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#love is maybe in there somewhere. but it’s not obvious
egophiliac · 1 day
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Hi there! I really love your comics and how expressive they are. How do you go about making the characters in your comic so expressive?
thank you! 💚💜💚 I am REALLY bad at explaining things, so my apologies if this doesn't make a lot of sense, but maybe there's something helpful in here somewhere. :')
1. warm up! drawing is a physical activity, after all! so if I'm planning on sitting down and drawing for a while, I usually start off by taking a couple of minutes to doodle a bunch of circles and lines and random shapes, just to get my drawing arm goin' again and get back into the physical groove. just stuff like this:
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and just do that for however long you feel like! you can kind of feel when your arm starts to loosen up and your strokes get more confident. it makes it a lot easier to get those swoopy big lines and gestures!
2. play around with how you use your lines! paying attention to the shapes that they're making will change a lot about how much force and life your drawing feels like it has. (no way is better than another, it just depends on what effect you're going for and how it looks as part of the larger whole.)
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and you can also use lines against each other to get different vibes:
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it's not really a matter of "you need to make sure all your lines are always doing this all the time", it's more like...being aware of it, and getting that into the general thrust of a pose, if that makes sense? like a lot of smaller lines of action, beyond the big one that goes through the spine.
(just gonna use my own art as examples, apologies)
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if you have a good foundation of tension, then all of the little bumps and contours of a character's details won't get in the way of it, and it'll still come through.
and don't forget about negative space either! the spaces between things have their own interesting shapes too!
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I don't mean this to come off as, like, all these extra things that you need to be constantly thinking about and stressing over. more like...just try different stuff and then see how it works and how it changes the feeling! if you find a good shape, see if you can exaggerate it and make it more interesting, and how that affects things! angles and shapes are a LOT of fun to experiment and mess around with, especially when you're going more cartoony. :D
3. acting!
just...spending a little time to think about what the characters are actually doing! (aka the "figuring out what everyone is doing with their hands" bit.) this is more a personal preference, but especially in multi-panel comics, I like to have them be in the middle of doing stuff. not just big actions, but smaller things -- like even just how they're sitting or standing -- so that it feels like we're looking in on the middle of a scene, instead of a couple of characters just standing around neutrally and staring straight ahead while talking at each other.
this probably sounds really obvious, but it is one of the most fun parts for me! I love trying to find some little action or something that they can be involved in, especially if it's relevant to their character or adds an extra joke. (for some reason this usually involves me being mean to Sebek) (I'm sorry)
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it doesn't need to be everyone Always! Doing! Something! all the time, especially if starts becoming distracting (sometimes they do actually need to just be standing around neutrally and staring straight ahead, especially if there's a bigger action going on that you want the audience to focus on instead). but even just figuring out some kind of non-neutral pose for them to be in can add a lot and make it feel less generic!
3. thumbnailing!
this is, again, very much a personal preference; unfortunately, every artist really is different, and we all have different processes that work better for us. so I can only speak to my personal experience! but I find what helps is to start REALLY rough -- not so much as in messy, as in not trying to start right into actually drawing everything out. like, literally just starting with stick figures and :O faces.
it probably doesn't sound relevant when talking about Drawing Expressively, but I find it's really, really helpful to have already figured out what everyone should be doing (acting!) and what the overall general layout and flow of things should be, before getting into the actual meat of drawing the characters. like having a sketch for the sketch!
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(good compositional flow is something I struggle with, and text layout especially, so this stage also helps a LOT with making sure things are fitting where I want them and staying consistent/not breaking screen direction/etc.)
then after that, I can go ahead and focus on getting those Shapes and Lines and Angles and all that, without having to think too much about the layout or where things should go!
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(of course, the downside of that is that my thumbnails are usually way better than my actual drawings, alas alas.)
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4. this is more philosophical, but...give yourself some slack. the stress of Making Things Look Good is, ironically, often the biggest problem. (see: thumbnails looking better than the actual drawings.) so...let yourself draw shittier and without regards to accuracy. make things just for yourself without thinking about posting or showing them to anyone else. draw stupid faces and wrong proportions because they feel better that way. focus on what's fun and not on getting a perfect end result. "draw expressively, not well", as they say -- you can always tighten up things like proportions and details later, if you really want to.
that's all WAY easier said than done -- god knows I haven't really managed it -- but even just aiming for that attitude really, REALLY helps. if your lines are confident, they'll look a lot more alive and expressive than lines that are exactly technically precise but have no rhythm in them. (this is why tracing photographs tends to look so weirdly stiff and unrealistic, by the way -- even if you're drawing realistically, you usually need to exaggerate and stylize a little bit so it doesn't look lifeless.) it's a balance between caring about what you draw, but also being willing to let things go a little bit.
↑ I hope some of this helps! I don't know if any of this was actually what you had in mind, let alone much of it actually made sense outside of my head. :') but hopefully you (or other people) will be able to get something out of it!
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foreingersgod · 2 days
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what about like a paige x reader like they met on vacation somewhere during a break and then they hooked up or something thinking they would never see eachother again but turns out reader is the new uconnwbb team manager
Naked in Manhattan . PB
pairing: paige bueckers x reader
synopsis: you were devastated to face the reality that you’d never get to see your one night stand while on vacation, but maybe the universe has other plans for you
new crush
high school love again
it was finally spring break. no more midterms or study sessions to worry about, just your feet in the sand and a drink in your hand. you and your roommates had planned a small trip to california to celebrate the hard work you’d all put in for the semester. nothing too extravagant, just a quaint beach house right off the coast to let all of your worries wash away.
it was beautiful, just big enough for the 4 of you. when you had arrived you were practically planning out everything you would be doing. a week of doing nothing but sitting on a soft towel, bathing in the sun, listening to the waves crash while you read your book sounded like heaven.
but your roommates had other plans for you. they had heard about a ‘beach bro party’, whatever the hell that was, that a local fraternity was throwing. anyone and every was was apparently invited. the second the raggedy flyer hit the cool marble counter tops of your air b&b, you knew any plans of relaxation were gone.
so there you were on your second night of vacation, crammed into the single bathroom with your roommates, doing your makeup and hair for this dumb party. if it weren’t for the girls begging you to come, you truly would have stayed behind. but they were too convincing and now you were here, shoving your boobs into the most uncomfortable bra known to man and dousing yourself in perfume.
after about 30 minutes at the frat party you were about ready to call it quits. the drinks were absolutely foul (you were sure it was straight acid) and the lights and heavy music were giving you a blaring headache. spring break was starting to feel less and less fun as you pretended to enjoy whatever the hell was going on in that house. you didn’t know anyone, your roommates had ditched you for some random frat guys, and you didn’t have the keys to get back home. in hopes that you could wait it out, you snuck off into a corner of the house, taking a seat on the cigarette smoke infused sofa.
you tried to distract yourself until at least one of your roommates was finished fucking around with a guy so you could leave. closing your eyes, fiddling with the frayed threads of your shorts, scrolling on your phone, nothing helped to kill the boredom. you were about ready to stand up and drag your friends out the door yourself until someone approached the couch, taking a seat next to you.
she had a drink in hand, half empty, still laughing about something someone shouted across the room. she was tall, blonde, and if you were being honest, smoking hot. you glanced at her briefly to try and study her face, trying not to make it too obvious. her hair was pulled back into a flattering ponytail, body clad in a black tshirt and jeans, teeth a sparkling white as you watched her smile and laugh. she was definitely your type.
but eventually, your stares began to linger a little bit too long and she caught you. her eyes meeting with yours just before you could turn away.
“you good?” she asked, setting her drink down the on coffee table.
“hm?” you asked, trying to sound oblivious “yea i’m fine”
“are you sure, cause you keep looking over here”
“i don’t know what you’re talking about” you felt her gaze linger on you, too nervous to make eye contact with her.
“yea,” she laughed, scoffing under her breath “sure you don’t”
“i’m serious, i think you’re a bit drunk cause i genuinely don’t”
“well i’m sober enough to know that you keep staring at me when im not looking soooo”
“why would i being staring at you, huh?” you retorted “a bit full of yourself?”
“maybe it’s because, i don’t know, you see something you like?” now she was just fucking with you. she had this stupid, lopsided grin on her face as she watched your jaw drop in offense.
“oh please”
“i don’t know,” she said “you hesitated there, think i’m right”
you resisted rolling your eyes “and so what? god forbid i look at an attractive woman? my bad”
“so you admit then?” she questioned “that’s why you were staring?”
“if that makes you feel better? then sure, yes that’s why i was staring” you bit your lip and watched as her tongue darted between her teeth, swiping her bottom lip. she eyed you up and down, eyes darkening.
“it actually does” she scooted closer to you, arm extending past you to lay across the back of the couch “what’s your name?”
“…YN” your breathe caught in your throat as her thigh came in contact with yours. “you?”
“paige”
The rush of slumber party kissing
somewhere in between the banter and the alcohol, paige’s tongue found its way down your throat. she had so politely invited you upstairs while her hands were already making their way up you shirt. you obliged and followed her upstairs to some abandoned bedroom while you tried to ignore the aching feeling between your legs.
the door gently clicked behind you as you shut it. when you turned around, paige was already pressing you against the wall. her lips finding their way to your neck and sucking lightly at the smooth skin. you audibly moaned, fingers automatically diving into her scalp and tugging lightly at her blonde locks.
you shuddered when you felt her fingers against the skin of your abdomen again, creeping their way up your shirt like they had previously. she stopped at the bottom of your bra as she pulled away from your neck.
“this ok?” she asked.
you hummed in response, nodding your head violently, taking her face in your hands to plant a passionate kiss on her lips. with little hesitation, she was already pulling your top over your head and unclasping your bra, hands desperately squeezing at your breasts as she backed you up towards the bed.
with lips still attached, the back of your knees hit the foot of the bed causing you to fall onto your back gently. paige followed and climbed atop your body, not letting her hands off of you.
out of breathe and wanting more, you pulled away, tugging at the bottom of her shirt. “can i?”
she didn’t need to hear anymore. the black piece of fabric was already being thrown to the floor, revealing her sports bra which you also tore off her. what a lovely sight to see, you thought.
not long after, both of your pants were discarded, then your panties, and then her boxers. she planted wet kisses down your abdomen, throwing your legs over her shoulders as she made herself comfortable between your thighs.
