#kind of a weird name for an alliance if you look at it historically though

[letstalksurvivorcbs]

Not me remembering the significance of the Mason-Dixon Line for my AP US History Class because of Nick (ew) and Christian (second favorite player of all time) calling their alliance that

#You know you're a nerd when you use survivor to study #kind of a weird name for an alliance if you look at it historically though #kinda yikes #but I get why nick called it that #letstalksurvivorcbs #survivor 37 #Christian hubicki #nick wilson #survivor cbs #reality tv

[lady-plantagenet]

What hasn’t already been said: The Spanish Princess 2

Episode 3: GOOD Grief! (we finally have a good episode on our hands)

To all those of you keen enough to have come back for another segment of ‘what hasn’t already been said: TSP’, as opposed to have just been scrolling when you see this - welcome back! (Scrollers you too <3)

Drawing of Thomas More’s Son AKA who Margaret Pole at this point wants to be the step baby momma of ;).

To anyone who’s seeing this for the first time: what this is a list of observations, jokes, reactions and criticism which occur to me upon a rewatch. I wait every week until Saturday to do this so that I have had my fill of scrolling through the tag and aggregating what has already been said. I tried doing a whole spoof (here where I gave up 10% in) but tbh a) I don’t know the history well enough b) it’s more time consuming than I thought and c) this series is just not as funny or as crazy as TWQ, so it’s untenable. Having said that: This is not a hatepost. I’m not hatewatching this series and nitpicking on purpose but expressing my honest views and trying to find the good in it as well as the bad.

Without further ado...

First Scenes: 

LMAO the way Wolsey suggests they break their alliance with Spain is freaking hilarious because the actor delivers the lines as if he were a high school girl making a personal attack by suggesting the prom change its theme to 70s disco to the chagrin of the peppy up-and-coming rival.

Also @ Henry VIII looking like the peppy up-and-comer’s bff and shy stan with that pencil bite and small smirk when Catherine loses her cool against Wolsey.

I’m sorry... who is Henry married to again?

Also what is Margaret Pole doing at the council meeting?? I’m not saying I don’t like it.

Margaret Pole warning against certain repetitive thinking creating madness :(((

Attempted Naked Twister:

Oh Catherine, what is with you and all the other STARZ protagonists and that weird politcky bedroom talk? Who actually finds this sexy?

‘Catherine you are unnatural’ ooof that line delivery was somehow haunting.

Was the whole ‘I can’t be rushed you are off-putting with your overpowering’ a callback to Arthur and Catherine? Apparently there’s another writer for this episode so I won’t put all subtly past them. 

Scotland:

‘Shitey men’ asdkjashd

Look I’m tired of all this ‘my children won’t be safe’ line getting repeated. Look mate, murder of royal infants and children was not exactly a common occurence, even in cases of deposition. The Princes in the Tower are an exception to this but a very infamous case for that reason. Child murder was extremely taboo. In situations like this with an infant kid, no one is going to bother murdering the babies and taking their thrones, the lords will just vie for power and make themselves de facto rulers and oust the queen. It’s not a question of safety but a question of holding power. Stop giving all women characters perma mummy brains.

Maggie being all caring:

‘Barnaby’ *scoffs* ‘Such an English name’ - OH MAN 0_0 is Catherine mocking them for trying to adapt ? Like I know it’s meant to show her envy for Lina, but it’s coming out all messed up.

Our girl Maggie’s smile screams I’m beating your ass in chess.

Anyhow this is the least histrionic we’ve seen Catherine so far.

Chaplain vs Catherine:

I’m interested how Catherine will feel at Stafford’s execution given that I have noticed this show build up to a friendship between them.

Why is everyone laughing at the whole ‘will you delight us with new schemes’ line was not that funny?

LMAO at Thomas Boleyn’s attempted brown-nosing. 

You know what? Ruairi is a decent actor. When he says ‘so you admit it? you lost the child because you tried to be a man?” the actor conveys Henry’s troubled mind, lowkey scare towards Catherine and bewilderment all in one. The way his eyes do not move but just widen emotionlessly also gives this sense that he is being manipulated (which I guess they are going for with Wolsey). Then the whole choir music in the background.. I don’t know.. I’m liking this, it’s creating a vibe of a king of haunted and increasingly paranoid Henry. I’m sure they are going for that, so good.

Ursula Pole and Mama:

Maggie Pole say ‘riches don’t keep you safe’ with tears in her eyes :’(. Please tell me how this is not her thinking on her parents and granddad Warwick and what befell them ;’(.

I find Ursula refreshing actually, don’t get those types of heroines often. But they are making her similar to a gold-digger, an exhalted marriage was first and foremost considered a thing of honour. Noblepeople wouldn’t speak in such mercenary terms regarding their marriages. 

Post Mary Defiance:

I love the ‘horse’ nickname from Brandon n’awwww

Also just realised what made TWQ so atmospheric - that wierd ‘oooo’ sound effect in the background when a character was being paranoid or worrying. They are using it during Henry’s ‘How is it that I have no sons?’ and it is just... so effective.

Catherine calling them ordinary children... she just keeps striking me as more and more classist. Like ok, I know every royal was... but still, I thought she was meant to see Lina as a friend and equal despite her race and status. To add the race element, this kind of rubs me the wrong way.

Also it is so clear by the end when Catherine states how the king is upset with her, she expects Maggie to ask her about it.. but she doesn’t lmao.

Back to Scotland until Sexy boy fencing:

I love me this soft boi. Angus <3 <3

I like how they address that some men don’t really like killing and that violence isn’t inherent in a man’s nature.

Oh man, are we supposed to look at Lina’s house and deplore the impoverished conditions? It would go for at least 3,000,000 pounds in today’s property market?

Is Catherine being particularly classist again with ‘Why u not becoming a butcher Wolsey, ey?’. 

Though I will admit the ‘but giving meat to the poor is also good’ was one of her only smart comebacks.

Just realised, Catherine’s pink dress pretty as it is, looks straight out of the 1570s... why?

Montage and After:

You guys are right, there is this weird longing between Henry and Wolsey lmao. It is actually insane.

So basically Catherine is officially depressed

OOOFF we have Stafford as regent instead of Catherine. (edit: I suppose it’s cause they go to France which they didn’t historically? Also if Stafford is at home then what is his son later doing in France, why would he be there without his father. This show didn’t think this through)

Meg Singing:

An impassionate speech is not too anachronistic. But despite the title of this post (what hasn’t been said) I will reiterate that 16th century and Medieval people’s problem wasn’t that they were ashamed of their grief and didn’t cry. In fact, crying was somewhat more socially acceptable then than it even is now! Even manly men like Arthur were written as crying in literature such as Malory’s Morte d’Arthur. Obviously you couldn’t go overboard, but in truth crying was indeed often too performative rather than hidden too much behind doors.

Pole and More UWUWU in France and after:

I LIKE THIS INTELLECTUAL FLIRTING

It’s nice to see a depiction of romantic feelings between mature and level-headed subjects.

God Mary Tudor is so beautiful in this scene jesus. and the music when she was being presented was also very beautiful.

Maggie Pole getting given ‘a modest income’ yeah... she was one of the wealthiest peers of her day.

Also Maggie’s lady cousin not lady aunt Frost!

‘shaking of the sheets’ lmaoooo

William Compton cracks the hell out of me. I love this guy. He is just so creepy and twisted yet super keen and friendly. ahaha He looks like a riot, I hope we see him more. lmao tiles.

Also this palace feels very anachronistic almost 18th century-ish.

I like the Louis and Mary sequence, it’s nice seeing him trying to make her feel less scared, but OMFG when he lay on that chair.. for one second I thought they were trying to kill him off already.

Scotland: ‘Love is an open doooooorrrrr’ + Last Scene:

I ship Meg and Douglas ahhhh this soft boi x strong woman match is everything Henry and Catherine could have been.

I wonder... why is Lina speaking in Spanish more than Catherine. hmmm Are they trying to foreshadow Lina’s eventual return home and how Catherine become a true englishwoman?

Conclusion:

7.5/10

I cannot in all fairness believe it. This was actually decent. I’ve given up on historical accuracy long ago so by this point I’m focusing more on how it stands as as drama. I mean, TWQ was also a flop when it came to grasping the complex issues of that era but why do I feel compelled to rewatch it every year? Because it had atmosphere when it came to acting, music, certain aesthetics (though the costumes let me down often). It felt adequately gothic and dark, yet bright and jewel-lish when it had to be, sometimes both at the same time. Some one-liners were also memorable etc...

So far TSP 2 did not have any of this. Everything felt way too off and anachronistic. But not even consistently anachronistic. The music was also often very meh (though I just noted the absence of the spanish stringy theme that kept playing in season 1 - I guess I understand why), the dialogue very clichéd (‘alright lads let’s throw in the words: king, crown, power, fight, battle + other buzzwords and we have ourselves Shakespeare’) and so on... but I saw a change in this episode and I couldn’t initially point out what it was.

Upon rewatch, I identified some of the improvements (noted above) but above all: The producer was different! Boy does it show. Unfortunately, I think she is only for this one episode which really sucks. Come back! There is more chemistry between the couples, less predictable interactions, pervy Compton, cinnamonroll Douglas, better music, more scenic shots (e.g Douglas and Margaret in church) e.t.c. I hope it will match the rest of the STARZ productions in getting better towards the end.

Look it’s no masterpiece. But I’ll give credit where it’s due because at least this time it didn’t leave me feeling wanting and unsatisfied (if that makes sense).

#the spanish princess #the spanish princess 2 #lady plantagenet's series reviews #catherine of aragon #henry viii #mary tudor queen of france #margaret tudor #charles brandon #margaret pole

[reflectionsofacreator]

So like. I kinda sat down to write about this one, and I feel like I don’t know what to write about. There’s a lot to write about, but like... [scrubs face] it’s like, there’s a lot of emotional (sledge)hammers with this one, and it’s hard to pick apart so I can actually talk about it. Paralyzed by there being so much, you know? 

God writing this one was like pulling teeth, tbh. 

Buckle up lads, this one clocks in at over 2k. Mobile users I’m so sorry. 

I think the first thing I’m gonna tackle is the name of this one. It’s called The Truth, but in the context of Clay, that previously had an incredibly specific meaning. “The Truth” wasn’t so much a phrase as it was referring to the real truth of the Precursors and the nature of Eve and Adam, and the truth of humanity as a whole. Historically, every mention of “The Truth” around Clay refers to that specific idea, and now we have a new thing that uses the same name. It’s kind of interesting too, because the Truth that Clay shared was very explicitly something he was giving to other people, after learning about it for himself. And in this case, this is Truth that he’s being given, either about his situation, or the situation of his successor. 

This memory opens up with a doctor and Warren Vidic talking, after the episode that Clay had with the Bleeding Effect, and the doctor makes mention of Clay having been here a year already. He administers a medicine that’s actually an anti-psychotic, as a way of trying to stabilize Clay’s deteriorating mental state. There’s no guarantee that it’ll actually work, is the issue, mostly because the Bleeding Effect isn’t exactly a well known mental condition, and what everyone knows about it is simply what they’ve found out via the Subjects. Which is a very small group of people. I do wonder, though, about the Bleeding Effect as a .. hmm, genetic thing? It’s seeing the memories of your ancestors superimposed over your own perception of the world, and it’s implied that it’s because of the Precursor DNA that you can even have that happen, because it’s linked to Eagle Vision. Or at least, that’s what I’ve gotten so far, I could be completely wrong. 

