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mishapen-dear · 2 years

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There’s a little green something in the cracks of the road. Grian stares at it, and then he looks at Scar, who is humming cheerfully while he rummages in his bag, and then Grian looks back to the little plant.

Grian looks at Scar again. He takes a step closer to the plant. Scar, blissfully, does not notice.

Something fungal bubbles at the back of Grian’s throat.

He crouches, inconspicuous, next to the plant. He knows it isn’t grass, that it’s probably a weed, but he doesn’t know anything more. He doesn’t care to know anything more, really, and it won’t matter in a moment anyway. He reaches and-

A dull pain pings bright on his arm. He startles upright, wings flaring out, and Scar shoots him several more times with the Nerf gun. The little foam darts bounce harmlessly off of Grian’s chest.

“Bad Grian!” Scar scolds him cheerfully. “No plant killing! Bad!”

“But it’s a small one!” Grian protests immediately, startled and indignant at the embarrassment of being caught. Another foam dart hits him.

“Nuh-uh!”

“Ow- Scar, come on, it’s itsy bitsy,” Grian tries, wheedling now. “It won’t hurt anything.”

“Well, you know that’s not true. It’ll hurt the plant,” Scar answers reasonably. He waves his toy gun threateningly at Grian. “You know the deal, G. No pestulating in the Hoe-ly Spaces.” He uses his dramatic voice to say Hoe-ly Spaces. He always uses the dramatic voice to say Hoe-ly Spaces. Grian wants to punt Hoe-ly Spaces and all associated dramatisms into the sun.

“That’s not a word, Scar,” Grian says petulantly. He ruffles his wings and sits on the larger half of a broken concrete barrier. The vines that had been wrapped around the barrier writhe away from the spores that fall from his wings, so Grian vindictively shakes his wings more. This, at least, Scar does not scold him for.

“What? Sure it is.” Scar has gone back to rifling through his bag again. He keeps pulling out strangely shaped bottles of bright colours with baffling smells. Grian would be more alarmed, but he knows Scar has a weird thing with taking labels off of bottles. How the man ever remembers what goes where, though, he has no idea.

(He has some idea. Scar’s tongue is too many different colours, always, and he’s been almost poisoned thrice. By Grian’s count, the man should be dead.)

“Pestulate is not a word,” Grian says, doubling down.

“Then what is it?” Scar asks innocently. He pulls out a jug of blood and lugs it into the centre of the clearing.

“A nonsense.” Grian shakes his wings again. There’s now a full circle of empty asphalt and concrete around him, free of plant matter. His spores won’t root without living tissue, but he feels a little vindicated by every twitch of the green things moving away from him. “Are you done yet?”

“Grian, Grian, Grian, you can’t rush a good blood ritual” Scar exclaims. “Do you know what happened to the last guy to rush a blood ritual?”

“He di-”

“He died!” Scar presses a hand against his heart. “The plants swooped up and ate him! I found his bones, Grian! His bones!”

“We could just leave,” Grian suggests. “This is- what, the fifth blood ritual? We’re fine without them, Scar. I bet the Kingmaker doesn’t even notice.”

“Oh, pish-posh.” Scar holds out the jug and pours the blood straight down over the smallest unbloomed flower in the clearing. The jug makes awful noises as the blood chugs and glugs out of it, because Scar doesn’t care for any silly thing like fluid dynamics. The jug convulses like its gasping for air and it makes sounds that Grian thinks Scar would make if he were ever simultaneously choked and drowned. The red blood splashes across the green, seeps through the cracks in the asphalt, and gets all over Scar’s shoes. Grian draws his own feet up in distaste, but he’s far enough that no blood touches him. “You know that’s not his name.”

“He doesn’t get a name,” Grian says. “I’m mad at him.”

“Careful, Grian!” Scar says cheerfully. “That almost sounds like rebellion.”

Grian scoffs, loud, but he doesn’t say anything. Scar continues with his stupid blood ritual. Which is to say that Scar goes back to his bag, grabs a canteen, and returns to the plant. Without ceremony, Scar upends that jug over the plant too.

“Scar!” Grian squawks, scrabbling to his feet. “Scar, that’s all our water! Scar!”

“Oops!” Scar says cheerful.

“You only used a few drops for the other rituals!” Grian wails. “We just got that!”

“Oops!” Scar says again. He has no remorse. Grian snatches the nerf gun from where Scar had left it on the ground and shoots him with it. “Ow!”

“You’re the worst,” Grian says.

“Love you, too, G,” Scar says. He shakes the canteen to get the last few drops of water out. Grian watches them fall with despair. The water washes away the blood, dilutes it across the asphalt and towards the ring of vines and green things that surround them. Scar gives the little twice-baptised bloom a loving pat, and it opens in his palm. The petals are a different colour in each Hoe-ly Space, and the same holds true for here. These petals are unnaturally white, unsettlingly perfect, and-

“Is there another flower in there?” Grian demands.

Scar doesn’t lift his gaze. “Yeah,” he says. He touches a scarred hand gently to the second bloom, which shivers at the contact but doesn’t open. “Huh.”

“...Huh?” Grian echoes. “Scar?”

“It’s okay, G,” Scar says too fast. “Let’s just go shopping, yeah? All done here.” He steps back from the plant. He sees the look Grian is giving him and tries to give a bright smile in return. “Seriously, Grian, it’s fine.”

Grian has always had a knack for knowing when Scar is lying.

“...If you say so.” Grian watches Scar pack up his bag, holster the nerf gun, and throw the plant a two-fingered salute. He’s too quick. They haven’t been here for even twenty minutes, maybe, and normally Scar stretches the ritual to last an hour. Grian guesses that he’s not surprised that the blood-jug and the water are the only necessary components. The steps for the other rituals had been sporadically changed each time. “Ready to go?”

“Can we get ice cream on the way?” Scar asks, even though he knows that all the ice cream in the world has already melted.

“Sure,” Grian says, even though he knows that the corpses of the ice cream shop workers are ripe in their rot.

