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oceanwithouthermoon · 5 months

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least favorite saiki ship and why ?

IT SCARES ME THAT THIS IS ON ANON. WHAT IF I SAY THAT I HATE A SHIP AND THEN IT TURNS OUT THE PERSON THAT ASKED THIS IS LIKE THE CEO OF THAT SHIP OR SOMETHING.

... its torisai LMAO.

i dont like saying it on here much cuz its one of the most popular ships in the fandom (the number one most popular ship is kubokai, and im not a fan of that either ☠️ i just think theyre the ship you get from looking at the show/manga purely at surface level and just picking two characters that are close friends and saying 'they should date' even though they wouldnt actually fit together.. i just dont see it personally lol.. OKAY ANYWAY SORRY-) but i really dont like torisai 🧍🏻‍♀️

(im about to talk about sa under this, fair warning)

i literally just posted today about people shipping things in ways that mildly trigger me, and torisai shippers do it pretty bad !! for some reason, mikorei shippers and yumetori shippers etc dont really do the thing that torisai shippers do where they romanticize sexual assault in the way they write them.. im not sure why that is, maybe they think that men cant be sa'd in the way women can ? they think cuz its a gay ship that its okay to write tori sexually harassing and assaulting him (+acting like its cute, not tagging it accordingly with warnings, etc) ? crazy. especially since saiki is implied to be a victim of sa (or at least is canonically a victim of sexual harassment and attempted sa) by his brother..

that whole thing is something i genuinely think is awful and nobody should romanticize sa, but toritsuka isn't inherently awful and still had potential and good character development, so that alone doesnt really make the ship that bad since the shippers are the problem.. i actually used to be okay with it until the shippers ruined it for me, but thinking critically about it (and thinking about WHY the shippers believe that their dynamic is so sexually abusive) did make me realize how much the ship sucks anyway.. (imo !!)

its partly because i project onto saiki, but i already mentioned how saiki is canonically a victim of (at least attempted) sa, and i reallly believe that he would not be interested in dating someone who is so obsessed with sex to the point where he canonically sexually harasses people and tries to peep without their consent !! he is literally an sa victim, obviously that would make him so uncomfortable!!

their friendship at the end of the series is nice and one of the most developed in the series, so i get where people got the ship from, cat tank incident invites a lot of content about them... but toritsuka still has a lot of work to do on himself before he can date ANYONE, and ESPECIALLY a literal sa victim..

when he saw saiki as a girl, one of the first things he did was DIRECTLY ask him about his boobs.. WHY WOULD HE DATE HIM AFTER THAT SKSNKAKAMSK..

actually lol, when i made that post today about ship content that triggers me, part of that was specifically inspired by torisai shippers lol.. (not all ofc and no hate, it just isnt my thing !! torisai mutuals i love u please don't unfollow me..) ive seen multiple people post about how they love torisai BECAUSE they would be absolutely awful for each other and bring out the worst in one another.. like hmm.. great for you if you enjoy that, but that is entirely why i DONT ship it !! i hate ships like that, i love my fluffy healthy romantic ships !!

okay anyway anyway, i love their platonic friendship, they care about each other lots, theyre one of the most developed in the series, their friendship has lots of potential, etc.. i just dont see it romantically !!! maybe in the far far future, but definitely not at the point they are at the end of the series..

#do not open this if youre gonna get upset if someone criticizes your ship #its one of the most popular ones so if ur seeing this then the chances that u ship it r very high #im not trying to hate please this is just my opinion i love you guys #im also open to criticism btw i dont really mind if you comment on here about why you like this ship #u dont have to though i doubt anyone will care about my opinion at all LOL #saiki k #tdlosk #the disastrous life of saiki k.#saiki kusuo #meows post #meownalysis

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r0semultiverse · 6 days

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Rose & Kanaya as Castiel & Dean Winchester from Supernatural sprites

rosemary but it's destiel

Feel free to use these for whatever you want or for edits, just credit me for these outfit designs &/or sprites! It took a lot of hours to come up with these! 💜

