#legendary guitar duo

[izzystradlindoesitforme]

Slizzy Appreciation Day

Part IV

"I was working in the Hollywood Music Store the day a slinky guy dressed like Johnny Thunders came up to me.  He was wearing tight black jeans, creepers, dyed black hair, and pink socks. He had a copy of my Aerosmith drawing ... This guy had been inspired enough to seek me out, especially when he heard I was a lead guitar player."

Izzy and Slash

Slizzy Appreciation Day

Part IV

Slash was drowned, he was washed up, left for dead.

Izzy was crowned with a spike right through his vein ...

But it's all right now, in fact it's a gas.

Yes it's a-a-a-a-all ri-i-ight, I'm Jumpin' Jack Flash, it's a gas, gas, gas

Ooh, yeah! Sha-na-na-na-na-nah, honey!

I love and miss these guys together. I also understand time changes things and people move on. I still appreciate and enjoy all the great music they made together. Here's to my favorite guitar duo of all time - Slash and Izzy Stradlin.

Slizzy.

(Above quote from Slash's 2007 self-titled autobiography)

#slizzy is the death of me #izzy stradlin was put on this earth to torture me #I think slizzy might have been put on this earth to torture me too #my mr. brownstones #slizzy appreciation day #legendary guitar duo #izzy stradlin #slash #slizzy #guns n roses #gnr #izzy gnr #slash gnr #they're such babies #they're my boys #jumpin' jack flash #jumping jack flash

[rocknrollflames]

Izzy and Slash

I just need one for 2023 to go below the top three!

; )

These guys mean a lot to me.

For many it's Keef and Ronnie (or Keef and Brian, or Keef and Mick, lol). For some it's Kirk and James. For others it's Angus and Malcom, or Dave and Marty, or Duane Allman and Dickey Betts, or Don Felder and Joe Walsh, or Dave and Adrian .... the list goes on and on (as it should, lol).

But for me, it's these guys.

As much as I wish they had stayed together, what matters most is the music they made together. The music we're still listening to today.

#izzy stradlin #slash #guns n roses #gnr #slash gnr #izzy gnr #legendary guitar duos #love these guys #rock and roll #rock n roll #guns n' roses #axl rose #duff mckagan #steven adler #mr. brownstone #live ?!*@ a suicide #appetite for destruction #gnr lies #use your illusion 1 #use your illusion 2 #guitarists #guitars #my boys #izzy and slash

[unholyverse]

waterparks // marvin magazine issue #10

(full transcript under the cut)

Waterparks

WORDS by HOLLY SOLEM

PHOTOGRAPHY by DANIEL PRACOPCYK

Waterparks are places you go for fun; both pools and slides and the gloriously buzzy, pop punk band featuring members Geoff Wigington (lead guitar), Otto Wood (drums), and singer/guitarist Awsten Knight, whose neon energy matches his hair. Their music leads you down sonic chutes and up rainbow ladders with four albums, countless tours, millions of listeners and a recent signing with Fueled By Ramen, the label under which they are about to drop their highly anticipated 5th studio album. MARVIN had the good fortune of catching up with Knight—who is busy prepping for a European tour, a US tour and the release of the band's new album—to talk about all that goes into creating the bubbly world of Waterparks.

The new album titled Intellectual Property features eleven legit bangers filled with anthemic choruses. psychedelic experimentation and hooky melodies all polished to a sheen. There are hints of megalithic rock bands like Muse, inspiration from The Beach Boys and the pop punk sounds we have come to expect. But as for the "pop" part, this record goes in hard with collaborations with the likes of blackbear and songwriter/producer Julian Bunetta.

I love pop music and we got an offer to write with this dude, Julian, who has credits on 95% of One Direction's discography. I fucking love One Direction. I don't want to be dramatic but let's say I've got a top 60 favorite songs, I think four or five are One Direction songs. And Julian's written on all of them. I was just like, 'I want to do what I do but with him too.' And then I made "FUNERAL GREY", "BRAINWASHED", and "FUCK ABOUT IT", with him.

For this album, the band brought in more outside alliances than on previous albums, with Knight saying. "I think I was more open to [collaborations] on this album. Other people's opinions and thoughts and stuff like that. Normally, I don't really love writing with people that I don't know very well because it can feel very sterile. You walk in and they're like, 'what do you want to write about? You're like, 'oh fuck'—because it's a personal thing." And when it comes to getting personal, Knight is also realizing that to his surprise, the more personal he gets-the more vulnerable lyrically—the more universal the message.

I feel like I used to be kind of freaked out by [vulnerability], especially earlier, on album one. I was really nervous about it and it sounds so lame in retrospect but I didn't even want to do any acoustic songs. I liked burying myself a lit- tle bit behind a big instrumental. [The song] "21 Questions" for example. I sent that along with all the other demos to Benji because I wanted his opinion and he was like, 'this is one of the best ones.' Those wind up being the favorites, which seems counterproductive because songs are supposed to be relatable. And I never feel like I'm being relatable but I try to be less selfish with the writing. I want this to be for someone else.

When Knight refers to "Benji" he is talking about Benji Madden, one half of legendary pop punk duo Good Charlotte. Benji, along with his brother and bandmate Joel, manage Waterparks after discovering them on YouTube and DM'ing them on Twitter back in 2015. Knight received the news of the Maddens' invitation to fly to LA for a meeting while working as a babysitter who gave guitar lessons.

I called the guys and we're like, 'holy shit.' So we all went and bought swimsuits because…California. And yeah, that was it. After we met them, we went back to our hotel and were just like, 'what is happening? A week ago we were still passing out flyers outside of other people's shows. And we're right here, right now. This is the weirdest shit.'

A literal dream-come-true for Knight and the band, who eventually would make the move to LA from Houston while missing its Tex-Mex and Thai food, and of course, his family. But when it comes to the weather, he's all about California. He doesn't even mind the earthquakes. He was in a rooftop hot tub during one and actually found it rather exciting. For a man who has toured the world, there's a bright-eyed innocence and almost childlike wonder to him. His seeming lack of cynicism is as refreshing as freshly fallen snow which he admits he only saw for the first time not that long ago. But now, Knight talks about having stress dreams as he and the band get ready to embark on a European leg, followed by an extensive US tour.

Here's the thing, I like to play shows and I like to meet people. The other 22 hours of the day, I like having my space. I'm pretty particular, you know what I mean? I like my zone where I can sit and just do stuff. You go from peace and quiet and doing what you want all the time to sharing a small living space and a bus with twelve people. It's basically having twelve people in your living room for two months. And you're just like, 'ah, but the shows are great' as long as the shows are fun and everyone is having a great time, that makes it worth it to me.

He's also superstitious. Around his apartment there are crystals, there are obsidian and selenite wands in front of all the mirrors. He has a healer-type person come in and energetically clear his space, insisting he throw away objects that may have "dark entities" attached. "I'm luckier than people I know. They're like, 'why is the light always turning green when you go to it? Why do you always get the front spot at the store?' I'm like, it's because I don't split the pole, you know? Can't split a pole when you're walking. There's a bunch of superstitions. But I follow them and I'm crazy lucky."

In addition to music, he recently penned a well-received book of personal essays called, You'd Be Paranoid Too (If Everyone Was Out to Get You). He plans to write a novel next and has also started a clothing line called HiiDef. that fabricates small collections that sell out fast. His enthusiasm for the line is on par with music. "If everybody made the songs that I wanted to hear, I wouldn't have to do this. The same thing applies with clothing." Passion abound, he is all smiles when discussing plans for the future of Waterparks.

How do I get to the fucking moon? I think anyone who hears this album is going to love it. Cause I think it's incredible. I'm looking at the songs right now. I'm just like, 'man, straight slappers.' Even the last song, which I know wouldn't be a single or anything-that's probably one of the best accomplishments of a song that we've ever been able to pull off. I see this album in plaques on the wall. All right, we're manifesting now.

He names his goals out loud, as one is meant to do when calling them in, mentioning things like how much he'd like to play the Redding and Leeds Festivals at sunset. Then he pulls up the Waterparks US tour schedule online while musing, "I want one of those big "Sold Out" things across all the dates. It's getting there dude. Yeah, actually, it's going crazy right now." In real time, he seems to discover that the banners that cross nearly all of the show dates do indeed read, "Sold Out". And then it's clear. Awsten Knight is lucky. But luck is really about preparation meeting opportunities and he has definitely shown up to the game prolific and prepared. Five albums in, it's clear that Knight and Waterparks have only just begun.

@waterparks

#i scanned this big ass magazine and photoshopped it back together after i found out you could buy this digitally so you better reblog #awsten knight #otto wood #geoff wigington #waterparks #i.zip #anyways story time #only reason i bought this is bc i saw this at barnes and noble at the mall and it was wayyy cheaper than if i got a physical online #$25 instore vs $30 online + $20 shipping which is INSANE but the fact that this is the size of my torso is even more insane #it's just some puff piece like the rest of the shit you'd expect from a rich people magazine that brands itself as punk #and that josh madden shilled his way into again lol

[reasonsmandy]

You're adorable, you know?

Josh Whitehouse x Fem!Reader

✧.* requested by four anon — ¹ hello!! i want request a one shot with josh whitehouse where him and the reader falling in love during filming djats!! 🥰

² hey! can u write a fic about Josh!Reader where they they fall in love during filming djats, and josh ends up asking reader to date him!

³ Prompt 22 for Josh whitehouse (djats), PLS PLS

⁴ A fic where josh and y/n falling in love while they are filming daisy jones & the six 🥹

✧.* summary — Life has always surprised you, but you never expected to see Josh again on the set of another project. But that was definitely the best surprise.

✧.* warnings — Sam & Sebastian being the best duo.

