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#literally have been obsessed with them
drawkivi · 10 months
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this is the end
hold your breath and count to ten
feel the earth move and then
hear my heart burst again
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Are you more of FNAF or Jojo? (Ofc you will then say, I can be both-)
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Why pick when they are so similar/hj
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ganondoodle · 6 days
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it might seem like im just a totk hater, and to be fair, i AM, but its not bc i think its bad in every way- if it was all bad, ok, then its all bad and we can forget it happened and can all accept that-
but totk specifically hit the jackpot of -things that frustrate me so much i cannot let go and need to talk about it-
its part of my current hyperfixation (or whatever is the right word), botw is one of my all time favorite games, and that one had so many mysteries i was DEEPLY invested in, its got great music and some absolutely fanatstic moments, some ideas are great to fine, but it doesnt make sense, i hate time travel like little else in games, it constantly contradicts itself, the franchise, even its previous game its supposed to be a sequel to, i felt like i was made fun of by the game itself, for caring so much about what they had set up or done in botw, the moment i saw what they did to the shrine of life i felt so devasted i could hear people pointing and laughing at me for having cared about it, the writing treating me like i am so brainless i cannot connect dot one and two when there are only two dots in front of me labeld 1 and 2 that it then tells me to connect directly, to my face, multiple times, before showing me how to draw a line, its full, so SO FULL of missed opportunities, its got choices in there that are just nothing but frustrating bc there were a hundred other ones, i can see what you could do wit hthe basic ideas, theres people that worship it to a point you cant say anything even mildly critical, even about objectively bad things (there is no excuse for that godawful arrow menu) bc they will jump at you like a rabid animal-
i could go on but you get the point, never in my life has anything hit me like that
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its-your-mind · 3 months
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*deep breath in*
the fears 👏 have always 👏 been (in one way or another) 👏 parallel 👏 to 👏 desire 👏
let me explain.
so many of the statements given by actual avatars center around some sort of need that was met by their entity. Lots of them even had a positive relationship with the fear that drove them.
Jane Prentiss is an excellent example - the Corruption has always been about a form of toxic and possessive love, but she personally has a deep desire to be “fully consumed by what loves her,” and finds a perverse joy and relief at allowing herself to be a home
Jude Perry is another - she fucking loved watching people’s lives be utterly destroyed. The Desolation only offered her a power of destruction on a grander scale, and then gave her a more intense rush of joy as she did its work. When she tells Jon that he needs to feed the Eye before it feeds on him, it’s almost as an afterthought; she was happily feeding the Desolation long before it burned her into a new existence.
Simon Fairchild. Every time that old loose bag of bones wanders into the picture, he is having a fucking EXCELLENT time playing with the Vast. He loves showing people their own insignificance, and he loves luring them into situations where he can throw them into the void as he smiles and waves.
Peter Lukas (hell, the whole Lukas family (except Evan. RIP Evan.)) hated. people. all he wanted was for them all to go away, to leave him alone. The Lonely only fulfilled that desire.
Daisy, Trevor, and Julia, all devoted to hunting those things they deemed monstrous.
Melanie, holding tight to that bullet in her leg because on some level, she wanted it. It felt good, it felt right, it felt like it fit right alongside the anger and spite that drove her to success.
Annabelle Cane first encountered the Web when she was a child, running away from home in order to tug on her parents’ heartstrings in just the right way to have them wrapped around her little finger. Later on she volunteered to be the subject of an ESP study. Hell, she’s the one who dangled the “Is it really You that wants this?” question over Jon’s head in S4.
And that brings us to Jon, beloved Jarchivist, the Voice that Opened the Door. Ever since he was a child targeted by the Web, he was looking for answers. He joined the Magnus Institute’s Research Department looking for them, he stalked his coworkers in search for them, he broke into Gertrude’s flat and laptop out of desperation for them. And when he realized that all he had to do was Ask to get truthful answers to his questions? It was only natural for him to jump at that opportunity.
Elias told S3 Jon that he did want this, that he chose it, that at every crossroads he kept pushing onwards, and the inner turmoil that caused was one of the focal points for Jon’s character through the rest of the podcast.
There’s a certain line of thinking in many circles about the power of the Devil: he’s not able to create anything new. All he’s able to do is twist and warp that which was already present, making it something ugly and profane while still maintaining the facade of something desirable.