#Going to reblog these to my side blog as well; but this blog has more visibility #these Kanaya are from my earlier rips if you look in the screenshot i did all of this in one or 2 days procrastinating packing my things #would love to see someone draw these 2 as an AU properly; doubt anyone will see this thou lol plz tag if you do though!#I have no idea who Sam Winchester would be; maybe Karkat??? up to y'all if you wanna make headcanons #dean winchester as Kanaya though has interesting design potential for demon kanaya & her with the mark of cain #castiel as rose lalonde too; I'd love to make different designs sometime maybe for all the spn arcs #destiel rosemary supernatural au has a lot of potential is all I'm saying! just for fun lol #hand drew the extended cloak & the pockets are from davepeta iirc; wings from davesprite #mine #op #hs sprite edit #homestuck sprite edit #kanaya maryam #rose lalonde #supernatural #homestuck #homestuck beyond canon #homestuck fanart #hs sprites #homestuck sprites

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archaicfirehydrants · 5 months

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*takes out a bonesaw*

#pretty original #196 #shitpost #tagging stuff :3 #mostly just to find it back I doubt anyone will even see this lol

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likefolksongs · 1 year

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fall out boy on absolute radio listening party 3.26.23

[link]

the host asks about the parentheses around for in the album title - pete says it's "a double or triple entendre, everyone's trying to be someone and have their moment but that doesn't fill you up" but "there's something to be said about so much stardust." talks about how we're all just carbon, stardust and still can't get it together. he also just love parentheses!

talking about the album as an art form - patrick says they absolutely consider that and sequencing is important. there are a "few songs" which only made the record because of how well they told the story of the album. also love from the other side was conceptualized as an album opener because patrick felt none of the other songs felt like an opener!

the intro to lftos is patrick playing the same piano part at four different speeds, starting in sync and then falling out of sync as it continues - he says it feels representative of the whole album for him

with hold me like a grudge, pete says when patrick first played it for him the verses sounded like 2000s alternative radio hits but the chorus sounded "distinctly patrick" which was an "interesting blend." patrick: hm. thank you. i think. pete: yeah that was a compliment!

hold me like a grudge was the last song they wrote for the record! pete was second guessing other lyrics and sent patrick new lyrics to possibly replace the ones he was feeling unsure about. patrick read them before driving to the studio and by the time he got there the song was basically written in full.

pete makes a comment about how that's at least two songs "that people really like" that patrick's written in the car (referencing lotro); patrick says he's written a lot of songs in the car and pete jokes they should just toss him the keys

pete says it's the worst when you think of something in the car and are sure you'll remember it but you don't. says now when he thinks of something in the car when he's with bronx he'll tell him to write down words to trigger the whole phrase "but they don't make any sense together. i'll be like write this down and he'll be like '...okay." andy: like dad shut up [giggles]

fake out didn't come together until joe heard it! patrick had most of the lead guitar down but none of the rhythm guitar but "joe came in, gave it one listen, and picked up this acoustic. none of us had really thought about acoustic, he just went into the booth and we pressed record and he did it in one take... that became kinda the whole song."

patrick talks about soul punk briefly, says the most surprising thing about making it was that it was very unsurprising, because all the ideas were already in his head. part of why he enjoys working with the band so much is that they have ideas he never would've thought of.

they discuss changing sound - pete says the first time he had that feeling of like "oh i don't know if this is too different" he was scared of it but he's learned that it's a good thing and that there's always going to be so much of the band's dna on it that it Will sound like a fall out boy song

andy: i think a band can not just be a city it can be a continent. writing these different things is building the map to what the bigger picture is

they bring up queen and bowie as examples of artists that kept changing but now when you hear their songs you just think "oh that's queen" or "oh that's bowie." the host mentions he used to hide liking queen from his friends and patrick says he had to hide liking ska from the band. andy says he's had a really big reggae and ska phase recently and loves being able to talk to patrick about it because "he's a fountain of knowledge."

heaven, iowa is one of andy's favorite on the record and he loved it from the start! patrick reiterates a comment from another interview about how he didn't like it that much at first but knew everyone else did, kept asking joe for any and all ideas because he didn't like how much "space" there was and how naked his vocals felt. andy says he thinks space in music can be magical.

they talk about track sequencing again - patrick says he and pete moved "the meat of the album" around many, many times.

pete talks about the pink seashell interlude and being obsessed with mortality. patrick talks about the process of scoring it and how joe added guitar to the string lines which he thinks brought it all together.

they didn't start out thinking they necessarily had a record - patrick says "we went in with neal for a week to see if we had something and by the end of the week we had half the record.”