✧.* word count — 4.2k

✧.* 🏡 — Josh Whitehouse masterlist

✧.* mandy's notes — My first time writing about Josh, I hope you like it. Just to remind you that if you would like to be tagged when one of my fics comes out, my taglist is at the end of the story. Good reading 🫶🏾

Band camp was an explosion of sights and sounds—a melting pot of talent and passion, where the cast of "Daisy Jones and the Six" gathered to transform into a legendary rock band. As you set foot on the buzzing set, a mix of excitement and nerves pulsed through your veins.

The camp exuded an electric energy, with guitars wailing, drums pounding, and voices harmonizing in a symphony of anticipation. Every corner seemed to vibrate with the essence of creativity, and you couldn't help but be swept away by the infectious enthusiasm that surrounded you.

Amidst the chaos, your eyes locked onto a familiar face, his fingers gracefully strumming a guitar. Recognition washed over you, and a smile tugged at your lips. It was Josh—someone you had crossed paths with before, a person who had left an indelible mark on your heart.

With a skip in your step, you approached him, your heart pounding in anticipation. When his gaze met yours, a spark ignited between you, as if no time had passed since your last encounter. His face lit up with surprise and genuine joy.

"Y/N?" He feels your eyes on him and approaches you. "My God how long! What are you doing here?"

"What are you doing here?" You smile opening your arms to hug him. "Well... turns out that I was cast in this series, pleasure Pietra Loving." You extend your hand after the hug, pretending to introduce yourself.

"I can't believe we're going to be working together again." He looked genuinely cheerful, and it warmed your heart to know that he was happy to see you again.

You and Josh had already worked together on Game of Thrones, although your scenes weren't shared most of the time, you had already talked during breaks and of course, during events as well. In fact, you didn't expect to run into him again, working with people you already had contact with always made the work environment more pleasant, you felt freer in the presence of actors you already had some kind of contact with and you were very happy to have him there to share and get to know each other more.

The two of you fall into a comfortable silence, taking in the bustling set around you. You can feel the familiar camaraderie between you, a sense of ease that only comes with working alongside someone you know and trust.

You find yourself gravitating towards Josh, drawn to his infectious energy and easy laugh. You work well together, each of you pushing the other to new heights of creativity and artistry. And so the months passed, you never imagined that Josh and you were so much alike that you two had so much in common and interesting differences to share with each other.

...

During a rehearsal of a particularly poignant scene, you and Josh found yourselves completely immersed in the emotions of Eddie and Petra Loving. The air in the room was thick with tension as the characters confronted their deepest fears and vulnerabilities.

As the scene reached its climax, your voices intertwined, and the intensity of the moment hung in the air. You could feel the weight of the emotions emanating from both of you, creating an electric charge that seemed to crackle in the space between you.

In a brief pause, Josh's eyes locked with yours. His gaze was filled with a mix of admiration and understanding, mirroring the emotions you poured into your character. Without a word, his hand slowly reached out, hesitating for a moment before gently brushing against your arm.

The simple touch sent a shiver down your spine, a tender connection that transcended the lines of the script. In that moment, you felt the unspoken language of your body language come alive. Your shoulders naturally angled towards each other, creating an intimate space where the characters and your own hearts intertwined.

The scene continued, but the unspoken connection remained, growing stronger with each passing moment. Your movements mirrored each other, synchronized as if guided by an invisible force. The chemistry between you was palpable, evident in every subtle glance, every shared breath.

After the scene concluded, the room fell into a reverent silence. You and Josh exchanged a knowing look, a silent acknowledgment of the deep connection you had just experienced. It was a moment where the lines between fiction and reality blurred, and you both knew that something profound had shifted between you.

As the rehearsal continued, the unspoken language of body language continued to weave its spell, strengthening the bond that had formed. It was a language only the two of you shared, a silent conversation that spoke volumes about the unspoken desires and growing affection that simmered beneath the surface.

Little did you both know that this dance of body language would become the foundation of a love story that would unfold beyond the confines of the set, intertwining your lives in ways you never anticipated.

During a rehearsal of a deeply emotional scene, the room filled with an atmosphere of vulnerability and raw intensity. As you, fully immersed in the role of Pietra Loving, allowed the character's pain and frustrations to consume you, tears welled up in your eyes, your voice quivering with anguish as you poured your heart out to Josh's character, Eddie.

"You just don't understand, Eddie," you cried, your voice choked with emotion. "I feel useless in this band. It's like I don't belong."

Josh, captivated by your performance, couldn't help but be drawn closer to you. He stepped towards you, his hand extending gently, as if to offer comfort. "Pietra, I know it's tough, trust me I understand this more than anyone else in this band, but you have so much talent. You bring a unique energy to every song. You belong here, more than you know."

As the scripted dialogues came to an end, the weight of the scene still hung in the air. You and Josh locked eyes, an unspoken understanding passing between you. The intensity of the moment lingered, and without thinking, you leaned in slightly, the distance between you narrowing.

In that charged moment, the room seemed to fade away, and it was just the two of you, on the precipice of a forbidden connection. Your lips were tantalizingly close, the unspoken desires hanging in the air like a delicate thread.

But before the thread could be pulled any tighter, the sound of approaching footsteps disrupted the spell. Sebastian, entered the room, oblivious to the charged atmosphere that had enveloped you and Josh.

Startled, you and Josh quickly pulled away from each other, a mix of surprise and unfulfilled longing lingering in your eyes. You exchanged a knowing look, silently acknowledging the powerful connection that had almost taken you over the edge.

Sebastian greeted you both with a cheerful smile, unaware of the near-miss encounter. "Hey, sorry to interrupt! Just wanted to grab my drumsticks. Carry on, carry on!" he exclaimed, reaching for his belongings.

You and Josh tried to compose yourselves, your hearts still racing from the near-kiss. In a hushed tone, you whispered, "We should get back to rehearsing."

Josh nodded, his voice filled with a mix of regret and longing. "Yes, let's continue."

...

Late into the night, after the long hours of recording had come to an end, you and Josh found solace in the music that intertwined your souls. The dimly lit studio provided an intimate space where your shared passion for music could flourish.

As the soft glow of the studio lights illuminated your faces, Josh picked up his acoustic guitar and began to strum a soulful melody. The sweet, melodic notes filled the air, resonating with a touch of vulnerability that mirrored your budding connection.

You watched in awe as Josh's fingers danced effortlessly across the strings, his voice carrying the weight of his emotions. The lyrics spilled from his lips, weaving tales of love, heartache, and the complexities of life. With each strum and lyric, Josh bared his soul, offering you a glimpse into the depths of his being.

The melodies enveloped you, casting a spell that left you mesmerized. You couldn't help but be drawn to the raw honesty and vulnerability in Josh's music. It was as if he had unlocked a hidden part of himself, sharing it with you in the most intimate way.

As the song reached its poignant climax, you couldn't contain your admiration any longer. "Josh, that was incredible," you whispered, your voice filled with awe. "You have such a gift for capturing emotions through your music."

A smile tugged at the corners of Josh's lips, his eyes reflecting a mix of humility and gratitude. "Thank you, sunshine. It means a lot coming from you. I've always believed that music has a way of bringing people closer, and sharing these moments with you... it's something special."

Encouraged by your shared love for music, you felt the urge to contribute to the creative exchange. "Do you mind if I join you?" you asked, your voice laced with anticipation.

Josh's eyes lit up, and he eagerly gestured for you to take a seat at the piano. "Please, I'd love that."

As your fingers gently caressed the keys, a delicate melody began to flow. The notes danced harmoniously with Josh's guitar, blending together in a seamless union. Your voices intertwined, carrying the weight of your emotions as you sang in perfect harmony.

In the intimate space of the studio, your music became a language of its own—a conversation between your souls. You effortlessly responded to each other's cues, your melodies reflecting the ebb and flow of your unspoken connection.

As the night wore on, you experimented with new sounds, allowing your creativity to flourish. Laughter and shared stories punctuated the breaks between your melodies, deepening your bond beyond the confines of the characters you portrayed.

In a moment of quiet contemplation, you turned to Josh, your eyes filled with gratitude, for all this you two were living together. "Thank you for sharing your music with me, Josh. It's a privilege to create and collaborate with someone as talented as you."

Josh's smile radiated warmth as he replied, "No, sunshine, the privilege is all mine. Your talent and passion inspire me. I couldn't have asked for a better musical partner."

As the music swirled around you, you felt a growing sense of connection and attraction. The barrier between your characters, Eddie and Pietra Loving, began to blur, and the lines of reality became intertwined with the melody of your shared emotions.

Little did you know that these late-night jams would become the soundtrack to your love story—a melody that would echo in your hearts long after the cameras stopped rolling. And in that moment, as Josh strummed his guitar, he looked at you with affection in his eyes and whispered, "You truly are my sunshine."

...

In the midst of a brief break on set, you found yourself engaged in a lighthearted conversation with Sam and Sebastian, your fellow cast members. Laughter filled the air as you exchanged playful banter, creating a camaraderie that had grown throughout the production of "Daisy Jones and the Six."

Just as you were lost in the moment, Sam and Sebastian exchanged knowing glances and shared mischievous smiles. "Hey, Y/N," Sam said, unable to contain his grin, "we've got something important to tell you."

Sebastian chimed in, adding a playful tone to his voice, "Yeah, it's about Josh. He's been talking about you nonstop, you know?"

You raised an eyebrow, a mixture of curiosity and amusement dancing in your eyes. "Oh, really? And what has he been saying?"

Sam leaned in conspiratorially, his voice barely above a whisper. "He's been going on and on about how amazing you are, how he can't imagine his life without you around."

