HAPPY HEAVENLY BIRTHDAY to the legendary Nico: Actress, model, musician, and singer-songwriter. Born in Germany as Christa Päffgen, her career is well documented—from being cast in Fellini’s LA DOLCE VITA and singing on the landmark first Velvet Underground album, then embarking on a long career as a Teutonic chanteuse. Her reputation as “Andy Warhol’s eye candy” nearly limited her and her music has a compelling future-primitive goth-folk quality—eerie and gauzy yet somehow endearing. Her best-known albums were produced by John Cale and Eno, but her 80s recordings are well-worth seeking out as well. She died suddenly and tragically at age 49 after a bicycle accident.
In late 1978 she performed a series of shows at Mabuhay Gardens in San Francisco. It was just her voice and her harmonium— an enigmatic set considering The Mab mostly staged rowdy punk/New Wave bands. I met her briefly, recorded her shows for my own enjoyment, then uploaded them on reel-to-reel tapes. A few years later I loaned the tapes to an associate who never returned them. Many years after that, my recordings mysteriously appeared on a French bootleg series. Those tapes got a lot of mileage. HB Nico and thank you for your spirit. This video approximates what we saw at the Mab...
#nico #christapaffgen #velvetunderground #singersongwriter #johnnyjblair #harmonium #mabuhaygardens #sanfrancisco #birthdays
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THE RECORDCHANGER YEAR-END EDITION 2023
My annual year-end review of my favorite records and books.
TOP NEW ALBUM RELEASES
Rachmaninoff: The Piano Concertos – Yuja Wang & The Los Angeles Philharmonic
I Inside The Old Year Dying – PJ Harvey
The American Project – Yuja Wang with The Louisville Orchestra
Hackney Diamonds – The Rolling Stones
Can We Do Tomorrow Another Day? – Galen & Paul
Relentless – Pretenders
The Future Is Now – The Chick Corea Elektric Band
TOP REISSUES/ARCHIVE RELEASES
Evenings At The Village Gate – John Coltrane with Eric Dolphy
Anthology – Charlie Watts
Hollywood Blues Summit-Live At The Ash Grove – Muddy Waters
Live At Mabuhay Gardens – Romeo Void
Grrr Live! – The Rolling Stones
All Around Man: Live In London – Rory Gallagher
A Night In San Francisco – Missing Persons
FINDS OF THE YEAR
(Catalog titles that slipped under my radar when first released)
Yesterday’s Wine – Willie Nelson (1971)
Let England Shake – PJ Harvey (2011)
Concerto In B. Goode – Chuck Berry (1969)
Live In Bremen 1975 – Gary Bartz NTU Troop (2021)
Cool Heat: The Best of CTI Records – Various (2017)
Force Majeure – Doro Pesch (1989)
Bound For Hell On The Sunset Strip – Various Artists (2022)
THE YEAR IN REVIEW:
If anyone had told me that 2023 would see new releases from both The Beatles and The Rolling Stones, I’d have suggested a sanity check. But a live archive release from The Stones early in the year was followed by the all-new Hackney Diamonds in October, while The Beatles released one more song, Now and Then, to cap their career once and for all. Of course, both were bittersweet. Hackney Diamonds was the first Stones release of new material following the death of original drummer Charlie Watts in August 2021. And though Watts appeared on two tracks finished in 2019, Steve Jordan took over the drum chair for the band with mixed results. The Beatles resurrected yet another John Lennon demo first attempted for their Anthology project in 1995, but left unfinished then because of technical issues. New technology allowed them to finally finish the track in 2023, but guitarist George Harrison had passed in 2001. That left Paul and Ringo along with late producer George Martin’s son Giles to complete the recording. So, these releases are really in name only because both The Beatles and The Rolling Stones we all came to know and love had already left the building. Still, both projects were successful, and well-received, and while The Beatles claim their record is indeed the end, The Rolling Stones are already back on the road, and promising another album of new material (and one last Watts recording) as early as next year. (I wouldn’t put any money on that, however, unless you can afford to lose it.)