“is this crazy?” you panted. you managed to bite back a moan of pleasure to look down at her, seeing her look up at you with eyes blown with lust.
“maybe a little” she said “but i can’t help myself”
Don't touch, I'll never cross the line
So I pushed you down a million times
waves crashed against the shore outside, chatter of people walking by slithered past the window of this foreign room you were in. your head was throbbing as you rose from your slumber, you definitely had too much to drink.
shuffling sounded from the other side of the room, causing you to fully wake. you looked over, pulling up the sheets above your bare body, to see paige was already awake. she was almost completely dressed, buttoning up her pants and lacing up her sneakers.
“was i that bad?”
her head snapped in your direction, startled to hear your voice. part of her wanted you to say it again, liking the way the it groveled from the early hours of the morning.
“no” she laughed, offering a smile “you were amazing actually”
“you weren’t too bad yourself”
she was beginning to look around for her keys and wallet, seemingly ignoring you as you remained in bed, still naked and vulnerable.
your brain was screaming at you, begging you to call out to her. part of you wanted to ask for her number, ask for her to stay with you. but the other part of you knew what this was, this wasn’t a date or anything serious. sure, you had developed a liking to paige over the course of the night you spent together. how could you not? she absolutely worshipped you, made you erupt with pleasure, was so sweet to you. this wasn’t something you wanted to let go. but it was unrealistic, you lived miles away from here in another state and paige most definitely had her own things to worry about. pursuing her was not in your cards.
so you kept your mouth shut, watching her shove her keys into her pocket. you assumed she’d just walk out, mutter a goodbye and leave, but she paused and turned to you.
“i-uh, don’t normally do things like that” she said, trying not to look at the outline of your body beneath the duvet “but i wanted to say thanks. i know that that’s cringe, but it’s true. you were…unforgettable”
you could tell she was going through the same thing. mind swamped with conflicting emotions, wanting to stay to see how this played out but also forcing herself to be realistic.
“you too” you gave her a bittersweet smile.
she just nodded at you before heading to the door, fingers wrapping around the cold metal handle.
“bye, YN”
“bye, paige”
and just like that, she was gone. maybe in another lifetime you’d get more time.
I'd love if you knew you were on my mind
Constant like cicadas in the summertime
every since that morning, paige had invaded your thoughts. the remaining time you had on vacation was spent obsessing over what could have been, what might have happened if you just asked for her number. spring break didn’t even seem fun anymore. you didn’t join your friends as they explored the shops in the city or attend anymore parties they managed to scope out. instead you went to the beach, like you originally intended, letting your mind wander as you listened to the ocean. something in you wished that the nagging feeling would eventually go away.
it never did though. even after break was long over, all of you heading home and resuming your schoolwork, she was still on your mind. it made it difficult to do anything. getting homework done, attending lectures, going out on weekends. it was useless because all you could think about was paige. your heart ached as daydreams of her consumed you.
back at UCONN you were doing your best to keep motivated. trying to rid your mind of a foolish dream that you knew was never going to come true. you tried joining clubs and making new friends just to distract yourself. you had even gone so far as to get a new job for the university, taking on the position as the assist team manager for their women’s basketball team. it was a perfect match: you, someone with a general liking and background for basketball who needed to get her life back in order, and a team who was thriving and needed all the help they could get.
Boys suck and girls I've never tried
And we both know we're getting drunk tonight
you woke up at 6:00 am on the dot. it was going to be your first day on the job and you wouldn’t be caught looking unpresentable, so you made sure to give yourself time to get ready.
it was a lovely day as you stepped outside of your apartment building. birds were chirping, the sun was shining, and the traffic was light enough that it didn’t give you a migraine. you made the decision to walk to work, let your thoughts dissipate as you tried to enjoy a relaxing morning.
the walk, like you had hoped, was freeing. you didn’t feel as anxious anymore as you walked into the building, ready to tackle the trials of the day. being the new girl, you had to go through all the new orientation material. get your ID picture taken, fill out some paperwork, the whole process. then it was time to meet with geno and the rest of the management crew.
“you must be YN” he shook your hand firmly “it’s nice to meet you”
“the pleasure is all my mine” you grinned. you made your way around the room, introducing yourself to any unfamiliar faces and learning more about what the job would entail. after some light mingling, geno found you again.
“the girls are out there warming up right now, are you ready to get acquainted with team?”
“definitely”
shoes squeaked against the glossy gym floor, heavy breathing filled the room as you followed geno into the gym. you watched as the girls made shots, passed the ball, and ran drills with ease. it was quite impressive. geno had hollered for them to gather upon your entrance, signaling for them to form a circle so he could introduce you.
you stood timidly next to him, watching the girls round up. trying to inspect each girl carefully as they approached the huddle. they all looked extremely kind. a few offered you a smile or a wave and you smiled in return.
then, as geno began talking, the final few girls joined the group. the last girl in particular had grabbed your attention. you couldn’t see her face very well, only able to catch glimpses of her as she pushed her way through to the front. but when she emerged past the front row, your heart skipped a beat and your breathe caught in your throat. you wouldn’t miss that familiar blonde in a thousand years.
“this is going to be the newest member of the team,” geno stepped aside, putting you on the spotlight “YN, she’s our new assistant team manager. i expect you all to get to know each other and play nice. i’m looking at you paige”
it hadn’t felt real until you heard her name. like it was ingrained in your mind, you finally found the courage to lock eyes with her. there she was in all her glory, staring back at you in disbelief. while everyone else laughed at geno’s innocent joke, greeting you briefly before heading back to their warmups, you and paige remained frozen. she stood across from you, confused expression on her face. you felt like you couldn’t move, like you couldn’t breathe.
“YN” her voice was barely above a whisper.
“paige”
she looked over her shoulder, assessing to see if anyone was paying attention before walking over to you. paige lightly grabbed your forearm, leading you off the gym floor and into a more secluded corner of the building. you had to admit, it only took that one touch to make your heart start racing again.
“what are you doing here?” she asked, now that you were in a private area.
“what am i doing here?” you asked in return “what are you doing here?”
“well obviously i play basketball here”
“ok smart ass,” you rolled your eyes, she hadn’t changed much “i just meant that i had no idea you were going to be here”
“i thought you knew” she breathed “when we met, i thought you knew who i was. i thought that’s why you were staring at me that night”
“of course i didn’t know!” you were unsure what to say.
“have you really been at UCONN this whole time?” she continued “oh my god this is insane”
“what are the odds, right?”
“i thought i’d never see you again”
“me neither” you said before an uncomfortable silence fell between you. nor you or paige had ever expected to see each other again, accepting your fate that you would evidently go your separate ways.
“so what now?” she asked.
“would you…i don’t know what to get a drink or something?” a poor attempt at asking her out “that sounded really fucking dumb, but i’d like to catch up”
“yea,” she scratched the back of neck, trying to hide the goofy smile that formed on her lips “i’d like that”
Touch me, baby, put your lips on mine
Could go to hell but we'll probably be fine
the dress you were wearing was practically suffocating you. neckline scratching your chest, straps digging into your shoulders, hemline riding up your thighs every time you moved. the bar stool you sat at was of no comfort, either. you shifted uncomfortably as you looked around the bar, waiting for any sign of paige. you had made plans for the weekend to meet up so you could make up for lost time.
the night was beginning to drag on and it was getting awfully close to 8:00 pm. you hoped she wasn’t going to stand you up. but, as if on cue, the door to the bar opened revealing a very exasperated paige. she spotted you there, alone with a drink already in front of you.
“hey i’m so sorry” she apologized for her near tardiness “traffic was a bitch”
“it’s ok, was just worried you’d stand me up” you joked.
“i wouldn’t miss it for the world”
you blushed, looking down at your drink. paige ordered one of her own before finally settling in the seat next to yours. you didn’t think she could look anymore beautiful, seeing her there with her hair cascading around her face and dressed in neat clothing. she eyed you carefully, it was starting to seem like a habit the way she kept sneaking glances at you.
“you look beautiful” she chewed on the inside of her cheek.
“stop” you laughed.
“no really” she shook her head, swallowing deeply “i mean it, you’re breath taking”
“well thank you, and thanks for agreeing to go out tonight. i’ll be honest…i’ve been thinking about you…like a lot”
“i’ve been thinking about you too” her demeanor started to shift “i really regretted just walking out that night. i was in my head and i just assumed that we’d be going our separate ways”
“i don’t blame you, i was too” you tired to offer consolation “i mean who would have assumed that we both went to the same school and just happened to vacation in the same place?”
she laughed at that, finally giving you a relaxed and genuine smile.
“a crazy coincidence…i’m really really happy you’re here, YN. this just doesn’t feel real”
“i glad i’m here too” you felt like a weight was lifted off your chest, no more wondering about who paige was or what she did. you knew now, she was here with you.
hours went by as you and paige reveled in conversation, spilling every detail, every story, every memory of your lives. it felt like this was meant to be, that the universe had purposely aligned yours and paige’s path. it felt so natural to talk to her. she was easy going and funny, she was an attentive listener and laughed at all your jokes. it was unbelievable that you found her again and you were more than grateful.
“would you-i don’t know, maybe this is too forward” paige began, gaze flickering between your eyes and your lips as you were finishing up your drinks “would you want to come back to my apartment?…i don’t want this night to end”
“i would love that” you blurted with urgency, butterflies forming in your stomach.
she nodded, not even bothering to respond. her hand came in contact with yours as she paid your tab and dragged you out of the bar.
cold air nipped at your bare skin as you walked with paige to her car. she politely opened the door for you, helping you in. the drive to her place wasn’t long at all, but you had noticed she was right, traffic was a bitch. but her music taste was impeccable and you had plenty to talk about so the drive didn’t feel excessive at all.
when you arrived at her apartment, she pulled out her keys to unlock the door, hinges creaking as she led you inside. it was a perfect little apartment from what you could see. it was warm and cozy, definitely well loved, and you thought it fit her perfectly. she turned on the lights and told you to take a seat on the couch and make yourself comfortable.
paige sat next you, leaving a few inches between you two. the distance and the dimly lit room took you back to spring break. it felt like you never left.