Sebastian nodded, a mischievous twinkle in his eyes. "Yeah, he's head over heels for you, Y/N. It's time for him to make a move."

Your cheeks flushed with a mix of surprise and delight, a realization dawning upon you. The connection you had felt with Josh, the unspoken chemistry, suddenly became crystal clear. A flutter of anticipation stirred in your chest as you considered the possibility of something more.

Before you could respond, a familiar voice interrupted, causing your attention to shift. It was Josh, approaching with a gentle smile on his face. "What's all the secrecy, guys?" he asked, his eyes darting between Sam, Sebastian, and yourself.

Sebastian couldn't contain his excitement any longer and playfully nudged Josh. "It's time to spill the beans, man. We've been waiting for this moment." Chacon sits in the nearest chair and pulls Sam into the one beside him, he pretends to be eating an imaginary bag of popcorn like he's watching a movie he's been waiting on for a long time. "Come on tiger, get your girl."

Sam bursts out laughing and tries to compose himself when he sees Josh rolling his eyes, he whispers "Sorry" and pats Sebastian lightly on the chest indicating to stop.

Josh's gaze shifted towards you, his expression a mix of nervousness and anticipation. He took a deep breath, gathering his thoughts, before turning his attention back to the group. "Alright, alright," he said, his voice filled with a newfound determination. "I've got something I need to say."

As the playful banter subsided and a hush fell over the conversation, all eyes were on Josh. You felt a wave of anticipation wash over you, your heart beating a little faster.

In that intimate moment, Josh's gaze met yours, and he took a step closer, closing the distance between you. His voice was filled with sincerity and vulnerability as he spoke. "Y/N, I can't deny the way you've captured my heart. Every day, I find myself drawn to your warmth, your talent, and the way you make me feel alive."

He reached out, gently taking your hand in his, his touch sending a surge of electricity through your veins. "I know this might not be the most extraordinary setting or the grandest gesture, but it's sincere. Y/N, would you do me the honor of being my partner, both on and off the screen?"

"Woah, man," Sebastian exclaimed between fits of laughter, wiping a tear from his eye. "That was even cheesier than I thought possible!"

Sam playfully nudged Sebastian's shoulder, shaking his head with a smile. "Come on, Seb, show a little respect for love," he teased, his tone filled with warmth and amusement. "Let the man have his moment."

Sebastian tried to stifle his laughter, his face turning slightly red. "Alright, alright," he said, finally composing himself. "But seriously, Josh, that was beautifully cheesy. Well done."

Josh couldn't help but grin, his eyes twinkling with a mixture of amusement and affection. "Thanks, Seb. I guess cheesy can be good sometimes."

As the laughter subsided and the playful teasing faded into the background, a sense of joy and camaraderie filled the air. It was a testament to the bond the cast had formed, where even the lighthearted moments were cherished and celebrated.

With a nod of appreciation, Josh turned his attention back to you, his eyes reflecting the sincerity of his words. "So, Y/N, what do you say? Would you do me the honor of being my girl?"

You couldn't help but smile at the playful banter and the genuine happiness radiating from those around you. It was a reminder of the support and love that surrounded your budding romance.

Gently squeezing Josh's hand, you replied, "Absolutely, Josh. I wouldn't lose what we have for nothing."

"We'll leave you two lovebirds alone." Sam says smiling at them, and pulling Sebastian's hand to get him up.

"We will?" Sebastian asks, not understanding the statement, receiving a serious look from Clafin. "Oh, sure... We'll leave you alone." Chacon says going out with his friend.

Your eyes locked with Josh's, and an unspoken understanding passed between you. In that moment, the world around you faded away, leaving only the two of you in a realm of your own. It was as if time stood still, granting you a pause to embrace the depth of your connection.

Josh's hands gently cradled your face, his touch conveying a mixture of reverence and desire. As his lips met yours, a rush of sensations enveloped you, stirring a potent blend of emotions. The kiss was soft and tender, a testament to the longing and affection that had been building between you.

In that delicate moment, Josh's kiss spoke volumes. It revealed his adoration and his recognition of your worth, as if he saw you as someone precious who deserved to be treated with care and tenderness. Every caress of his lips against yours was infused with a deep sense of intimacy and protection.

For you, the kiss was a transcendental experience, as if all your thoughts and desires had finally come alive before your eyes. You reveled in the sensation of Josh's hair against your fingertips, cherishing the proximity and connection you shared. It wasn't about possession or control, but rather a mutual longing to explore and deepen your bond.

As your lips slowly parted, your gazes met once again, and the world slowly came back into focus. In that shared moment, you both realized the profound significance of what had just transpired. It was the beginning of an extraordinary journey, where your hearts and souls would intertwine, both on and off the screen.

With that lingering kiss, you knew that you had found something truly special, a love that would blossom and flourish, nurtured by the genuine affection and unwavering support you shared.

…

The interview room buzzes with anticipation as you and Josh take your seats. Mark Stevens, a charismatic interviewer, leans forward, captivated by your presence.

Mark can't help but be drawn to your magnetic charm, and his eyes light up with admiration as he speaks.

"Y/N, may I just say that you look absolutely stunning today. The camera doesn't do justice to your beauty," Mark says, his voice laced with flirtation.

You blush, appreciating the compliment, while Josh subtly adjusts in his seat, a silent reminder of his presence.

The interviewer leans in closer, his playful demeanor intact.

"So, Y/N, you've had quite a journey in the entertainment industry. How do you manage to stay grounded amidst all the fame and attention?" Mark asks, genuinely intrigued.

You smile, grateful for the question.

"It's definitely a challenge," you reply, "but I have an incredible support system—family, friends, and my fellow cast members, like Josh here. They keep me grounded and remind me of what truly matters."

Josh nods in agreement, his gaze filled with admiration for your humility and grace.

Sensing the flirtatious undertone of the interview, he decides to subtly shift the conversation.

"Speaking of me," Josh continues, raising an eyebrow, "the chemistry between us on screen is undeniable. How do we manage to create such convincing romantic tension?"

Your smile widens as you respond, choosing your words carefully.

"Well, it's all about trust and connection," you say. "Josh is an incredibly talented actor, and we've built a strong rapport over the years. We trust each other's instincts and push each other to deliver our best performances."

Josh listens intently, his gaze fixed on you, appreciating the depth of your connection.

Mark, ever the charmer, grins mischievously.

"Ah, trust and connection. Those are essential ingredients, aren't they?" he says, his words laced with flirtation.

You maintain your composure, responding with grace.

"Absolutely, in every aspect of our work," you reply, emphasizing the professional nature of your relationship.

Josh, sensing the flirtation becoming more pronounced, decides to gently steer the conversation back on track.

"Mark, we're incredibly fortunate to have such a supportive cast and crew," he interjects with a warm smile. "The collaborative atmosphere on set allows us to explore the dynamics between our characters in a genuine way."

Mark catches the shift in tone and refocuses his attention, still maintaining his charismatic charm.

"Fair enough, fair enough," Mark concedes playfully. "So, Y/N, tell me, what's the most memorable moment you've had on set with Josh? Any fun anecdotes you can share?"

You chuckle, delighted by the question.

"Oh, there are so many!" you exclaim. "One that stands out is when we had a spontaneous jam session during a break. Josh brought out his guitar, and we ended up singing and laughing together. It was a beautiful moment of connection and shared passion for music."

Josh's eyes light up with fondness as he remembers the magical impromptu jam session.

Mark grins, clearly entertained.

"Sounds like a memorable bonding experience indeed," he says. "Well, thank you both for your time and for sharing these insights. Daisy Jones and the Six truly captivates audiences, and your performances are a testament to that."

You and Josh exchange a grateful smile, a silent acknowledgment of your shared journey and the connection that has blossomed between you. The interview concludes on a positive note, and Josh almost involuntarily takes your hand and caresses your fingers, something was bothering him and soon you would ask what it was.

…

Josh's hand held yours gently, it was like connecting your hands with his sent an electrical wave through your body and you loved how that feeling felt just right. The restaurant chosen by the blonde next to him was quiet and cozy, the lighting made his eyes more beautiful than they already are which you never expected to be possible.

He accompanied you to a more reserved area of the place, where you sat down until someone arrived and took your order. Josh looked thoughtful and you just wanted him to speak at once what was going through his mind.

"Come on honey, are you actually here?" You ask laughing at him, he smiles at you but doesn't say anything. "So, not in the mood for talking?"

"I'm sorry sunshine, I got a little distracted." You bring your hand to his as he answers you, conveying comfort.

"What's on your mind pretty boy?" You ask quietly and he takes a deep breath.

"Did you see how that guy hit on you?" Josh says with a straight face and you manage not to smile. "It's like I wasn't even on that fucking interview."

"Oh my love, was that so brazen?" You pat Whitehouse's hand across the table. "I thought it was just me, but he was really into it."

"How dare he? I was there, by your side." He looked sullen, and you loved the way he got a little jealous. "You're mine, all mine…"

You arch your eyebrows and crack a small smile, he widens his eyes afraid he said something wrong. "But not in a possessive way, dammit, that sounded like an asshole, right? I was trying to be cute. Nevermind."

He rests his face in one of his hands, his grimace showing that he is upset about the whole situation. You get up and sit down next to him, he watches your every move with his eyes.

You hold his face in your hands and kiss him calmly, he relaxes with your contact and reciprocates the kiss with passion, and you feel that somehow for a moment the world was just yours. He holds your waist gently, you were so surreal to him, he was afraid of waking up from some kind of dream and not having his best thing by his side.

After the kiss you kiss his cheek, resting your head on your boyfriend's shoulder, he holds your hands wanting you closer.

"You're adorable, you know?" You whisper, and he can't help the way his eyes get smaller as the smile on his face causes dimples. "I don't want you to feel pressured to say anything, but, I think I love you."