The conversation with the doctor gets shooed away in favor of a conversation between Clay and his father, and like. I really wonder at the timing of it, if it’s supposed to be a conversation that Clay had while he was in Abstergo. It’s possible that it was a conversation that happened before Clay got sent in, but he sounds too resigned and weary I feel like, to have it happen outside of his imprisonment. Another reason why I feel like it’s after is because the last conversation we heard with Clay and his father was during the Bleeding Effect, when Clay was telling him about the Assassins, and things dissolved into a fight when Harold made it about money. This conversation feels like it’s a while after that, after Clay’s resigned himself to not being able to really convince his father of anything. 

Before Clay dives into the mainframe, there’s another glitch, which causes your controller to rumble. The screen goes noisy, and what shows is an exit at the end of a long walkway. This isn’t the first time we’ve seen glitches or hallucinations, but it’s freaky literally every time. 

We watch as Clay starts to hack through Abstergo’s systems after that, and the actual design of “going into” the mainframe is covered in a dozen different firewalls. It’s a neat sort of visual way to show just how hard Clay’s hacking is, as well as how many firewalls there are, because if he gets caught, he can get killed. 

Right before he goes in, on the right side of the “mainframe” is a code cipher. 

This is a Caesar cipher with an alphabetical shift of 3, and it reads  "Lucy, she Is aLways behind You." The capital letters spell out LILY -- traditionally lilies were associated with death. Now, you could interpret this as “Lucy’s got his back, she’s his teammate.” Which like, maybe. But with the addition of the word lily, and knowing that Lucy betrays him... nah. It’s more like she’s a threatening presence that needs to be watched. 

Clay snoops through Vidic’s mainframe and learns that Vidic is specifically after Desmond. Now, we know that this is at least over a year of Clay’s being here, and that Desmond was captured September 1st. What I’m really saying is just how long did Abstergo know about Desmond, and what lengths did they go to research him before they took him? Another question I have is like -- I know ac1 said that Abstergo found him via his fingerprints for his motorcycle license, but just how would that give them access to his genetic profile. Granted, that’s probably some early installment weirdness of ac1, but. (That being said, I remember reading a fic where they made mention of Desmond donating plasma for cash, and that’s how Abstergo found him, which is more believable than fingerprints....) 

I also can’t help but wonder like -- what’s going through Clay’s mind as he realizes that the Desmond Miles that Juno spoke of during his Bleed is the next Subject, and his successor? Or is it that he was completely unsurprised because Juno gave him a look into the possible future with the Calculations? 

Anyways, Clay finds out what Vidic wants, and excitedly says that they can leave, and we follow the path to see what looks like a broken stone circle at the base of two beams of light. 

(The wireframe is just the gameplay mechanic) I have... no earthly idea what this is, or what it could possibly mean. I think this is the only broken structure you see in all the memories, Desmond or Clay’s. It’s vaguely reminiscent of a broken film wheel, but I’m not sure if that’s what it’s supposed to be. But like, it’s so goddamn conspicuous because it’s the only broken structure we find. ls it supposed to symbolize a broken trust, a loss of faith after witnessing the “play” unfold?? .

Speaking of the “play”-- what the fuck. What the actual fuck. Is it supposed to make me uncomfortable? Because by god it did that. The sharp departure from how the rest of the narrative has been told is jarring as fuck, especially because it’s so like, proper. I swear, all that’s missing is like, a slightly off-key oldtimey music track and you’ll have a full blown horror segment. Maybe I’m just being dramatic, but like -- finding the broken wheel when that’s already something weird, having the camera forcibly taken away from you so you can watch this performance. And like, just listening to Warren monologue at Lucy is disturbing as well, for reasons that are hard to articulate. 

It’s like -- Meta wise, I know why she’s not talking. Her voice actress, Kristen Bell, had left and didn’t renew her contract (as her contract was only for 3 games), thus not being able to voice Lucy for any further appearances. IIRC, this is actually why Lucy was written to die, instead of simply recasting her, and then they had to scramble to make the “She’s a Templar!” twist work. Jury’s still out if it did or not, but like -- I do appreciate them trying to explain why she defected during her undercover years, but like... Ugh. It still leaves such a sour taste in my mouth, because it’s obviously a writing scramble and not a cohesive narrative that was plotted from the beginning. 

For a comparison, Clay’s story and ultimate fate feels complete, it feels alright. Yeah, it’s arguably a worse fate than Lucy, he died twice over, but like. We knew he was dead from the first moment we saw him, we knew that there was only one way that this could really go, a tragedy. There was a clear progression of his story, and the fact that you know how it ends. That being said, I do wonder about Clay’s death as a Subject in ac2, before the plotbeats of Lucy being a Templar were set in stone for Brotherhood. I know that the 20 glyphs in ac2 did talk about how Lucy was there when Clay killed himself, but I kinda doubt that it was in the same context of “she was supposed to save him but deliberately betrayed him due to her loyalties”. I guess what I’m getting at is that Lucy’s story feels terrible due to the writing surrounding it, while Clay’s feels deliberately terrible because that was the point. 

Back to my original point of “Lucy not talking”-- while there is a meta reason for it, I kinda want to ascribe a narrative reason, despite the meta outweighing the narrative. 

Lucy is characterized by almost never showing the full extent of her feelings or motivations, leaving you to wonder what’s actually going on in her head constantly. Sure, she leaned on Desmond a lot, but there’s also an undercurrent of a power imbalance there, and we always got the sense that she kept more to herself than she revealed. By having Warren talk at her, we’re further kept from knowing just what she felt about all of this, and instead we’re given another glimpse of the strange relationship that Warren and Lucy had. 

Warren was her boss, but also her superior in the Templar order, and the man who saved her life from his own company. Back in ac1, Lucy recounts to Desmond how she was attacked in the middle of the night, going to be silenced by Abstergo so she couldn’t talk about the Animus, only for Warren to save her life by telling the men to stand down. The assailants were people that she interacted with every day, even ate lunch with. This is after she’d been with Abstergo for a while, and finally feeling like she was being taken seriously with her work (as well as her undergrad thesis/work) she was going to be killed to keep quiet. We don’t actually know why Warren saved her, but it’s my firm belief that that’s when Lucy changed alliances to the Templars.

However, I do wonder about the confrontation between Lucy and Warren at the end of ac2, during the credits. I know, I know, her being a Templar wasn’t really a thing in ac2 (I think), so therefore you have to take it all with a grain of salt, but like. The conversation here brings attention to it, where Warren tells her “Make sure you look very upset. You need to be convincing.” And I can’t help but wonder if Warren and Lucy ended up trading insults that hit way too close to home in order to further the deception... It wouldn’t be hard to pretend to be hurt if she actually was hurt by what he said, y’know? 

I think the last thing about Warren’s speech that really bugs me is like -- he tacks on the whole “Oh, yes. Once inside their hideout, perhaps you might ask the Assassins why they left you alone for so many years.” And like. That just gets under my skin in a lot of ways because like-- he’s got a point, the Assassin’s methods are Rather Horrible™ with how they completely cut her off for a deep cover mission at seventeen (no I will not ever be over that), but the way he says it just. He’s clearly manipulating her to entrench her further onto his own side, and I just. Ngh. I kinda wonder if the delivery of the line was intended for the audience rather than Lucy herself, because she already knows all this, and for him to bring it up feels like an insult to her intelligence. It feels kinda slimy in a way that I can’t really describe. Or maybe it’s just because I just do NOT like Vidic. 

There’s also the question of like, how did Clay see this -- this is all dramatized for the sake of us, the audience, but did he watch this via video feeds or something??? The thought of him watching Lucy and Warren talk about his successor is kinda jarring tbh. Also this throws a wrench into the ending of ac1 (though tbh what DOESN’T throw a wrench into ac1) where they were going to dispose of Desmond only for Lucy to intervene. Is it because Warren and Lucy were operating on their own project that wasn’t exactly approved by the Templar higher ups?? Or something?? 

This whole memory says that Desmond was their goldmine for the amount of genetic information he held, so why would the higher ups -- wait. Unless the whole thing was a ploy by having Lucy speak up in “defense” of Desmond in order to get him to trust her some more.... Hrm.... Granted that fits, it’s just a sort of way of re-contextualizing the ending of ac1... 

Waves hand anyways Clay finds out about this plan for Lucy to gain Desmond’s trust and give them the data, and then we finally have control again. There’s this sort of distorted error noise, and the red blocks start to fill up the room, threatening you as they force you closer and closer to the screen, which only shows a picture of a door with a strange symbol on top of it. 

This is the symbol for 3 Juno, an asteroid in our solar system that’s the 11th largest, and contains 1% of total mass of the asteroid belt. It was discovered September 1st, 1804, by Karl Ludwig Harding, and initially considered to be a planet, along with a few other asteroid/dwarf planets at the time. It was given this symbol, ⚵, like how Mercury, Venus, and Jupiter all have their own symbols. 

Aside from the obvious “hey that’s Juno, she’s the big bad of this shit”, there’s a couple things that stood out to me. The date of discovery, September 1st -- that’s the same date that Desmond got captured by Abstergo, gives me pause. I’m not sure if it’s something that was intentional on the dev’s part, or if they were just looking for a symbol that would represent Juno. Either way, that’s enough of a coincidence that it makes me feel unsettled, the same way that Lucy was bothered by the date of the satellite launch being 72 days away. It might just be an honest coincidence, but considering that this is Clay we’re dealing with... nah. 

Another thing that the AC wiki told me is that this is also the symbol for the Instruments of the First Will, an in-universe religious organization that worships the Precursors, and specifically Juno. Now, this organization doesn’t actually appear until at least ac4 Black Flag, and continues on all the way through Syndicate. This is more like an early bird cameo than a full blown reference, as we still have to get through ac3, But it’s still interesting to point out and look at, and wonder what’s going on with it all. 

Anyways, the door itself is actually part of the screen, and impassible, and it stays that way as the bricks come closing in, chasing you. It’s really tense tbh, with this feeling of claustrophobia on top of the revelations you were forced to watch. It also doesn’t help that like. You had control wrenched away from you so you could watch the conversation, and the speech was long enough to lull you into maybe putting your controller down to watch, and then with a rumble you suddenly have control again and are being chased towards a door that doesn’t open. 

The picture of a door becomes an actual door after the blocks get closer and closer, and we break through into the light, and onto memory 7.

If you like what I do, or want to see any other sort of analysis, consider buying me a ko-fi!

#Lucy Stillman #Clay Kaczmarek #Assassin's Creed #fuck it this goes in the main tag cause i'm proud of it #i'm so fucking sorry mobile users #motherfucker unlimited #creator plays ac rev #creator plays ac lost archive

[assorted-fics]

Avenger Series Favourites

*In no particular order, these are some of my favourites from over the years

Phil Coulson’s Case Files of the Toasterverse by scifigrl47 

First Fic: From the Avengers Case Files of Phil Coulson: Grocery shopping is necessary, Tony's a little too proud of his tech, Captain America's lost on the streets of New York, and sometimes social injustice just happens.