Scar steps up onto the concrete barrier, almost loses his balance then helps Grian up and almost sends them both toppling over. Grian doesn’t comment on it. Scar keeps casting glances to the weird plants, but stops when Grian opens his arms. Scar grabs onto him, tightly, and Grian holds tight in return. Grain’s wings start to flap (Scar sneezes at the spraying spores) and they step off the concrete barrier together. Soon, they’re in the air.

(Scar has cracked a Superman joke at least once every time Grian has flown him somewhere. This time he’s nothing but silent, and he keeps trying to peek back at the plant-filled bridge they’d left behind. Grian flies a little faster.)

—---

Scar lets Grian kill whatever he wants, most days. He doesn’t like mushrooms, or fungus, or mycelia-filled goo, but he doesn’t complain too much. It’s a good deal for both of them, Grian figures. Scar helps Grian with his whole ending-an-apocalypse-by-causing-a-different-apocalypse deal, and he’s good company in a world full of decomposing things that used to be people, and he lets Grian know when he’s getting too close to the rebellion line. The plants destroy anything that oppose them, and the last thing Grian wants is to openly oppose them.

Mushrooms are better. They’re kinder. Almost plant, almost animal, and there’s so much for them to eat. Much better than the violence of true plants.

Honestly? Grian shouldn’t even be alive. It’s pure luck that he found the mycelia before the plants could burrow into him, it’s luck that it Chose him, and it’s luck that it wants the world to end again.

(Sometimes, late at night, he wonders if he’d be happier if he’d been the first harbinger of end-times rather than the second. But, then again, mushrooms are components of decay. Scavengers rather than hunters- it makes sense, maybe, that the fungal spread occurs after the flora’s feast.)

Grian thinks he’s almost done. He used to be human, but now mushrooms sprout around him when he sleeps, and spores spread on the wind from his wings. He leaves large fields of fungus in his wake. Soon enough, he’ll have to actively hunt for the green and force it to recede. Soon enough, the old apocalypse will be ended, and the new ending can truly begin. That’s why Grian doesn’t mind carting Scar around to the last green places so much- Scar gets a free travelling companion, and Grian gets lead right to the green sources that Scar doesn’t want him to hurt. Grian doesn’t hurt them because then Scar will stop showing him where they are, and Grian is smart enough to bide his time. One day, maybe, Scar will die, and Grian will be free to kill as many green spaces as he wants.

(Grian shouldn’t have to kill him. The plants should have killed him. The fungus should have rotted him. Grian sometimes wonders what it means that he’s still alive. He licks poison and blood and shiny things that should give him tetanus, but he’s still alive.)

(Grian thinks about leaving, sometimes, but he never does. He’s always been too curious for his own good.)

“What’s that for?” Grian asks.

Scar freezes like a statue, weedkiller clutched tight in his hands. Slowly, as if Grian is a predator with poor eyesight, he hides it behind his back. Grian tries, unsuccessfully, to stifle his laughter.

“Scar. You know I can see you, don’t you?”

Scar deflates, shoulders slumping forwards as he pulls the weedkiller out again. “Okay, okay, you caught me, G,” he says. “I’m just… looking for a drink.”

“That’s weedkiller.”

“So?”

“...Okay, you’re not even trying now,” Grian says. “What’s with the weedkiller, Scar?”

Scar shuffles his feet and bites his lip, then huffs out a breath. “Are we alone?”

Grian, still smiling, raises his brows and looks around the store. Most of the shelves have been raided, several of them knocked over, and the only people in the vicinity haven’t been people in a long time.

“The plants, G,” Scar says impatiently.

“Oh, no, those are gone,” Grian says. “The mycelium works fast, you know that.”

“Right,” Scar says, and he goes quiet.

Grian eyes him, then gestures to a currently-indoor outdoor furniture set that doesn’t even have any blood on it. “Do you want to sit down?” he offers.

Scar makes a beeline for the furniture set, weedkiller still clutched tight in his grasp. Grian has barely figured out how to sit without crushing his wings when Scar blurts out, “The King’s called a meeting.”

Grian almost falls out of his seat. “What?”

“Yeah,” Scar says. “And I have to go, or, you know.” He jerks his head towards the nearest corpse. There are vines wrapped around its neck. “I was hoping you could give me a ride?”

Grian gapes at him. He feels his mental gears spinning frantically, completely tractionless. “Okay- wait.” He runs his hand through his hair and ignores the mushrooms that brush against his hand. “The King called a meeting- why? He hasn’t done that before- do you think he knows you’re working with me? This is probably a trap, Scar. You know this is probably a trap.”

Scar looks at the weedkiller on his lap. “Yeah.”

Grian stares. “Oh.”

Scar grimace-smiles. “I figured- you’ve been a good friend, Grian. I have… loyalty, to the crown, but I won’t let them kill you.”

“Oh.”

Scar shrugs a little self-consciously. “It’s the least I can do, you know?”

Grian doesn’t want to say it. He likes Scar, though, and he would feel guilty if he didn’t point out, “What’s stopping me from killing them, then? You know what my goals are.”

“Rebellion, Grian,” Scar says automatically. Grian winces and raises his hands in apology, and Scar continues. “I figured- well, maybe you won’t if I ask you really nicely?”

“That can’t be it.”

Scar shrugs. “You haven’t touched the spaces,” he explains. “And all I did there is ask you nicely.”

“That’s different.”

“How?”

Grian fumbles for a second. “That’s- it’s- like- chopping off a head will kill a body?” he tries. “Like- the spaces are the hands, and the King is the head, so that’s- yeah.”

“Are you going to chop his head off?”

Grian is quiet.

“Please, Grian, don’t kill him,” Scar says. He holds the weedkiller carefully, and his fingers keep nervously tapping at its sides. “Neither of them. None of them. Just- keep being your mushroomy, birdy self, okay? You don’t even have to talk to them if you don’t want to.”

Grian is silent.

“Please?”

