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#let me live!
alovelyburn · 6 months
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WIP! WIP! WIP!
Usually when these festivals come around I try to get something together and contribute to the cause. This time I was unable to finish... because I found out about it rather late, and also had a lot going on in my real life.
But I did start something. So I'm dropping the first part of the WIP on you guys; no idea if it really qualifies for inclusion in @griffgutsweekend but I'm cool either way.
All the thanks to @zombiesgohome for basically being my cowriter on the beginning of this - she's my Guts expert. Also bear in mind this is a first draft, ok, be kind.
Quick Background: many many years ago, by which I mean in like 2014, someone told me they'd like to see me try to tackle a romance between current canon Guts and Griffith. It took a while but here we are.
It's called Thirst Drove Me to the Water.
1.
The room has already been thoroughly trashed by the time Griffith opens the door. Before him like broken furniture and upturned chairs. All the vases have been  emptied of their white flowers – their water soaked through the plush rug and dripping down white marble walls. An overturned table has been split in two, and gashes mar the walls where that oversized sword bit through the marble.
It’s unsurprising and yet somehow disappointing. Still, Griffith’s expression remains, as always, stubbornly impartial. Around him, the room ripples and shifts – an invisible wave that runs over the room and leaves all as it was, before. Immaculate. Untouched.
His guest seems less than impressed by this.
Guts stares at Griffith from his place on the floor, his one eye smoldering with black fire, his famous sword resting across his knees.
“You sure took your sweet time showing your face,” he says. There’s a sharp edge to his tone, and a growl deep in his throat. “Finally remembered I was here?” He looks like a caged animal. It’s appropriate.
Griffith tips his head just slightly. “I didn’t forget,” he says, “You’ve been pounding against my barriers all day. I thought I would give you a moment to collect yourself.” Griffith glances over the room to where a small table stands, off to the side, away from the center of the now corrected chaos. He’d had a basket of fruit and bread brought to Guts’ rooms as soon as Guts himself was sent there, unconscious, and still bleeding. Griffith hadn’t tended the wounds himself. He wouldn’t have trusted himself to. He looks at Guts. “Have you eaten?” It’s a question of propriety. From here, he can see the half-eaten bread and apple cores.
“What the hell do you care?” Guts snaps. Despite his words, Griffith catches sight of Guts’ gaze as it moves to the table.
Griffith untips his head. “Hm.” He moves to the table quietly, his fingers dragging over the polished wood, the white lace cloth that protects it.
Typically, when one stays silent during an exchange long enough, the other person eventually feels the need to fill that gap. Guts is a man of few words, yes, but unless he’s changed considerably more than he seems to have done, he is also a man without much impulse control. Griffith, being far more curious about what Guts might say than interested in talking, himself, remains silent.
A moment later, Guts pulls himself to his feet. His sword plants itself in the carpeting and the floor beneath it as easily as it would plant itself into soft ground and grass. The sound of steel splitting marble rumbles, swallowed by the thickness of the carpet. “So, what is this?” he asks. His expression hardened as his gaze. “Some kind of game? Is being King too boring for you? If you’re gonna kill me just do it.”
“Impatient as always,” Griffith says.  It occurs to him that Guts is still in his armor. “And always so demanding for a mad dog.”
“You got some nerve calling me mad.” Guts’ muscles clench. Griffith can see every emotion running over his face, settling in his neck – the tension in his shoulders, the clenching of his jaw. “I ain’t the one who—”
“You can list my sins until morning and I won’t be any more enlightened than I am now.” Griffith’s voice cuts the air – sharp and soft as it is. “You invaded my home and tried to kill me, yet I have been nothing but cordial.” With some minor exceptions. Even now, he can remember the rush of battle, Guts’ steel against his. He had played along, but in the end only one outcome could have come about... and it did.
“Now that we’re here,” Griffith says softly. “Feel free to swing your sword as much as you like. It will do you no more good than it did the last time... or the time before that.”
The weight of that massive sword hits the ground with a crash that jolts the floor... and just that quickly, Guts is rushing at Griffith, his armored fist swinging. Griffith stands motionless for a moment, watching the light catch on the edges of that so-sharp black armor. Watching the barely burning fire in Guts’ eye turn to an inferno. And then, just when Guts is there – only a few short feet away, Griffith reaches up and grabs that fist in the bare palm of his hand... and holds it.