“i like your place,” you commented “it suits yo-”
“can i kiss you?”
“what?”
“please” she closed the gap between you, scooting closer to you just like before “i don’t think i can sit here, replaying that night in my head over and over and not know what it feels like to have your lips on mine again”
you let out a breathe, not realizing you had been holding it in the first place. she looked desperate, leaning into you, hands making their way up to cradle your jaw. her fingers caressed the curve of your chin, fingers hooking underneath to pull you in. but she stopped, painfully waiting for your response.
“yes” you said “please, please kiss me already”
so she did, teeth clashing with yours in haste, pulling you into her without a second thought.
I know you want it, baby, you can have it
your discarded clothes made a messy trail down the hallway to paige’s bedroom. your shirt crumpled on the couch, belt slung over the stair railings, bra tossed onto the end of her bed. her clothes followed, making a pile on the floor. your hands were buried in her hair as she nibbled at your ear, then kissing down to your collarbone. the room was silent all except for your breathy moans and the disgustingly erotic, wet sounds from paige’s lips.
it was needy, it was passionate, and it was absolutely perfect. the way her body fit with yours like a puzzle, it was written in the stars.
Oh, I've never done it, let's make it cinematic
Like that one sex scene that's in Mulholland Drive
it could’ve been a scene from a movie. something you’d watch as teenage girl, when you’re at a slumber party with your friends and someone snuck in an R rated movie. and you’d all watch it, gasping and giggling when the actors would start to take of their clothes. you would stare at the screen while everyone was pretending to gag and freaking out, shutting it off before it got too intense, but all you could think about what how beautiful it was. that those two people loved each other so much that it was like fireworks going off, every touch and every word muttered served as a declaration of love.
that’s what it was like with paige. it was like that movie had come to life. everything about it was like something from a fantasy.
the satin sheets bunched around paige’s hips as she worshipped you. the gentle whimpering in your ear as she rutted into you. your not so gentle moans as you came undone around her fingers. how the room was hot and humid from your pure passion.
all of it was pure magnificence.
I wanna know, baby, what is it like?
I know you want it, baby, you can have it
you awoke the next morning, sunshine filtering in through smoggy clouds. paige began to stir next to you, arms finding their way from under the blanket to the bareness of your torso where she traced meaningless shapes into your skin.
“good morning” she muttered into the pillow, still fighting off sleep.
“morning” you beamed, watching her eyes flutter open “how’d you sleep?”
“better than i ever have”
you yawned with a lopsided grin, soaking in her elegance as she sat up to stretch. the world might as well have just stopped from the way she looked at you, like you were the only thing that mattered.
“hey paige?”
“hm?”
Oh, I've never done it,
“please don’t let me go this time”
naked in Manhattan
“i won’t” she replied “never again”
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wh1msic4alwasab1 · 1 day
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⋆˚࿔ 𝐃𝐞𝐠𝐫𝐞𝐝𝐚𝐭𝐢𝐨𝐧 𝜗𝜚˚⋆
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synopsis: how genshin men would degrade you <3
tags: degrading (obviously) facesitting, mentions of gagging, oral, penetration, explicit
wrd cnt: 800+
a/n: cooking up an hsr version soon
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Ayato is always complete and proper in his semantics, he's fair and he loves to praise you.
But tonight...you stretched his patience too thin and his only choice was to stretch your little cunt til you couldn't talk back anymore. "Fuck, you're tight, honey.. this is what you want, isn't it?"
This day was big for Ayato, but you just had to keep pestering him with question after question. Usually, he'd entertain your playfulness but tonight was stressful. So he took it out on you instead. Call it karma?
"Clenching from my vulgarity..what a whore you are." He whispered into your ear, bending you across his desk, while all the guests sat outside having tea while you got fucked hard from behind by Ayato, who put a hand over your mouth, warning you greatly to stay quiet and stop those slutty moans of yours.
"Am I wrong or, did you not hear me? Ayato said lowly, slowly growing more and more annoyed and irritated at your misbehavior.
"Do you need me to gag that mouth of yours, y/n?” Sounding more like a promised threat than a question.
The only way you can get yourself out of this is giving Mr. Kamisato all he asks for and more, and be an obedient girl.
Nothing could really piss off Alhaitham as much as you, but not in the way that's most obvious.
He hated how much you doubted yourself, looked down on yourself, and harbored deep annoyance of the fact you didn't love the things about you he can't get enough of.
Sure, he could give you a little cute pep-talk but, fucking it into you is the approach that'll really make it stick. Some reverse psychology maybe?
After hearing you badmouth yourself for what felt like hours, he's stripping you of all your clothes and sitting you onto the couch armrest, forcing you to look him in the eyes; daring you to say those things again.
"Fucking pathetic is what you are. You're lucky I'm not fucking that stupid shit out of your mouth". He said, grabbing your hips as he sat down, positioning your cunt over him.
Not sure if you should just hover, his large hand lands on your ass, surely leaving a handprint.
"Sit down y/n." Alhaitham groaned, pulling your hips down onto his face and swallowing your clit with his tongue; his eyes never leaving you and your perfect tits.
Wriothesley loved showering you with compliments and nothing but the sweetest of words, but sometimes he just can't hold back all the filthy things he knows you want from him.
Oftentimes he's just worried you're gonna start crying, but fuck is it hot when you do.
"Fuck, I'm gonna ruin your pretty little mouth." He breathes out, watching you kiss up his cock. On your knees and eyes up is his favorite way to gaze at you, and it's just so easy for him to fuck your face.
"Wrio...you said-"
"Sluts don't get to talk." He cuts you off, his brows raised in amusement as he lights up a cigarette and throws the lighter somewhere, taking his cock in one hand to push past your lips as the other keeps the cig inbetween his fingers.
"Open that dirty fucking mouth of yours... can't take it all of a sudden?" He says, shoving it deep into your throat while his hand grips the back of your head, letting you take it at your own pace before he throws his head back and thrusts his hips up as he hears all the sloppy noises, waiting for your glossy eyes to make an appearance.
Now, Childe really tries to be sweet and praiseful, but he loves how disgusting and filthy you can be, and it's even better when he gets to tells you how much he loves it.
Wearing a new outfit wasn't something you expected to lead to something like this.
Definitely not being put in a tight mating press by your lover, pressed into the couch cushions while he left marks all over your neck and collar, biting and sucking places anyone could see to leave no guessing who's you belong to.
"Look at your thighs...they're just spilling out. You look like a filthy slut, do you want me to fuck you like one? Is that it?" He asked, pulling and smacking the material of your stocking that you didn't think too much of, but the minute he saw you walk out in them his cock wanted to spring out and get in between your thighs. But your pussy was an even better spot.
Deep and deeper be thrusted, the springs in the furniture squeaking while your voice almost did the same, cursing and moaning his name while he kept you close. Small protests for him to be quick fell from your lips, urging him so the two of you could get to where you were headed prior to this..."short" break.
"Are you gonna be a good girl or a fucking headache?" He asked, only fucking your harder and slower, a hand finding to squeeze the sides of your neck.
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whimsic4alwasab1 ™ - do not copy, translate, modify, or claim any of my work as your own.
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asimpforyagami · 2 days
Note
propmts 1, 5, 6, 7, 8 for kolya please
(if it's a bit much you can excluee 5)
↷ A/N ─ its never too much nonnie :) ilyy ty for sending these reqs!
★ PROMPT ─ 1, 5, 6, 7, 8
!! FT. ─ nikolai
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─ wearing his clothes
Nikolai had known for ages that you had your eyes on his clothes. The way you droned about how your date outfits looked so bland and probably needed the addition of boots, how you complained about cold hands wanting to wear gloves, how you put on his hat and sent him pictures captioned "It looks better on me."
Especially with Halloween just around the corner, and you suggesting you two switch outfits for the day, it became all the more obvious.
"But, dove," Nikolai whined. "My suit is a part of me."
"No," you giggled. "I'm the clown of the couple tonight."
"Well, I must say that's a very cute clown. Clowns are supposed to be scary, right?"
"You're not scary."
"You're right," he said. "I'm not scary. I'm completely bonkers!"
- - - - - - - - - - - - - - - - - - - - - - - - - - - - -
─ kissing
"Ah, it's good to be back," Nikolai stretched his arms.
"What do you mean? You were right here," you said.
Nikolai gasped. "How vile of you! To overlook my struggle from the hall to the kitchen, all to get you a refill of the popcorn."
"You could've just used your ability."
"Doveeeeee," he whined, and you sighed. Of course, now that he has said that he's been away, he will not stop until he gets what he wants from you.
"Fine," you roll your eyes, and Nikolai immediately uses his fingers to press your cheeks together in a pout, giggling before pressing a long kiss on your lips.
You close your eyes and he releases your cheeks, your lips still in the duck faced pout. A few seconds passed like that. Then, Nikolai pulled away and stared at you before tackling you on the couch and kissing all over your face. His hat fell somewhere on the ground as he tickled your stomach, your face red with laughter and overwhelmed by the love he was showering you with.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - -
─ cuddling
"Dove-"
"Shh," you shushed him and Nikolai immediately fell quiet.
You had put one of your legs on his, trapping him with both your arms around his torso, interlocking behind his back. This was probably the first time Nikolai had reluctantly agreed to be the little spoon.
'Reluctantly' because of the reasoning that he did not like being "trapped'. He claimed that he was a 'free bird' and desired 'eternal freedom'.
Nikolai sighed. Sure, the feeling of you practically choking him with your face buried in his neck was different. He felt numb, staring ahead of you as you hugged him.
Thinking... Thinking about you. How you had changed him so much. How he felt much, much more free than he ever was when he was with you. How a hug and a kiss would make him forget all his problems, all that bound him to the world.