Phil Coulson's the one who's got to write this nonsense up, and he is not their PR Manager.

Workplace Hazards by AggressiveWhenStartled 

First Fic: Today, Peter was honest-to-god going to see Captain America himself up close, in person, and not from a rooftop or tiny crevice like a creepy stalker fanboy. 

Even better, he was going to watch Steve Rogers make history by soldiering his beleaguered way through the most intensely awkward and honestly ridiculous press conference in the history of ever-- jaw thrust out and spine ramrod straight. Trying hard to be polite and respectful in the face of adversity.

While a bunch of assholes with cameras and microphones shouted at him about Iron Man’s adolescent dick.

Peter Parker’s Home for the Wayward Villain by BeanieBaby

First Fic: A really long redemption story.

The Brotastic Adventures Of The Avengers And The Long Suffering Foggy Nelson by cosmicocean

First Fic: Honestly, Foggy’s just kind of grateful that the unconscious dude in the alley by his apartment isn’t beat up as bad as Matt was when he found him that first time.

He also kind of thinks it says a lot about his life right now that those are his feelings on the subject, but it’s best not to analyze that.

Where Foggy accidentally becomes bros with the Avengers, Foggy and Matt talk it out, and the Avengers and Matt don't seem to grasp the concept that the "s" in "friends" is there for a reason.

The Long Life of Loki Leifson by Irisunohimitsu

First Fic: Thousands of years ago, the Jotun came to Midgard. Certain of a Jotun victory, Laufey brought with him his wife and infant son. However, the Aesir triumphed and in the resulting chaotic retreat, the boy was lost. 

Meanwhile, Leif (minor OC) ventures out into the snow for firewood. There, amongst the pine trees he finds a monstrous babe with eyes of glowing coal, who changes at his touch to human form. Enchanted, Leif and his wife care for the boy as their own. Loki grows to a happy, precocious teen but alas, mortal lives are short and before he can pass on the secrets of Loki's nature, Leif is gone.

Left alone in the world, Loki is forced to discover his own immortality. He must face his own demons and discover that he might just be one himself.Several hundred years later, Jack Frost is the only name he is known by to any living soul. The world is not kind to drifters, so Loki chooses to live in the underbelly - and oh, does he thrive. Some parts of that dark underworld though, are too cruel even for him. A chance encounter whilst Loki lies and kills, in the service of liars and killers leads to an alliance as tenuous as the threads holding what is left of his morality.

Odin’s Son, Tyr’s Son by PeaceHeather

First Fic: For a fill in Round 17 of Norsekink: "Someone starts to notice that Odin treats Loki in ways that are neglectfull and borderline abusive and starts to feel very uncomfortable about it.

It becomes worse when people at court start to take after Odin's treatment of Loki. But they still don't feel comfortable voicing they're doubts out loud.

And then the lip-sewing incident happens and they can no longer sit idly by while this happens. So this person just stand up and calls the rest of Asgard out on this bulshit, seriously the boy just cut of some hair, it's not like it wont ever grow back on it's own again.

Bonuses: 10+ The person is higly respected and influential in Asgard. 100+ The person is Tyr. 1000+ Whoever it is, is not part of the royal family."

Wanda and Peter BFFS by TunaFishChris

First Fic: Nobody's thrilled at the idea of "that kid" Peter Parker on the Avengers team. 

Nobody's thrilled at the idea of "that weirdo" Wanda Maximoff on the team, either.

 Until they disappear, that is. 

Or, the one where Peter and Wanda are besties and the other Avengers are jerks until they realize how important and awesome they both are.

little windows by sheisraging

First Fic: Bucky looks at the paintbrushes Steve rolls nervously between his hands, at the box now sitting on the coffee table. He brushes his fingertips over the star. “You want to paint my arm?”

Steve Rogers vs the Media by eden22

First Fic: Encounters with the press are an inevitable part of the job when you're a superhero. Unfortunately, Steve isn't the best at navigating those encounters without stirring up controversy.

Stop Interrupting my grinding by rohkeutta

First Fic: “I tried to call Sam,” Captain America says, bewildered. He’s sprinting like Usain Bolt and doesn’t sound even a little out of breath. Fucker. “Who’re you?”

“Someone who’s watching you live on TV,” Bucky tells him as the tiny patriotic figure on the screen takes the turns like he instructed. Bucky should probably be a lot more freaked out about this, but honestly? After a tour in the Middle East and six years as a nurse in New York, even this isn’t enough to ruffle him. One sees a lot of shit in the ER. “Also, you better hang up now, that thing is behind the next bend.” 

“Uh, okay,” Captain America says. “Thanks?”

“Whatever,” Bucky says, disconnects the call and turns the TV off to get ready for his shift.

A Historical Relic and a History Professor Walk into a bar- by orphan account

First Fic: “What d’you what?” Bucky snapped hoarsely with a dignified sniffle.The man blinked very slowly. 

“Wanna pet my dog?”

AKA

History Professor, Bucky Barnes, meets Useless Avenger, Clint Barton.

the conspiracy kids by tempestaurora

First Fic: WHO IS SPIDER-MAN? 

The screen showed Peter Parker, sixteen years old and determined to prove the identity of Spider-Man over the course of the three-part documentary he was making, unknowing that it would become viral within days of the first part being released. Behind the camera, way off screen, was Harley Keener, Tony Stark’s other prodigy child, grinning like crazy as Peter started the documentary. Only a few people knew what was to come, and those few people were about to have a great few weeks.

“My name is Peter Parker, and with the help of my friends, Ned Leeds, Harley Keener, and my Aunt, May Parker, who provided me with a lot of red yarn for this project, we’re going to uncover the identity of Spider-Man.”

OR

"what if peter just decided to fuck with everyone who didn’t know he was spider man and make a documentary about him trying to uncover the Truth.”

Steve and Bucky are Fucking Weird (aka Sam Needs Better Friends: A Series) by neversaydie

First Fic: "Look, a dick is just kinda there, right? But a cock is, y'know, taking an interest and trying to get involved." 

He makes a wavy 'get involved' motion with his hand that Sam finds extremely disturbing. 

"If it's hard, it's a cock. Calling it a dick is just disrespectful."

#avengers #avengers fanfiction #avengers fic #fic rec #avengers rec #avengers favourite fics #avengers series #Tony Stark #Iron Man #Captain America #Stever Rogers #The Winter Soldier #Bucky Barnes #natasha romanov #Black Widow #Sam Wilson #Falcon #Peter Parker #Spiderman #wanda maximoff #Scarlett witch #Loki #Thor #Foggy Nelson #Matthew murdoch #dareveil #Clint barton #Phil Coulson #deadpool #S.H.I.E.L.D

[mermaidsirennikita]

1/2 if you've already discussed this please feel free to ignore! but what are your thoughts on historic mary queen of scots and her whole rivalry with elizabeth? I should disclose that elizabeth is a huge favorite of mine, but I've been trying to expand my horizons by reading a biography about mary. Kinda hurts my brain though because, while mary definitely deserves sympathy, it frustrates me to see the nuances applied to mary's life that is rarely extended to elizabeth's...

2/2 in particular, the bio i'm reading just gives me weird vibes. maybe it's just me but i feel like this dude wants to go back in time and fuck mary and that it colors his whole opinion on the elizabeth/mary rivalry. i'm gonna try a woman's book on the whole affair next and hope for a little better but who knows. anyway, sorry for rambling! would love to hear your thoughts on it all, if you are up for it

For sure I’m up for it!

The thing is that there is an inherent bias towards Mary or Elizabeth when historians discuss this rivalry, no matter who is talking. It is impossible to be objective.  Even if you prefer one over the other just a little bit, I don’t think that anyone views them totally objectively.  You either have historians who love a tragedy and subscribe overly strongly to “the winners write history”, assuming that means that everything the winners say ever is a lie, therefore siding with Mary; or you have HARDCORE VIRGIN QUEEN WHOO WHOO GLORIAAAAAANAAAAAA Elizabeth fans. 

 With that being said, I think that the BROAD bias has been in Mary’s favor because fiction also loves a tragedy.  The favorability of fiction towards Elizabeth kinda depends on how fuckable she is at the time that the store focuses on.  If the story focuses on Elizabeth when she’s young and pretty and the underdog, branded a bastard and at the mercy of her TOTALLY UNFUCKABLE sister, then Elizabeth is the beauty sexy virgin (or issss sheeeee).  If the story focuses on the true climax of the Elizabeth v. Mary conflict (which began as soon as Elizabeth took the throne in the grander scheme, but obviously comes to a head, haha, when Mary is executed) then by then... my god... Elizabeth is NOT FUCKABLE.  She is middle-aged.  She’s been through it, perhaps even suffering, egad, blemishes, from smallpox.  Marriage is a purely political question now; there is no way that she’s going to be spirited away by Robert Dudley at this point.  And her rule is no longer in question as much.  I mean, of course it was, it really was for most of, maybe even theoretically all of, her rule.  But Elizabeth is no longer an underdog at that point.  She is fully installed as queen, England is solidly in its “Protestant but I guess we aren’t like, gonna kill AS MANY Catholics haha” phase and people accept that even though she’ll probably never produce an heir of her body, she’s what they’ve got and they’ll come up with someone to succeed her.

The thing that bugs about this is that Mary was never an underdog.  And so this re-branding has to do not with the actual circumstances these women were under, but rather with the fact that Elizabeth was not sexually available and was broadly powerful, openly powerful, in a way that Mary was and wasn’t.  The fact is that Mary had every advantage compared to Elizabeth.  She was crowned a queen in infancy; her mother was a very powerful, very intelligent woman who came from a equally powerful French family; she was betrothed to a dauphin who would become king, and raised within a court that was not only powerful, but actively home to women aside from her mother who would stand as examples of politically strong femininity--Catherine de’ Medici and Diane de Poitiers.  This is not to say that Mary necessarily would have been able to learn from them.  But it’s not as if she was in some backwater wherein royal women were shut out of the room where it happens, is what I’m saying.

Now, the death of Francois obviously threw the game off.  But Mary was still a Catholic queen, in an overwhelmingly Catholic Europe.  Her legitimacy was not in question.  She was a Scottish queen that did not know fuck all about Scotland, but she was still young enough for there to be an opportunity to learn, though this certainly was never meant to be her role.  She was meant to be the mother of France’s next king more than an iron lady for Scotland.  And really, Mary did not have to be THAT savvy, right?  She just had to be able to take advice and work with the right people.  Stay in Scotland, play in England, choose a strong consort for the purpose of alliances ORRRRR perhaps none at all.

Elizabeth, who is so often painted as the mighty woman who did not have the grace to be kind to her cousin... did not begin as a mighty woman.  She was never meant to be queen of England.  Her mother was murdered by her father when she was a toddler; she was rendered illegitimate; her mother’s family was not powerful, certainly after Anne Boleyn was executed.  Elizabeth had to regain her legitimacy and then wait for two (three, if you count Jane Grey) people to die, all the while living under political and religious terror.  Elizabeth was not raised to rule.  But she was canny as fuck, and she did work with the right people.  She made the call that there was no way to safely marry without giving up power or potentially causing further strife in an already wrecked England and she stood by that.