patrick's been asking people to tell him fan reactions to the record since he doesn't have social media 🥺 "i know i've been driving everyone nuts... i've been asking everyone 'do people like it? what do people think?'" reiterates the dinner for your family line to explain why this record means so much to him.

pete says making an album is kind of like being a climber standing at the bottom of a rock face trying to find a route up; when you get up the route might seem like it was obvious the whole time but it wasn't. patrick chimes in to agree and add that it feels like the song that was the centerpoint of the album shifted many times.

the host mentions that he really likes and relates to the title of "i am my own muse." pete talks about looking at his four year old and thinking about how "at that age, you Are your own muse. you're like 'i just color, i do what i want, i'm not trying to conform to your idea of my creativity' and welcoming some of that back into your life as an adult or an artist is great.'"

the host mentions that his nine year old son's favorite song ever is "centuries" and the band are appropriately flattered (though patrick does say sorry when the host says he's probably heard it more than any other song ever ajfioenaj).

going back to the discussion of different songs being the centerpoint of the album, patrick says flu game was "one of the first songs to have that spot."

patrick talks about not being the most confident guy but that he's learned to share all of his demos; he thinks he might not have played flu game in the past. pete chimes in to say in the past patrick has tried to throw out some of his best ideas.

patrick says flu game "kind of started the record" because it was the favorite out of the first five songs they made with neal. "this was the one that convinced neal i think." pete notes "this would've been an insane record if [flu game] was the lynchpin."

flu game was originally the lead single! pete: you know how we always talk about how if we were gonna fly in a helicopter that i would have to knock you out like b.a. baracus? patrick, instantly: yes. pete: if we had made this the first single you guys would've had to b.a. baracus me. patrick, protesting: that wasn't my choice!

pete says baby annihilation felt like an authentic way to pay homage to his past spoken word bits and he trusted neal to be able to make it work.

they have a discussion about the distinctions between emo/pop punk/straightedge hardcore and pete talks about how arbitrary the labels that are assigned to musicians often are. pete talks about how fall out boy started as kind of a break from the more hardcore stuff for him that he was doing for fun which allowed it to be more freeing. patrick agrees, talks about how andy and pete were in "real bands" so no one was taking fall out boy completely seriously which allowed them to be looser.

kintsugi kid was one of the songs patrick was mentioning earlier that was almost cut from the record but made it because of the track sequencing. patrick says he always felt very strongly about it and believed in it so was very glad when it made its way back on to the record. pete calls it the little song that could.

the host asks about their songwriting process and pete talks about how the best songs are the ones where he and patrick "clash" just the right amount; songs where one of them dominates over the other don't connect as well.

they discuss the different producers they've worked with; pete says every producer they've worked with has felt like the right person for the job. patrick talks about how working with so many different producers is part of why he wanted to go back to neal.

patrick talks about how important it was for this album to be a single producer album; with mania they had so many different producers and he wanted to get back to just being in a routine with the same person. andy: it's the difference between microwaving and actually cooking. patrick: yeah, i agree with that! andy, jokingly: thanks, i'm gonna leave.

patrick calls what a time to be alive his baby. says every time he played it for someone they would say "really?" pete: patrick was really determined to get this song on the record. i felt like gamora like "is it done? what did it cost you?" pete and patrick in unison: everything [laughter]

patrick says he and pete struck a bargain (pete: i don't remember this). patrick didn't want so good right now to be on the record (he wasn't going to name the song but pete told him to go for it) but pete was really advocating for it. patrick said that if pete let him have what a time to be alive he would green light so good right now.

pete talks about how art only really becomes art when it connects with its audience which is part of why they wanted to do those small shows and host listening parties, to see how people reacted

the host asks how their relationship with fame has changed; pete says they had a year or two where they were super famous "and it was not a great life;" talks about how he looks at kpop groups and boy bands and thinks "god bless that it wasn't that long for us." he says he made a point to rearrange his life to be less famous and prioritize his family and the band. also pete makes a star wars reference and patrick does a yoda impression 😭

the hour wraps up with pete asking the host if he still wants a video for his son and they do a quick video for him 🥺

#fall out boy #pete wentz #patrick stump #andy hurley #fob #sorry this is so long they truly talked about So Much #i wasn't gonna do a write up and i doubt anyone will actually see this bc i am not a Big Blog tm #but they just kept saying things i wanted to remember without having to relisten to the whole thing #and i hadn't seen people talk about this interview besides patrick's yoda impression lol #anyways hope anyone who stumbles upon this enjoys!