As you uttered the words "I love you," time seemed to stand still for Josh. Your heartfelt confession sent a jolt through his body, igniting a flurry of sensations. His heart skipped a beat, then began to race, its rhythm echoing the thunderous excitement within him. A rush of warmth surged through his veins, suffusing him with a euphoric glow.

A fluttering danced in his stomach, delicate as the wings of butterflies taking flight. Your words stirred a mix of joy, relief, and a profound sense of belonging deep within him. He realized, in that very moment, just how profoundly he cared for you, how your presence had become an integral part of his happiness.

With a voice brimming with awe and tenderness, Josh mustered his reply, "Sunshine, I... I love you too. More than words can express. You've captured my heart in a way I never thought possible."

He reached out, his hand gently caressing your cheek, his touch tender and vulnerable. "You make me feel alive, Y/N. Being with you feels like coming home, like finding the missing piece of my soul. I am immensely grateful to have you in my life."

His words carried an unfiltered honesty, the intensity of his emotions radiating through each syllable. He couldn't help but let his gaze linger on you, taking in your beauty and the depth of your love. In that magical moment, you both knew that your connection was something truly extraordinary.

...

Hi, I hope you enjoyed it... If you wanted to ask for something my requests are open, and if you want to ask and don't have any ideas check out my prompt list :) xoxo

Want to be tagged when new stories come out? REASONSMANDY'S TAG LIST

taglist: @lantsovcolors

#djats #daisy jones and the six #djats x reader #eddie roundtree x reader #joshua whitehouse #josh whitehouse #josh whitehouse x reader #josh whitehouse x fem!reader #josh Whitehouse fanfic #josh whitehouse fic #josh Whitehouse x you #eddie roundtree x fem!reader #Eddie Roundtree #eddie roundtree x y/n #eddie roundtree #eddie x y/n #the dunne brothers #daisy jones & the six #the six #daisy jones and the six fanfic

[randomvarious]

1990s German Trance Playlist (YouTube)

Chicago had house, Detroit had techno, and with both of those world-changing dance genres managing to resonate so profoundly throughout much of Europe, you just knew that that continent was gonna then take all that inspiration from those two styles and eventually create something of their own that could stick too. And the big genre that they came up with was trance, which in its earliest days, was heavily nurtured like no other in the city of Frankfurt, Germany.

Now, although he's not strictly known as a trance musician or DJ, it's safe to say that trance music would not exist in its current form if it weren't for the legendary Sven Väth. Sven, a native of Frankfurt, co-founded Harthouse Records in the early 90s with some other folks, and that label would then prove integral to both the rise and spread of trance and hard trance. Sven was someone who had spent many a vacation in the party capital of the world, Ibiza, Spain, and he had also been to the tiny, coastal Indian state of Goa as well, where the beach parties there had DJs spinning all sorts of psychedelic tunes in order to induce their revelers into a state of trance 😵.

And Harthouse's first release was a trance record by Sven himself, along with his trusty sidekick Ralf Hildenbeutel, who seemed to have more of the technological knowhow in order to make Sven's ideas into a reality. Together, under the name of Barbarella, they released "My Name Is Barbarella," a 1992 song that sampled a line of dialogue from the French-directed Jane Fonda sci-fi flick that they had taken their own name from, and also sounded deeply inspired by Ibiza as well. As an undisputed early trance classic, the 9-plus minute version of this one is currently sitting at over 163,000 plays across a bunch of different uploads on YouTube, and it's the song that kicks off this little ten-song playlist here.

And right after "My Name Is Barbarella" then came another Harthouse classic: "Spectrum," by Metal Master, which was a duo that Sven Väth was also a part of, along with one of Harthouse's other co-founders, Matthias Hoffmann. The record that this song comes from, Vol. 1, is the one that started to establish Harthouse's harder edge towards trance, as its first Barbarella release was actually a much softer affair. True to the name that they'd given themselves, Sven and Matthias seem to have incorporated some metal guitar into this one, in the form of long, atmospheric, and distorted chords, which when combined with string synths, really manage to cinch the whole song together, making for quite an astounding piece of dance music 🤩. Currently nearing 112,000 plays with its multiple uploads on YouTube.

But while those two tracks are wholly important in the history of trance music, I also bring them up here because Sven Väth's other halves from both of those duos happen to have trance tunes of their own that are excellent too. Ralf Hildenbeutel had a song that's really hard to believe was made all the way back in 1993—because it sounds so much more modern!—called "Hypnoticharmony (Part II)," which he released as Progressive Attack. As its title suggests, this one is indeed hypnotic, as well as deep, and more than any tune in this playlist that precedes it, also feels like a blueprint for what trance would soon become. And across multiple YouTube uploads, it currently has under 18,000 plays.

And Matthias Hoffmann's contribution is simply one of the most breathtaking pieces of trance that I've ever heard in my life. Back in 1994, he released a song as Brainchild called "Symmetry (C-Mix)," which was put out on another label that he and Sven Väth had also helped co-found called Eye Q Records, which was closely associated with Harthouse itself. Then in '99, "Symmetry C" was re-released on Multiply Records, a subsidiary of UK label Telstar, and on it came a whole bunch of remixes, including a "Breakbeat Remix" that was done by the UK's Lange. And this is a tune that currently brings the whole playlist full circle too, as it serves as the final song while also taking us back to trance's origin point of Frankfurt. Currently sitting at over 341,000 YouTube plays across many different uploads.

Now, we're almost done here, but I'd be remiss if I didn't, at the very least, make mention of a few more tracks on this thing, all of which come courtesy of Hardfloor, a duo from Cologne, who, although they'd become more known for their techno prowess, applied their mastery of the Roland TB-303 bass synthesizer (the machine that yields electronic music's famed acid squelch) to some trance tracks, including "Trancescript" and "Into the Nature," both of which appear on their acclaimed 1993 debut album, TB Resuscitation. "Trancescript" is currently at under 85,000 plays and "Into the Nature" has over 130,000. And I also included an excellent remix that they did of Chicago native Robert Armani's "Circus Bells" as well, which currently has over 146,000 plays.

This playlist is ordered as chronologically as possible.

Barbarella - "My Name Is Barbarella" Metal Master - "Spectrum" Hardfloor - "Trancescript" Hardfloor - "Into the Nature" Robert Armani - "Circus Bells (Remixed by Hardfloor)" Marco Zaffarano - "For My Love" Progressive Attack - "Hypnoticharmony (Part II)" Paul van Dyk - "Words (PvD's Words for Love Mix)" Pitchrider - "I Know" Brainchild - "Symmetry C (Lange Breakbeat remix)"

And this playlist is also on YouTube Music too.

So with this opening shot, we start with ten songs that clock in at a total of 75 minutes; a bunch of classic, historic tunes along with some that have lower play counts too.

And next week will not be nearly as much of a cohesive history lesson, but I'm planning on revisiting these German 90s with a slate of favorite techno bangers 👀.

Enjoy!

More to come, eventually. Stay tuned!

Like what you hear? Follow me on Spotify and YouTube for more cool playlists and uploads!

#trance #dance #dance music #electronic #electronic music #music #90s #90s music #90's #90's music #youtube #youtube playlist #youtube playlists #youtube music #youtube music playlist #youtube music playlists

[burlveneer-music]

Molly Lewis - On the Lips - don't know if I'm ready for a full-on lounge/exotica (re)revival, but it's the perfect milieu for a whistler

Consider this your invitation to Café Molly, a lounge bar like they don’t make them anymore. The lights are low, the martinis are ice cold, the banquettes are velvet, and the stage is set for the electrifying talent of whistler Molly Lewis. Molly’s soft-focus cocktail music conjures up visions of classic Hollywood jazz clubs, Italian cinema soundtracks and lingering embraces between lovers. After the exotica stylings of The Forgotten Edge EP and the tropicalia-indebted Mirage EP, Molly wanted to encapsulate the sound of Café Molly for her debut album On The Lips, a dreamy tribute to classic mood music. That spellbinding sound, which usually comes to life in Los Angeles, has also popped up in Mexico City dancehalls, graced the runways of Paris and London Fashion Weeks, and made a magical appearance at a children's fairyland. Molly Lewis’s love for this smoky corner of the world doesn’t end with her songwriting. She is a devotee and an archivist, capturing and enlivening the pieces that endure. She was a regular at the legendary shows by Marty and Elayne, the lounge duo who spent almost 40 years playing LA’s Dresden bar. The duo came to global fame after an appearance in 1996’s Swingers and kept going long after that spotlight faded, finally finishing their nightly residency after the death of Marty at the ripe age of 89 last year. “That felt like the end of an era,” says Molly. But there are still flashes of that world to be found, and she finds them. “I’ve been spending a lot of time in New York lately, where there are a lot more of those moody, classic jazz bars,” she explains. Over the past few years Molly has flexed her one-of-a-kind musical skill alongside Mark Ronson on the Barbie soundtrack, as well as with Dr Dre, Karen O, actor John C Reilly, Mac De Marco, fashion houses Chanel, Gucci and Hermes, and folk rock royalty Jackson Browne. After a performance with longtime friend Weyes Blood on Burt Bacharach’s The Look of Love during a Café Molly evening at LA’s Zebulon, Molly supported the singer on a US tour, introducing her sound to a brand new audience. “I forget sometimes that what I do has that factor of surprise and uniqueness – it is something that most people have never seen before,” says Molly. She too might never have entered the idiosyncratic world of whistling had she not as a teenager seen the 2005 documentary Pucker Up, which details the International Whistling Competition. Equally amused and bemused by the eccentric event, in 2012 she competed herself. Spending her early twenties in Berlin she then moved to LA to work in film – and returned to the contest in 2015 to take home first prize. One evening Molly did a turn at an open mic at the Kibitz Room, a tiny late-night bar inside historic LA deli Canter’s. Her display led to appearances at performance art happenings across the city, and she soon caught the ear of independent record label Jagjaguwar. On The Lips was recorded with producer Thomas Brenneck of the Menahan Street Band, Budos Band, Dap-Kings and El Michels Affair, at his newly-built Diamond West Studios in Pasadena. The pair bonded over the work of 1960s soundtrack composers Alessandro Alessandroni and Piero Piccioni, and, with something of an open door policy during the sessions, a stream of acclaimed musicians ended up across the album’s 10 tracks. With her intoxicating compositions, and wry brand of stagecraft (she might not be singing up there, but she can sure tell a joke) Molly Lewis looks set to join her heroes in the storied lore of the Los Angeles lounge scene and beyond. So pull up a chair, order your favorite drink, and prepare to fall for On The Lips.  PERFORMER LINE-UP: On The Lips Molly Lewis - Whistle, guitar, vocals Joe Harrison - Flute, bass Eric Hagstrom - Drums, clave Thomas Brenneck - Organ Written by: Molly Lewis