And when you look at their communication, Elizabeth did not have this evil eye set on Mary for life.  She actually gave Mary plenty of warnings when Mary was playing with the idea of potential husbands.  She did give her options--which of course, would have put Mary and Scotland more under Elizabeth’s power, for sure, but also likely would have left Mary safer.  I doubt that Elizabeth ever was like “awwww we’ll be besties”.  Mary seems to have been genuinely naive about their relationship at some point.  I don’t think Elizabeth could afford that naivety--nor was she capable of it, perhaps.  She’d been through so much by the time she became queen that I think that she was fully aware of Mary’s status as a rival, and most importantly, as a Catholic rival and therefore a much more legitimate rival in the eyes of many both religiously and politically.  She had to know, and certainly her advisers let her know, that Mary could become a severe problem later.

Elizabeth was always paranoid, and with good reason.  Did this paranoia inform the way she handled Mary?  I’m sure it did.  Was Mary reckless, and furthermore somewhat arrogant?  Yes.  Mary never should have married Darnley on a political level, and I believe that like most rulers she likely believed that she had a divine right to rule, and based on precedent alone, was extremely unlikely to ever be executed.  Sovereign rulers just weren’t, typically.  It was shocking enough when a consort like Anne Boleyn was executed, and she was not “born” to rule.  Elizabeth--well, I’m sure she did believe she was divinely chosen, as a religious queen.  But she also had the practical experience of having to claw to her throne to war with that.  She knew that she could be killed.

The execution of Mary was a consolidation of power, but I’m not entirely sure, based off of Mary’s past behavior and tendency towards recklessness, that she wasn’t involved in the conspiracy of which she was accused.  It’s difficult to know, and it’s debated to this day with good reason.  Just as it’s debated whether or not she fully consented to the Bothwell marriage.  But we do have a precedent to go off of that leads me to believe that while she could have been a total victim, she wasn’t against making moves against Elizabeth.  No matter what, she made some exceptionally bad calls that Elizabeth just didn’t.

To me, historians have this issue with the fact that Elizabeth did wield hard power and did make active moves, whereas Mary relied more on her birthright and did follow a more conventional life path. You can really see this in the recent Mary Queen of Scots movie, which depicts Elizabeth as this ugly, repressed crone whereas Mary is sexually liberated and romantic.  Elizabeth is depicted as jealous of Mary’s maternity and beauty, when in reality--Elizabeth had plenty of men lining up to court her, was a practiced flirt, and held immense power that could very well have made up for that lack of a child thing.  It’s a very sexist viewpoint to absolve Mary of her mistakes because she’s romantic~, while holding Elizabeth accountable for every decision she made, many of which were made in the name of political consolidation and survival.

I don’t think Elizabeth wanted to kill Mary.  That was a woman of her line, a fellow sovereign queen, and yes, quite probably designated as queen by God in the viewpoint of that era.  Furthermore, Elizabeth didn’t want to set that precedent.  It wasn’t GREAT for her.  But she made that call for a reason.

(And though I find both women fascinating and tragic in different ways, I do admit my own bias towards Elizabeth.  Like, of course.)

#Anonymous

[sunlightdances]

Killing the Space in Between

Title: Killing the Space in Between Pairing: Bucky Barnes x Female Reader Words: 2,514. Rating/Warnings: No real warnings. Rated PG. Summary: The theme for this challenge is “nostalgia”, so here’s my take on it: this takes place after Civil War, but Bucky doesn’t go to Wakanda right away. The gang's all healing together. Enter our Reader. Prompt: “Are we on a date right now?” Author’s Note: Written for @whirlybirbs​’ Endgame Fic Challenge! Thanks for hosting, Hope! I love your writing and am so pumped you’re gonna be reading something of mine. Disclaimer: I don’t own Marvel, Bucky Barnes, or any other characters/plots from the MCU. I don't own the song “Closer to You” by Carly Pearce, which inspired the title. I also don’t have any knowledge about Manhattan, so please suspend your disbelief for this fic, please and thanks. Please don’t repost my work on any other sites without my permission! This includes AO3 and Wattpad. Reblogs are fine and encouraged, tbh!

Bucky Barnes has sweaty palms.

Well, one sweaty palm. He would chuckle at his own joke if he wasn’t so nervous, glancing down to where you’re practically pressed against him on the train.

The train lurches as it comes screeching to a stop, and he grits his teeth as you sway against him, sending him an apologetic smile as he automatically wraps an arm around your shoulder, steadying you.

God. He’d be ready to flee if you weren’t so nice and so warm and looking at him-- oh. You’ve been talking, he realizes, and he feels so off kilter. He can’t stand it, but sort of in a good way.

“Sorry,” his voice is gruff even to his own ears. “What did you say?”

“I was just saying thanks for agreeing to come with me. I know you don’t like crowds.”

But I like you, he wants to say. He doesn’t. “Sure, it’s no problem.” He makes a face at himself when you’re not looking. That’s all he could come up with? God. Sam is never going to let him hear the end of this. Steve either, for that matter. If word gets back to them about what an awkward idiot he turns into around you, he’s finished.

He’s still a little unclear on where you’re taking him, but he jumped at the chance to get out of the Tower for a day. It’s a little suffocating there. He knows everyone is trying to help him, but there’s still too much tension between he and Stark, and Steve’s-- he’s trying his best.

It’s hard for Bucky to know he’s disappointing his oldest friend every day he can’t pretend to be the man he was when they were in their twenties. He’s seen too much. He’s not the same person, and he knows part of Steve is always going to wish for that version of Bucky.

When Steve found him in Budapest, he barely had two weeks of being relatively back in his own head before he had to fight for his life, for the life he wanted to have.

You were there too.

A year ago…

Steve is banging on the door, Bucky’s right arm locked in his tight grip. Bucky feels woozy, he feels like his brain is being pulled apart. Steve keeps looking over his shoulder and curses under his breath before knocking again, this time harder.

The door is pulled open. You’re there, hair disheveled, a bruise blooming on your cheek and a cut on your temple. “Sorry- had to check.” You say, and then you’re ushering Steve and Bucky inside.

There are no introductions, not really.

Steve is semi-panicking. Bucky might not have a solid grasp on Steve anymore, but he can read the tension radiating off the other man.

“I need to hide him here. No one knows about this place.”

“Stark?”

“It’s his tech. That’s why I need you to stay here. He shouldn’t look for him here, but that’s the least of our problems. Someone’s tailing him - they think he set off the bomb. I’ll set the alarm when I leave--”

“Leave?!” Your voice is high pitched, “Steve--”

“I have to try.” He steps closer, voice low. It’s clearly not meant for Bucky to hear, but he does anyway. “He saved my life. We took some fire at the apartment -- he wouldn’t have done that if he was still trying to kill me and everyone else.”

You look wary, but nod. “Okay. Okay. I-- Steve, Tony’s serious about this.”

“I know.” His voice is firm, but Bucky can tell Steve’s more upset and rattled than anything else. “I have to go figure out what to do next. The only other person I want you to let through this door is Sam.”

Bucky is overwhelmed. Too many names, too much going on inside his head to make sense of. He feels like he’s going to be sick.

“I’ll be back as soon as I can. Just-- keep him comfortable.” Another step closer. Definitely not meant for Bucky to hear, “Keep your gun on you always. Don’t go anywhere without it. Don’t let your guard down.”

You swallow hard, but you don’t look scared. Bucky finds himself wanting to smile as he watches you roll your shoulders back and straighten, determined.

“Be safe, Cap.”

A squeeze of your shoulder and an indecipherable look back at Bucky, and then Steve is gone.

A few uncomfortable seconds pass before you look at him, clearly nervous but trying to hide it. “Are you hurt?” You ask, and Bucky’s knees feel weak.

When is the last time someone asked him that?

“I--” His voice is weak, rough with disuse. “I don’t know.”

“I’m a nurse,” you tell him. “I won’t touch you if you don’t want me to, but if something’s hurt, you should let me help. We might be stuck here awhile.”

His heart is hammering. He’s-- he feels fear, and he’s not used to that. He’s used to not feeling much at all. But you’re-- the kindness in your eyes is sending him spiraling. He’s afraid what he might do. He shakes his head, almost violently.

“Okay,” your voice is soft, placating, “Okay. I won’t touch you. We’ll just wait here for Steve, okay?”

Now

Bucky wonders if you’ll ever know how much of a help you were to him that day. You never did anything without his permission, but you stayed close. You respected his boundaries, and you kept an eye out for him, for any sign it was all becoming too much.

When Steve and Sam came back, it was simultaneously the worst and best thing that ever happened to him. They were on the run. There was a rogue Hydra operative trying like hell to unleash the Soldier everywhere they went.

He had to face the truth about the Starks. The fight with Tony.

But in the end, Steve offered him a home, a place to recover. That meant he had to face his past, though. He didn’t want to. He didn’t trust himself, or anyone else, even Steve.

But you were there too. You helped, and Steve’s friendship never wavered. Soon he had a tentative friendship with Natasha too, forged by a shared past that they both never liked to speak about. He had a weird, wonderful new alliance with Sam.

And you. You were-- he doesn’t want to put a name to what he’s feeling, because it’s too much, and he’s not ready for that yet. Not yet.

He forces himself back to the present.

You both walk in comfortable silence down the street, and Bucky’s so, so tempted to let his hand bump into yours, weave your fingers together, hold on tight and just let himself drown in the comfort he feels when he’s with you.

You look lovely in the early winter morning - you’re bundled up in a puffy coat, a scarf wound around your neck, and a knit hat on your head. He wants to memorize all the details of this morning and keep them locked away, so he can revisit them whenever he’s feeling lost.

“I thought we’d check this out-- the exhibit is-- I don’t know. I thought it might help.” You say, bringing his attention to where you are. The New York Historical Society. “Two of Brooklyn’s golden boys… it’s a wonder they didn’t dedicate the entire museum to the both of you.” You say, smiling, talking about him and Steve.

Bucky smiles but doesn’t say anything. He doesn’t think he deserves to be remembered like this.

He follows you into the museum, trying not to scowl at everyone who turns and looks in his direction, some with awe on their faces, some with clear trepidation. You insist on paying his admission, even when he protests, but the sparkle in your eyes won’t be denied.

If he wasn’t so anxious, he’d actually be really enjoying this. He’s always liked learning and history in general, and there’s so much he’s missed - he could spend hours here and never know enough.

He can tell when you’re close to the exhibit. You walk a little closer, a little slower, chewing on your bottom lip. “If you get freaked out, just say the word,” you say over your shoulder, leading him on. “We’ll get out of here the minute you say so.”

He clears his throat. “I trust you.” He says. And it’s the truth. You look momentarily surprised, but try to hide it. You’re adorable.

The exhibit is everything he hoped it would be and nothing like he expects all at once. It’s similar to the one Steve’s taken him to in Washington. It’s a little overwhelming - the music, the voiceovers… the photos. His memories come to him in flashes, more now that he’s recovering.