For those of us who took Charlie Watts’ passing to heart, there was some comfort in the release of the Charlie Watts Anthology this year that collected some of the drummer’s best Jazz recordings. And once again, some master sleuth managed to unearth a previously unheard, and unreleased recording by the late John Coltrane. Evenings At The Village Gate with Eric Dolphy, a rehearsal for a 1961 date at the Village Gate transcends less than perfect sound to remind everyone that 1961 was John Coltrane’s year, and that everything he touched that year turned to gold.
The musical event of 2023, as far as I’m concerned was Yuja Wang’s marathon performance with the Los Angeles Philharmonic of all four Rachmaninoff Piano Concertos in one go in February, released a few months later. The genius pianist also released The American Project, a new work by composer Teddy Abrams with the Louisville Orchestra conducted by Michael Tilson Thomas. She toured sold out venues all around the world, and continues to push the envelope by making innovative, and fresh choices in her repertoire to draw more attention to the Classical music genre in the 21st century. As Classical musicians go, Yuja Wang is a Rock star.
One of the year’s best surprises was the return of Clash bassist Paul Simonon as part of a duo working under the name Galen & Paul. Galen is Galen Ayers, daughter of the late British singer-songwriter Kevin Ayers. Can We Do Tomorrow Another Day recalls the music Serge Gainsbourg made with Jane Birkin in the late 1960s. Sophisticated, smart, charming, and funny, and the last thing I’d have expected, but it works, and was one of my favorite records of the year. The new Pretenders album, Relentless, was another welcome addition to their catalog, and my collection. And PJ Harvey’s latest, I Inside The Old Year Dying, her first new album in seven years, re-establishes her as an artist who continues to move forward, and challenge listeners by constantly reinventing herself.
Finally, a great new live album from Chick Corea’s Elektric Band, prepared for release by Chick before he passed in 2021 paved the way for the reissue of the band's five studio albums for GRP in new digipak editions with excellent sound. Candid did the honors.
Closer to home, vinyl and cassette prices continue to rise while the availability of CDs continues to make buying a physical copy of almost anything a genuine headache. I waited three months for an online seller to supply me with Yuja Wang’s Rachmaninoff Concertos CD, and on the day of release, I visited eight retailers online or in store before I could find a copy of the new Rolling Stones album on CD. The store was 40 minutes from my house, and it dampened the excitement of getting the band’s first album of new material in eighteen years. I guess the record industry doesn’t need long time collectors any longer now that vinyl and cassettes are a hit with twenty-somethings with deep pockets. If CDs disappear completely, I’m finished buying music because I refuse to rent it.
I did, however, manage to find one vinyl record I wanted this year that was actually reasonably priced and available from a reliable online seller. Chuck Berry’s Concerto In B. Goode is kind of a “wild card” in the Berry catalog. His last release for Mercury in 1969 before he returned to Chess, the album has four new originals on side one, but side two features the title track only – eighteen minutes of Berry’s trademark licks and lines. There’s nothing else like it in Chuck’s catalog, and for that reason alone, it was worth getting. It’s hardly a masterpiece, but it is a great listen, and the pressing on Elemental is pristine.
Another great find this year was Willie Nelson’s 1971 album Yesterday’s Wine. I’d never heard it. I only knew it by reputation. But it was even better than I’d heard – easily as good as Shotgun Willie, Phases and Stages, and even Red Headed Stranger.
I’ve always (until this year) been behind on PJ Harvey releases, but this year I caught up with Let England Shake, released in 2011. It’s the best album in what has become one of the most impressive catalogs of any contemporary Rock artist.