#Molly Lewis #puccolo #whistling #lounge #exotica #mood music #2024 #Jagjaguwar #Bandcamp

[lovejustforaday]

Shoegaze Classics - Doppelgänger

Doppelgänger - Curve (1992)

Main Genres - Shoegaze, Alternative Dance

A decent sampling of: Industrial Rock, Ethereal Wave, Dream Pop, Neo-Psychedelia

The common story of the origins of the term "shoegaze" itself is often told in a way that would suggest the term's meaning is twofold.

The more literal meaning comes from the heavy usage of multiple guitar pedals for bands to achieve their signature swirling, washy, dense guitar sounds, the guitarists spending more time at live shows staring down at their feet as they prepared to adjust their pedal board.

But it is also often implied that the idea of these bands coming to be known as "shoegazers" is for the generally introverted, shy, wall-flower disposition of the performers. I suppose it doesn't help that long bangs that hide the face, and baggy clothes were common fashion choices for the scene at the time. Of course, your mileage with this stereotype will vary depending on the band.

Next on my shoegaze classics retrospective, I wanted to take a look at a band that defies the wall-flower stereotype of the shoegazers, by taking the genre's signature heavy guitar reverb and turning it into the most bewitching, trancey, and euphoric 90s dance music. Today, we will be discussing Curve.

The Band

Curve emerged onto the London alternative scene in 1990 as a creative duo, comprised of the mysterious, semi-goth and generally badass vocalist and guitarist Toni Halliday, and the guitarist, bassist, drummer and programmer Dean Garcia, a signature lover of wearing sunglasses even at night.

It's easy to say that Toni Halliday had a considerably more memorable stage presence than almost any other frontman, woman, or person in the shoegazing scene. Her performances were animated, but in a very transfixed sort of way, her eyes casting a piercing gaze, with a dark and commanding, but nonetheless ethereal contralto voice coming out of what seems like a rather small woman.

Aesthetically, Curve were kind of in a separate category from most other shoegaze bands. They seemed to have more of a sleek, futuristic, and dare I say sexy image as a band. This was also reflected in their sound, which was decidedly much more intertwined with uptempo 90s dance music and industrial rock, their performances more frenetic and adrenergic.

Unfortunately, Curve is a band whose legacy has been obscured by tired comparisons (and the surrounding discourse) to garbage. *cough* that is, as in the band Garbage. So much so, that I feel compelled to take a minute of my own review to chime in with my own two cents on this ridiculously clichéd fan dispute. For those not in the know, Garbage were a frankly much more commercially successful and mainstream alternative rock outfit from the 90s, started by legendary Nevermind and Siamese Dream producer Butch Vig and a couple of his buddies, plus the 90s most iconically sullen yet outspoken Shirley Manson. The band already started out with connections to some of the biggest 90s alternative bands, most notably Smashing Pumpkins and The Foo Fighters.

Garbage has often been accused of ripping off Curve's sound and style, and at the very least, there are some undeniable similarities. Both bands took a maximalist approach to their sound, making layered, dancey alternative rock that incorporated many of the emerging subgenres of the time, and both with a moody "sad chick" contralto vocalist.

I'll be transparent: Garbage was (along with Smashing Pumpkins and The Cranberries), the band that really got me into 90s alternative rock. There was a time in high school when I was much less versed, and considered them to be one of, if not my #1 favourite band. Like many of my generation, I first learned about Curve THROUGH these comparisons.

And so I imagine it's hard for OG Curve fans not to look at Garbage's success, notice how a decent part of that success was tied to Butch Vig's industry connections, and not become very resentful towards Garbage and the band's many fans.

But let's also be fair: neither Curve nor Garbage were the first band to have a glum, sardonic female vocalist (Lydia Lunch and Kim Gordon come to mind almost immediately). Neither band invented the alternative dance subgenre. And to their credit, Garbage has acknowledged the comparisons to Curve over the years while only having nice things to say about the smaller band. Lesser people with bigger egos from that time (*cough* Billy Corgan *cough* Courtney Love) probably would've taken the opportunity to shit on the band.

Moreover, as their inclusion in this list would suggest, Curve were and are a shoegaze band first, which is a pretty clear distinction. Garbage's sound was never really shoegaze at all; at best, there's a lot of noise pop on the first Garbage record. But Garbage's brand of alternative rock is a lot more poppy, and sometimes trip hoppy (which was hugely successful in the 90s). Likewise, Curve's sound was almost certainly never going to go as mainstream as Garbage. And that's okay, because most great music doesn't go mainstream.

But honestly, even having to acknowledge all of this is kinda lame. It's beating a dead horse that's already been dead for at least 20 years, and Curve's legacy as a band should not be "the band that was Garbage before Garbage".

Instead, Curve should be understood as shoegaze pioneers, being one of the first shoegaze bands to experiment with fusing electronica elements, and playing around with more studio-based guitar sound layering. They are the studio nerds of the original scene, and they deserve to be celebrated for their gorgeously crafted, methodical 90s hybrid sound. Shoegaze walls of sound had never felt this pristine.

The Record

Doppelgänger is Curve's debut record, released after a string of EPs and subsequent compilation LP, as per usual for 90s first wave British bands. It is by all means a very stylish sounding record, co-produced with the famed alternative producer Flood, who's impressive resume of collaborative work spans from electronic bands like New Order and Depeche Mode to abrasive alternative rock like P.J. Harvey and The Jesus And Mary Chain.

As I've hinted at already, this is one of the most 'produced' albums of the first wave of shoegaze records. Far from being a negative, I really enjoy this approach. There is a lot of layering of different tracks happening in the mix, and the whole project comes together as this really punchy, roaring, and technicolor shoegaze that feels very urban and dancefloor ready for your local goth club.

The album's second single "Horror Head" is, put simply, one of the many masterpieces of the first wave of shoegaze. Among the trippiest and most surreal songs of its era, with dazzling, iridescent guitar feedback, sparkling drum machine sounds bouncing off of thin metallic sheets, and sonic colours of violet and indigo. Toni's haunting refrain of "heys" guide the listener to an enchanted nowhere like little forest fairies, while her deliciously dark lead vocals peek through all the many layers with the sense of a delirious protagonist in the songs' swirling universe. Like having the most unusually pleasant sensory overload headache.

As the second track on the record, this is frankly an incredibly hard act to follow, and I'd be lying if I didn't say that some other tracks feel like an attempt to recapture the godlike production of "Horror Head".

Oh, and for some odd reason, the version of the track that I downloaded off of Bandcamp is compressed and a little bass-heavy, versus the version on most other platforms. It would be a bit unfortunate if it is indeed an album/single discrepancy, since the mastering of the version up on YouTube is definitely superior. Regardless, I will judging this based off of the superior version, because its my blog and I can do what I want. Plus, in the age of mp3 files you can just go in and switch it out anyway.

Another standout moment is "Lillies Dying", the most rhythmic song on the record, with a groovy semi-baggy bassline, a descending, melting vocal lead, and a grainy sandstorm of guitar soundscapes. Music for a rave in a barren wasteland, makes me feel like spinning in circles.

I also really like the other single "Faît Accompli", less of a shoegaze track and more of a jagged, darkly erotic industrial rock dancefloor banger. Feels very intended for accompanying a light bondage session in a dimly lit BDSM dungeon.

The record eschews the dance beats for closer "Sandpit", a more atmospheric and introspective song featuring a more traditional combination of dream pop and shoegaze. The track is a nice palette cleanser, bringing a night of Dionysian wonders and relentless dancefloor madness to a definitive close with soft headphone sounds to acompany the bleary transit ride home.

What Came After That?

Curve had a longer original run than most first wave shoegaze bands, releasing 5 LPs from Doppelganger up to their last record in 2002 titled The New Adventures of Curve. I have not heard any of these records in full, but it seems like the band largely continued to do their thing, sometimes veering more into industrial rock territory.

Since then, the band has remained largely inactive save for a few archival releases. Curve are not among the many bands like Slowdive and Ride whom have gotten back together to record and release new records in the 2010s and 2020s.

Toni Halliday started a solo project in 2008 called Chatelaine which has also been mostly inactive, meanwhile Dean Garcia has been in and contributed to about a dozen bands since Curve finished.

But then not every band should have to keep putting out records indefinitely. Curve has a respectable discography, and I've heard bits and pieces from Cuckoo and the more overtly electronic Come Clean that assure me I would thoroughly enjoy those albums as well.