The exhibit with the uniforms is startling. He knows they’re replicas. Whatever happened to his blue coat after he fell… he doesn’t want to know. But seeing it there, seeing all of them there, the Commandos… it’s a lot. He doesn’t know why he’s so emotional. But he misses them. He has flashes of laughing around a fire, of the ear-splitting sound of artillery and the adrenaline of making it out of a fight, the relief of seeing his friends alive and well.

He’s aware of your eyes on him.

You try to act like you’re looking at other exhibits, giving him space and time to take everything in at his own pace, but it’s the opposite of what he wants right now. He wants you right there beside him, he wants to grip your hand, he wants you to tell him that he’s done alright with his life, that none of this is his fault, that--

“Hey.” Your voice interrupts the beginnings of what he suspects would have been a panic attack. “Doing okay?”

He looks down at you. “Yeah.” His voice is thick with unshed tears. “I think this is enough for one day,” he says gently, still not used to saying what he’s feeling or drawing boundaries for himself. “Can we--”

“Let’s get something to eat.” You say immediately, brightly, your enthusiasm drawing the dark clouds away.

“I feel like you had ulterior motives for getting me out of the Tower,” he says, elbowing you gently.

“I don’t know what you’re talking about,” you reply, prim, and he laughs. It feels-- going from feeling this unavoidable sadness to cracking jokes with you… he can’t put it into words how it makes him feel. Light. Unburdened. Happy.

.

.

.

Bucky Barnes doesn’t think he’s being dramatic when he says this is the best meal he’s ever eaten in his entire life.

He’s got the biggest slice of pizza, and you. You’re across from him, smiling as he tells you about the stupid shit he and Steve used to get up to in their Brooklyn neighborhood, your head propped up in your hand as you hang on his every word.

This is-- it’s a day he never dreamed he would have.

He knows he still has to face the music in terms of his recovery. There’s the trigger words, and whatever other shit they put in his head that he’s got to find a way to get a hold on. But he feels better knowing he actually has people on his side that want to help him.

Steve’s been talking about the Avengers. About Bucky, and having a place for him there, for as long as he wants one. He’s been talking about helping people, saving people… it seems like a dream.

And then there’s you.

You’re always there, eyes shining like diamonds, a bright smile there to greet him whenever he comes into a room. If you were ever afraid of him, you hid it well. He doesn’t think he’s ever been more grateful for anything than he is for meeting you, your friendship, and your gentle affection.

He wants to-- he wants to tell you things. He wants to say things to you that are probably too much, too soon, but he wants to say them anyway. He wants to tell you that his heart beats faster when you’re around. He wants to tell you that he thinks about you all the time.

“What are you thinking about?” You ask, eyes on your plate as you grab another slice.

“Are we on a date right now?” He blurts, and immediately regrets it. Your wide eyes meet his, and god, he wants the Earth to open up and swallow him whole. “You don’t have to answer that. Sorry--”

“Do you-- do you want it to be a date?” You ask, sounding a little nervous yourself, and Bucky can feel the spirit of his mother practically smacking him in the back of the head for being such an idiot.

But the truth? He does want this to be a date. He’s scared as hell. But still, he wants it.

“Can I tell you something embarrassing?” You ask, not waiting for him to answer. Letting him off the hook.

He nods.

“I have the biggest crush on you.” There’s a blush on your cheeks and you duck your head, and Bucky has never wanted to kiss someone so badly in his entire life. “I know this is the worst timing -- you’re still going through so much, and I’m so happy just to be in your life--”

“I--” He interrupts you, not even sure what he wants to say, but knowing he can’t let you think that he doesn’t want you. “I like you.” He admits, and can hear Steve’s snort of amusement in his head. He’s Bucky Barnes. The Winter Soldier. The Fist of HYDRA. And he tells you he likes you?!

That blush is still there on the apples of your cheeks though, so he takes it as a good sign. “I’m not… sure how to do this anymore. It’s been awhile.” He says, wry, and beams at you when you laugh in return. “I just know that I like the way I feel when I’m with you.”

You reach for his hand across the table, slowly, giving him enough time to move away if he wants to. He absolutely doesn’t.

“I feel that way about you, too.” You tell him. “We-- we can go as slow as you want. We don’t even have to do anything else besides this.”

“I can think of a few other things I’d like to do.” Bucky replies quickly, and there he is. The James Buchanan Barnes he thinks he was once, the one who was confident and sure.

“That was terrible,” you say, but the smile on your face is worth it. He thinks he’d do anything to see you smile like that more often. Your face and your voice softens, “Let’s just take it one day at a time, okay?”

On the way home, there’s absolutely no space between the two of you as you walk to the train station, hands clasped tightly together. No space between you on the train either, one of his arms slung around your shoulders as you sit.

He’s going to walk you to your room tonight, but he won’t kiss you. Not yet. He’ll save that for another day.

One day at a time, he thinks. One day at a time.

.

.

There's a diamond sky that's waiting for us just outside of town With the moon hanging for me and you, baby We can cut the headlights out when there ain't no one else around Kill the space in between, slide across that leather seat Heart to heart, face to face, you know all I wanna do Is get closer, closer, closer to you

#birbswc2019 #bucky x reader #bucky barnes x reader #bucky barnes fanfiction

[gascon-en-exil]

FE16 Black Eagles (Edelgard) Liveblogging

Chapters 15-16. The plot, among other things, explodes.

I was wondering where all the Eagles character paralogues were, and all of sudden come Chapter 15 three of them get dumped on you. Edelgard’s is a fight on the border against Nader and the Almyran remnant. Wyvern riders are unusually overpowered in this game, even as enemies. They’re not a unit type one expects to be so fast. Hubert goes back to the Sealed Forest to save Those Who Slither from their own failed creations. Both of these paralogues play up Hubert’s own talent for slithering in the dark: the first because it’s heavily implied that he poisoned Hilda’s brother so he’d have to rely on the Empire to push back the Almyrans, and the second because he’s been investigating Those Who Slither on the side all the while your army is being strong-armed into doing their bidding.

Petra and Bernadetta’s paralogue meanwhile has been the first map on this route that I haven’t seen before, a heavily forested section of Brigid. Bernadetta’s role there is almost completely random, but it comes together in the end in a way that feels satisfying. The chapter itself on the other hand features a cheap fakeout win condition, thankfully avoidable via Divine Pulse, and another appearance by the OP Catherine.

Playable kills: Flayn and Seteth from the church, Felix and Ingrid from the Lions. Now that the Alliance portion of the story is done I notice that Raphael and Lorenz skipped out on showing up this time, along with Marianne who doesn’t appear in the Lions’ Part 2 either. Actually, I’ve read that she’s the only playable character who doesn’t appear in Part 2 at all unless she’s in your army, with the implication that her depression and/or the dark story surrounding her Crest killed her or drove her to suicide in the timeskip. That’s...something.

I’ve also read that if you don’t recruit Shamir and Alois they show up in Chapter 15 to be killed...and that Manuela and Hanneman only do so on the Lions route in Dimitri’s paralogue for some reason. Weird.

I can confirm that the dark merchant does not sell Dark Seals. He’s only available in the second to last exploration month of Edelgard’s route, so you can’t get much use out of him anyway. Sucks for Hubert, but if I’m understanding correctly how you can buy classes with Renown the next time I use him I can just certify him for dark mage that way and get one seal for dark bishop. 

The brevity of this route sticks out more and more the closer I get to the end. Not so much for the story which is moving along at a brisk pace to match Edelgard’s resolve and concrete goal in contrast to Dimitri throwing everyone off with his unresolved personal issues, but for the gameplay. A bunch of my units aren’t going to make it master classes at this rate, and I’m tempted to not even touch Edelgard’s emperor class when it randomly becomes available after Chapter 15 (seriously, her armor just arrives from the capital? Are we timing lord promotions by the speed of parcel delivery now?) because there’s no timing and making her armored is kind of awful.

Story/Character observations

Chapter 15 opens with a bizarre interlude of Byleth coming upon Edelgard in her room at night, and an attempt at humanizing her by...telling us that she draws pictures of Byleth. That’s not even organic Avatar worship, come on. From what I remember her A support is more of the same, so I’m not holding out much hope for her big bi S rank.

Thankfully her two dorky subordinates salvage the character-based charm of this route. Ferdinand pokes a hole in the fourth wall and asks Byleth if they’ve thought about a world in which they chose another house or chose to side with the church, and while I can see the similarities with Conquest constantly dumping on Corrin’s choice this incident is isolated enough that I’m not feeling condescended to. Ferdinand’s A support with Byleth reveals that the first king of Faerghus - you know, the one with the very close *nudge nudge wink wink* friend akin to Felix - had a second very close friend who was just as indispensible but didn’t desire notoriety and so didn’t make it into many history books. Ferdinand compares this to what both he and Byleth are to Edelgard (I imagine this support is phrased very differently if gotten on any other route), but my mind went right to Kris, the shadow Avatar at Marth’s side who got left out of the original game historical accounts. While I believe that Byleth’s ending on Edelgard’s route actually is fairly out of the public eye, in other routes they’re either the archbishop or the ruler of the united continent. Byleth is very much not that type of Avatar who can just disappear at the end because how else could they sleep with the whole cast?

I can’t forget about Hubert either. Apparently he’s the one who gives Those Who Slither their infamously unwieldy name - thanks a lot, Hubie - during his investigations on how to out-evil them. When he’s not doing that he’s engaging in absurdly cute support conversations with Ferdinand where they’re both blushing and exchanging gifts with romantic music in the background. I also noted that they’re one of the couples who get special meal dialogue that evolves along with their supports. See, this is what I mean when I say that M/M and F/F subtext are on completely different playing fields. Dorothea will just come out and ask Manuela if they can live together and forget about finding men, or give Ingrid a ring and joke about owning her, etc. For the guys it’s watching them sputteringly make friendly gestures toward one another while blushing, or make promises to die together, or insist on the other using their given name (but in private!) to indicate that there’s going to be dick touching.

Nader dies during Edelgard’s paralogue. In combination with Judith’s death in Chapter 13 I think this is meant to indicate that this is the one non-Deer route that does not feature a large Almyran invasion after the credits roll. Even if you choose not to kill Claude as I did, without any of his close allies (who are also his parents, in the case of those two?) the implication is that he won’t have the strength to pursue his own dreams of continental conquest. Good on him to outright admit that he has them to Edelgard, though.

Speaking of the game admitting things that otherwise only go implied, let’s talk about those explosions. The Black Eagle Strike Force feints toward Fhirdiad but moves instead to conquer Arianrhod, with Edelgard and Hubert’s target being specifically Cornelia. Cornelia in this route hasn’t betrayed Faerghus to the Empire yet, but according to Arundel she was planning to as a member of Those Who Slither despite lacking their characteristic pallor. Arundel responds by using “pillars of light” - more likely those anachronistic ballistic missiles seen in a church route cutscene - to blast the fortress into oblivion and kill a bunch of people inside.I’m ignoring how petty it seems of Arundel/Thales to nuke a valuable military installation just to get revenge on Edelgard for killing a minion who was going to help Edelgard do what she’s about to do in the last two chapters anyway. No, what fascinates me about this situation is how Edelgard and Hubert immediately spin this for the rest of their army, saying it was Rhea’s doing and using it to motivate the Strike Force to conquer Fhirdiad as quickly as possible. Ever since I got her C support I’ve been curious as to why Edelgard harbors so much personal hatred for the church when Those Who Slither were the ones responsible for torturing her and her siblings for Crest research. Here she’s deliberately making that misdirection, which....doesn’t answer my question at all but does at least demonstrate that the writers are aware of it. How it will all play out, or if this is something that only makes sense when considering information learned from the church and/or Deer routes is yet to be determined.