He thought and thought. About how if this was any other person he would be ashamed at being trapped by their body this way. About how surreal your warm breath felt against his neck. About how if this was the 'worst case scenario', he was completely okay with it.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - -
─ reading to him
"And the little Swallow asked the Prince, ''Why are you weeping then?'," you recited, book on your lap as Nikolai stared at you with interest.
He was never one to read stories. He'd rather they be read to him, which led to this moment, with you lying on the one-seat sofa and him on the longer couch, propped up on his elbows and feet dangling along your words.
"What did the Prince say then?" he asked excitedly, and you turned the page before continuing the story.
Funny, he thought, how you always managed to get books and stories that he likes. Or maybe, as his bi-colour eyes turned glossy with admiration for your beauty, it was only because you were the one reading them that he enjoyed them so much.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - -
─ nightmare
You shook Nikolai awake. He had been twitching and shaking in his sleep, breathing hitching when he woke up with a gasp.
"You okay? What's wrong?" you asked, concerned.
"Nothing," he replied too quickly, eyes still hazy.
"You're lying," you said firmly, propping yourself up on one shoulder and pressing a hand on his chest. "I can feel your heartbeat."
"I'm okay, dove," he said again. "Why are you awake at this hour?"
"Kolya, please be honest with me."
Nikolai sighed. He wanted to say that it was nothing, that he wasn't gonna let a stupid nightmare dictate his emotions. But perhaps he could use this as an opportunity for himself?
"Hold me?" he suggested instead.
You narrowed your eyes, but complied anyway. You pressed a kiss against his forehead, and Nikolai couldn't help but think that whatever the dream had been, he was glad that you were there for him always.
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Text
Inspired by this pic made by @infernally_fond
-
When the devil asks if you want to play, you’re supposed to say no. It’s a lesson most people learn as children. Some don’t take it to heart. They say yes instead because the devil promises he will give them something they desperately want in return.
Tav says yes because she fancies him.
That’s alright. They aren’t playing a game of life or death, and her soul isn’t on the line; just her dignity, and she never had much of that to begin with. Only an idiot would agree to a game they don’t understand. Tav isn’t stupid (honest!) but Raphael’s easy smile and request for her company – mostly the smile, it’s a dangerous weapon put it away damn you – chased off all her answers that weren’t ‘yes, of course, I’d love to play Lanceboard with you!’ So now she sits in his room at Sharess’ Caress watching him watch her across the table as she bumbles and bullshits her moves, losing pieces and losing her mind, because she knows he knows she has no idea what she’s doing but he hasn’t said a damn word about it.
He chooses a piece. She watches his long, deft fingers carefully position it on the board. Lucky thing. “Your move,” he says, languid. Everything about him is relaxed, even his posture. He’s resting his cheek on his fist, elbow on the table. Awful manners; must’ve been raised in a barn. His dark eyes glint in a way that makes it obvious he’s enjoying her squirming, her buffoonery. His expression is cooking her from the inside: not-quite-placid, could be conceived as bored if not for the subtle smoulder, a quirk of mildly sadistic amusement. If he keeps staring at her like that, she fears she might do something foolish.
She blindly grabs her piece. She doesn’t know which it is; knows it’s hers from the colour and that’s about it. Smacks it onto a square that’s (probably) alright. Nods, leans back in her chair, pretends to be confident with her approach, her strategy. “There. Your turn.”
Raphael blinks lazily at her. At the board. “Inspired. Truly,” he drawls, making his next move. “By madness, but nonetheless.”
Tav purses her lips. She doesn’t miss the way his gaze flickers to them. “What is madness but a denial of reality? That’s what you said before, right?”
His mouth twists with a lopsided, barely-there smirk. He surely doesn’t miss her glances, either. “Indeed I did. And what reality are you denying at this moment, little mouse?”
Knowing how to play this bloody game, she thinks, wishing he’d challenged her to checkers instead. “Letting you win,” she responds. Round peg, square hole – put her piece here, steal the piece she jealously witnessed him fondle, strangle it in her fist for its crime. He chuckles; rich, deep, raspy.
“A daring manoeuvrer, and highly illegal.” Yet he does nothing to rectify her blatant ignorance. (Actually, devil, what’s illegal is that chuckle). He simply makes his next move. “You know, it’s usually customary for one to be aware of the stakes of a game before they play it.”
And this, Tav thinks in resignation, is why he’s let me trample all over the match like a drunken elephant. She never learns. Somewhere, Wyll is shaking his head in disappointment.
“You didn't tell me there were stakes,” she accuses; considers pouting but doubts that would work on this crafty creature. “I thought we were just playing for fun.”
“And we are, my dear friend,” Raphael coos, terribly entertained (bastard). “What’s more fun than the thrill of a daring wager?”
“The security of knowing I’m not going to lose my soul?”
Raphael’s grin stretches; sharpens. “Oh, but I thought you were going to beat me. Where has your confidence gone, all of a sudden?”
He’s wretched. Vile. Despicable. Tav is so attracted to him it’s ludicrous. “I’ll win,” she snaps, “and then maybe I’ll take your soul instead. I’ll put it in a little jar and keep it with my other shiny baubles and all the things Scratch dug up. How’s that for a wager?”
“Riveting. Inexperienced, as far as eternal torment goes, but it’s a start,” the devil praises, pleased when Tav scowls at him. “Though, as delectable as your soul would be, it isn’t quite what I had in mind.”
“What, then?”
“Hmm…” He makes a show of drumming his fingers on the table in thought. Large, lithe, well-groomed; she likes his hands. Often wonders what other kinds of magic they can do. (Look away, Tav! This is serious!) “How about, if I win, you tell me exactly why you agreed to this game. Why you abandoned the safety of your companions and entered my den alone. Why you were so eager to say yes. And don’t think about lying, little mouse. I’ll know if you do.”
Well, shit. Letting him eat her soul didn’t seem like such a bad idea anymore. One does not simply inform a devil that they like him – especially not this devil. He will use that knowledge, that power, for naught but nefarious purposes, manipulating her much more than he already does. The worst part is, Tav knows she’ll enjoy it. You’re well and truly fucked, mate, as Karlach would say.
Stomach in her shoes, Tav plucks up all the courage and stupidity she has left. “And if I win? What do I get?”
“That’s up to you,” Raphael says. He clearly thinks he has the upper hand. He’s right, but damn him anyway.
Fine, then. In for a penny and all that. “If I win, I want a kiss.”
She’s surprised him, she can tell. She’s surprised herself, scarcely believing she actually said that, but it’s out there now, in the open, lingering like a bad stink. She’s basically already given him the answer he wanted, but Tav isn’t under the illusion he didn’t know beforehand. The power, you see, comes from getting her to admit it aloud.
“A…kiss,” he repeats slowly.
“Yes.” She sticks to her guns despite her racing heart, sweaty palms, impending sense of doom. “From you, obviously.”
He considers it for a long moment, statuesque, giving almost nothing away. Tav does her best not to squirm out of her seat, pretends to be as aloof and unaffected as he is, to questionable success. The satisfaction glittering in Raphael’s dark eyes makes her grind her teeth. He’s toying with his food, as he is wont to do. Stretching out this moment until she’s at her most uncomfortable. Pulling her nerves taut. The split second before they break, he responds.
“Acceptable. Shall we continue, then?”
“Let’s.”
Tav expects a massacre. Tries to mentally prepare for him to pull the rug from beneath her feet, decimate her pathetic attempts, and then string her up by her metaphorical toes and bleed her for every pathetic confession and admission she can give while he gorges on her emotional turmoil (and masochistic delight). That isn’t what happens. Instead, she wins – in about as loose as the term can be used, but still.
“My, my!” Raphael exclaims, faking every bit of awe as he beholds the board, the claiming of his king, the crumbling of his miniature marble empire. “It seems my devilish wits weren’t enough to stop the might of the Hero of Baldur’s Gate. I’ve been bested. A villain, defeated. Quite the fitting end for this little tale. Don’t you agree?”
Tav sits in stunned silence. Of course he let her do this. She’s not completely delusional (yet), but the implications for why are taking their sweet time sinking into her holey grey matter.
“Ah, but I suppose the Hero wants what she’s owed,” the devil continues, sweeping his arms in a grand gesture. “Let it never be said that I am not a man of my word. Come then, Tav. Claim your prize.”
For a moment, Tav doesn’t move. In some ways this is worse than if he won. Raphael waits, a smirk teasing its way onto his face. He’s challenging her. Daring her. Come into my lair, said the spider to the fly. She’s already here, and she might be stupid, but she’s not a coward. Her knees only tremble slightly as she stands, makes her way to him.
He gets up, too.
He’s not much taller than her, but Tav feels like she’s approaching a mountain. The coals that have been simmering in her belly all evening catch flame. This close, the smell of him is overwhelming: cherries, smoke, fire. The heat he gives off can’t be anything but Infernal, despite his human guise. Anticipation sets her jaw, her throat dry. It’s impossible to tell what he’s thinking as he slowly, slowly, leans forward, dark eyes fixed on her mouth. His breath is hot as it fans across her face. Tav’s lips part unconsciously, eyelids closing. He’s but a whisper away, the silk of his sinful mouth a phantom against her own…
He kisses her cheek. The left one, high on her cheek bone, and though he’s completely composed, she can hear the brief huff of amusement leave his nose as he pulls away.
“There you are,” he says, jovial, almost business-like as she gapes at him, humiliated, flabbergasted, furious. “One kiss, its nature wholly unspecified, delivered as promised. I always deal fairly.”
This fucker’s trying not to laugh. Tav can see the tell-tale twitch of his lips (lips whose imprint burns on her cheek, entirely not where she wanted thank you very much) and the gleam of delight in his eye. Oh yes, he’s had fun with her today.
“Is something wrong?” He asks her innocently when she does nothing but glare at him.
“No,” she grits out.