As it stands, Doppelgänger is inadvertently probably one of the most prescient shoegaze records of the 90s, even if it isn't nearly as acclaimed as any of the big three. There were several bands that blended with electronic dance music during the 2000s Nu-Gaze revival that owe a bit of influence to Curve whether they know it or not.

I also feel like this record broke ground for a lot of late 90s records in the alternative scene that were getting darker and dancier, like Smashing Pumpkins' Adore and Tori Amos' From The Choirgirl Hotel.

So here's to Curve, the too often unsung pioneers and studio witchcraft makers of the 90s first wave of shoegaze.

8/10

Highlights: "Horror Head", "Lillies Dying", "Faît Accompli", "Sandpit"

#Curve #Alternative Dance #Shoegaze #Album Review #Music Review #List #Toni Halliday #Dean Garcia #90s #1992 #Shoegaze Classics #indie rock #alternative rock

[oblexoidbriar]

Metal Madness AU Lore dump

it’s just essentially a bunch of what-ifs smooshed together (i’m just describing what an AU is haha) coupled with a bad ending premise.

For those that don’t want spoilers- long story short, Bunk Bed Junction became the big bad after some events and now they rule the city (or what remains of the city) and they’re all edgy and stuff.

I hc that all genres of music can become “corrupted” or used for evil, EDM or Rock or any musician can be corrupted regardless.

In my headcanoned NSR, magic/power can be harnessed in two ways- Natural abilities (the stuff that people just kinda have from birth) and magic harnessed through creative passion (music, art, all the stuff with creativity involved). For music, you need three components: Passion, Fan Power, and well, how well the music is. The better the music, the more powerful it is. Genre is somewhat of a factor as well (mainly minor tweaks like “oh well rock is more on attack than for example, lo-fi which is defensive and support”).

But a musician can be corrupted when they harness Hatred, and Fear. Twisting their abilities to hurt others around them and even themselves unintentionally at points. While it does make their music more powerful by a lot, it comes at very very high prices. It changes them as a person. Absolute power corrupts absolutely, after all.  

Though now I think Madness wouldn’t be a good term for what May and Zuke are experiencing, more of a corruption- but Metal Corruption wouldn’t sound as good as Metal Madness. So in this AU, Madness = Corruption. Not Insanity or any pretty awful “ooh i’m goin insane n evil” tropes like that as this corruption is more of an entity possessing them and the duo succumbing and listening to this entity as their personalities and beliefs are being affected supernaturally. There are auditory and visual hallucinations induced by this entity to further coerce them into making bad decisions and further losing themselves.

By the way, please let me know if I’m writing anything not very good from a different standpoint/perspective, I want to write a story that involves corruption and making bad decisions as this is a bad ending, but I want to avoid things such as the Insanity trope or villainizing people who experience such things like hallucinations! I'm open to taking suggestions for a new name and for how better to write this AU while keeping all the important plot points and some of the vibe. I'm researching things as best I can so it can be enjoyed by everyone. Of course I know I can't please everyone, but constructive criticism will still help me out in the long run!

Now for the premise/lore that is full of SPOILERS!

After Tatiana was defeated, Mayday learned the truth: That the person making the shots against all the indie artists in Vinyl City is actually her idol- Kul Fyra. But instead of a funny gag we get in game, Mayday is overcome with rage and attacks Tatiana, forcing her to flee- with the legendary guitar. (that'll be a special thing we'll talk about later)

So Kliff and Tatiana don't get to have their little spat in front of May and Zuke, which means May and Zuke don't realize that Kliff has just been using them this entire time. They take their rightful place as Queen and King of Vinyl City.

They're..not very good at the whole running a city thing just yet, but they're at least trying at this point in time. The stress is kind of getting to them so they're relying on Kliff more to ease the load which means they're a lot more dependent on him.

But, of course, as Tatiana predicted, EDM supporters, plus NSR Charters did fight back to claim back the city. And when Tatiana mentioned that Bunk Bed Junction wouldn't stand a chance when they're at a level playing field, oh boy does she mean it. Imagine having to juggle all the charters in one fight.

Kliff, in what he'd call a "moment of genius", recommended B2J to..switch up the genre. With Metal, which would be easy to transition to considering B2J's genre of Rock, and it gives them a significant power boost.

It all went fine at first, the music just giving them an advantage, and they beat the charters one by one like before. But..when it came to Tatiana, Mayday was immediately getting corrupted due to her hatred and feelings of betrayal. Tatiana was defeated, again, but was injured greatly.

The win certainly changed Vinyl City, and Bunk Bed Junction..as now, Mayday had other plans. She was gonna allow EDM to keep on thriving, but..she decided, if they're just gonna make another uprising, why not give them a taste of their own medicine? She banned EDM entirely.

While ruling the city from there on afterwards, the duo began to slowly get corrupted, even kicking out Kliff from Vinyl City after an argument over power distribution. They ruled the city however they pleased, and their sense of justice twisted. They still had good intentions, and believed they were "helping" the city but did more bad than good.

And that's where the story leaves off~ Current day of the duo still ruling, but who knows? Things might change.

#lore dump #big text wall #metal madness au #hoping to reveal more of the story in an ask blog or a comic #no straight roads #nsr #nsr au #i really hope i'm not getting too paranoid over the story #idk if some tropes are fine and if some are not

[ye-xiu]

do you have a must listen for tvxq songs? thank u!!

i do !! i am gonna go with mostly tvxq duo songs but if you want to know some recs pre-split lmk (or just check some of the most popular songs on their artist pages on streaming services)

the chance of love: their last album release in korea (it's been years rip) but it's literally the best song ever. like absolute smash hit banger kings of adult pop and suit concepts

keep your head down: their comeback song after the split. bad bitches uniting, they had one chance to not be kicked to the curb by sm too and they took it. reinvented music as we know it.

humanoids: actually the best repackage of any kpop album ever and this song blueprinted anything you see 4th gen boy groups do nowadays. fathers and kings of noise music of edm !!!!

viva: legendary iconic incredible killer most amazing b-side from the humanoids album. she has legend status in the fandom for good reason!

light my moon LIKE THIS: yunho and changmin made two separate solo songs for their jpn releases and then those songs got combined to one tohoshinki song and it's the gayest things they've done in years. happy pride month

before u go: rnb excellence from the vocal kings. the second half of this song is just both of them going off the hinges with their voices, which is perfect. people always mention changmin's vocals (rightfully! the king of kings) but yunho is always matching him on these songs bc he is that good.

jealous: my favourite tvxq / tohoshinki song from my favourite album XV. this song has everything. strong guitars, vocal harmonies that go crazy where yunho gets the lead harmony, asinine horny lovesick lyrics ... a toho classic!

the reflex: b-side from their tohoshinki summer release last year and another song of the century. whoever @ avex chose for them to sing about pining after your long lost now married ex-flame ... i owe you millions for the spectacle

spellbound: another legendary song in the fandom .... for many their best album title track / best era overall. it's definitely up in the top 5 minimum bc their music is so damn good. spellbound i love u no one can be u and that is ur power

disvelocity: a hidden gem !!!! the legend the most iconic. my personal favourite tvxq b-side it goes so crazy. it is legit just so good and one of my fave songs ever

hope this little list helps you check them out heheeee <3333

#ask #anonymous

[insertmesoftly]

Me: Haha Im gonna finish the new chapter in time :D

Stranger Things Vol. 2: No

Me, also: Hehe that one off goth character of mine is just for humor and wild shenanigans. They protect Eddie like a guard dog.

Stranger Things Vol. 2: Protect him, eh? How well?

:'D

More thoughts under the cut, including my thoughts on Eddie's death and more on the Goth Oc saving Eddie's ass. (They're still unnamed lmao)

Anyways, I knew it. I knew they wouldn't keep Eddie, they didn't give him enough screentime, enough to flesh him out with the group like they did Robin, I KNEW IT, I KNEW IT BUT WHAT STILL CAUGHT ME OFF GUARD WAS HOW FUCKING DUMB THEY KILLED HIM.

I honestly expected his playing his guitar to be the way he goes out. Like, playing until he died, fighting off Vecna's hold on someone, maybe doing it for Chrissy in an attempt to get the souls he claimed back. I WANTED HIM TO GO DOWN IN A COOL, LEGENDARY WAY, DOING WHAT HE LOVED. BUT NOOOO, STUPID FUCKING BATS AND STUPIDLY DECIDING TO FIGHT THEM WHEN REALISTICALLY, RUNNING WOULD BUY WAY MORE TIME! YOU'RE NOT A GOOD FIGHTER, EDDIE, IM SORRY! YOU COULD HAVE RUN OUT THE CLOCK!!!! AUGH!!!!!

But uh, more on the Oc saving Eddie, my thoughts are just. They're faster than Dustin at figuring out what Eddie's doing and they are not having it. They don't even consult Dustin, they just take the chair and jump. Dustin tries following after and mayhaps gets the injury, but either way, Oc isn't sticking around, they booked it. (sorry Dustin, you're still my fave.)

They find Eddie just as he's trying to heroically fight and drag him along to keep running. But, because angst, Eddie trips anyways and with the distance between them and the Demo-Bats being so close, he orders them to just leave. They don't.

They end up fighting together for just a bit, but come on, the bats are still too much. Eddie gets caught first, swooped to the ground, but before the bats can fully pin him, Oc is on them, beating them from his limbs and pretty much cocooning him with their body on top of him. Eddie keeps trying to push them away as bats attack them both from all angles but they refuse to.

Eddie was their best friend. The only one to give them a place to be themself, the one that encouraged their creativity and never shunned their sporadic behavior, the leader they looked up to, their best friend. They remind him about the first day they met through screams as Demo-Bats tear their flesh. He's their captain. They'd give anything for him.