Looking at this from the perspective of the Strike Force though I can see why they’d need some additional pushing to get invested in how evil Rhea is. She’s done very little so far to follow up on her creepy authoritarian vibes from Part 1, and the scene of her grieving Seteth and Flayn’s deaths only makes her regain some sympathy because of how personally she takes their loss. They have to be saving it all up for the finale. There will have to something to the antagonists we’re about to fight, because so far DImitri in this route has been even more of a non-entity. Of course I know that Chapter 17 brings not one but two flavors of gay tragedy, but in-universe I doubt anyone on the Strike force is squeeing over the Tempest King and his very devoted vassal.

#Fire Emblem #FE16 #Fire Emblem Three Houses #Spoilers

[starsailorstories]

So about the Vega-Revonis, I’ve been working on the bit of vol. 2 that involves them and I need to do some slight reconning of who’s who I think BUT they’re very fun in a like...eccentric faded aristocracy, seedy underside of the upper crust way, and interesting from a worldbuilding standpoint because in many ways they represent and are striving for Ideals of Altamaian culture (which heavily informs Basilean culture) specifically. They’re so fun (and have such nifty ultra-traditionally altamaian outfits) that I even drew (some of) them. But anyways might as well hit you with the facts

The Vegas and the Revonis have lived on this one plateau on Altamai since the settlement of Altamai, shortly after which settling they each noticed the other and decided they had 2 options: they could all sword fight each other constantly until both family trees were cut off at the root, or they could all marry each other and only sword fight sometimes when that shit inevitably went south. They went with the latter.

On an adjacent, slightly lower plateau closer to the cloud line is a city in which the commoners/peasants who serve (“and are served by!” Aethema would promptly interject because that is the fantasy world she lives in) both families, and also other folks, live. Most of them are descendants of the same colonies as the title-bearing families.

Because of their historical marital connection with the planetary High Queendom, they’re at least nominal favorites of the exiled queen and are at least nominally prepared to rush to her defense if she ever does come home. In the meantime they’re doing all the Royalist Things like naming their oldest daughter Fidelity and worshipping the specifically Altamaian-politics-related goddesses the loudest

They’re Old School and don’t use clone labor, and are actually pretty proud of giving their servants a good situation, but the social and economic climate makes that kind of a weird thing because of course a good situation is supposed to be reciprocated with Gratitude and Loyalty. All their long-term help swing back and forth between affection and silent resentment for them and they’ve probably had a conversation amongst themselves in the linen room where someone finally brought up that dynamic and everyone sighed with relief and were like “you too?! THANK GOODNESS i thought it was just me”

The Vegas’ bit of it is called Fortune Flats and it at one point looked a lot more castle-like than it currently does. They had some new roofs put on and installed some gaslights but it’s got like, walled gardens and high parapets and domes and fountains all over the place, it’s intense

Living in the house at the time it becomes relevant to the story are:

HER GRACE MAXIMATA CANTATIA FORTEFEMEN VEGA, Chivalry’s grandaunt, daughter of the Mother who connects the Vega-Revoni alliance with the pre-empire royal line and adoptee into the royal household at one point, who is incredibly grand and dignified and stylish but also VERY old and pretty out of it. Still entertains a great and personal bitterness about the coup which she has passed on to the whole family. Usually holds a post somewhere in the gardens and tells circuitous stories of Motherworld’s golden age 

Maega, Cantatia’s devoted assistant, whom she calls Avia, the name of her previous assistant who got married and moved away decades ago. Very patient but definitely subtly fed up with all of their nonsense

Otemia Fortefemen Vega, First Daughter of the daughter of Cantatia’s late wife and inheritor of her Mother’s title and her grand-demimatri’s royal dignity (which is a thing that can be passed down the line of succession as the Queen’s daughters don’t marry just anyone and those relationships are likely to be l o n g). Born and brought up in the immediate wake of the coup that sent the Fortefemens into exile and instilled with a heavy sense of her Duty and Obligation, which she reportedly rebelled against at every turn when she was Chivalry’s age but has now really dug her heels into.

Aethema Revoni, Second Daughter of Maxima Alouine Revoni, who was entered into an arranged marriage with Otemia to ensure a piece of that royal dignity (which can no longer be inherited after the last link to the queen’s family in a noble house has died--it makes sense once you accept that primogeniture is about who raises you as much as who births you) stuck with Maxima Alouine’s granddaughters. Like Otemia, she had a very strict upbringing with a very strong sense that the future of Altamaian Tradition rested on shoulders such as hers, and while she’s never really questioned that, she is very determined to be less rigid and distant than her own parents were. She’s not like the other noble sennamiae, she’s a cool noble sennamia

Ell, a lady’s maid who’s worked at Fortune Flats for centuries. When Otemia’s Jenya-born betrothed moved in with her packed social calendar and extensive wardrobe, the older generation agreed that it should fall to Ell to take care of her, but she and Otemia have been good friends since they were teenagers, so in practice she takes care of both of them. Even though she didn’t at all sign up for it she is sort of their therapist/marriage counselor. It’s...she’s paid well.

Loriane Revoni, the First Daughter of the current Maxima Revoni; she’ll have the title too someday. Although their parents didn’t Promise Them To The Future Of The Alliance like the previous generation did, she and Fidelity grew up kind of obsessed with each other of their own accord and got married as soon as they came of age. Jury’s out on whether that would’ve happened if they hadn’t been the only kids the same age for hundreds of miles in any direction. Loriane’s actually a really sweet person, and she and Chivalry get on well, but she’s also probably the most neurotic character in the thing who’s not actually coming off of major trauma. 

Fidelity Vega, who is Chivalry’s oldest sister, the heir to Otemia’s title and the next Mother of their colony--which is to say, she’s sheltered, coddled, and performatively adored by almost everyone around her. She’s nearly thirty (quinturns) and she’s got kids already, and in a lot of ways she’s the picture of everything a titled Mother “should” be without trying, so she’s doubly determined to be the most perfect leader for the colony and the family that she can be. The only thing is that what that looks like? Is something that’s been dictated to her entirely by her own parents, by Cantatia and by her own Mother, who all have their own agendas and who are wrapped up in a very immoral system. Fidelity has a selfish side, but she’s also realizing that nothing she does occurs in a vacuum.

The colony midwives, who I feel bad for discussing as a unit but like, there’s 6 of them and I haven’t written dialogue for any of them yet. “Midwife” is my like....herstory-respectin’ translation of an Altamaian word that perhaps more literally means “Mother’s attendant.” Three of them served Fidelity’s Mother, and three of them are new and under their mentorship. When there are new babies who haven’t been adopted out to the colony yet they help take care of them, and the rest of the time they’re just basically handmaidens for Fidelity and Loriane and nannies for Jenyata (see below)

Dignity Vega, who is the middle kid between Fidelity and Chivalry, and that alone is its own kind of heroism. Loriane got her a job taking care of equipment for the current Altamaian Royal Guard, who currently are not guarding anything because the in-their-opinion rightful Queen is in exile in the Milky Way. They still show up every day and take their posts on the palace grounds to make sure no miscreants get in and everything is ready for their lady’s return. Dignity is understandably ready for something to shift already.

Chivalry Vega who you’ve met already

Jenyata Vega, Fidelity’s First Daughter, who is somewhere in the 6-quinturns-old department and is giving Cantatia a run for her money as the true Great Lady of the house

Iva, the gardener, who was a soldier and a gunner on an asteroid trawler before this but didn’t really have anyplace to retire to and somehow got this setup. No one remembers who officially hired her, it was probably Maega honestly. Despite being Very Big and having a voice like she smokes 4 packs a day she’s a notable sweetheart and basically Jenyata’s best friend.

#sweet chariot #hmmm idk how to tag this bc they're all just in this one bit #they're not likely to need bigger character tags #i'll just go #chivalry vega #vol. 2

[paulisweeabootrash]

First Impression: That Time I Got Reincarnated as a Slime

I started writing up this review with the intent of shelving it for this year's end-of-year cleanup (yup, I intend to make that a yearly thing), but the more I watched, the more I felt it deserved a longer writeup.  Especially given how popular and well-received it was, because frankly I don't think it lives up to the hype.  So shapeshift into a more comfortable form as we talk about...

...That Time I Got Reincarnated as a Slime (2018)

Episodes watched: 14.

Platform: Crunchyroll.

The victim of a freak stabbing, a nice but forever-single 37-year-old has his dying thoughts — from wishing he weren’t feeling pain to wishing he could have a shot with many women in his next life — granted as wishes by a mysterious voice.  The voice turns out to be "Great Sage", a sort of... user interface(?) of a fantasy world that functions according to very RPG-like rules.  Generic monsters vs. named human and humanoid heroes, powers that can be acquired and leveled up, that sort of thing.  Those "granted wishes" come in the form of a new body, that of a slime, impervious to many things and able to absorb the abilities of other monsters by engulfing them, which he can apparently use either to literally eat them or to keep them alive “stored” inside him (which sounds... horrifying) — "analyzing" them using the Great Sage and gaining the use of their abilities in either case.  Granted the name Rimuru by Veldora, a godlike dragon he befriends (and then eats in order to carry him around), our slimy protagonist goes out into the world to explore and fix other people's problems.  Monsters, as we soon see in much more detail, typically have no names and minimal organization or skill, and once named, "evolve" into more powerful variants with not only superior strength but also the capacity to use superior magic and technology.  It's an interesting mechanic/premise that really feels like it would be at home in an ancient etiological myth.

It starts off feeling very much like watching a pretty good adaptation of an RPG or maybe point-and-click adventure, as the plot progresses mainly via Rimuru using items and abilities he has incidentally acquired for unrelated reasons to stumble into and complete quests for other characters.  It bounces wildly in tone from fantasy combat to ecchi to adorable wholesome content, and I assume at some point there will be some kind of confrontation with or followup on the human hero who imprisoned Veldora in the first place?  But for the first five episodes, it's mostly "ooh what's this?" followed by a sort of self-imposed quest to create a goblin nation-state from the ground up by naming everyone, taming the dire wolves who are threatening the goblins, and importing technology from the aforementioned named humanoids.  Then it takes an abrupt turn for the serious, laying on us three episodes of backstory about Shizu, a character who I can't really talk about at all without spoilers, but that short arc was engaging and resulted in Rimuru finally being able to take on a humanoid form, which turns out to be a great disguise in future episodes.

Meanwhile, the vague world conquest plans of majin (a term used here to refer to powerful humanoid magic-users) and demon lords having been taking shape in the background, as a vast orc army is steamrolling through every weaker group of monsters it can find.  The next few episodes focus on a group of oni, ahem, ogres (but they’re totally traditional Japanese depictions of oni) who join Rimuru's village after their own is destroyed by the orcs and an underground civilization of lizardpeople who attempt, in a hilariously clumsily and overconfident way, to join forces with Rimuru's followers against the orcs.  The oni are pretty great, especially Rimuru's secretary/bodyguard Shion and scout/diplomat/spy/whatever Souei, as is the unassuming goblin Gobta, who has frequently been the comic relief up to this point but becomes important to the looming conflict.

