’m not being driven out by crazy’s #bnask #bnasks #nettles #laena velaryon #anti hotd fandom

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