if you have been as intrigued as i am by oz perkins' LONGLEGS (2024), here is a very preliminary shot by shot breakdown of its teaser trailer! will we discover anything profound? probably not, but there are some spoilers and speculation/potential spoilers under the cut, so if you want to go in completely blind, be mindful
maika monroe herself in our opening shot, standing in front of her crime board. which seems to mostly feature a cipher (one of what appears to be several that this movie and its marketing are using).
are we to assume that something Bad is happening in this car? probably.
next shot is cut as though this little girl is reacting to whatever is happening outside. i was squinting at whatever is on her desk because i have a feeling it may be important (for reasons mentioned later) but it is difficult to tell.
someone (maika monroe?) is doing research on what appears to be demonology or something related to it. titles of the books are 'a guide to the nine circles of hell' and 'the dark lord's hand' (both books were presumably created for the movie as they don't come up in any searches). beneath the books are notebooks in which she seems to be attempting to decode that cipher (maybe the killer is leaving our protagonist coded hints)
this opening of the book is intercut with a shot i did not include (to save space/because i had little to say about it individually) of the investigators opening a door to a dark room (murder scene?), which is a cool thematic thing. it also precedes...
also this shot is more heavily featured in this teaser with a cipher that when translated reads "hail satan" (check out the decoding work this person has done). well! if we had any doubt that these killings have some kind of religious motivation.
this is the 'guide to the nine circles of hell' book, but i can't make out the text with any clarity. to the right, perhaps another decoding effort is happening -- but i actually think this is maika trying to figure something out about the victims here. the order in which they're going to die, maybe? their locations/how they are chosen? there's a list of people's names beside a field of numbers, and she's drawing a line through some of the numbers.
starting to notice something odd with the aspect ratio - pay attention to how it swaps between standard widescreen and this more voyeuristic type of shot (you also saw this earlier, in the winter shots of the car and the girl), and we'll see if there seems to be any logic to that.
our first look at nic cage! is it scenes involving him/related to him specifically which are shot differently? maybe to induce said voyeuristic quality surrounding him and his kills? regardless: he's busy in his little workshop here. there's a nic cage interview floating around that seems to indicate that his character kills via creating cursed dolls or puppets which drive families insane in a sinister-esque fashion, which would check out here
something wicked is afoot in this hardware store (?) (i can't actually tell what is being sold here)
in presumably the same store, we see an unknown figure offer this girl some kind of small figurine (???). possibly nic cage planting one of his dolls (this is also why i was paying attention to the other girl's desk in the earlier shots, to see if she had anything similar). does he work here? (worth noting however that this is shot in the regular widescreen aspect ratio)
maika is finished with her triangle recreation.... but perhaps she is not alone
few interesting things to note here. 1) woman is getting hit in the back with an axe (in her own home, seemingly not expecting it, lending credence to the killer's MO). her murderer (husband? unsure) appears to be covered in blood. 2) she bears a resemblance to this woman, from a promotional poster and the setting looks as though it's the same one from this teaser. (cipher reads: "stood upon the sand of the sea", referring to a quote from the book of revelation describing a HYDRA, hmm)
3) a change of aspect ratio again, which immediately intercuts with....
maika flinching backwards as though bearing witness to this. could be just some misleading trailer editing, but the implication here is that she is 'seeing' these murders take place somehow. actually, maybe THAT explains the change of aspect ratio? it happens when we're seeing her "visions"?
gonna cover these quicker shots a few at a time: a shadow stumbling/dragging itself through a house as though wounded (not sure if it's the axe-in-the-back woman, because the house looks a little more modern, plus - different aspect ratio), an eerie figure in the woods (feels strangely out of place), another shot of nic cage in his workshop(?) (again with the aspect ratio switch - so if we follow the theory that these are maika monroe's visions, she definitely has some kind of direct connection TO him and not just a voyeuristic connection to his victims).
a person (i initially thought a woman, but that could actually very well be nic cage with his long, scraggly hair) slamming their head into a desk. the shot has interrogation room vibes (to me) but is too bare bones to make out for sure. maika is either... watching/interviewing (that's a camera beside her?) or this is another intercut reaction shot implying their connection.
(i didn't capture it but these shots are also intercut with images of red, gurgling blood, which seems a bit more deliberate than just an edgy choice - if there is a ritualistic element to these murders, perhaps it has something to do with blood)
i think this is nic cage again, but why is he upside down? interesting. unless i AM wrong, they actually show him a lot more in this trailer than initially assumed.
we're in maika-vision (calling it that until further notice) here again, this time to look at some kind of demonic entity (the same one we saw in that earlier shot of the woods?). this calls into question the objectivity of this voyeurism-whatever-it-is, although... obviously this film does have very clear supernatural elements, so hell, maybe nic cage IS being instructed by a demon.
another very clear intercut between maika and nic cage. is that nic cage?! it REALLY does not look like him from this profile angle, but it is possible that they've done some prosthetic work on his face (which they have been very careful not to show in full quite yet - nor do i think they should, since he is such a well known guy. you don't want your audience getting comfortable with him in this role before they actually see him.)
but i digress: another moment where the editing is implying an important connection or parallel (maika seems to be losing it a little - which i would too if i could no longer separate my identity from a killer's and/or their victims)
going forward i would pay attention to how promotional material for this movie is edited In General because they are using it as a very deliberate communicative tool at least in this teaser!
another couple of notable shots. in the first one, a woman (a nun? she seems to be wearing a habit, similar to another woman we will see later) fires a rifle into what seems to be an already blood-splattered car. then (which i didn't include) we see Maika With A Gun (hi maika), and what appears to be a car chase.
in maika-vision again, a man who has seemingly just got done slaughtering all of his cows. probably safe to call an animal harm content warning for this one, pals
ah! that WAS nic cage in the car paralleled to maika -- look at how he's dressed here. yet again they are deliberately hiding his face (also note the background - it would seem that yes, he is working at some kind of paint/hardware store).
two more maika vision shots. the first is the woman we see featured in this poster. the second is a small child who is closing a door to avoid watching whatever they're looking at. neither is having a good day!
there is a targeted amount of religious violence here, which makes sense if our killer is demonically motivated
and last but not least, nic cage murdering a guy (gender neutral) (interesting though because i hadn't assumed him to be the hands-on type given his rather indirect MO).
anyway: that's the longlegs trailer! the most telling takeaway here, in my opinion, is: how much it does actually focus on this sort of duality between maika monroe and nicolas cage and some apparent connection between them. my instinct is that that's going to be the meat of the story (although there is clearly a deeper mythology to explore too -- the cipher, the demon, the nature of the kilings).
one more thing to note: this movie seems to take place over the span of several decades. the teaser posters/captions released by neon are dated by year and reflect as much, and if you're looking for it you can see the aesthetics shift around a bit in the trailer as well.
send me your theories/observations! eager to see if anyone puts some pieces together that i might have missed.
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