The lizardpeople/Rimuru-followers alliance is eventually formed and the show tries to make their war against the orcs epic and dramatic, but... here it largely fails.  This arc is full of tedious repetitive exposition about the same characters and tedious repetitive exposition about the same characters and tedious repetitive exposition about the same characters and tedious repetitive exposition about the same characters, as if they expect the audience goes into every episode having forgotten the events of the previous episode and even several recurring characters' names.  Add to this some sudden new abilities getting pulled out of Rimuru's and others' asses, increasingly frequent jarring tone shifts from scene to scene, combat scenes where everyone is stationary and stupid, and cap it all off with a "boss fight" that only gets started after some villainous exposition monologuing worthy of Dragon Ball Z and an exposition dump flashback about the orcs that raises more questions than it answers, and at this point I'm only still watching to find out where the hell it goes from here.  This feels like a bad adaptation of a game now... but maybe a bad adaptation of a good game.  Maybe it would work better, honestly, in RPG format.  It's not like this doesn't have potential as a premise.  But I don't get the hype, because I really don't think it lives up to it.

W/A/S: 4 / 5 / any random number 3–8, depending on episode / !

Weeb: Like I said about Death March, "not weeb so much as geek".  But this is getting a higher weeb score than that because some basic elements (such as, uh, the main character himself) probably come off as really weird if you've never played any of the Dragon Quest (a.k.a. Dragon Warrior) games, which are responsible for the generic low-level slime monster we know today.  Not to mention that this show's versions of orcs, ogres, and demons are more like depictions of those various races in other Japanese media than they are like the Germanic/Anglosphere/Tolkien-influenced fantasy canon.

Ass: Rimuru likes boobs.  He likes to talk about them.  He likes to cuddle up against them.  He checks out everyone.  He's... a sad old virgin.  Expect gag boobs and gratuitous camera angles, but not all the way to anything sexually explicit.

Shit (writing): Again, it really does feel like we're watching Rimuru complete a series of quests or puzzles to advance through the predetermined areas of a game.  Which is probably the point, but that doesn't work quite as well as a storytelling technique when the audience isn't actually figuring out how to complete those quests.  The sudden tone shift for Shizu's three-episode story arc and the weird exposition dumps throughout feel like they're trying to cram a lot of source material into relatively few episodes and it's not going well — which is odd considering that they got a 24-episode season instead of the more typical 13.  And considering that the source material has been going in some form or other for five years prior to the anime (it originated on Shōsetsuka ni Narō, the same self-publishing website responsible for a great deal of the last decade’s epidemic flourishing of isekai, including the above-mentioned Death March and Re:ZERO).

Shit (other): I like the character designs.  And they did a great job in particular making Rimuru expressive despite not... uh... having a face.  But the animation is sometimes embarrassingly bad, especially in action scenes — I swear, there was a fight at like 4fps at one point, the CG orc army is just painful to look at, and the "battles" between the orcs and lizardpeople are mostly just them staring at each other and then occasionally weakly thrusting a spear forward.

Content: Brief surprisingly violent shots, given the often-silly tone of the show.

-----

Stray observations:

- I said Rimuru pulled new abilities out of his ass, but... wait, do slimes have asses?  Can he form a temporary ass, like a comb jelly?

- Rimuru is not only lusting after the various elf and oni women; he is also obviously attracted to Souei, one of the male oni, and this is not played as being surprising or gross or funny in-universe, so, uh... yay bi representation... I guess...

- PS: I continued watching (even though this is frustrating) past the episodes this review covers, and I just want to add that I hate the pegasus knights.  Nobody had the sense to equip them with either ranged weapons or large melee weapons like lances.  They just fly around with swords that wouldn't be able to reach their enemies unless they pull up right alongside them.  This might make sense if they attempted a charge and attacked at point blank, which is the entire point of the distinctive cavalry saber, or maybe they could even dismount to fight on foot, and use the ability to fly for extreme maneuverability getting to a particular point on the battlefield?  Nope.  The closest they come to either of those tactics is to just fly leisurely towards Charybdis's open mouth without even unsheathing their swords in ep. 19.  WTF?  Look, I'm hardly a military expert by any stretch of the imagination, but I think these pegasus knights were dreamed up by someone who has only dimly heard of the concept of cavalry of any kind and hasn't spent more than a few seconds thinking about how you even can use horses in war, let alone bother to look up even a basic overview of how armies actually historically did.

#weeaboo trash #anime review #first impression review #that time i got reincarnated as a slime #disappointing bi representation

[aion-rsa]

Mortal Kombat: Sub-Zero and Scorpion’s Rivalry Explained

https://ift.tt/2P76tgj

Whether you’re a longtime Mortal Kombat fan or someone who is mostly just interested in the upcoming film’s status as one of the first proper blockbusters of 2021, you’re probably at least aware of the feud between the series’ resident ninjas: Sub-Zero and Scorpion. It’s a battle that almost transcends the already legendary franchise and has entered the public pop-culture consciousness in a way that makes many almost subconsciously think “rivals” whenever they see the two characters.

While the truth is that nearly everything about Sub-Zero and Scorpion makes them natural rivals, only those who have dared dive into the details of this series’ mind-blowing lore know the fascinating story that has fueled this franchise feud. While filmmakers everywhere have rarely struggled to find reasons for two ninjas to fight each other, the story of Sub-Zero and Scorpion’s rivalry goes so much deeper than two warriors battling to see who is best.

We’ll stop short of recounting every event in this twisted tale that takes place across multiple timelines, but if you’re just wondering why Sub-Zero and Scorpion can’t seem to get along despite shopping at the same stores, then here’s a brief look at the history of a rivalry that ranks among the best in fighting game history.

Scorpion and Sub-Zero Were Rivals From the Start

Before we dive into the lore aspects of the Sub-Zero/Scorpion rivalry, it should be noted that their feud was no accident or one of those things that just happened as the games evolved. It was actually one of those rare pieces of long-lasting lore that was pretty much planned from the start.

The story goes that Mortal Kombat co-creator John Tobias started reading a book called “China’s Ninja Connection” not long before the initial work on what would become Mortal Kombat began. The book tells the story of a clan of thieves and assassins in China that it claims essentially inspired the popular idea of the Japanese ninja. Fascinated by that concept, Tobias sketched a ninja warrior modeled after the story’s clan and lead characters. That fighter would go on to become Sub-Zero.

As Tobias revealed years later, he soon became aware that the cultural and historical claims in that book’s narrative were heavily disputed. As such, he decided to add a second ninja character to the game but that one would be of Japanese origins. That character eventually became Scorpion. 

The rivalry between those two fighters would be sealed by the MK team’s decision to rely on palette swaps for some of the game’s characters in order to ensure they didn’t need to come up with entirely new designs for every fighter. As such, Sub-Zero and Scorpion were given largely similar looks but aesthetically opposing colors (blue and orange). For a generation of MK fans, the fact that these two characters looked similar but wore different colors was actually their first indication that they were rivals.

Quan Chi’s Task Fuels the Sub-Zero/Scorpion Rivalry

In the spirit of their real-life origin stories, Sub-Zero and Scorpion were written to be members of opposing ninja clans in the MK universe. Sub-Zero (real name Bi-Han) belonged to the Lin Kuei clan and Scorpion (real name Hanzo Hasashi) pledged himself to the Shirai Ryu clan. Essentially, the two were natural rivals in the franchise’s universe before they even actually met. 

However, their rivalry wouldn’t properly begin until the sorcerer Quan Chi commissioned the Lin Kuei and Shirai Ryu clans to help him find an ancient artifact that he planned to use to resurrect his master, Shinnok. Naturally, the clans sent Sub-Zero and Scorpion as their respective representatives on this task.

As you can probably guess, Sub-Zero and Scorpion met while trying to complete their assignments and, despite the number of things they clearly had in common, decided to battle rather than strike a meaningful and lasting friendship that certainly could have saved everyone a lot of trouble down the line.  

Sub-Zero Kills Scorpion

Sub-Zero would end up winning the first battle between him and Scorpion, but it should be pointed out that Sub-Zero had the undeniably useful ability to manipulate ice at that time while Scorpion was just a renowned warrior that possessed mostly human (though certainly enhanced) abilities. 

Not content with merely beating Scorpion in battle, Sub-Zero decided to kill Scorpion and end this feud before it could go any further. I don’t think it’s a spoiler to say that his plan would go on to fail spectacularly.

Scorpion’s hard times wouldn’t end in death. As part of his “payment” to the Lin Kuei, Quan Chi wiped out the Shirai Ryu clan, which naturally included Scorpion’s family. In any other universe, such a flawless victory (see what we did there?) would make it easy to proclaim Sub-Zero the winner of this feud. However, this whole situation would soon take a strange turn. 

Scorpion’s Resurrection and New Powers

In sudden need of allies after his initial plans go wrong, Quan Chi runs across the spirit of Hanzo Hasashi in the Netherrealm and offers to resurrect him if he agrees to serve as his personal assassin. To ensure that Hasashi feels properly motivated to seek vengeance against Sub-Zero, Quan Chi conjures an image of Sub-Zero leading the assault against Scorpion’s clan and killing his family. In reality, that was all Quan Chi’s doing. 

Nevertheless, Hasashi buys into the lie, is resurrected as Scorpion, and even gains some supernatural fire-based powers that would not only go on to define his early in-game fatality and special moves but would add another way for players to clearly distinguish him from Sub-Zero (fire vs. ice).

Scorpion is asked to enter the Mortal Kombat tournament depicted in the first game as Sub-Zero has also joined the tournament on an assignment for the Lin Kuei. Scorpion gets the better of Sub-Zero this time around and kills the ninja during their next battle. In what you’re probably realizing is quickly becoming a recurring theme, the death of Sub-Zero does not end this rivalry. 

Read more

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Mortal Kombat Timeline: Story Explained

By Gavin Jasper

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Mortal Kombat Characters Ranked

By Gavin Jasper

Sub-Zero is Reborn as Noob Saibot

Since resurrection is kind of his thing, Quan Chi decides to bring Bi-Han back to life (kind of) and turn him into the soulless warrior known as Noob Saibot. Initially, Noob Saibot was mostly interested in taking his ruthless aggression out on the residents and rulers of the Netherrealm. He quickly established himself as one of the underworld’s most fearsome forces.

Interestingly, the entire Noob Saibot character was created as a joke by Ed Boon who wanted to add another secret character to MK2 that even Tobias didn’t know existed until the development of MK3 was underway. That’s particularly hilarious when you realize that Noob Saibot’s name is a reverse play on Boon and Tobias’ names. 

Saibot would become a bigger player in MK lore later on, but he certainly wasn’t initially intended to be the reincarnation of Bi-Han, and Scorpion’s rivalry with Sub-Zero didn’t immediately detour into battles against Noob Saibot. Instead, the Scorpion/Sub-Zero rivalry would properly continue with the emergence of Bai-Han’s brother, Kuai Liang.