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summertimemusician · 7 months

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Linktober Shadow Day 6

Shadow Beast

The Twilight Princess fan in me really came out on this one huh? I blame the sleep deprivation. We never quite addressed the effects of the Twili Magic on Twilight and how it's only sheer force of will and the fact he's so darn kind, Midna's influence and Time teaching him the Song of Healing first being the main factor in making sure he doesn't fall huh? Even more so than the One Cutscene. We also need to talk more about the fact we technically kill Midna's people and how by the end of it all Twi is so changed by the Twilight Realm who's it's own can of worms that, much like Time he can't quite go home as himself me thinks, as a treat to myself

Mostly Twilight x Reader, this goes out to all of the folks who never quite recovered from Twilight Princess and the fact we never got that sequel (I mean it gave us BOTW and TOTK and Wild, but at what cost?), but can be read as Link x Reader either on the platonic or romantic.

Don't think there's any warning this time but might edit later if needed.

Actually yeah there is one warning

TW:

References to body horror typical to Twilight Princess, though I recommend not reading it I'd you're squeamish period.

Even after so long, you and Twilight could still remember the beauty and solemnity of the Twilight Realm, with it’s zircon skies with clouds of trapped fire and rains of viper obsidian.

The silence of the infection upon the realm of light broken only by the echoes of the howling elegy of the Twili and Interlopers who came before creeping over the land like rot and wither over flowers, the lament of the lost spirits of the people and animals of Hyrule falling over your spirit like a shroud, a shared hymm from two worlds reality had been twisted, only both of it’s princess, one filled the luster of empyreal sorrow in her mind and one with the scorch abyssal fury in her heart knowing to see the reflective tragedy befallen to their people. With Link as the one who restored the memory of what once was in both worlds as divinity and calamity sang in his bones and you a witness to the restoration of harmony to the discordant symphony, the two different songs of light and shadow refusing to let go of either of you in an eternal duet.

(Once touched by magic, it shall never leave the one if holds onto Twilight may have been the one with the Beast in his soul, with the howl of a wolf, the bite of shades in his veins and the lament of innocents taking precedence over anything purely because he learned how to silence the whispers of the one’s who made a grab for heaven’s throat and we’re pushed in the cracks of reality for their prideful vánitas even as he could taste it in the back of his tongue, twining around his ribs and overgrowing into his shattered mirror heart like vines, flowering with the divinity and eternal nature of the Hero’s Spirit, already having the hunt of the Fierce Deity in it’s veins and the remains of cursed divinity welcoming the new aspect merrily so he could bear it. The song of the innocent wrongly punished among the sinners rang into your mind, scratched at your skin and dug it’s claws around your throat, chocking you with sorrow and regret, more willing to leave gouges than to let go of someone’s who’s looked into the reverse side of the sacred realm and wept with grief for it’s people and the curse of it’s beauty.

It would never leave you, Link or Zelda, who learned who love the darkness the way Midna did, madness and unsightly delight and all.)

While the people of Hyrule merely became trapped as observers at best, if they were lucky, Midna’s raging grief and resentment quickly became obvious, once she revealed that rotten Zant had done to her and her people, twisted into a new form, distorted in body and trapped in mind like the animals and beasts of Hyrule, their pain driving them in becoming feral attack hounds for the usurper, their howling screams as much sorrow, wailing in an attempt to let their agonized, tortured souls to escape from it’s mouth, a futile attempt to flee from the strain of reality forgetting their true form in favor of Zant’s twisted design, of being used as sentient canvases for cruelty and ruthlessness, of their will being stepped over in favor of corrupting recreation.

Of how it only didn’t quaff down at Midna’s mind because of the nature of her ephemerality, fully beloved by the Realm of Darkness, of how she loathed him for it and wouldn’t wish her fate of that of her people’s on any living or dead soul, once she came to love the Realm of Light through Zelda’s sacrifice.