They both get a few chunks taken out, especially Eddie's legs which were left unprotected in the cocoon lol, but the time they bought by running more, fighting longer together, and both taking damage, their wounds aren't as fatal. Still bad, but not die-worthy.

They live. And now Oc gets to have new scars they can parade around while Eddie gets to see his dad again and the duo still lives in hiding.

Badum Tiss, this has been another insertmesoftly self indulgent comic and idea, I'm sorry, I'll get back to work on RTKYH now, I'm so sorry 😭 I cannot control the hyperfixation god fucking damn it.

#stranger things #stranger things season 4 #stranger things eddie #eddie munson #eddie munson x gender neutral reader #eddie munson x little!reader #eddie munson x reader #eddie munson x oc #stranger things oc #eddie munson lives #st eddie #st eddie munson #st s4 vol 2 #st s4

[izzystradlindoesitforme]

Slizzy Appreciation Day

Part III

'... What Izzy played was the simple heart of the songs, no matter who wrote them; if everything else was taken off one of our songs, you'd hear the grace of Izzy's simple scratch rhythms.'

Slizzy

Appreciation Day Post

Part III

That old man - he's a real mother fucker - gonna kick 'em on down the line.

I love these guys.

#they torture me when they're together #legendary guitar duo #izzy stradlin #slash #they torture me with their music #they torture me with their guitars #I love these bastards #guns n' roses #slizzy #gnr #guns n roses #slash gnr #izzy gnr #my gypsy troubadour #izzy stradlin was put on this earth to torture me

[influencermagazineuk]

Musical Masterpieces: Songs with the Most Awards in History

In the vast and diverse landscape of music, certain timeless songs have transcended genres and eras, earning accolades that reflect their profound impact on the industry. These musical masterpieces stand out not only for their artistic brilliance but also for the numerous awards they have garnered throughout history. Here's a closer look at some of the songs that hold the record for the most awards, making them iconic symbols of musical excellence: 1. "Thriller" by Michael Jackson:Michael Jackson's "Thriller" is a legendary composition that has amassed an impressive collection of awards, including multiple Grammys. The song's groundbreaking music video, choreography, and cultural impact contribute to its status as one of the most awarded songs in history. 2. "Someone Like You" by Adele:Adele's soulful ballad "Someone Like You" resonated with audiences worldwide, earning her numerous awards, including Grammys and Brit Awards. The song's emotional depth and Adele's powerful vocals have solidified its place as one of the most celebrated songs of its time. 3. "I Will Always Love You" by Whitney Houston:Whitney Houston's rendition of "I Will Always Love You" from the movie "The Bodyguard" remains an iconic ballad that garnered multiple awards, including Grammys. Houston's breathtaking vocals and the song's emotional intensity make it a timeless classic. 4. "Rolling in the Deep" by Adele:Adele's powerful voice strikes again with "Rolling in the Deep," a song that earned her numerous accolades, including Grammy Awards. The song's anthemic quality and emotional resonance established Adele as a dominant force in contemporary music. 5. "Hotel California" by Eagles:The Eagles' "Hotel California" is a rock anthem that has stood the test of time, earning the band various awards and accolades. The song's intricate guitar work, captivating storytelling, and enduring popularity contribute to its recognition as one of the most awarded rock songs. 6. "Formation" by Beyoncé:Beyoncé's "Formation" is a groundbreaking song that addresses themes of race, identity, and empowerment. The song and its accompanying visual album earned Beyoncé numerous awards, including MTV Video Music Awards and Grammys. 7. "Smooth" by Santana featuring Rob Thomas:The collaboration between Santana and Rob Thomas resulted in the chart-topping hit "Smooth." This fusion of rock and Latin influences earned the duo multiple awards, including Grammys. The infectious melody and guitar riffs make it a standout in music history. 8. "Hello" by Adele:Adele's soul-stirring ballad "Hello" made a massive impact, earning her additional awards and accolades. The song's poignant lyrics and Adele's emotive delivery contributed to its success on a global scale. 9. "Billie Jean" by Michael Jackson:Another masterpiece from the King of Pop, "Billie Jean" showcases Michael Jackson's unparalleled talent. The song's innovative production, memorable bassline, and Jackson's electrifying performance earned it numerous awards, including Grammys. 10. "Shape of You" by Ed Sheeran:Ed Sheeran's "Shape of You" became a global phenomenon, dominating charts and earning the artist multiple awards. The song's catchy melody, clever lyrics, and Sheeran's distinctive style contributed to its widespread acclaim. These songs represent the pinnacle of musical achievement, having not only captured the hearts of millions but also earned critical acclaim and industry recognition. Each composition stands as a testament to the enduring power of music to transcend boundaries and leave an indelible mark on the world. Read the full article

[bristolvinylguy]

Bristol Local Legends

3rd Band: The Malefic Grip

Members:

-Helen: Guitarist / Backing Vocals

-Liam: Bassist / Lead Vocals

Former Members:

-Evan: Guitarist, Played on EP

-Tim: Drummer, Played on EP

Sludge Metal, Doom Metal, Stoner Rock

Based in Bristol, the band have been going on since the late 2010s and as a duo, show no signs of slowing down, bringing together heavy riffs alongside a big fuck you to our glorious leaders. I saw The Malefic Grip live for the first time at New Year NOISEFEST at The Exchange back on the 15th January 2023. They were early on in the bill and playing in the legendary basement that was completely packed. I was right at the back of the room when their set started and I swear that the drummer was just going off and playing these crazy noisy fills which really struck a chord with me. However as I moved closer to front I discovered that there wasn’t a drummer at all and in-fact the band were just standing there playing in a menacing fashion while a drum machine was playing these crazy rhythms, I was stunned by this! This was exactly what I wanted from this kind of festival and I thought that it was some kind of Black Metal without the corpse paint as Liam and Helen were screaming their heads off. Later on in the day after all of the acts had finished, I saw Liam at the bar and spoke to him, telling him how captured I was by their set. I remember him being very kind and thankful that I enjoyed it and also mentioning that he was inspired by the legendary Stoner Rock band Fu Manchu who I Iove and I went home thinking god, I need to seen them perform again and it wasn’t that long till I did.

Discography

The Malefic Grip have an EP, an album and a few singles under their belt

EP:

-Sludge, Fury and Executioner, 16th June 2018, 3 Tracks

Three distinctively different heavy tracks which display a multitude of ideas in which The Malefic Grip could explore. Bringing together elements of Sludge, Doom and Stoner and putting them into a giant cauldron to see what would come out of it. Great performances across the board here and the production does a good job at displaying them from the lonely guitar in Giles Corey to the groovy bass break near the end of Julius Sleazer.

Favourite Song, Unnatural Selection:

Upon listening to this EP for the first time I almost instantly recognised this song as I had seen it played live by the band many times before. I can see why this song has very much become a staple of their live sets as Liam’s vocals grab your attention from how aggressive the delivery is. This song presents danger in its tone as I imagine it to be a savage beast crawling across the floor, hunting for its next victim. This song also displays how good the drumming is on this EP in its sporadic pounding, it fits the vibe of the song perfectly and feels very anxious about what’s going to happen, like the person trying to hide away from the savage beast.

Album:

-Yesterday’s Problems, Today! 30th April 2021, 7 Tracks

The Malefic Grip returns at a 2-piece band with a little help from their friends, producing a record which is in equal parts hell in its instrumentation and heaven in its vocal refrains which are incredibly memorable. The track listing here is very consistent and works well to establish a mood of dread with great placements of fast as well as slow songs. One of my favourite moments on this album is the song A Neglectful Throne which sounds exactly like its title. It has ones of those vocal refrains on it that I had mentioned earlier on, maybe the best on this album, “Bow and scrape, Crawl and Kneel, Cower and pray, Nothing but a statistic”. Also the drum machine is involved on this record and plays a big role in it but I think that aspect and all of these songs have so much more of impact live that is how I think that this band is best experienced.

Favourite Song, Worms:

The most unique song on the record, it feels like wading through a foggy swamp at the dead of night. It has a very hypnotic feel and satisfying heavy changes which happen seemingly out of nowhere with Liam’s throat singing being the bow on top of this present, tying everything together. Overall this song has a very satisfying feel to it.

Favourite Gig - CBOD presents Warrior Pope + The Malefic Grip + Woodland Creatures, Thursday 27th April 2023:

Maybe the 3rd time I seen The Malefic Grip live, regardless again the room was packed and it was a fantastic night!! This venue is perfect for the band and their sound, they had the crowd in the palm of their hands with songs that are both heavy and hypnotic in their tone. It felt like the band were slowly stepping towards me as the music gradually gains in volume, it was incredibly intense.

Overall, I love this band and they’ve got a great foundation to build upon with incredible potential. They have a lot of special moments in their sound and I hope that more people here them as they put everything into their art.

The following footage from their set at The Louisiana on 30th July 2023. Here they were on the bill with Trench Mouth and Woodland Creatures (celebrating the release of their EP Ancient Whispers).

#bristol music #bristol #stoner rock #doom metal #sludge #heavy metal #profile #biography

[mywifeleftme]

139: Richard & Linda Thompson // Shoot Out the Lights

Shoot Out the Lights Richard & Linda Thompson 1982, Hannibal

Richard Thompson has a reputation as a songwriter’s songwriter despite not having much flair as a lyricist, and he’s the sort of guitarist’s guitarist whose solos don’t necessarily jump out at listeners raised on raunchy blues licks and widdly neoclassical runs. Like his vastly wealthier guitar god contemporary Eric Clapton, he has a thin, nasal voice that is only occasionally roused to genuine passion, and many of his finest moments have been as a versatile sideman non pareil on his friends’ records. (There are differences though: for example, Thompson is a practicing Sufi Muslim, while Clapton believes Muslims should be driven into the English Channel.) Despite the relative subtlety of his gifts, and because of it, Thompson is one of the finest musicians to emerge from the English folk revival, and I’ll join the consensus that Shoot Out the Lights is his masterpiece.