“Good,” he purrs, unable to stop the shit-eating grin from spreading across his face. “I’d hate to hear that you’re dissatisfied with your victory. I did my very best to acquiesce. As a little advice for the future, from one thrill-seeker to another: you might try being more specific with the terms of your wagers. After all, what’s that saying you mortals are so fond of? Ah, yes. The devil’s in the details. Keep that in mind for next time, hm? Ta-ta.”
A click of his fingers, a spark of hellish magic, and she’s standing in the middle of their rooms at the Elfsong tavern.
“Arsehole!”
From where he’s lounging on a sofa, Astarion lowers the book he’s reading enough to raise an eyebrow at Tav. “Who’s the arsehole, darling, and what have they done?”
“Don’t worry about it,” Tav mutters. “Where’s Gale? I need to learn how to play lanceboard.”
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anonymouse5 · 1 day
Note
could you do a james potter X misophonia!reader
i have misophonia and have been struggling recently due to it,
if your not sure on what it is it’s where certain sounds trigger you, for example eating or pens tapping. Maybe a fic where he comfort her, normally when i’m triggered i either end up crying and walking away form the situation or i flip out at whoever is triggering me
ITS okay if not !! THANKYOU BBY
hey, sorry this took me so long to get to! writing this was an interesting experience. not sure if i want to do reader fics often but i'm not fully opposed to them either? anyway, i hope this brings you some comfort and is accurate(ish?) to your experience :)) sending lots of love <3
(feel free to send more requests if you like this!) (also feel free to send feedback!)
here you go:
Hogwarts had been busier than usual today. If you had been at home, maybe you would’ve just slipped on some noise cancelling headphones. But that isn’t really an option here, so you deal with it the best you can, hiding it out in your dorm on most days. Again, not an option today. You had way too many classes and clubs to go to. In the few minutes between, you go to the library. It literally has to be quiet there, right?
Of course, this is the one day James Potter and his friends finally decide to study (for once in their lives). You’re friends with Remus, and he seems alright. James— well, you try not to think too much about James. Thankfully, they aren’t making much noise, probably already having gotten a warning from Madam Pince.
It’s alright for a few minutes. But then you hear someone’s wand—
Tap. Tap. Tap.
You look over to the boys’ table. James, looking extremely focused, is tapping his wand on the edge of the table. He does look really busy. Maybe he’ll quit in a minute.
Nope. It just gets worse.
You feel a pressure in your head every time he taps his wand until it gets overwhelming. And then you snap.
“James, would you stop that?” you whisper-shout at him.
But you know it’s useless. You can’t study anymore anyway; you’re too overwhelmed. You pack your things and leave. You don’t notice James following after you until you’re outside the library and hear him shout after you.
“Wait,” he calls.
Despite yourself, you turn to him.
“Did I do something wrong?” James asks.
You bite back your immediate “yes”.
“The tapping was bothering me. It’s not your fault, though. I just—” you trail off, afraid he’ll laugh at you.
He’s got this weird look on his face, like he might.
“Remus hates it when I ‘chew loudly’,” James says. “Is it like that?”
“I guess? Listen, James, I just really want to be left alone right now.” You sigh.
“Ok, but before you leave— I think I might have a spell for you. We can go somewhere quieter?” James offers.
Reluctantly, you agree. James takes you to a spot on the Hogwarts grounds you haven’t seen yet. It’s a nice spot beneath a tree, with just bare grass and flowers blooming. You both sit down, and James points his wand at you.
“Woah, what’re you doing?” you shout.
“Just trust me,” James says.
You almost point out the obvious dangers of pointing a wand at someone’s head, but James seems so sincere and like maybe he’s done this before, so you let him.
He mumbles a spell and waves his wand in an unfamiliar pattern. Suddenly, it feels like your wearing your favorite noise-cancelling headphones, but so much better. You can’t even hear the light buzzing that you normally do.
“You have to teach me this spell,” you say enthusiastically.
The spell makes it a whisper to you, but the way James scrunches up his face tells you that maybe you were a bit loud.
“It worked then?” he asks.
You give him a thumbs up.
He takes out a piece of parchment and a quill and writes something down:
You know, I’ve been wanting to talk to you for a while. Go to Hogsmeade with me next weekend?
There’s two checkboxes underneath: yes or YES
You smile and check the YES box, adding a smiley face next to it.
The two of you sit at the peaceful spot until the sun starts to go down. You start to come with him here often, and he teaches you the spell right after your Hogsmeade date.
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starpros-sunshine · 11 months
Note
OK FOLLOWING UP ON THE BARD THING i think eichi definitely invited wataru to perform at a noble party before. because they'd usually have musicians and so? so ok picture this. it's eichi's birthday so his parents want him to hold a ball and he usually thinks those are annoying but then he gets an idea. make it a masquerade (for the drama). invite wataru as both a performer And his partner for the ball. he's an actor! and everyone is of course impressed by wataru's performance but they're even more impressed because the always polite but unreachable tenshouin heir is expertly dancing with a masked stranger (i love the fact that eichi's specialty in his profile is ballroom dancing). and then they're annoying and overdramatic in public together but no one can figure out Who That Is
and also i know you said that shu was a tailor but i think it would be funny if he also were a noble (his family is also of high standing in canon i think) so he can be there to judge eichi. harshly. i havent figures out yet how to make him besties w wataru but ! it can work
!!!!
This got soooo long again so this is once more put under read more I am so sorry
The idea with the Masquerade comes up while Eichi complains to Wataru about his parents pretty much forcing him to throw a ball for his upcoming birthday (they already planned the whole thing and didn't reallly give him a choice in the matter) and how much of a hassle he thinks that is because of all the superficial politeness between people that everyone knows are gossipping about each other behind each others backs and how sick he is of the pretending to be well acquainted with these people he's talked to maybe once or twice and all the ladies that wish to dance with him and that want to suck up to him because of his families wealth and how really this is all just one big farce to "save face". So Wataru suggests "why not make it a masquerade ball" to spice things up a little bit maybe, take some of the stiffness out of it. And Eichi says he wants to invite Wataru because what's a public event without proper entertainment? Wataru agrees of course and they come up with all of these overly grandiose ideas and scenarios (most of them are utterly absurd. One they genuinely consider involves Wataru pretending to kidnap Eichi and causing a scandal (Eichi woud miraculously reappear the next day and they'd gaslight everyone into thinking that never even happened and all the people are just imagining things)).
Wataru mentions that he'll be gone for an evening to play at the noble's ball to the elderly inn-keeper couple over dinner and they make a really big fuss about it and tell him to dress nicely and to watch his manners because "Remember, you can't just drop from the ceiling with those high society people like we let you do it here they're very sensitive about manners you have to make sure to watch your manners!" and for a minute he wonders how it got to the point that his landlords started to treat him like they personally picked him up from the street when he was a child.
I like to think he met Shu when he was out on the street doing a little street performance to earn some extra money for himself and Shu, the way that he is, came by, looked him up and down, and then started a conversation with him about music as an art form and that somehow turned into a philosophical discussion and at the end of that they each went their own ways with the knowledge that there was a new friendship formed that day.
And maybe he's the one that sews Watarus clothes for the ball because if you spent most of your life as a traveling bard living hand to mouth from your music you won't really have the money for fancy clothes (Eichi still insists on paying for Wataru here because he wouldn't need to spend so much money on fancy ballgowns if it wasn't for him in the first place and also he just wants to treat Wataru to something nice and sees this as his chance seeing as Wataru declines most gift offers me made before). Wataru tells him about the entire thing and Shu scoffs because dislikes Eichi (still need to come up with a way to explain that disdain but I will come up with something trust me!) but his parents force him to be there too so "he might as well" (it's obvious he still puts in a lot of care "because of his pride as an artists" (because Wataru is his friend and he wants him to have something nice)).
Shu only has to be there because his family guilt trips him into going and he doesn't see the point in opening that can of worms again ("We already let you pursue your foolish dream of sewing clothes like a commoner this is the least you could do for your family.")
And then at the actual event he's in some secluded corner together with some other people who only attended as a mere formality because they also do not like the Tenshouin family but they have to be there because they're important and aristocrat politics are weird that way I suppose.
Meanwhile Wataru does his usual thing and charms everyone with his beautiful beautiful voice and his elegance and charm and oh he is so agreeable as a performer. Eichi has to handle the usual "pleasantries" (nothing pleasant about those tries) and he exchanges the one or the other suffering glance with Yuzuru when nobody pays attention that just screams "God when will it end". Yuzuru shoots him back a look that conveys the exact emotion of "my condolences" and then he goes on to look for Tori who's 1.53m figure has disappeared in the group of people and when he finds him he's talking to a gentleman that's about a head taller than him and the mask obscures his face but judging by the hair and the slight "animosity" between them he's talking to Tsukasa, so Yuzuru decides he's in good hands and leaves to do his own thing. (do they know they're talking to each other? Who knows! But they'd probably manage to start bickering either way.)
And eventually it gets to the actual Ball bit of the Birthday Ball Event where they actually dance (there's an actual orchestra there now and they play very lovely music). And almost everyone asks to dance with Eichi at least once. Eichi does not want to waste his time and energy on these people who are just interested in him for his money so he always makes up something about being preoccupied or a little tired or something that gives them no other choice but to back off. Suddenly Wataru appears behind him and does a little "boo!" and Eichi didn't expect that so he startles and almost drops his glass and tells Wataru not to do that anymore at public eventshas while Wataru has to stiffle a laugh because he thinks Eichi is cute when he pretends to try to be firm with him. After he's done with his "scolding" (you can barely call it that. he was very soft on Wataru.) Wataru asks him for a dance this time and he's very chivalrous about it - he goes all out really - he kisses his hand and offers him a rose while he does a little bow and asks if he "may have this dance with the lovely star of the evening" (and oh Eichi wants to kiss him so bad right then and there but in a room full of people that are worse than a committee of vultures that is very much not an option). Of course he agrees and they move to the dance floor and suddenly a Lot of eyes are on them because Eichi Tenshouin, whom a good chunk of pursuers have already given up on - because let us be real. It will never happen. The man hasn't shown interest in anyone at any moment in time and lives together with the Himemiya heir and his butler as far removed from the rest of the aristocracy as one would be able to - is waltzing with this masked stranger and it becomes very obvious very quickly that Eichis constant declining of dance offers was not for a lack of expertise because those two look breathtaking together.