Grian caves. Mournfully, he thinks of the Hoe-ly Spaces, and he thinks of the quiet rule he has to kill those whenever Scar dies. It feels wrong to delegate something like killing the King to that same rule, but- Scar is right. Beheading the King sounds like it comes too close to rebelling, anyway. “Okay.”

Scar lets out a breath, then gives Grian a winning smile. “Okay!” he says. “Okay, perfect! Hey, I think I saw some chocolate earlier, maybe it won’t be expired.”

“It’s definitely expired,” Grian says, but he stands and offers Scar a hand to help him up.

Scar takes the hand and pulls himself up to his feet. “It’s always good to have hope, G,” he says brightly, and they continue to ravage the store.

—---

The place Scar takes him to isn’t green at all. It’s white and red and brown, like old and new blood on white petals. Well, Grian shouldn’t be thinking in similes here- there is literally old and new blood staining old petals almost everywhere he looks.

The border of the Tree’s territory is made of wood, or whatever it is that roots are made of. They drip red onto the white flowers that make up the groundcover. It had been relatively easy to get past the border- it opened up when Scar approached, peacefully allowing him through. The roots shuddered furiously when Grian approached, but they didn’t kill him when he tucked his wings in and pretended to be demure, so he thinks that means he’s basically Scar’s unwelcomely welcomed plus one. He’s not sure if court people even get to have plus ones, but he’s not skewered by evil plant matter so he thinks that he gets to count as a plus one.

He’s maybe a little nervous.

The interior of the Tree’s territory doesn’t make him feel any more at ease, either. This, too, is a place that is blindingly white. The Tree itself sits in the very centre, painfully pale and looming. The King’s Spire sits to its right, a building of previously-white colours that has now been overgrown with green. Moss and vines, Grian thinks, but he can’t distinguish anything else. Beneath the Tree are several small figures that cause something fungal to gurgle in his throat when he looks at them too hard. Grian stays close to Scar and tries to turn his eyes to the ground.

It’s hard not to acknowledge the Tree, though. They approach it together, slowly engulfed by the leaf cover overhead and hidden from the sun. It’s almost dark. Grian feels very small. The last time he’d felt so small was when his human self had accepted the blessings of the mycelium. He’d been welcome, then, but there is no welcome for him here.

Scar, of course, seems unaffected.

“You’re late.” Grian chances a glance upwards to see a woman with dead eyes and red flowers sprouting from her hair. The fungal thing tries to crawl out of his mouth. He swallows hard and ducks his head. He’s suddenly questioning the might of Scar’s weedkiller against all of this. He understands a little, maybe, the might that would have been needed to bring the first apocalypse.

“I’m right on time,” Scar disagrees. “You’re just early.”

“Everyone else has gone.” The woman sounds unimpressed. “And who do you have with you? You know he wants these audiences to be one-on-one.”

“Oh, it’s fine,” Scar dismisses. “Sym- synergy. We’re really synergetic. I couldn’t have gotten here at all without Grian.”

“Your funeral.”

“Ha,” Scar says. “As if.”

Grian is startled enough by this statement to look up at Scar, but Scar grabs him by the arm and ushers him towards the trunk of the Tree. “Hey, wait- what do you mean?” Grian hisses. It occurs to him for the first time that this could be a trap for him.

“Not now, G,” Scar mumbles to him. “Ask me later.”

Grian, ruffled, unruffles a little bit at that. After all, there wouldn’t be a “later” if Scar was going to kill him now, right? Grian is beginning to realize that Scar is wrapped up tighter in whatever- whatever this is a lot more than Grian had first assumed, and he does not like it. Not one bit. He hates this, actually, and he hates it more when Scar knocks on the trunk and the wood creaks as it twists and bends out of their way.

A voice from within calls, “Welcome, Goodtimes, to my most private of areas.” And Grian hates that most of all.

They enter the Tree. The Tree creaks and groans and it closes behind them. Trapping them inside. And Grian hates this so much.

He finds even more to hate as they delve deeper into the almost-room that’s waiting for them. The King sits on a throne in the centre, drooping like a wilted flower. He’s dead. Grian can tell that immediately- he wants to spread his wings and spread the spores, but Scar asked him not to, and-

Wait. What?

Grian looks again. The King continues to be dead. The crown sits golden on his head, shining and perfect. The King is undecayed, unblemished, but his eyes are flat, and he isn’t breathing, and Grian can almost hear the creaking as he scowls.

“What have you brought me?”

“Presents,” Scar promises. “Just as you’ve asked. They’re for you, too, Bdubs.”

Grian again begins to wonder if this is a trap. Before he can continue that train of thought, however, there’s more creaking as the Tree shudders around them. The walls shiver, and lichen sloughs downwards until there’s just a human-shaped lump of green left against the wall. The human lump turns around and looks right at Grian with its impossibly large eyes.

Grian almost bares his teeth. He knows that look. This is competition.

(Competiton for what? There’s so much to fight over, probably, if he really thinks hard about it.)

“Why is the bed made of dirt?” Grian asks.

Scar balks, the King pauses, and the lichen-man stares.

“I mean, not to ruffle any feathers,” Grian rushes, valiantly not ruffling any of his. “I guess I was just expecting…”

“What?” The dead King asks.

“More?” Grian says. “Pillows? Blankets? Uh. More gold, I guess, but I know people don’t really carry that around these days. Didn’t.”

“The crown is gold,” the lichen man says.

“Aye, but tis a tiny crown,” the King concedes.

“And the bed is made of dirt,” Grian says.

“It’s a plant apocalypse,” the lichen-man -Bdubs- says. “Of course the bed is made of dirt. It’s not like he actually needs any sleep.”

“I like to nap,” the dead King protests. “Royal naps are very important, Bdubs.”

“Of course, your highness, of course,” Bdubs says quickly. “But the dirt is fine, right?”

“I mean,” the King says. “A dirt nap is mighty thematic, all considering, but… You there, Goodtimes! Have you brought your king a pillow?”

“Uh- no, no.” Scar laughs a little, startled. “No, I didn’t.”