They are close – close enough for Griffith to feel the feather-light stirring of Guts’ breath. That one eye widens in—fear? Panic? It isn’t rage, not this time. There’s something savage inside Griffith that smiles at that reaction. His fingers curl down, and he feels the metal creak, just at the edge of bending, or snapping. One never knows with cursed items.
It's enough to make his point, at least, in that second before he lets go.
“You really never change,” Griffith says, voice quiet but not quite soft. “I would have thought you’d learn to control yourself between the Hill and today.” He flexes his fingers. “You should have tried a slap.”
Guts snaps his armored fist back, pressed to his chest. “What the hell is this? If you ain’t gonna kill me, if you won’t fight... what is this, just some kind of cage? I’m just your prisoner, now?”
“If I release, you’ll just keep coming after me.” Griffith runs his tongue along the inside of his lips. He can almost taste the bitterness on his tongue. “So, yes, I suppose you are.” He looks away from Guts, toward the floor length windows. From here, inside  an obscure corner of one of the palace’s towers, Outside, he can see Falconia spread out before them like a painting – the view from the sky. “Well,” he says, “If you say you will leave here and move on with your life – give up your vendetta and leave me be – then perhaps I will let you go.”
“Like hell I will.” The answer comes too quickly. Griffith almost laughs; Guts says, “You know damn well I won’t.”
He does know. Or, rather, he suspected.
“That being the case,” Griffith says. “Here we are.”
“Yeah, here we are.” Guts raises his head, his back straightening to his full height. It must be terribly intimidating to anyone who isn’t Griffith. “So now what? You can’t just shove me in a box and come by when you wanna be smug for a while.”
“That’s a presumptuous accusation. I don’t recall saying I would be coming back.”
Griffith hears his own voice – hard as marble and just as cold. Guts hasn’t moved. His hand remains pressed to his chest, and outside, the sun is growing crimson with the coming night. Griffith watches the red light dye the white buildings; somehow his gaze refuses to land on the man in front of him, no matter how close he stands. And he’s never had a difficult time finding things to say – it was only ever a matter of whether he had anything that needed saying. Now, nothing that comes to mind will make its way past his lips.
Best to leave. Griffith sighs. “I don't suppose there's much purpose to my staying here any longer. I thought I should explain the situation. But I'll have servants set aside to attend to your needs. There's no need to disturb your... equilibrium any farther.”
“You send your servants in here, you ain’t getting them back.”
Griffith glances at Guts. Lines of tension run up his neck.
“Would you kill them for bringing you breakfast? Not all of them are demons.”
“Fine by me. I don't just kill demons.” Guts shrugs his heavy shoulders... but the casualty of it is affected.
Guts’ face is just as tense, just as angry. ...it’s frightened, too... though it isn’t immediately clear what it is he’s frightened of. Griffith himself, perhaps? That would make sense... though it seems somewhat incongruent with Guts’ personality to show it in this kind of situation.  
No. It’s something else.
Griffith is quiet for a time, assessing Guts’ body language, the way his eye burns. Anger, frustration and fear. If he thinks about it, it shouldn’t be surprising. After all, who knows abandonment and imprisonment better than Griffith?
 “I see,” He says. “I wouldn’t have thought you would want me to come back.”
Something flashes in Guts’ eye – surprise, yes, and then a wall of stone to block out Griffith’s sight... or maybe Guts’ perception of himself. For a moment, Guts is just. Silent. Motionless. He opens his mouth... even so, it takes a moment for him to find his voice.
“I didn’t say—” Three words, and then his voice fails quiet again.
Griffith looks to the table not so far away – the apple core and half-eaten bread.
“Very well,” he says, quietly. “I'll bring you your meals personally. At least for now.” He takes a deep breath and turns toward the door. It’s only a few steps off; he takes hold of the latch – silver and engraved with feathery markings, like most things in Falconia.
“Heh.” It isn’t an actual laugh. Feet away, Guts’ weight shifts. Griffith can hear the clanging metal; it shifts, but doesn’t approach. “Never thought this was gonna end with a damn God Hand offering to bring me dinner.”
“We are not one body, Guts.” Griffith looks at his hand – long fingers wrapped around the silver latch while the metal warms. “Each of us has our own goals, our own priorities, and our own experiences. I am what I am... but I am still Griffith.”
The armor shifts behind him again, and it’s so quiet. Griffith doesn’t look back. “Whatever has become of what we were... you were once the most important thing in this world, to me.” It’s surprisingly easy to say. Perhaps because it’s no longer true. “I will honor that.”