Eichi actually dips Wataru once and some people wish they had hired an artist to paint the scene (because I'm a sap and wataei is beautiful I don't care I'm being self indulgent here)). And they talk but nobody can understand what because of the loud music and they curse the orchestra - which is still playing very lovely music (it's heavenly really) - for it.
After their dance is over Eichi goes back to declining every dance offer he gets with the excuse he's exhausted and needs to rest a little before he can dance again (the "I don't wish to dance with you" is implied and in the room but most people chose to ignore it to spare their ego and decide to take him at face value) and Wataru disappears to somewhere, nobody really knows where but somehow he's nowhere to be found. Until he sneaks up to Eichi a second time and does the whole "Boo!" thing again and Eichi almost drops his glass yet another time and as he turns around to "scold" Wataru again Wataru shushes him and takes Eichis, who is more confusedd than anything by now, hand and sneaks out of the ballroom with him.
Eichi asks where they are going and Wataru doesn't answer he just keeps walking and Eichi decides to just trust the process and suddenly they're on the Balcony again, not a cloud in the sky and the only sounds to be heard are the muffled instrumentals from the orchestra that started playing their next piece. The only lightsource being the moonlight reflected by the new years snow. And Wataru turns around, he's not wearing a mask anymore, and he does his little bow and kisses Eichis hand, hands him a rose he had appear from nowhere - a white one this time - and does his entire "May I have this dance with the lovely star of the evening" spiel again. It's the same routine really but it's different somehow. More intense. Because he says it with more sincerity than he did when they were around more people. And Eichi doesn't even have to reply before he finds himself whisked into this waltz yet again, somehow in the leading position. And then they dance and they dance and it's just the two of them, the stars as their only witnesses. And as the orchestra finishes their piece and the music fades out Eichi dips Wataru again and they kiss and it is so sappy and they are so so so so sappy.
They stay out on the balcony a little while longer but they retreat back inside rather timely seeing as it is still january and the night and as the following consequence of those two circumstances actually pretty cold and they'd both rather Eichi not get sick (he already got Watarus coat but then they'd also both like it very much if Wataru also didn't get sick either so they migrate back into the empty, dimly lit hallways of the mansion rather quickly)
(meanwhile at the actual ball people have noticed Eichi missing and started to ask questions, poor Yuzuru has to repeatedly tell people Eichi probably retreated into his quarters already, seeing as it is rather late and he was rather tired "Please excuse the young master for his failing in notifiying the other guests, he told me he didn't wish to interrupt the nice atmosphere and preferred to leave unnoticed".)
After the festivities died down Yuzuru and Tori go to check up on Eichis room because he's been gone without any notice and it would probably be useful to know if their kind-of-roommate just went away to fool around with that strange bard man they've been seeing sneaking around their mansion from time to time that Eichi seems to be oddly fond of or if the should actually be worried about his well-being. After they knock and get no reply Yuzuru just opens the door and he and Tori are both greeted with the view of Eichi asleep in his bed and next to him the also seemingly fast asleep figure of Wataru who's braid got considerably more lose during the course of the evening and who's also seemingly wearing some of Eichis sleepwear.
They both decide they have seen enough they do neither need nor wish to see more. Yuzuru, who has been in this situation before doesn't even have it in him anymore to react in a specific way. He just lets out this big sigh because he doesn't get paid enough for all of this as he directs Tori out of the room. Tori who has not been in this situation before has a Lot of questions now because he doesn't know this man but he's apparently closer to Eichi than most other people and he doesn't know how to feel about that but happy is probably not it.
(The following day Eichi has to listen to a (rightfully) disgruntled Yuzurus passive-agressive-yet-somehow-still-very-polite-sounding-Yuzuru-complaints about him just disappearing like that and leaving it to Yuzuru to take care of his mess (Eichi promises him to make up for it and that if Yuzuru has any favour to ask he's very welcome to come to Eichi about it). Tori really wants to ask about the strange man Eichi was so involved with but between not really getting a word in while Eichi and Yuzuru are talking and not really knowing how to take the exceedigly good mood Eichi is in (he's had "A very nice evening". With utmost certainty it was for reasons other than him actually enjoying the mingling witht the high society at social function he was obligated to host, Tori guesses), he kind of clinks out here and decides to simply take matters into his own hands when he gets the chance.)
#never let me write anything about them ever again#this got so long again I really just wrote my heart out huh#can you believe I actually researched flower language for this#in the middle I remembered that January is actually really cold at night so maybe I should switch up my approach a little#hm. did that work out? I have no idea#I kind of blacked out somewhere in the middle#Hiyori could've been in this idk he was there too somewhere with Jun or something#Eden attended the event but they're unimportant right now#can you tell I love fairytales by the way I feel like that got a little obvious throughout this entire AU#oh I should make a tag for this I'm actually rather fond of my embarrassing cringefail wataei au rambles#Btw when Wataru comes back home he's also in a very good mood and the elderly inn-keeper couple tease him about it#I've gotten very soft about that little thing that started as a side bit initially#those are his parents now they looked at this guy that has been occupiying this one room for a Long while#and that pays his rent by doing shows for the guests or helping in the kitchen or generally just helping around#some things are just easier when you're young and energetic#and they looked at him and his birds and went ''You're a little strange and off putting but you're part of the family now''#this is way less profound than the first one it's suuuper self indulgent and a little lame but I like indulging from time to time#head in hands i really like wataei#wataei#OH! wait there's symbolism in the dance scene (the second one)#the rest is just me being silly#yumefan🎼🌠#Wataru could wear Eichis clothes no problem I think thats so neat#because they're the same height and it's been said Wataru can pass perfectly for a woman so I assume he has more of a slim frame#chances are Eichis clothes sit loser on him than on Eichi i think that's a little funny#the possibility is there is all I'm saying#<- tag until i figure something out that sounds nicer#Märchen au
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crunchycrystals · 2 months
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ok now realizing that post i made that one time ab imagining being w a woman more often than a man despite being demiro and not having a preference probably coming from a part of my brain that wants to be openly queer but now im also just realizing. im friends with more women generally so
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stellacendia · 7 months
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Actually I've decided I'm sick of being cis people's only irl experience with genderqueer/nonbinary people
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bearsizedant · 2 years
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what if I. changed my major again.
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orcelito · 1 year
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I take back... SOME of my negativity about fe:engage. Now that I'm out of prolog hell I have decided the fun eclipses the annoyances. For now.
#speculation nation#engage spoilers/#i still think the ring emblem thing is cheap#... but it also brought me a lot of joy to see and hear Celica again. same voice actress 😭 even if her sprite looks different (worse)#the real separating moment tho was when i went to the side summoning thing and mae showed up. i gasped a little ngl.#apparently i couldnt give less of a shit about marth or sigurd. but celica and the Valentia crew... 😭😭😭😭😭😭#i mean itd probably just be better to play echoes instead of engage if what is bringing me the most joy in this game is Valentia Crew#which. god i wish echoes was longer than it is. it's Easily my favorite fire emblem game#in characters. story. art. music. tactics (LOVE the battle maps)#there is not a single thing i dislike about echoes. aside from the length i guess. but really i just obsessively play it anytime i play#so it feels so short but i do dump a good 50 hours per game. so not Long but not short#ive replayed it like 3 times at least. and god i miss it. i always wanna play it more.#maybe my next game i should play on hard. i enjoy the challenge more lol#uhm. well. ok so engage is still incredibly lackluster in comparison to echoes. but really that's an impossible standard for it to meet. so#other thoughts: i HATE HATE HATE this princess' dress SO fucking much. i though alfred's fucking panteloons were stupid#but her fucking bulb dress is so much worse. and she's not even a healer!!!!! another squishy mage but with a sword too >:(#she came with celica which made it obvious she's meant as a celica copy. but at least celica can heal >:(#i wonder if alm is somewhere. probably in the land of strength??? if i had to guess at least.#ok but the princess' retainers... i actually kinda like them... their voices are actually decent! and that pegasus rider is... 😳#i desperately need another monk. current girl is decently useful as a healer but she is weak as FUCK#the punchy stuff seems cool but i never see it cause i gotta keep her off the front lines bc she's SQUISHY#im warming up to the twins. still hate their voices & i hate when theyre fanboying.#but removed from the protag theyre kind of sweet. plus passably useful in battle.#god i need another healer tho lmfao. pls @ the game give me another healer soon...