“Shame,” the King says. The Tree rumbles. “Then you have failed me. Goodbye, Goodtimes. You served me well.”

“Whuh-” Grian starts.

“Woahwoahwoa-” Scar babbles.

“WAIT!” Bdubs shouts.

The Tree stops rumbling.

“Yes?” the King asks.

Bdubs looks at the King, then he looks at Scar, then he looks to Grian, then he looks back to the King. “Scar - Goodtimes has displeased you mightily, my liege,” he hazards. The dead King nods wisely. “Right-right- but he has displayed his loyalty quite mightily, too! The blood sacrifices are always pleasing, aren’t they?”

“You would have me grant mercy?” The King sounds displeased. Grian shuffles. He wonders if it’s even possible to kill a dead guy. He wonders if his mushrooms can kill. He hasn’t had much practice spreading them on purpose, but maybe if he can get them in the eyes?

“No, no, no, no mercy,” Bdubs amends hastily. “Just- inconvenience.” He leans in and whispers loudly. “My lord, he has a friend with him. The oncoming rot? I’m just saying- two birds with one stone here.”

“Oh?” The King looks closer at Grian. Grian lifts his wings a little in a threat display. The King nods slowly. “I see, I see… Goodtimes, I offer you a choice.”

“I don’t want to make a choice,” Scar says, more weakly than Grian has ever heard him.

“Nonetheless you have it!” the King booms. “Goodtimes- you may spare your own life, or the life of the oncoming rot. You have-”

“To give you your gifts first,” Scar says loudly.

The King pauses. “You interrupt me?”

“For presents,” Scar says quickly. He pulls of his bag and rifles through it quickly. Bdubs shuffles over and Scar hands over several unlabelled bottles. Salvation. Hope rises within Grian until, alarmingly, he realizes that none of the jugs are the weedkiller.

“Scar,” Grian says quietly.

“It’s okay, G,” Scar replies quickly.

Bdubs opens each jug and sniffs it in turn, then brings them to the King and pours them at the base of the throne. With each bottle the King’s body twitches, making noises like an ancient rocking chair, and- it takes Grian a moment to notice, but each bottle emptied at his feet brings life back to the King’s features. He grins, wide and sharp-toothed, and Grian wonders if he’s lost his chance to escape.

“Now, the choice,” the King begins.

“No,” Grian says, and he lets loose.

He’s on the ground three seconds later.

Lichen fills his mouth, vines around his wrist and wings, bark already growing quickly over his legs to trap him in place. Bdubs wipes a stray mushroom off of his sleeve in disgust, and Scar stares with wide, despairing eyes.

Do something! Grian tries to yell back with his own eyes. Scar doesn’t do anything except let out a breath, and then start to smile.

Scar says, “Phew! That took you forever, Bdubs.”

“Huh?” Bdubs says.

“I started thinking you weren’t going to stop him at all,” Scar remarks, and Grian’s heart drops into his stomach.

“OH,” Bdubs says loudly. His eyes sparkle. “Oh, so this- oh, phew! You got me worried there, Scar! Really worried! ‘Why is he hanging out with the oncoming rot,’ I said.”

“I said that,” the King argues.

“Of course, of course,” Bdubs says quickly. “Anyway, I said ‘wow, I wonder why Scar is hanging out with the oncoming rot!’ But you just needed a bit of help with this one, didn’t you?”

Scar smiles widely. He rummages through his bag again. “Right on, Bdubs,” he says. “Can’t kill a fungus surrounded by fungus, right? It’ll just grow right back!” The two of them chortle together and Scar brings another jug out of his backpack.

In fragile hope, Grian’s heart begins to beat again because he recognizes that jug. It’s the weedkiller. Label torn off. Scar opens it, takes a sip, and doesn’t flinch.

Grian feels several emotions all at once.

Scar hands the weedkiller over to Bdubs just as the King says, “What are you waiting for, Goodtimes?”

“You still have my bow, King,” Scar says.

“I thought we gave that back…?” The King looks questioningly to Bdubs.

“You took it away again after Scar failed to provide appropriate subservience, my lord.”

“Oh, well have it back, then, Goodtimes.” The King waves his hand and more of the tree creaks and moans. A real and true bow and quiver are revealed when the floor pulls back. Grian wriggles frantically, fear spiking again. Scar still hasn’t wavered. Grian is starting to doubt the contents of the weedkiller jug. He tries to flap his wings but the bark has grown over the edges. He tries to let the fungus out but his throat is clogged by lichen. The wood around him dies and tries to rot but it’s just grown over and living again in less than a second.

Scar strides over, playing with the quiver. He kneels next to Grian, then pulls out an arrow. Grian stares up at him, making his eyes as wide and pleading as he can. Scar doesn’t look at him. “Long live the King,” Scar says, raising his arrow. Bdubs raises the jug to him, but doesn’t drink.

Consternation flashes over Scar’s face, and Grian feels another rush of emotion he doesn’t know how to parse. Then Scar’s expression hardens and he brings the arrow down.

It hurts. Grian yells against the lichen in his mouth. There isn’t any blood- Grian isn’t human anymore. Of course there isn’t blood. There is an arrow in him and there isn’t any blood and Scar raises his fist with a cheer, and the King raises both arms with a cheer, and Bdubs drinks the weedkiller.

The Tree shudders.

The King collapses like a puppet with its strings cut.

Bdubs shrieks. The weedkiller drops. It sprays over the floor. The Tree screams. Grian thinks he’s also screaming. Scar isn’t screaming. Scar is frozen, false smile plastered across his face, and Grian realizes with dizzying clarity that he has no fucking clue when Scar is or isn’t lying. That’s a weird thing to realize in the worst moment of Grian’s after-apocalypse life and it’s so silly he just starts to laugh. He stops laughing when a branch spears through Scar’s chest.

“Traitor!” Bdubs yells. Three more branches strike Scar through. He gasps at each one, but he doesn’t struggle. He doesn’t try to get away. He doesn’t stop smiling. He doesn’t start bleeding. “The King trusted you!”