Scorpion and Kuai Liang’s Feud and Alliance

After Scorpion murdered Sub-Zero in the MK tournament, Bi-Han’s brother Kuai Liang decided to abandon his own codename (the admittedly awesome “Tundra”) and assume the Sub-Zero moniker as he searched for his brother’s killer. 

Scorpion sees the new Sub-Zero during the MK2 tournament, thinks “new Sub-Zero, who dis?” and proceeds to battle the frozen warrior in the usual manner. Scorpion gets the upper hand, but he soon realizes that this isn’t the same Sub-Zero that he still believes killed his family. We’ll dive into the difficult job of reporting what happens next in a bit, but for the moment, let’s just say that the two actually form a kind of bond that grows into an alliance.

Quan Chi is having approximately none of that and (in one version of this story) works his magic to make Scorpion believe that Kuai Liang was involved in the massacre of Scorpion’s family as well. Scorpion nearly kills Kuai Liang, but Quan Chi steps in to finish the job himself. In the process, he can’t help but do a full James Bond villain monologue by revealing that he was responsible for the pair’s rivalry this whole time. While he tries to banish Scorpion before killing Sub-Zero, Scorpion is able to overcome Quan Chi and manages to drag him into the Netherrealm before the sorcerer is able to murder Sub-Zero. 

From here, things start to get a little weird.

Sub-Zero and Scorpion Settle Their Rivalry Across Multiple Timelines

There are several versions of what happens next (and even slightly before). Which one matters most depends on which game you’re talking about, which timeline you subscribe to, and how you choose to process a whole lot of multiverse shenanigans. 

To make things as simple as possible, there’s a version of this story in which Scorpion eventually dies in the Netherrealm while hunting Quan Chi. However, this ending is non-canonical and rarely refered to as anything more than a fascinating aside. 

There’s also a sequence of events that sees Scorpion escape the Netherrealm, become a servant to the Elder Gods, and eventually try to destroy those gods after they resurrect his clan as undead creatures. In that scenario, an enraged Scorpion is eventually killed by Sub-Zero. 

2011’s Mortal Kombat (which famously reworked the timelines as part of a massive series’ story retelling effort), suggests that Scorpion and Kuai Liang only battle after Raiden is unable to prevent Scorpion from killing Bi-Han. However, Scorpion is eventually sent to the Neatherrealm before he can kill Kuai Liang. In that game’s Sub-Zero ending, we see Kuai Liang learn what happened to Scorpion’s family and how Quai Chi’s deception is largely responsible for their rivalry. He shares that information with Scorpion, and the pair form an alliance. 

While Mortal Kombat X would play with that ending a bit by portraying the now-united Kuai Liang and Scorpion as specters, their humanity is eventually restored, and Scorpion is finally able to decapitate Quan Chi and claim the vengeance he sought after all these years. 

Without diving too deep into the insane bits of lore that make up later MK games, Sub-Zero (Kuai Liang) and Scorpion continue their alliance and rarely battle in the series’ stories outside of those aforementioned timeline shenanigans that sometimes see alternate versions of themselves (as well as their kin) continue their war against each other for various reasons. 

Ultimately, though, Sub-Zero and Scorpion’s rivalry began as a natural feud fuelled by lies and outside influences. It essentially ended when Sub-Zero’s brother and Hanzo Hasashi realized they had common enemies and decided to unite for the common good. 

cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });

Given that the upcoming Mortal Kombat movie features the Bi-Han version of Sub-Zero, though, fans can expect that film to further the most classic version of this rivalry and the one that you probably think of when you imagine Sub-Zero and Scorpion battling. What happens next remains to be seen. 

The post Mortal Kombat: Sub-Zero and Scorpion’s Rivalry Explained appeared first on Den of Geek.

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#aion-rsa #Den of Geek

[daemonmatthias]

"Get to know me" meme! 1, 65, 69, 91

1. What images do you have set for your desktop/cell phone wallpapers?

Well, my desktop is set to rotate between several images that represent my nerdy interests. I’ve got 2-3 Beauty and the Beast ones, 2-3 Kingdom hearts ones (and there is one overlap between those two), some Harry Potter/Hufflepuff ones, and 1-2 Studio Ghibli ones.

My cell phone lock screen is My Neighbor Totoro, and my wallpaper is Belle and The Beast dancing (from the new movie).

65. Which do you use more often, the dictionary or the thesaurus?

Definitely the dictionary. I can do the thesaurus stuff in my head, but sometimes I have to check the connotation of the word to make sure the synonym I’m thinking of works in the same way. Also, I have to google words to see what phrasing my students are going to find when they look up a word so that I can make sure my answer choices are not too far off from or too close to what google tells them.

69.  What’s the most memorable class you’ve ever taken?

You know what? That’s actually a really hard question…. I knew by my junior year of high school that I wanted to be a teacher, so that perspective has always caused me to focus more on the teacher than the class itself when it comes to memories…. and I’ve had a LOT of memorable teachers over the years. Here are just a few…

There was the professor I took two classes with in college. He was a Doctor Who nerd since like the 60′s/70′s and would slip in references (like “wibbly wobbly timey wimey” while talking about a book not in chronological order) even though I was the only one in the class who knew what he was talking about. His Literary Theory class changed my whole perspective on life/literature in the best way possible, and he fucking tore every paper we wrote to shreds to make us better writers. (He made it up grade-wise with stupidly easy reading quizzes with tons of bonus point opportunities- like fill-in-the-blanks for his favorite joke, which was “a skeleton walks into a bar and orders a beer and a mop”, btw- and we could keep turning in the essays for better grades as many times as we wanted.) I worked my ASS off on his last paper and got a B on the first try. I have never been prouder. I also took his American Novel class where I read some of the best and absolute worst books I have ever read. Rabbit Run was the WOOORST, but I never ever would have read Winter’s Tale or The Brief and Wondrous Life of Oscar Wao without that class. And, I certainly never would have read Stories of Your Life and Others by Ted Chaing without him. It’s something I never would have found/noticed on my own, and I loved every single word of those stories. I still haven’t found another writer that can mix science/math, literature, and psychology in the same ways. I’m currently re-reading the entire collection, as I’ve been wanting to since I heard Arrival was coming out.Side note: You should have seen me when I first heard of Arrival. I hadn’t heard anything about it until the trailer came on while we were watching TV. Poor Robert. I cocked my head to the side like a dog and started to say, “Why does this seem so much like that story I read?”, but only got as far as “Why does-” before BASED ON THE STORY BY TED CHAING flashed across the screen and I just fucking lost it. “IT IS, ROBERT, IT IS!!!” “Is what?” “THAT WAS MY FAVORITE ONE IN THE WHOLE BOOK!!” He was so confused and I had to backtrack and explain because that class was like the first or second semester we knew each other and this was the first time I had been remotely excited by anything in months.

There was also that Short Story class where the prof told us she wanted it to be a discussion class even though she’s terrible at discussion classes (her own words). That whole class was a hot mess. We discussed things so thoroughly that she couldn’t figure out how to write tests because she wanted them to be over what we hadn’t discussed about the story. We once had an essay test that asked us about “male enlightenment in Kate Chopin’s “The Storm”.” She started passing them out and everyone was like, “typo?? female??” “No. Male. Like the boy characters.” And we were just like…. uhhhhh ok then….” and when we left three of us got barely out of earshot before one asked us, “so what shit did you make up???” (I had bs-ed something about becoming enlightened to the fact that if mamma ain’t happy ain’t nobody happy.) The entire class pretty much bonded with mutual sarcasm over how awful the class was. It was a very unique environment because we all did actually enjoy discussing the stories with each other and we really got to know each other because the bond made us share more than we usually would with strangers. 

In high school I had the same teacher for AP Psych and APUSH. He was exactly my kind of sarcasm. I kept a “quote book” in high school, which was about 10% inside jokes and stupid shit we said, and about 90% Mr. A quotes. It was stuff like, “So we had the Triple Alliance and the Triple Entente. What does “entente” mean? Alliance. So we had the Triple Alliance and the Triple Alliance- BUT IN FRENCH.” I had both classes with him the same year, and he always connected the two by drawing on historical people for examples in Psych and mentioning (or using!) the Psych to teach us history. It helped me a lot in both classes. We also had to watch Phillip Zimbardo videos in Psych and we complained every single time because “He looks like SATAN and he scares us!!!!!” 

The was also the AP English teacher my junior year who most people hated because she was mean. (My friend who knew a bunch of upperclassmen said, “Oooh, you got The Wass. I’m sorry.” when he saw my schedule.) Only I got in the class period with the like 10 most sarcastic people in the entire grade and it seems like we were the only class to figure out that she wasn’t really mean- she was just one of the most deadpan sarcastic people I’ve ever met. We had a lot of fun because we realized she was really just sarcastic and would be sarcastic back. She asked us one day, a test day, after absolutely refusing to tell us how she was going to test us since we all read different books, “Do y’all wanna… draw a picture or do an interpretive dance for your test?” One kid immediately jumped up saying, “I wanna do an interpretive dance!!” and doing some kind of weird wiggle-dance. Her response was simply, “Too bad; you’re drawing a picture.” (And we really were.)

My senior English teacher was also pretty awesome. He completely scratched the normal AP Lit reading list and made a new one. It was full of awesome literature that I probably never would have read on my own and I loved most of it (especially The Tempest). He was also sarcastic and I’ll never forget how he would let us explore the literature as a class. I’ll also never ever forget his first poetry lesson. It was early in the year. He passed out copies of John Donne’s “The Flea” and read it to us. Then he goes, “what does this mean?” *Silence* “What is it about?” about half us are like ?????? while the other half are like uhhhhhhhh. He goes, “It’s ok, you can say it…” so one kid finally goes “….Sex?” “YES! Now how did you know that?” and the half that hadn’t been confused started pointing to certain lines, which he used to make us backtrack until he could give us a name of a device or explain about rhyme scheme or whatever. John Donne became my favorite poet because of his class. (We also read several of his holy sonnets later in the year and watched clips of Wit in class.) There was also the day he gave instructions for a timed write and then said, “OK? And while you do that, I’m gonna keep looking for a care bear costume that isn’t sexy.” We all laughed except one kid who goes, “How do you have a sexy care bear costume????” We all just looked at him until my teacher finally said, “…you know, it’s like lingerie with bear ears?” He also taught me the limited value of page minimums in writing. I didn’t quite make the page minimum once and got like and 85 on the paper or something. When we conferenced he walked me though all his comments about my organization and whatnot. I asked, “Ok, and just for my own reference, how many of these points were taken off for not meeting the page requirement?” He said, “Huh? Oh, none. None! You covered everything effectively and I don’t want to read the extra half-page of fluff.” Absolutely changed my perspective on writing papers and I aspire to make my teaching style much like his (when I’m teaching somewhere that can handle class discussions anyway…).

(Sorry, not sorry. You had to know that one was gonna be long! lol.)

91. What is your favorite word?

I think my favorite word is “persnickety”. It’s fun to say and applies to soooo many situations in the education world. I learned it from A Series of Unfortunate Events and have loved it ever since. :)

#personal #ask meme