The last of his excellent series of albums with first wife Linda Thompson, Shoot Out the Lights was recorded during a period of intense stress. By the late ‘70s, the couple had lost their record deal following a series of commercial failures and an interlude living on a Sufi commune. Admirer Gerry Rafferty fronted (and lost) a significant amount of his own money recording the Thompsons, but his sensibilities clashed with Richard’s and he was unable to interest any labels in the results. Eventually the legendary folk producer Joe Boyd, who’d helped give Richard and his band Fairport Convention their start in the late ‘60s, bailed the duo out and signed them to his own label. For financial reasons, the Thompsons’ second stab at recording these songs had to be banged out in a few days. Recording quickly suited Richard’s predilections, but matters were complicated by the fact that the very pregnant Linda, expecting their third child, was experiencing breathing difficulties that limited her singing, forcing Richard to take on a greater than usual share of the lead vocal duties. (It’s worth comparing Linda’s original lead vocal on “Don’t Renege on Our Love” from the Rafferty sessions to Richard’s from the final LP.)

By the end of the subsequent (reportedly hellish) American tour for Shoot Out the Lights, the Thompsons’ marriage was over. Given the circumstances, it’s hard to read a record with titles like “Don’t Renege on Our Live,” “Man in Need,” and “Did She Jump or Was She Pushed?” as anything other than a loose concept album about a decaying relationship. Although many of these songs predated the worst of their infighting, the album is undoubtedly a more affecting listen with this narrative in mind, and it does seem to capture the wild range of conflicting emotions when love goes bad: the desire to offer your partner some promise of comfort (“Just the Motion”), juxtaposed with the spiteful urge to make them feel terrible (“Back Street Slide”); morbid fascination at how bad things have gotten (“Did She Jump or Was She Pushed?”) versus fatalistic abandon (“Wall of Death”).

Reviews of Shoot Out the Lights have a tendency to paint it as a gloomy listen, but if anything the stress manifests itself musically as a nervy energy that charges the performances. Boyd surrounded the Thompsons with Richard’s old Fairport running mates David Mattacks, Simon Nicol, and Dave Pegg, and even the Watersons on backing vocals. The ease of playing with musicians they knew so well helps the Thompsons return to the form that made their early work together like I Want to See the Bright Lights Tonight and Pour Down Like Silver such vital listens. The call and response vocals and reflective jangle of “Wall of Death” make it feel like the song is playing over a TV series’ final moments, and as far as the Thompsons’ career together went, it was. Brawling and infidelity aside, there are worse ways to go out.

139/365

#richard and linda thompson #linda thompson #richard thompson #folk rock #'80s music #folk #vinyl record #music review #divorce #joe boyd #my wife literally left me

[randomvarious]

Today's compilation:

Best of 4th and Broadway, Volume 2: Pump Up the Volume 1988 Hip Hop / House / Go-Go Funk

Two things that 4th & Broadway, a US-based subsidiary of Island Records, was particularly known for was the American release of the groundbreaking hybrid of house, hip hop, and linear sampling that was "Pump Up the Volume," by one-off UK alternative project M/A/R/R/S, and the output of legendary rap duo Eric B. & Rakim, whose "I Know You Got Soul" provided the title lyric of "Pump Up the Volume" itself. And you'd think that with acts and tunes such as those, a deeper dive into this label's own catalog would then reveal some more similar 80s goodies, but this second volume from 4th & Broadway's own sampler series seems to show that they didn't really have too much else to offer 😕.

Now, of course, there was a lot of tremendous music being made all throughout the 1980s, but something that hasn't aged very well from that decade are the electronic-made tracks that tended to be rather long and spacious, aka empty. Some of these beats may have hit differently over three decades ago, but today, a lot of them just feel pretty primitive. And while "Pump Up the Volume" is definitely one of those more spacious tunes, the fact that it took a unique tack, by opening up a whole new frontier of sample montaging, is ultimately why it's so revered and fondly remembered by so many. But the large majority of the rest of the songs on this release just aren't nearly as creative as that one, and a lot of them end up coming off as just straight-up corny now.

However, there still was a reason that made this album definitely worth a purchase, and it was because it was one of the first CDs to ever include a special remix of Eric B. & Rakim's "Paid in Full" on it. And no, it wasn't the popular "Seven Minutes of Madness" remix by UK duo Coldcut; it was a different remix by another British guy named Derek B., called the "Urban Respray." But the tracklist on the back cover of this sampler didn't actually indicate that it was this somewhat rarer version of the song, which included things on it like the re-creation of the iconic guitar riff from John Mellencamp's "Jack & Diane." And to not have made people aware of this fact seems to have been a bit of an oversight by the 4th & Broadway brass.

In addition to those M/A/R/R/S and Eric B. & Rakim songs, though, this release's closer, a post-disco-rap cover of Yarbrough & Peoples' "Don't Stop the Music," by one-off project Bits & Pieces, that was produced by famed Jamaican duo Sly and Robbie, is good too, especially when the male falsetto vocal comes in 😌. But it's not actually a 4th & Broadway track, as it predates the start of the label by a few years. 

So, a pretty underwhelming showcase of this particular label, overall, but still a few good bits of 80s music to take in nonetheless. Was expecting this to be a lot better than it was, but the Eric B. & Rakim remix by Derek B. definitely came as a pleasant surprise anyway. 

Highlights:

M/A/R/R/S - "Pump Up the Volume" Eric B. & Rakim - "Paid in Full (Derek B.'s Urban Respray)" Bits & Pieces - "Don't Stop the Music"

#hip hop #rap #old school hip hop #old school rap #house #house music #boogie #dance #dance music #electronic #electronic music #funk #go go funk #go go #go go music #music #80s #80s music #80's #80's music

[commander-gloryforge]

tell me about junko and rhea!! I’m curious about them :> (@legendary-alliance-stance)

THANK YOU SO MUCH FOR ASKING !!! this is what i’ve been waiting for. pulls out whiteboard with nonesense mathematical equations and bad drawings of a cat.

Nakayama Junko is the youngest child of a large rich family of canthan descent living in Divinity’s Reach. though the Nakayama family isn’t noble or anything, it’s a family of merchants and traders that have earned quite the wealth and good reputation among the higher circles of DR. Junko is a musical protege, whatever instrument they touch, they’re somehow able to play it just flawlessly.

Rhea is Ash Legion, though she’s never been the quiet and sneaky type. i’m not yet sure whether or not she even joined a warband in the first place, but nowadays she’s a gladium. for the longest time she was just a travelling musician, singing in the streets of Lion’s Arch, Hoelbrak, the Grove. that’s where she got her name, “Hauntingvoice”! She’s also a spirit medium, and while most people can see ghosts anyways, Rhea has quite the special connection to the mists and to lost souls and spirits that perhaps not everyone can see.

Junko and Rhea met during a concert, perhaps Metal Legion? :D Rhea, the more sociable of the two, approached Junko, maybe because they just looked overall gorgeous and Rhea wanted to shoot her shot, or maybe it was because of the spirits of dead legends of canthan history talking to Junko. Rhea’s medium powers also extend to being able to hear revenant legends voices- so that leads to fun conversations I guess…!

So, Junko and Rhea quickly become friends and bond through their love of music, Junko mastering every instrument ever and Rhea having a voice that can even mesmerise ghosts- as the two also have a generally similar music taste, they decide to create a band together! So the super cool emo rock duo “HolyHaunt” was born. the two are now best friend platonic besties :) They’re best friends btw :) Homies one might say.

Right so Rhea is violently in love with Junko. It started out as admiration, a starry eyed crush at this super cool person that can do music and has zero flaws and fears, and admiration turned into genuine strong feelings as the two grew closer together, and Rhea learned those flaws of Junko and made her fall even deeper. Junko themselves doesn’t know much about that crush at all and is painfully oblivious to it. Right now, they see Rhea as nothing but a very very close friend, but things might change as they grow.

Currently, the two are planning to go on a “world tour” even though they have maybe like four people that actively listen to their music, and two of these four are the arguing dead people in Junkos head. their world tour not only includes playing music but also helping people around Tyria fight whatever threats they’re facing at the moment. and during one of their tour stops, they meet a particular salad that is a great musician and also happens to be a cowboy, which is pretty fucking cool, so the two try to scout him for Holyhaunt- that’s a story for another day maybe. Or a story for today, however the salad still needs some work so not sure if i can really talk about them that much.

Rheas ability to communicate with spirits as well as cleanse cursed places and Junkos ability to fucking smash peoples heads with their guitar while having two gay ghosts whisper into their ear have helped the two gain quite the recognition around Tyria, though they’re now more known for their “heroic deeds” as “brave adventures” and not as super sick musician. which is a bit disappointing for them. it’s always “thank you for helping us defend our helpless village from centaurs” but never “by the gods it’s tyrian rock band HolyHaunt!” but the two will make it as musician. they will! they will.

also super important side info but Junko has a puppy called Duke. It’s very important to note!!! Duke is very small and I’m not yet sure what kind of dog he is but he’s very fluffy and chaotic and has zoomies constantly. he has very large sad puppy eyes but he could never be sad because his owners are very nice to him <3 he also frequently bites the salad cowboy because they taste like fish.

:]

idk if i should add a cut to this but i may do it later on my laptop so sorry for the semi long post!! ,,, anyways THANK YOU FOR ASKING ABOUT MY EMO LESBIANS ! i have things to say about them most certainly

#dio answers #rhea hauntingvoice #junko haloglow #dios ocs #guild wars 2 #gw2 oc