“The King is dead, Bdubs,” Scar says. “And your apocalypse has been ending. The oncoming rot hasn’t been oncoming for a long time- it’s been here-” he gestures wildly to Grian, who has yet another flurry of unregistered emotions “-the whole time, and you’ve let it!”

“The plants-”

“Kill those who oppose,” Scar says. “But your court has been opposing you since the moment you raised them. You failed your own apocalypse.”

Grian feels dizzy. He isn’t bleeding, but he is dying.

Why isn’t Scar bleeding?

“...What are you?” Bdubs asks. He’s breathing heavily. Grian’s vision is swimming, but he thinks Bdubs has sunk down to the floor. “Why-“ another branch spears Scar through “- aren’t-” another “-you-” another “-dead?”

“I’unno,” Scar says. “It never sticks.” The Tree rumbles overhead. Grain can feel it through the floor. “How about you? Are you dead yet, Bdubs?”

There’s silence. “Bdubs?”

The Tree stops rumbling.

“I don’t think poision is supposed to work like that,” Scar says. Or he says something like it. Grian isn’t sure. He’s really tired.

There’s something warm pressed against his face. “I didn’t lie to you,” Scar says quietly. Grian makes a little noise. “I didn’t. I said I wouldn’t let them kill you. I didn’t say anything about me. Doesn’t that mean something, G?” Grian doesn’t answer. “Yeah, yeah…”

Grian breathes out, slow, through his nose.

“You’d hate it the other way around,” Scar promises quietly. “But you did it, Grian. Bdubs wouldn’t have drank that without you. That was you, alright? You did it, you won. New apocalypse, new you. That’s the way it goes. The King died, and now it’s you, and- and it won’t be like this. It’ll be better. I don’t like mushrooms, but I’ll learn to like them when they’re you, okay?”

Grian can’t reply.

“I’ll see you soon, Grian,” Scar mumbles, and he sounds so far away.

And Grian goes to sleep.

And Mother Spore wakes up.

---

written for the @pinchhitsfromthevoid event and for the @ghastspidergwen person! this got. wildly out of hand basically the second i started to write it. unfortunately i suffer from "cannot write a normal apocalypse au" disease but eyyy that just means its a two-apocalypse package deal, which was really fun to write. hopefully it's just as fun to read!

(also on ao3)

#i wrote this in like four or five hours and posted On the deadline #this is almost pure stream of consciousness babeyyyyy #mishapen words #grian #goodtimeswithscar #hermitcraft fic #<- lemme know if i need to add any more trigger tags #hello tag readers. i want you all to know how genuinely little i planned this fic going into it #i do not understand how there's several moments of foreshadowing #i cannot comprehend the fact that the consistencies outnumber the inconsistencies #this fic wrote itself and i was merely its possessed vessel for four-five-however-many-hours #anyway spoilers in the next few tags you have been Warned #look away now #have you looked away #it's okay i read ahead when i shouldn't too #these are the trigger tags for filtering purposes theyve got to be spoilery sorry about that #death tw #blood tw #body horror tw #<- im not sure the body horror really Applies but there you have it anyway #lemme know if i missed any

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todayisafridaynight · 9 months

Note

I wanted to write in about my thoughts on Jo as a CSA survivor separately for a couple of reasons:

I already more or less have what I have to say on the topic in order thanks to talks with @starssystem and another friend [<3]

This is a massive tonal shift from anything else I could be discussing

This Is Massive In General For The Love Of God PLEASE Help Me

Obvious CSA CW for anyone else reading; I only discuss statistics, psychology, and the aftereffects seen in survivors here, but it's worth a warning.

With the disclaimers out of the way… I'd mentioned before I've only ever added one thing to Jo's background, and you were right: this is it! To me, there's so much thematic overlap in Jo's narrative with the experience of surviving CSA it's worth it to examine his character through the lens of that being the case. Of course, there are clearly-stated reasons for it all that Aren't That, but…

It's the pervasive guilt and shame, the lifelong secret that becomes too unbearable not to tell, the faulty coping mechanisms aimed at burying the trauma without having to face it, the reluctance to be sincere [vulnerable] and the lies and half-truths used to maintain the facade of invulnerability, the pursuit of power and control and the knee-jerk anger response when it's threatened, the pursuit of mastery over his body and the indifference to what happens to it. And the way a lot of it really does stem from a deeply traumatic childhood sexual experience from before either he or Ikumi understood what they were getting into, from before they could give informed consent.

Statistically, the further below the average age someone is for their first time, the likelihood of [at best] having been introduced to sex inappropriately and [at worst] having been abused at the time or earlier rises exponentially. Jo was 15 when Masato was conceived--possibly 14, since he was saying he "met" Arakawa at 15, and by then Masato was already born. To put this into perspective, since what ages register as concerning is largely cultural, the average age in the US and UK is 16-18. But in Japan, it's over 19.

To a Westerner [or even a heavily Westernized non-Westerner], having a kid at 15 is unfortunate, but not untenable; you've seen it on TV, you might know people like that, you might even be that kid or that parent. But in Jo's case, with him being 4 or 5 years younger than average, it's like if someone told you they had their first time--had a /kid/--at 13 or under. That's the equivalent discrepancy. That /is/ concerning, to me.

It's also something that's linked to negative outcomes in adulthood, partly because of the likelihood of forming bonds with poorly-adjusted peers. Jo specifically states he and Ikumi were only together because others who came from backgrounds like his own were all he had back then. [As an aside, it's interesting to see him instinctively seek out a relationship where his pain would be understood without having to say anything--or one where he could assume it would, at any rate.]

When it comes to his relationship with Ikumi, I've always felt there was this "adult dynamic" between them--in the sense it feels like one that'd be more fitting for adults to get into than a couple of teens. It was, based on his wording, a primarily physical relationship neither of them expected to last even if they were living together. To me, it's one thing if you're fully convinced you're in love or you're experimenting or whatever and that results in an unplanned pregnancy, but it's another thing entirely to have such a bleak yet objective outlook on your relationship so young.