Gary Bartz’s Live In Bremen 1975 with the NTU Troop was issued in 2021. I was looking for something interesting from that period, and stumbled on this one. Five years removed from his time with Miles Davis’s electric band, this lands between stints with Kenny Burrell, and Donald Byrd. Free Jazz with a Funk and Soul influence, and the politics of the day are what Bartz’s band was all about, and they are in fine form here. The music just washes over you like a soul cleansing shower.
All in all, not a bad year for good music – if you could find it, and if you could afford it. The future doesn’t look too bright for collectors like me, but I’m not ready to hang it up just yet – no matter how bumpy the road gets.
In closing, I’ll mention briefly that I read 40 books this past year, and several were among the worst I’ve ever read. I won’t waste your time discussing those. Instead, I’ll recommend the last one I read which happens to be a music memoir. Hunger Makes Me A Modern Girl by Sleater-Kinney guitarist, songwriter, and co-founder Carrie Brownstein is one of the most engaging books I’ve ever read by a musician. Her honesty and candor are disarming, and while most memoirs are not usually what you would call “page turners,” this one certainly is. I read it in just two days, and I expect to read it again one day. Very highly recommended, and you don’t even need to be a fan of the band (though you might become one by the time you finish).
Most of the best books I read in 2023 were the crime novels of Ross McDonald featuring his sleuth Lew Archer, and Ian Fleming’s James Bond books. I also read a couple of books by Rock writer Gene Sculatti. For The Records and Tryin’ To Tell A Stranger ‘Bout Rock and Roll were great fun to read, and after the garbage I encountered through most of the year, welcome relief.
If you like what you see here, hit the ‘follow’ button, and then the ‘like’ button when the spirit moves you. Thanks for reading The Recordchanger. I hope you found it worth your time.
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brewing plantita
Have you noticed how expensive the local produce is?
Yes. Sobrang mahal ng mga bilihin at hindi ako sure kung dito lang ba sa Cebu City tag 10 pesos ang isang piraso ng kamatis. Sobrang nakaka stress na kahit ang simpleng gulay, ganyan na kamahal.
Namiss ko yung part ng buhay ko when I was still living with my Mom in Albay where we didn't have to buy kamatis, onion chives, tanglad, talbos ng kamote, okra, sili, talong, kalabasa (basically mga gulay sa bahay kubo) because meron kaming tanim sa backyard.
I miss the feeling na hindi ko na kailangang pumunta sa palengke para lang may magamit ako kasi lahat yun abot kamay ko na sa garden ni Mama. And to think, yung pinagtaniman nya is just a very small space, most of it naka-paso lang. So sabi ko sa sarili ko, why not re-create that?
Since nagsimula ng uminit ulit dito, finally after weeks of rain, naisipan kong magtanim nalang din ng sarili kong mga crops. I am not a person with the green thumb, I, most of the time, kill plants.
Pero sabi nila di naman daw totoo ang green thumb kaya susubukan kong bumuhay ng plants and I am really putting all my hopes up to this (kasi ayoko ng gumastos ulit ng 10 pesos para lang sa isang pirasong kamatis).
Honestly, I miss my Mom and her gardening skills. I miss her plants and I never thought I would someday be thinking the same way as her.
Gusto ko na din maging plantita....
Plantita ng mga herbs and gulay na pwedeng gamitin sa pagluluto.
Pero of course hindi ko makakalimutan ang flowers kaya umorder na ako ng seeds ng bulaklak na kaya kong iassure na mabubuhay (sana talaga mabuhay).
Anyways, I planted a few (kidding, just two) of the veggies that we often use for cooking and here's the progress so far.
(This is the onion leek that I tried to replant. I don't know if mabubuhay ba to but yung pinagtamnan ko sa kanya is just the empty cup of the iced coffee I drank)
(and here's the tomatoes... I hope they have started growing na talaga. I will transfer them to bigger pots if they really start to grow)
Another reason as to why I'm planting is because I wanna show my husband that I am useful and I am not just lying around sa boarding house. I do have extra time to tend to plants and get out of my room. Masyado na kasi syang nagger lately, nakakarindi makinig.
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