And then, without waiting for a response, he opens the door and steps into the hallway beyond.
* * *
Guts stares at the door long past its closing, his heart pounding violently in his chest. In that moment, hot rage and cold sorrow rushing through him, he doesn’t know whether to scream or cry.
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mindsmade · 4 months
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the new year is about half an hour away here and I just wanted to wish you all a happy new year!!! I’m so grateful for the new friends I’ve made this past year and the old ones that have stuck around as well and I hope u all have a wonderful 2024 ✨❤️
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AO3 WAS working for me all afternoon but now that I've gotten to the tipping point of this fake dating mutual pining AU it decides it will not do so any longer? raining hellfire on whoever's DDOSing the site
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missmaywemeetagain · 2 years
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Listen, every time I think I’ve found the best picture of him, there’s just another one lurking in history…🔥
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oprah-so-what-is-the-truth.gif
dfslkxgjsvcfimpaksfjkxldsj LET ME LIVE???? okay it's simple math person i dislike x saying how much max sucks = CORRECT. Saying Max sucks is always the correct opinion!
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peregrintook · 2 years
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Got my shirt today wheeeeee! ♥
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passengerpigeons · 1 year
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My favorite part of the pandemic is that now my black ass can wear balaclava/ski masks in the winter without weird looks 😊
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Put down the coffee and drink some water cams!
*looks over shoulder* bro where you hiding lol
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charincharge · 2 years
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Rowan viewing any media as a hom and Aelin self insert is my reason for exist boy was like ah yes fanfiction but it’s just me
Bahahaha. Exactlyyyyy. Haven’t we all done that a time or two though?
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fantastic-nonsense · 5 months
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little-eye-guy · 2 days
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ulcers acting up like every hour rn YARGH
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angelgigisworld · 11 days
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valluvslana · 7 months
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:3
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Uh-
just found out my cousin (who lives in England) is in the art department of a bunch of shows??? And she worked oN DOCTOR WHO? AND HAD LUNCH WITH DAVID TENNANT???? and she just told me so casually because she's interested in the art, not the show? I mean, excuse me? She worked on SHERLOCK???? FOR A WHOLE SEASON?? She worked on Peaky Blinders and Lord of the Rings and Game of Thrones??? And probably other things because she has a shitty memory and according to her everything is a blur?? AND AT ONE POINT SHE WAS LIKE: "oh and have you ever heard of Neil Gaiman?" And I was trying not to scream, because yes, of course I've heard of Neil, he's only my favorite author, I've only read like all of his books multiple times, and if you say you worked on Good Omens or the Sandman I'm going to lose it completely. So I said "yeah I've read a couple of his books," -you know, like a liar- "what about him?" and she goes "well I worked on one of his shows and he's brilliant i just can't remember which one" and i go "w-what do you mean he's brilliant? You're.. you're talking about his writing... his writing is brilliant, right?" And she cheerfully says "oh no I don't read books, I ment he was really nice and brilliant when I talked to him" and i go "WHAT DID YOU TALK ABOUT WHAT DID YOU TALK ABOUT" and she thinks for a moment and goes "oh! BRICKS" WHAT IN THE WORLD YES NO THAT MAKES SENSE YOU GET TO WORK AND TALK WITH NEIL FUCKING GAIMAN AND YOU TALK ABOUT BRICKS? NO THAT'S TOTALLY NORMAL I'M NOT MAD ".... it was what I was designing at the time, I needed to know what vibe the bricks should have. Anyway want to see the spinning fireplace I made for doctor who" WHAT THE FUCK.
@neil-gaiman do you remember any brick conversations by any chance
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cyberiapinksosa333 · 8 months
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“wtf is wrong with you”
you mean like today or like in general?
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secondbeatsongs · 1 year
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for anyone too young to know this: watching The Truman Show is a vastly different experience now, compared to how it was before youtube and social media influencers became normal
before it was like, "what a horrifying thing to do to a human being! to take away their autonomy and privacy, all for the sake of profits! to create fake scenarios for them to react to, just to retain viewership! to ruin their happiness just so some corporate entity could harvest money from their very humanity! how could anyone do something so evil?"
and now it's like, "ah, yeah. this is still deeply fucked up, but it's pretty much what every influencer has been doing to their kids for a decade now. probably bad that we've normalized this experience"
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