And it didn't have to be that way. He could've been just like Arakawa, head-over-heels in love with this girl who was The Only Good Thing He Had Going, or something like that. But the sheer contrast between how Arakawa was crazy about Akane and never forgot about her for the rest of his life, while Jo more-or-less-clearly didn't have feelings for Ikumi and can't bring himself to remember her name after living with her for at least a year and experiencing life-changing events with her…

It's notable to me that Arakawa maintains an interest in women while nearly every in-character interpretation I've seen makes Jo averse to women. Obviously, we don't really know that; it's probably just based on his general attitudes, his contrast with Arakawa, and maybe his immunity to Charm. But I think there's a reason a lot of people pick up on it and tie it to trauma rather than/in addition to a lack of interest in women.

I've talked about this through the lens of comphet already [and Jo being gay or ace or both would present other difficulties], but I can't overstate how notable it is on its own. We see Jo's response to traumatic events, and it's to become preoccupied with them, to investigate further if he has any leads. That's why he remembers every minute detail of the night Masato was born and the time he saw Arakawa attempt to comfort Masato when he was crying and hitting himself. I think it's also why he gets as far as he does when looking into Arakawa's death, and why he entrusts the search to Ichi. He never seems to manage to block them out, even if that's what he'd rather do--even if that's what he thinks he's doing.

So if he "[doesn't] even remember" the name of the mother of his child, I get the feeling there's something more going on. Like I've [probably] said in the past, Jo genuinely sounds traumatized by the relationship as a whole. More than anything else he's been through, and he's been through a lot. It's often the case that CSA survivors who are also survivors of other trauma view it as worse than anything else that happened to them.

And that's not to implicate Ikumi at all, I don't think it's a case of COCSA--everything I've said holds just as true for her, and she had to suffer the additional trauma of an unwanted pregnancy and childbirth, at that. Rather, I think it would make sense for something like CSA, which often incontrovertibly reconfigures one's relationship with sex and love, to be a factor in why they rushed into a something physical before they were mature enough to handle it.

Some victims end up having perfectly healthy experiences, some victims end up avoiding them, some victims end up re-victimized, and some victims end up with a mixed bag--there's a lot of variation. But some victims do end up having relationships like this and making mistakes like this, because that's all they know, or because they want to heal but don't [or don't know how to] go about it in a healthy way, at a healthy pace. And I definitely think if you recognize that's what the basis of your relationship was, that it all comes back to something you'd rather forget, it'd make sense to want to forget the relationship as a whole.

To that end, it's possible to come away from a relationship traumatized even if no one did anything wrong. I've [probably] talked about how the way Jo comforts her at the station feels like he's doing it for her sake and pushing his own feelings down, but neither of them is really buying it. If that's a pattern in their relationship, perhaps he wouldn't have been able to communicate if maybe what they were doing was dredging up bad memories, if he wanted to stop but didn't think she did. So to go through with it, then get the news months later…

Either way, the fact Ikumi couldn't bring herself to tell him she was pregnant until nothing could be done would, for Jo, invariably cement the feeling he has no control over what happens around him. I think the sense of powerlessness he felt is why he blew up at her when she told him, because it's really the only time we see him lash out like that at her. At the park, he objects to going back for Masato, sure, but he's passive. And I think that unbroken pattern of powerlessness in his life [which CSA would only compound on] is why he's so reactionary, why he's so emotionally dysregulated, why he expresses his rage through what basically amounts to power-tripping.

But I do think Jo does have a great deal of awareness. A lot of his wording when he's telling Ichi about it borders on poetic, or at the very least candid and effective. That requires both prior reflection and a command of language. I think there's a lot he understands deep down, at least after sitting with it for long enough, but he isn't capable of voicing--or doesn't know how to voice--what's on his mind, most of the time.

So when he joins the Arakawa Family, when he rises the ranks and has that control back, his control has to be near-absolute. If it's undermined in any way--such as, for example, a certain someone failing to answer a call within two rings--he loses it. On the other side of the coin, I do feel a lot of why his devotion and gratitude towards Arakawa goes to the extent it does, why he's so comfortable with him, is because Arakawa gave him the safety of the Arakawa Family, gave him back his autonomy, gave him the environment--and treated him with enough humanity to give him the reason--to learn to regulate himself, to better himself.

And Arakawa /gets/ trauma. He really does. Aside from his own abusive background, literally the only time the word trauma comes out of any character's mouth in this series, it's Arakawa's. It comes back to Jo saying others who came from backgrounds like his own were all he had; that never changed, did it?

Lastly, For Funsies [<- LIE. COMPLETE LIE. TURN BACK NOW] I wanted to go through the items on this [CSA] Survivors' Aftereffects Checklist I could check off with near-certainty. 19/34, by the way, give or take. Now, as I said at the beginning, there are existing concrete reasons for why he has many of these experiences… but it's like the trans allegory with Masato, To Me… If I can check off over half the list based on a very limited backstory and an hour of screen time total, that's indicative of a notable overlap… TO ME…

Note that the book this list is from was published in 1990 and focuses on women's experiences. It was a huge step forward in giving survivors a voice back when a lot of existing research indicated CSA had neutral or even positive effects on children, but it's definitely a product of its time. With that out of the way…

Wearing a lot of clothing, even in summer […]

To be fair, most male characters in RGG are fully-covered and have near-unchanging designs, and it's winter in both 2000/2001 and presumably 2019, but… when it comes to Jo, it feels a little different.

He does have Some Heavage in his twenties [although the necklace takes the attention off of his actual chest], but as time goes on, he shows less and less skin and adds more and more layers. When he has the gloves on, it leaves no skin exposed at all, and there's this direct symbolic correlation with secrecy that isn't there for other characters. And if you're wearing three layers of leather [or even one], you can neither feel what you're touching nor feel anything touch you.