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oatbugs · 2 years
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a triangle and other things id like on my body
#bc alt j but also like . cool shape mathematically + delta as in everything delta represents including a change / transformation#still need ideas for a tattoo that goes along my entire spine though#ill defintely get the phi symbol tattooed at some point and probably psi as well#tifold knots mean a lot but also i feel the triangle covers it . same w R^3 spaces ..#and also like . 2n-3k-3>0 maybe somewhere bc in knot theory any smooth k sphere to which that applies is unknotted . and it represents sm#bc it has so many applications to like . diff areas of maths and bio and genetics and physics and everything everything ever .#some of my favourite axioms . including axiom of infinity + also a { } for obvious reasons (existence of an empty set is still an existence#but also like . idk theres more 2 it im sure you get it maybe)#something to do w angels more to do w manifolds#the letter v (a valley like the one i died and loved in + the longitudinal fissure + vogt dig for kloppervok + lots of other stuff)#an octagon formation that reminds me of breathing#(alders breathing keeping weeping leaves all sinking fever dreaming brothers sleeping wolves all creeping weavers weaving - wickerbird)#some forms of liquid swirls in red (red for wine or love or blood but mostly wine) particularly around the angels bc its a persian poem#and its where my name is from and it means a lot . a straight line with regular gaps inbetween it like the windows of a train#(particularly around or inside or a part of the angels maybe for many reasons . incomplete line / train imagery paired w holiness . hmm)#something to do w an opened up pomegranate (preferably close to the red lines)#a part of the night sky superimposed over itself (twice as many stars as usual) . in the dark times will there be singing ? there will be#singing of the dark times .#rippling effects somewhere around the wine swirls (diving into your grief and raising your head instead of drowning + the universe#isnt mine its me + to care is to accept that you may drown for it + my memories w vodka + a lot more)#dots going down veritcally (water falling off trees and the pipe of the building as the snow melted in the mountains)#the audio waveform of the repeating tune in the song dissolve me#maybe around where the wine lines ripple out a bit#archives#quartz clock
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you know what I love? Fallout trailers. in the style of New Vegas and Fallout 3 specifically. I keep thinking about hypothetical versions. I also love 76 using a song to indicate where its set. for example, if they were to set a Fallout game in New York: We see a radio flicker to life. It starts with that ink spots riff from "Maybe" and "I Don't Want to Set the World on Fire", before transitioning to Frank Sinatra's big band playing the opening choards to New York, New York. The camera pans back. Its a portable transistor radio, on a seat next to a skeleton. It further pans outwards. The seat is a train bench, the trains itself of course wrecked in a station. A faint, scratchy "Stand clear of the closing doors" Echoes in the background. The camera pans further back, the station roof is collapsed in, allowing the camera to pan smoothly to the street, out over City Hall Park and the city hall itself, the background filling with tall buildings. It continues, following a road up and across the river until we finally stop with the Manhattan side tower of the Brooklyn bridge visible, part of one of its arches collapsed, and we linger on a shot of the lower Manhattan skyline. Call me, Bethesda
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unpretty · 1 year
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a fact about me is that i was an early bloomer who hit puberty in elementary school and was immediately, obnoxiously horny in ways that were uncomfortable for everyone because no one is prepared for an elementary schooler with b cups and a deep fascination with movies where people get tied up. another fact is that because i was considered smart for my age in the ways that mattered, i just accepted all this as a single package, the many ways that i was not really a child the way other children were children but was instead a miniature adult. i was technically a child, but not really, as far as i was concerned. it also did not occur to me until around high school that i was fat, because i instead considered myself to be sturdy, to be buff, to be built like a tank.
so somewhere around middle school i am noticing the ways in which i am Not Like Other Girls, the ways in which i am not what society says a girl is and the ways that things marketed to girls do not appeal to me. i don't know how other girls dealt with this, but i very rationally decided that i was only technically a girl, in the way that i was only technically a child. so i looked at the things that did appeal to me, and that i did enjoy, and reverse engineered my demographic to decide that on a practical and functional level i was a middle-aged man. i had also gotten really hornily into wolverine because of the first x-men movie, and ended up reading a lot of comics, so as you can imagine the comic book version of wolverine who is short and built like a tank and older than he looks despite being for all intents and purposes a middle aged man really had some appeal to me.
there are idiots who say shit about how tomboys would be considered trans these days or whatever, but i can assure you that was not what was happening here. by middle school i already had to special order bras and i was fine with that because of the many weird fetishes i was developing, none of which can be blamed on the internet because i hadn't found that shit yet and also to this day you would have a hard time finding anything similar to the things i wrote in my secret notebook and immediately destroyed. the fact that i was technically a girl was vital to all this. media where there was a big reveal that some cool dude had been a hot chick the whole time was my shit. weird feral beast people who turned out to be hot women once they took a bath? fuck yes. i would never have cut my hair because that would have ruined my chances to take off a helmet and reveal that i had girl hair. at no point did i think i was anything but a girl, it was just that i was functionally a middle-aged man, who was a girl.
what this means is that i still liked all the things i already liked, such as leather jackets and comic books and anime and old stand-up comedy, but i also did extensive research on the other things i felt i should like according to the demographic i had assigned myself. i watched vh1's 'i love the 70s' with the air of someone trying to hide their amnesia, even though my parents were children in the 70s. i got into the beatles. i tried to get into cars for a while before accepting that i only liked the vintage car aesthetic and couldn't be fucked to know actual car facts. i wore nothing but cargo shorts and aloha shirts for a while, which didn't really stand out that much because it was middle school. i bought a fedora and became a libertarian atheist. i made plans to buy a motorcycle (i could not ride a bike).
i gave up on it after a while because quite frankly my titty situation meant there was never really going to be a big reveal that i'd been a girl the whole time. it was pretty obvious even with the cargo shorts. also the older of a teen i was, the more likely it felt that i could maybe get laid, except i could tell that was never going to happen as long as i kept wearing cargo shorts. it took longer to give up the fedora because it was leather and i wore it with my leather jacket and fingerless gloves, which i convinced myself worked a lot better after i'd gone full high school goth. i lived in the desert so you can imagine how well that worked out for me, smell-wise.
anyway that's how my female socialization went, i don't think it was particularly successful tbqh
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deadsetobsessions · 2 months
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Sea Cryptic! Danny AU- Pt.3
[Pt.1] [Pt.2] [Pt.4][Pt.5][Pt.6][Pt.7]
“Aquaman.” Batman swept into the room, beelining straight for the suddenly apprehensive Atlantean king.
“Batman. What can I do for you?”
“Phantom. Does he pay taxes?”
“Pardon?”
Batman makes a low noise that had Aquaman’s danger senses buzzing.
“Does Phantom have to pay taxes. Towards Atlantis.”
“No…? Why?”
“He wanted money, in exchange for… information, of a delicate sort,” Batman said, diplomatically avoiding the topic of Phantom bargaining for the identities of corpses in exchange for a measly $100 dollars per identity. Like a flea market dealer, that one was.
“You encountered Phantom again?” Aquaman perked up.
“Yes. Gotham’s bay is… polluted.” Batman paused. “With victims. Of murder.”
The entire area quieted as heads turned towards the Dark Knight.
“Yes, I am… distantly aware of Gotham’s waters.” By that, Aquaman gets green around the gills whenever he turns his awareness in that direction. There’s a reason he doesn’t enter Gotham, and the Dark Knight’s ban is only half of that reason. “Ah, but you’re correct. For what purpose would Phantom need mortal currency?”
“Hn.”
“Maybe he needs some stuff?” Flash zipped to a stop next to Batman, feet tapping as he dug into the pile of snacks cradled in his arms. “Us mortals are always coming up with new things, maybe he wants to try some games or something?”
Batman tilted his head down, seriously considering Flash’s suggestion. “It’s plausible.”
“Barry, Barry, Barry. He’s old as hell, right? He probably wants to try the new booze!”
“Hal, my man!” Flash fist bumped Green Lantern, who came up. “You’re back! What happened to John?”
“Dunno. He got called somewhere that way,” Green Lantern waved a vague hand towards the left. “Had to deal with a politician or something from that area.” He shrugged, swinging an arm over Barry’s shoulders to put him in a headlock and stealing a chip.
“Huh. Anyways, would our mortal alcohol even work on a demi-god or something?”
“We should ask!” Hal turned towards Batman. “You should ask if he wants to go for a drink, spooky!”
“He’s a child.”
“He’s been around for more than a millennia, Bats.”
“Informational gathering, right, Hal?” Flashgot out of the headlock, quickly munching on his snacks to stop Green Lantern from stealing them.
“Totally. Yup.”
“…Fine.”
“Wait, are we just gonna ignore that Gotham’s waters are full of bodies?”
“Yes.”
——
“What?” Danny asked, mind half on the bags he’s dragging out of the water and the other half on the essay he has to submit in about four hours.
“Green Lantern wanted to invite you out for a drink.”
Danny turned to the stoic Gotham knight, who had his wrist computer out to log the bodies’ info the moment Danny gave him the information. Some of them even told Danny who murdered them, so Batman could start building cases with solid leads.
Danny’s only twenty. He’s not legal yet but he doesn’t want to give any clues to who he is. How is he supposed to…
Ah!
“Can’t.” Danny shrugged. “I’m not legal. I died when I was fourteen so…” Danny trailed off, speechless at the drowned puppy face Batman was giving him. What the fuck.
“Anyways, fork over my payment.”
Batman wordlessly hands him a wad of hundreds.
“What do you need cash for?” Batman suddenly asked.
“Huh? Isn’t it obvious?” Danny tucked it in. “Material things, obviously. I need a blanket,” because holy shit, Gotham is damn cold this time of year. “Anyways, see you same time next week, litterer.”
“I don’t litter.”
“Tell that to the batarangs I found under the water,” Danny grumbled. “But I’ll stop calling you that if you get a signature from Poison Ivy. I have a friend who loves her.”
“An alive friend?”
“Wouldn’t you like to know, weatherboy?”
Danny snickered and disappeared. He’s gotta cram that essay.
——
“There’s a possibility Phantom might be homeless.”
“Batman, I mean this in the nicest way, but for the love of Atlantis, please stop giving me headaches. It’s time like these I wish I stayed a lighthouse keeper.”
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ariaste · 9 months
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The Magic Trick You Didn’t See: Being An Analysis of Good Omens Season 2
(or: Neil Gaiman, Your Brain is Gorgeous But I Have Cracked Your Sneaky Little Code And Have You Dead To Rights*) (*Maybe)
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Soooooo I just spent the last 48 hours having a BREATHTAKING GALAXY BRAIN EPIPHANY about Good Omens Season 2 and feverishly writing a fuckin16,000 word essay about the incredible magic trick that @neil-gaiman pulled off. 
Yes, it’s long, but I PROMISE your brains will explode. Do you want to know how magic works? Do you want to know what Metatron’s deal is (I’m like 99% sure of this and it’s EXTREMELY FUCKING GOOD)? Do you want to know about the Mystery of the Vanishing Eccles Cakes and the big fat beautiful clue I found in the opening credits? Do you go through the whole inventory of Chekov’s Firearm & Heavy Artillery Discount Warehouse? 