Jon didn’t choose the Eye. But he did wander into its realm of power, exhibiting exactly the qualities it was most capable of hijacking and warping to its own ends. Jon didn’t choose the Apocalypse. But Jonah picked at him little by little, pointing him towards each Fear individually. Jon didn’t want to release the Fears. But the Web tugged on his strings just so and laid a pretty trail for him to follow until he reached its desired conclusion.
Jon didn’t choose ultimate power, or omniscience, or even his own role as Head Archivist. But he said “yes” to the right (wrong?) orders and kept on pushing for the right (wrong?) answers. He wanted to succeed at the work he had been assigned. He wanted to protect his friends. He wanted to rescue them when they were lost. He wanted to prevent the apocalypse, to save the world. He wanted to know why he was still alive, when so many had died right in front of him.
The Great Wheel of Evil Color that is the Entities might not fit as neatly into categories in this universe - maybe there was no Robert Smirke trying to impose strict categories on emotional experiences, or maybe the ways they manifest in the world has turned on its head (goodness knows many of them have been showcased and blended in some very fun and new and horrifying ways so far) - but their fundamental foundations seem to be the same. Hell, in episode one we learned that there had been enough individual incidents to create a distinction between “dolls, watching” and “dolls, human skin.”
Smirke’s Fourteen isn’t going to be relevant as common parlance, RQ said that already, but I don’t think that means the Fears themselves (and their Dream Logic-based rules) are different - I think it means that the levels of understanding, language used, and personal connections among people “in the know” are going to be entirely unfamiliar
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boinday · 8 months
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I am so normal about the way they interact what do you mean
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well-fuuuck · 7 months
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this one kinda got away from me...
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these are all kind of Bad but this was the best of the bunch so i am posting it :p
i've been trying to draw vanessa more... she is so important to me... sun is here too i guess
#my art#probably wont tag this until later i dont want this in the tags#im mainly posting this because i absolutely need to talk abt something its been bothering me for awhile#im gonna censor this stuff (i REALLY dont want this in the tags) so just bear with me#why doesnt the 🌞&🌜 fandom talk abt v/nessa more. why do we not do that#their entire character is meant to parallel her#there's like a million tiny parallels for them in the games. they were both teased in the hw1 dlc and are both associated with that#🐰 & 🌜's animations (and even their designs) have several similarities to each other#there's a lot of cutscenes and parts of sb where one shows up after the other does.. 🐰 going to the daycare after greggy leaves#🌜 dragging feddy away to parts and service and v/nessa immediately showing up there#the entire 6am ending sequence ???#literally like the only reason v/nessa isnt more popular is bc like 90% of her character is hidden in unused content#and because 🌞&🌜 are the skinny handsome mysterious and tragic tumblr sexymen#and when they become so isolated from their source all of their parallels to her are used to instead repackage her character into a more#appealing design for everyone to fawn over and consume#.. im being dramatic but AuUGGHTHHF IT BOTHERS ME SO MUCH PLEAAAE3 pleaseee please i love her.#its so hard being in the 'i want to kiss this robot' fandom when you dont actually want to kiss the robot#i just think theyre an interesting character 😭 and also my adhd brain obsesses over them endlessly so im just stuck here HFJSJGJD#anyway these tags got way too long dont read these. im going to bed now
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sweetsnidle · 1 year
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naekusaba for the soul
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kiyocuck · 4 months
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bro never skips eyebrow day
bonus:
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"why does kiyotaka call you babygirl??:("
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holocene-sims · 6 months
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friendship with my semi-hiatus ended, now this sim i made is my best friend 🤝
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alackofghosts · 6 months
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but you, i'll give you my morning / i'll give you my day
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deweythemoth · 8 months
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Warden time yippee
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So I've been obsessing over the warden lately and yall have to suffer with me
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sugarsnappeases · 2 months
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rita skeeter, at the end of the first war
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jacksoldsideblog · 5 months
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things my cats have taught each other:
-licking people is normal and good behavior you should do constantly. kudos if you get to use teeth
-you should run in like a bat out of hell to sneak a lick on one of mother's nipples while she's lounging shirtless
-once she's upset you've licked her nipple either dart out of the room or start licking her nose to express that she should chill out
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