Pure Speculation, but I just can't really see him underdressed for any occasion… That's why his fit in Day with the Sun is funny as hell but also… yeah…

As a behavior, if it's rooted in anything, it's probably rooted in having to hide signs of physical abuse, of course--but then he kind of already had an excuse, with how he was constantly getting into fights. I guess it depends on the specifics, but I think it's interesting to consider this as one way CSA victims attempt to regain control of their bodies, avoiding emotional discomfort at the cost of physical discomfort.

Self-destructiveness

It's nothing super overt, but I see this most clearly represented in his second boss fight in particular; his willingness to wield a blade bare-handed while using enough force he could very well render his hand useless. I think it's potentially also evident in how he has severe cataracts he chooses to ignore and allow to worsen, despite having the reasons and resources to undergo surgery to restore his vision. In doing so, he literally and figuratively blinds himself to so much.

I also kind of think the assassination of Hoshino/the anonymous call and The Eye Scene are examples of self-sabotage. I mean, he literally was sabotaging himself in the former, but it's also the specific way he feels the need to be physically taken down in order to be stopped--possibly a holdover from RGGJo, who's only too happy to be beaten into a coma.

I don't know… It's hard to pinpoint, but I feel like he would be averse to most of the more "obvious" self-destructive behaviors--especially when he has people in his life who might notice and worry, like Ikumi and Arakawa. That and because many of them are addictive. He's seen what that's done to his father, and he's also developed this incredibly rigid sense of discipline he can't maintain if he doesn't have a clear head.

From how he talks about himself [as having lost his humanity and lived a half-assed life], I definitely think he's at the very least unkind to himself, but I also think he does externalize it by provoking others to harm him [in the case of physical fights] and reject him. Like he needs some kind of proxy perpetrator. For some abuse victims, this specific manifestation of self-destructive behavior is a way to regain control--whether or not you "deserved it" back then, you do now, as a direct, logical result of your actions.

Need to be invisible, perfect, or perfectly bad

I think each of these needs manifests in different ways for Jo. The need to be invisible can be seen with authority figures (mainly Aoki, but also Arakawa in The Yubitsume Scene, a little; how drastically he pulls back and tries to act "normal")--this relates to what you were talking about with being reluctant to intrude or take up space. If you fall under the radar, maybe you won't get hurt.

The need to be perfect can be seen in his seemingly "impossible" standards, I would say. Of course, because we see things from Ichiban's perspective, we tend to see them as unfair and often arbitrary demands. But they aren't arbitrary to Jo, are they? They're standards he holds himself to through and through. If you're good, maybe you won't get hurt.

The need to be perfectly bad can be seen in and relates to much of what I discussed under self-destructiveness [The Eye Scene and the way he antagonizes Ichiban specifically by making himself out to be worse than he is]. If you must get hurt, it can at least "make sense"--be "deserved."

Suicidal thoughts, attempts, obsession (including "passive suicide")

Obviously he's not like… Mine Levels Of Overtly And Consistently Suicidal, and he doesn't attempt suicide himself, but at the same time, I have to note his total ambivalence towards Aoki seeing him as a "bullet" (a kind of hitman sent on suicide missions). He agreed to what he himself viewed as a suicide mission and he didn't care what would happen to him afterward, as he says to Joon-gi, Zhao, and Adachi.

Aside from that, I certainly feel he's at least had passive thoughts like wanting to disappear or wishing he'd never been born. Y'know. Nothing concrete, but reflective of his mental state, and just as detrimental to dwell on long-term.

I think there's a sort of childishness [for lack of a better word] to thoughts like these [in that they're impossible], but also a level of maturity in that it probably doesn't escalate to something more actionable because he understands he has responsibilities he can't abandon. I think if he was ever seriously suicidal, it would be at the points of his life where he really didn't have any responsibility to anyone, like between Ikumi leaving and him joining the family, or after he was arrested.

Depression (sometimes paralyzing) […]

I'm trying not to over explain going forward because I Have BEEN Overexplaining It Is SUCH A Disaster… he's depressed If You Have Eyes And/Or Ears… I'll leave it at that…

Anger issues; inability to recognize, own, or express anger; constant anger […]

Lol

Rigid control of one's thought process; humorlessness or extreme solemnity

Relates back to what I was saying about how disciplined he is [and expects everyone else to be], but in general, he's incredibly, incredibly serious and focused. I don't think he's /entirely/ humorless [but then again, very few people are]; I just think his specific sense of humor is. Like. What Is Your Problem [I Know What Your Problem Is I Have Been Discussing It In EXCRUCIATING Detail But What The Fuck Is Your Problem]

Trust issues; inability to trust (trust is not safe); total trust; trusting indiscriminately

That's why he was planning on taking his secret to the grave, isn't it? It was only when faced with the realization it would soon be too late to say anything that he was able to tell Ichiban. He could've trusted Arakawa, should've been able to, but… in his mind he never could.

This book [and this checklist] is about "incest" actually, but it redefines "incest" to mean any instance of CSA perpetrated by any individual the victim trusts or has an expectation of being able to implicitly trust. Which… is most CSA as we understand it today, so I've edited some parts to just say that.

Anyway, I've never given much thought to the specifics of what Jo might've experienced--who did it, what happened, how long it went on, etc.--so there's no conclusion I can draw here [and elsewhere, I'm sure]… but even without that, to grow up unable to trust the one person who should be in his corner, his father, and to have his trust betrayed by Ikumi, it's no surprise Jo ended up like this either way. So… I'm happy he had the courage to tell Ichi, in the end.

High risk taking ("daring the fates"); inability to take risks

I think these are supposed to be mutually exclusive, but to me, Hoshino's assassination and Arakawa's assassination represent both sides of the coin, although they're not the only examples. There are risks Jo won't think twice about taking and risks that paralyze him.