Here is the essay, go read it: https://docs.google.com/document/d/193IXS11XN46lziHRb6eUpM17yK0BQkRqke1Wh64A_e0/ When ur done u can tell me I’m an insane crackpot, and u know what, i won’t even be offended
In case you don’t know whether you want to bother reading the whole enormous thing on google docs, I’ve put the first couple sections of it under the cut. JUST TRUST ME OKAY, HEAR ME OUT, THIS IS VERY EXTREMELY COOL, NEIL IS GOOD AT HIS JOB--
Proem
A dark theater. The rustling of the audience: clothes, breathing, whispers of anticipation. The lights come up. A man enters, stage left. He is a magician—a master magician—and he performs for you a magic trick so good and so subtle... that you don’t even notice you’ve seen it. 
You know there must have been a trick—after all, you came to the theater to see a trick performed, didn’t you? And he claims to be a magician. So there had to be a trick somewhere. There had to be.
But maybe there wasn’t. Maybe there was just a man on a stage, talking to you, telling you a story with a strangely unsatisfying ending you didn’t quite understand. 
I know. This is a weird beginning to an analysis essay. But hear me out, because I have to explain the mechanisms of the stage before I can show you what the trick was, where the trapdoor was hidden, and how Neil Gaiman pulled the whole thing off so gently and elegantly that you didn’t notice a thing. Ready? Here we go.
The Facts As We Know Them
Let us begin by establishing a baseline—some fundamental, logical assumptions that underpin the magic trick. These will seem obvious as soon as I say them, which is precisely the point: They are self-evident, loadbearing foundations for my entire argument, and if I don’t point them out, I’m going to sound like a crackpot conspiracy theorist. (Which! To be fair, I might be. I could easily be wrong about all this—but I don’t think I am.)
Our baseline, loadbearing assumptions that preface my Grand Unified Theory of Season 2: 
1. Neil Gaiman is extremely good at his job.
2. Neil Gaiman loves these characters and wants with all his heart to do them justice; likewise, he has a great deal of respect, love, and admiration for Terry Pratchett and is striving VERY HARD to write the show the way Terry would have been happy with.
3. The devil, as they say, is in the details: Neil Gaiman and the entire Good Omens cast/crew are fully capable of doing extremely subtle detail work, as conclusively proven in Season 1 Ep 6, specifically the whole sequence of the body-swap scenes.
With me so far? Great.
The Elephant In The Room
Season 2 was... odd. It was odd, wasn’t it. This isn’t a matter of whether you loved it or hated it—there was just something odd going on.
I spent the entirety of my first viewing very much enjoying myself and being very happy to be back with these characters and this world, but I was also liveblogging to my groupchat as I went, and a theme soon began emerging:
“Neil, what are you doing? Where are you going with this?” “What in god’s name is going on here? I’m so lost lmao.” “What is going on with the music situation?” “WHAT ARE YOU DOING HERE NEIL” “zombies, ok, I trust u to pull this all together in the end, Neil, but I still don't know what you're up to” “What is going on LOL” “Incredibly what is going on here” “NEIL! WHAT IS HAPPENING!” “Literally what is happening” “Neil Gaiman why have you constructed a regency au for mystery VIBES reasons” “just????????? lesbians????????? dancing what's HAPPENING. just all the background characters are gay here ok sure sure sure NEIL GAIMAN WHAT IS HAPPENING--” “mmmmmmm neil what u doin”
All these are copied verbatim from my liveblogging, and apparently I am not the only one to have this reaction. And to be clear, I was having a good time! I came out to this theater to see a magic trick, and this Neil Gaiman guy on stage is a master magician—but I didn’t see the trick, even though there must have been a trick. 
At first, I wasn’t sure how I felt about the season. I wanted to like it! Indeed, there were many things that I liked about it! But I felt a bit muddled and jumbled up and confused—I felt like there was something I didn’t understand about it, and so I couldn’t yet understand how I felt about it either.
I started chewing on this question in a friend’s DMs: Why is season 2 so fucking odd? What is going on here, Neil? What are you up to? The matter of whether he was up to something was never in question. I knew that he had to be up to something. Writers are always up to something, and as I watched season 2, it was as if I was watching Neil scamper around the room with a mischievous expression as he messed with things here and there and made little tweaks and adjustments to the arrangement of all the Chekov’s guns he’s stockpiling on the mantelpiece. 
You see, Season 2 has some very bad writing in it. HANG ON, DON’T ARGUE WITH ME YET! THIS IS NOT A JUDGMENT CALL!! This is the rug that the trick’s secret mechanism is hidden under!!! This is the hidden mirror that makes the trick work!!!!! This is the trapdoor in the stage!
Yes, of course I will explain myself.
Neil Gaiman is a master magician, but I am a pretty damn good magician myself—I’m a professional fantasy author who has published nine books, and I teach workshops for apprentice writers online and at universities—and if there is one thing I have learned about the process of achieving mastery of your craft, it is this: 
Regardless of what medium they’re working in, the apprentice artist is concerned primarily with achieving realism via an expansion of their control—control of their brush strokes as they paint a photorealistic eye; control of their deck of cards, the mechanisms of their magic tricks, and where the audience’s attention is being directed; control of all the little factors of voice, plot, character, setting, suspense and surprise that go into writing a good story. However, the master artist has achieved that control—so much so that it often looks effortless to an untrained eye—and sometimes the master artist returns to a messy, amateurish style simply because they have control even over this too. 
As an example, consider Picasso and his entire body of work. He begins as an apprentice focused on achieving control, doing portraits of people that look like people—like what we expect a portrait of a person to look like. Then, as he grows in skill and gradually achieves mastery, he pulls away from realism. He develops a style, he experiments with faces that don’t look like any human alive  colored in ways that do not appear in nature. He expands his control. His work becomes abstract. Towards the end of his life, he starts experimenting with what’s called “Naive art”, something that a 5 year old could theoretically draw... but you have to achieve mastery before you can do it on purpose and have it look good. 
On one hand, Neil Gaiman is extremely good at his job. On the other hand, Season 2 has bad writing in it.
What does that tell us?
Well, we know from our Baseline Assumptions that Neil Gaiman is simply too good of a writer to fuck up through garden-variety clumsiness and lack-of-control the way an apprentice writer would. Additionally, he cannot fuck up by accident in this case because I am positive that the man is scrutinizing his work on Good Omens far too closely to let anything slide—for Crowley and Aziraphale’s sakes, for David and Michael’s sakes, and especially for Terry’s sake. The stakes are sky-high, and he cares too much to write a weird, kind of “bad” season by accident.
Which leaves only one option: He did it on purpose.
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(Am I sounding like a crackpot conspiracy theorist? Baby, you ain’t seen nothin’ yet. I’m gonna get SO MUCH MORE CRACKPOT.)
If he did it on purpose, then the natural question to ask is: WHY!?!?!??
It’s a great question. Not “Why?” in terms of why he as an individual person with emotions would decide to do that, mind you. More like, “What purpose does this serve for the structure of the narrative?” There is a story he is intending to tell, and out of all the choices he could have possibly made, for some reason this one was necessary and correct in order to achieve that end goal—so what was that reason?
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See? Intentionality. He knows exactly what details he left in, and he did it on purpose. (Editing! It’s important!)
So there has to be a reason. It’s like when a master magician “casually” rubs an itch on his nose—why did he do that? What is he sneakily slipping into his mouth by hiding it under the excuse of this little gesture that does not even register to you as meaningful? (If you haven’t watched enough stage magic to know what I mean, watch this.)
This question is, of course, impossible to simply answer out of thin air without any further evidence. It is a dead end—so we must adjust the question and come at it from a different angle.
The one I settled on when I was chewing on this was: Well, okay, what do I mean when I say “bad writing”? What is it about S2 that makes it feel so goddamn odd?
The Pledge, The Turn, and... The Conspicuous, Expectant Silence
There are three parts to a magic trick: Pledge, Turn, Prestige. 
First, the Pledge: You show the audience something ordinary. Second, the Turn: You make that ordinary thing do something extraordinary, like vanish. Third, the Prestige: You bring the ordinary thing back.
To quote the 2006 film The Prestige just after its explanation of the first two parts: “You want to be fooled. But you wouldn’t clap yet, because making something disappear isn’t enough. You have to bring it back.”
You have to bring it back.
When I teach apprentice writers, I call this a “setup-payoff cycle”. Achieving control and dexterity with this tool is crucial, because the setup-payoff cycle is the engine of the story—it’s what makes the story run. You can have a setup-payoff cycle at any scale—I have read ones that were a single sentence long; I’ve read ones that were two books long. Additionally, all jokes, no matter how long they are, are structured on a setup/payoff cycle. These cycles work precisely the same way a magic trick does:
You set up the audience’s expectations. (Optional but generally considered stylish and elegant: You give those expectations a firm jolt to throw the audience off-balance.) You pay off the audience’s expectations in a way they weren’t expecting, while saying “TA DA!!!!” really loud with your arms flung wide.
Audiences really like this. A setup-payoff cycle executed just right makes the audience’s brains light up like Times Square and hammers on their mental “reward” buttons like nothing else. It’s like you’ve personally handed them a cookie and a gold star. They go wild for this.
Here’s an example of a setup-payoff cycle, though it’s not a perfect one—and you’ve probably heard it before, so you’re not going to be throwing chairs and tearing down the theater from sheer glee:
The Setup: Knock knock. Who’s there? Banana. Banana who? The Jolt: (the joke starts over and repeats several times without reaching the payoff (aka the prestige) while the audience grows more and more annoyed and frustrated about the unfulfilled expectations, until finally...) Knock knock. Who’s there? Orange. Orange who? The Payoff: ORANGE YOU GLAD I DIDN’T SAY BANANA?
Good Omens Season 2 feels so fucking odd because the setup-payoff cycles are incomplete—nearly all of them are, and the ones that do close the loop do so in really weird ways which, as a professional author, make me feel kind of, “Bwuh?????? But where’s my cookie? Excuse me??? Sir???? Neil????? My cookie, tho???”
When I realized this, when I finally put my finger on why the whole season was giving me some uncanny valley heebie-jeebies, a chill ran down my spine. (The rest is here: https://docs.google.com/document/d/193IXS11XN46lziHRb6eUpM17yK0BQkRqke1Wh64A_e0/ I’M GOING TO GO STARE INTO THE ABYSS NOW BYE)
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