Which was why, when you saw three of the victims of the telltale twisting from darkness utilized with the intent to drive one insane, a familiar looking plate of stone engraved on the remains of ashes from their identity, the curling of distorted, solid darkness making crooked mishapen manes, bent out of shape from their too long torso and long, long arms adorned with twitching, deformed claws, you feel very justified in way your blood froze, holding onto Wild’s arms and yanking with all you had so his shot will miss, his yelp of surprise swallowed by the bone cracking, blood curdling screech from one of the beasts as a Skyward Strike grazed it’s petrified flesh.

You feel something warm drip down your ears, taste the promise of violence and the cry of lost souls on the back of your tongue and swallow it down as the memory of the Twilight Realm attempted to bite and crack your ribcage to quaff down your heart, to devour it bones and all, calling out in desperation, “Don’t! That’s a person!”

Sky freezes, as still as a statue, Legend curses the heavens crimson in a way you are so glad Wind isn’t around to hear as he retreats Twilight snarls, the wolf in him revolted and disgusted, you wonder if the Twilight is singing in his mind too as he restrains himself from reaching for the crystal as nails just a tad too sharp invite droplets of blood to one hand, grimm as a graveyard “We need to get them together anyway, felling just one won’t be enough.”

You grimace, releasing Wild, keeping your eye on the Shadow Beasts and another on your group, pointedly not mentioning the twitch in Four, amethyst clouding his gaze and the prism of his eyes turning gray with memories you and Twilight both knew all too well, of the grimace in Time’s otherwise stony countenance, you’d wished to avoid bloodshed of whoever was turned against their will, but you and Twilight both knew that might not be possible, death, unfortunately, might be the greatest mercy you can grant these poor souls.

(The Twilight is harmonizing in your ears, jeering, you feel the Interlopers insanity and the Twili’s lament on your teeth. As lovely as it could be cruel, the merry feeling upon meeting, the sorrow at a parting.

If you ever see the Shadow, you might just try indulging the echo by offering it’s blood as tribute. You'd make it hurt. The fact it learned the spell used to deform reality in such a way was cruel and vile.)

“Legend, how is your magic?” shoots Warriors, analyzing, calculating, it snaps the purple back into Four’s gaze, brings his mind back to focus as he reaches into his inventory for his Moon Pearl, Twilight is circling the beasts with single minded purpose, herding them together and prowling as he would as a wolf, Wild thankfully listened to your warning and had switched from the more destructive Flame and Lightning Arrows to ice ones. It doesn’t contain them for long but it gives a few precious seconds to strategize.

Legend catches on, switching to the Ice Rod on one hand and grasping his own Moon Pearl with the other, Sky has another Skyward Strike ready, but doesn’t release it, you switch from your sword to accepting a Magic Rod tossed at you from Wild, “Good enough.”

You breath in shakily, the symphony of the Twilight Realm has quieted, more lament than anthem as it’s Hero steps back, returning to your side, he nods grimly, “... Then, let’s end this quickly.”

You know your will boys will do their best to heal them, and failing that, you hope that they’ll hear the requiem of the Twili rather than the lament once they’re at peace, that they'll find some form of threnody.

It is a horrible thing, to be forced to die as a beast.

#linked universe x reader #linked universe twilight x reader #We really need to talk more about how the Twilight Realm sticks with Twilight and how it's magic never really leaves him #Heck I also want to know what it was like learning to turn into a wolf on his own. I bet that it was quite the process #friendly reminder that Time Twilight Midna and her people can all shake hands over identity and technical body horror #And how the Twilight Realm also likely has it's form of sentience due to the duality of both people like the Interlopers and the Twili #Something something how the difference between light magic dark magic is more about how willing much each reality changes you #and how Twilight more than anything and anyone who was with him on his journey would embody that fine line #Also the conflict between not wanting to kill the people that remind you of your old friend and the echoes all you have left of her realm #and knowing that their fate is so darn awful that death is a mercy #The reason Reader sees the Twilight as they do is because the dark magic latched onto them via association and Twilight's fondness #Maybe I'll elaborate on that later idk lol #Also the reason Dark Link knows the curse Zant used is both because of his nature and a reference to the TP Manga if you know you know #Hero's Shade mauls Zant in it. It's arguably the best thing in any manga I am begging any people who like Twilight and TP to go read it #summer writes linktober shadow 2023 #summer writes #I could go on an entire essay about the relationship between the Realm of Darkness in each game and the Realm of Light and magic in loz #but I doubt anyone would want to hear about it lol

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