Boundary issues; control, power, territoriality issues; fear of losing control; obsessive/compulsive behaviors (attempts to control things that don't matter, just to control something)

Lol…

Guilt, shame; low self-esteem, feeling worthless; high appreciation of small favors by others

Lmao Even…

Feeling demand to "produce and be loved"; instinctively knowing and doing what the other person needs or wants; relationships mean big tradeoffs (love was taken, not given)

I actually think this encapsulates a lot of what I've been saying about his work ethic, his ideas of discipline, and his relationship with Ikumi, but I also think it's why Masato took a liking to him. His attentiveness. It ties back into wanting to be perfect; when you're abused--especially long-term--you become attuned to observing and responding to any shifts in mood or tone. This is another area where I can't draw any conclusions relevant to my point, but it does certainly relate to his father's abuse, at any rate.

Abandonment issues

Kind of contentious… The anticipation of being abandoned by or losing someone he cares about appears to be worse than the actual experience. He's fine with Ikumi leaving him, and he's… not Fine With, but able to come to terms with Arakawa's death and Aoki's abandonment of him. At the same time, he really does try to make Ikumi's stay in his life comfortable, and he spends almost forty years doing his damnedest to keep his family together, whatever the cost. If I were to extrapolate from RGGJo, though, /he/ does have an obsessive, unhealthy attachment to Arakawa.

Blocking out some period of early years (especially 1–12); or a specific person or place

Ikumiiiiii that's what I'm SAYINGGGG

Feeling of carrying an awful secret; urge to tell, fear of its being revealed; certainty no one will listen; being generally secretive […]

Rofl Perhaps…

Denial; […] repression of memories; pretending; minimizing ("it wasn't that bad") […]

He admits to it himself. Not much else to say. Though I don't think he necessarily minimizes what he's been through by dismissing how bad it was; rather, he tends to overestimate his ability to move past it.

Pattern of ambivalent or intensely conflictive relationships (intimacy is a problem; also focus shifted from [CSA] issues)

Also kind of contentious… we don't see a pattern of romantic relationships, as I assume the author meant here, but at the same time, the romantic relationship and non-romantic relationships we do see fit this pattern. I guess I'd say I definitely think intimacy /would/ be a problem, and he /wouldn't/ be ready to address his issues.

Limited tolerance for happiness; active withdrawal from happiness, reluctance to trust happiness ("ice=thin")

The quote that prompted this ask in the first place. It's sort of connected to the point about humorlessness and extreme solemnity; if that was the "what," this is the "why." He doesn't know how to relax ["holidays don't exist" and all], he doesn't have much to be happy about, but even rarer is the occasion where he doesn't feel too conflicted in the moment to be able to enjoy himself. That's just how I see him.

[…] verbal hypervigilance (careful monitoring of one's words); quiet-voiced, especially when needing to be heard

EXACTLY what I was talking about in this ask, so I'm leaving that one up to past me…

......

... That's It That's The Essay I'm going to hibernate until Infinite Wealth comes out and somehow refutes my points but UNTIL THEN. Farewell, take care, and once more, don't worry too much about matching my energy… Like I Said if I were the one receiving this ask I'd just delete my blog, so… I'll just be happy to know you read it :] If That lmao

ok i read it :) 👁️👁️ READMYTAGSTHERESMORETHEREIPROMISE

#long post #cw csa #doublin up to add cw warnins in the tags just in case <3 lemme know if i should throw more tags down here..... im bad at cw tags....#i forget my bookmark tag for asks from you i stg if i cant find this ask in the future im kmsing (in minecraft) immediately #snap chats #THE SNORT I MADE AT THE DEADPAN 'LOL'☠️ maybe i SHOULDVE put text In The Main Text i have A Lot of Thoughts..#im leavin the main text empty since. ngl i was just gonna compare/contrast to myself again... and say a lot of what weve said b4..#UNFORTUNATELY a lot of the things listed here uhmmmm Hm <3 Uh Oh <3 i do understand. Dare I Say personally. just a bit #I DO HAVE TO DISCLAIM ive never been a survivor of THOSE circumstances or really. any abuse tbh- brain just sucks and im a baby #and i cant say no BUT ANYWAY I HAVE REASONS FOR BEIN AN EGOTIST I SWEAR its cause I Somewhat had those exps/i understand them #i can REAAAALLLYY easily see where your points are coming from.... very easily even... like very in-depth..#even if i didnt cry bout spilled milk every other day it IS clear to see the signs of abuse in sawashiro once you know them #i've def talked bout those aspects of him whether in tag rambles or in streams or have Attempted to express it via fics #so really the bits to chew on for me esp this time round is the more CSA aspects #tbh when it comes to bein unable to see him intimate or 'underdressed' i agree: incredibly hard for me to imagine #the thing with 'symptoms' of abuse is that they kinda overlap i guess ??#in that regard it can either be a need to impress or protect himself/needing to be seen less #when it comes to doing certain things because of CSA i could see it as a result of another abuse too. if that makes sense #THOUGH THAT ISNT TO DISCREDIT THE IDEA nono cause there still exists the Now That I Think About It circumstances of masato #even if we look at it through Western Norms(TM) two- essentially homeless- kids having. A Kid is still bizarre #cause again teen pregnancies generally happen as a result of Bein Irresponsible With A Schoolmate- not that other situations cant exist #but thats the most common innit so. def an aspect to consider. All Things Considered. esp jo's self-separation from ikumi #BUT YEAH i feel like if i try to respond im just gonna end up typing up a textbook bout abuse since. UNFORTUNATELY #childhood psychology is my field of interest. and aint no one readin THAT phat thing. esp when ill prob repeat myself or you ☠️#tbh remindin meself of when i said id write psyche papers on mine and/or jo.... oops 👀💋👀 savin this to steal notes from LOL #i hope yo know i WAS thoroughly intrigued reading this. As Ive Said childhood psyche is Literally My Field and this is v thorough and good #so im always interested in readin bout How X Caused Y in Z... very interesting many MANY things to think about.. ty...#forever cursed to be an idiot cause i really wish i could talk better and say somethin of substance.. ik you said its fine but still..#im always open to chat bout this more if youd like PLEASE dont think my lack of Main Text is disinterest Im Just Stupid. But We Know That

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