Tumgik
#mecha analysis
no1ryomafan · 5 months
Text
The subject of how female characters are portrayed in mecha rotates constantly in my head after I watch a mecha with at least one noteworthy female and I do want to at some point do a in depth discussion post about this-but at a way later time because there’s a lot of noteworthy shows I have not seen still to really properly comment and critique this part of the genre-but despite this I wanted to talk about Dorothy from Big O rq:
I’ve been thinking about how Dorothy is one of the better supporting females in the genre despite seeing at least one person point she’s a bit of a damsel in distress. I think what helps Dorothy is she’s not always kidnapped, she has a good amount of episodes where she’s the central focus and not helpless, but for every time she’s kidnapped it seems to wrap around with her saving Roger. The biggest examples I can think of this the third Beck episode where Roger is the one who’s kidnapped and Dorothy manages to outsmart Beck despite him originally kidnapping and controlling her twice-making it super satisfying she finally got back at him-and the finale, where somehow Dorothy, without her memories managed to come back online to recuse Roger and aids him in the finale fight. Dorothy’s entire character arc is about her doing her own thing, BEING her own person, so it makes sense why she’s a bit of a subdivision of the regular damsel in distress. She still gets kidnapped but she’s not helpless and usually returns the favor to Roger, making every time Roger *does* have to recuse her seem out of genuine care and not “this girl I like is in danger and helpless!” (especially because Roger didn’t fully realize her feelings for her until the very end)
That said, even if I think Dorothy is a well done take of a otherwise really bad trope that plagues female characters since she does very much have agency, one thing on reflection that does irk me a bit that would’ve made her character a tad more satisfying is if Dorothy *actually* got to properly pilot Big O:
Tumblr media Tumblr media Tumblr media Tumblr media
Every time we’ve seen her in the robots it’s only either been she was unconscious/defenseless-I. E. ep 4 and ep 9-or at the aid of Roger. While the latter is more common, and like I said in the finale she is still very important in helping in the finale fight as she uses herself to power up Big O, multiple times before we have seen her capable of being able to pilot it. Big O may like Roger the most, it is his robot, but it also recognizes Dorothy cares about him just as much as it does, so I think it would’ve been cool even if it was for one episode if she got to pilot it instead, whether it be because Roger got injured or kidnapped.
Or maybe I’m just nitpicking a little and really like the idea of “robot operating a robot” since Dorothy is still one of the best supporting females in the genre, but just because they’re supporting doesn’t mean they shouldn’t be allowed to fully pilot the robot at least once. : p
5 notes · View notes
weirdmarioenemies · 8 months
Text
Is King Bob-omb a robot?
Tumblr media
Is he? Huh?
Recently I have been thinking about the nature of King Bob-omb, because I think it is more interesting than one may think upon first consideration! Yes, he is a big living bomb. But what does this mean for him? Let's discuss!
Bob-ombs
Tumblr media
Bob-ombs! They are bombs. Even a dog could look at a Bob-omb and tell you "Rhat's a ralking romb! Hreeheehee!" What do we know about Bob-ombs? Well, they are very clearly artificially created entities. I mean, they're bombs. They're powered by wind-up keys! And they're mass-produced in factories. These are artificial, mechanical creatures. Automatons! The ones in Sunshine are very overtly robotic, and even if those ones are Bowser Junior creations, it may reflect how he views the real ones.
There is a history of sentient, talking Bob-ombs and Bob-omb society, so these are clearly rather advanced automatons. All the more reason for me to confidently declare them to be robots! It's weird to make a living bomb capable of thought and emotion, but as established by Origami King, the ones working for Bowser are intent on making their single blast really make a difference. So I guess making them sapient is ultimately helpful for Evil purposes, if unethical.
King Bob-omb
Tumblr media
Now let's consider the King! That guy loves to be considered. He is NOT mass-produced. He does not have a wind-up key. He does not even have a fuse! And of course, he has arms. No Bob-ombs have arms...
Tumblr media
...but Chuckyas do! Big, Bob-omb-like, with arms for throwing Marios. King Bob-omb seems like he could be a stronger, more refined model of Chuckya! Chuckyas are absolutely robotic, so this does make a good case for the King being such, as well!
Could a robot have such a magnificent mustache, though? Yes, a robot could. Even standard Bob-ombs are capable of having mustaches, as are creatures made of ice, and also this is a silly cartoon world. So yes, I think a robot could have a mustache.
Mecha King Bob-omb
Tumblr media
Now HERE's the thing that got me thinking of this in the first place! Mecha King Bob-omb, from Mario + Rabbids: Sparks of Hope. This is a robotic version of King Bob-omb... hm. This IS obviously a robotic replica based on him, and there's no reason a robot based on another robot couldn't exist, but that WOULD make the "Mecha" title pretty weird! Is the original king mechanical or what? I guess the "Mecha" could also be referring to this version being a pilotable mecha, unlike the real version, which is a Guy. This brings up questions, and answers none!
The Big Dud
Tumblr media
Finally, the last possibility of King Bob-omb's origins. If you are aware of the Super Mario 64 Iceberg, you are aware of the Big Dud theory! After Big Bob-omb (as he is known in 64) is defeated, an additional metal ball will be rolling around at the base of the mountain, and a Bob-omb Buddy will declare that the Big Bob-omb is nothing but a big dud now. This has led some to believe that the additional cannonball might be Big Bob-omb himself, made inanimate upon his defeat!
And then THIS gets me thinking about Power Stars. They do weird things to Mario creatures! I think it is likely King Bob-omb could have been created BECAUSE of the Power Star he holds. Maybe he was an ordinary Bob-omb enhanced into a new, regal form by the Star, or maybe he even was an ordinary inanimate metal ball, chosen to be extra resilient compared to his subjects! You know, in 64, he doesn't even explode like a Bob-omb. Is he a FRAUD? (No, he explodes in other games)
Final thoughts
So, after all this analysis, is King Bob-omb a robot or what? I don't know. Maybe. Maybe not. No one knows. This guy is weird! He can fly with no effort if thrown off the mountain. When killed, he congratulates Mario for killing him and invites him to do it again sometime. If I HAD to come to a conclusion... I would say he is technically robotic, but that's not something the designers/developers actually ever have or had in mind, and is just a result of being a Bob-omb.
I don't mind that there is no concrete answer! I was not expecting there to be! This is Super Mario we're talking about. They're not going to expect us to analyze evidence about characters and come to conclusions. But it is so much fun to do! That's why we do it! Call this guy a robot if you want! Or affirm that he is not if you don't! I don't really care as long as you are nice!
619 notes · View notes
sodasa-was-taken · 3 months
Text
Why Suletta and Miorine's story is a romance: A Mobile Suite Gundam: The Witch from Mercury story structure analysis by Sodasa
So, I recently watched The Witch from Mercury, and I felt compelled to write an analysis of the show's use of the story structure of romances. I'm a hobbyist in the history of trends in genre fiction with a particular interest in romances. I thought it would be fun to use my area of expertise to talk about how the budding relationship between Miorine and Suletta is intertwined with the story of G-Witch.
Something particular about the romance genre is that, unlike other genres of fiction, it's mostly defined by its story structure. This means that just because a story is about two people getting together does not automatically make it a romance in the same way having magic in a story qualifies it as a fantasy. The flip side of this is that while you can't have a fantasy without fantastical elements, a romance can be put in any setting. As long as the story hits the required plot beats, it's still a romance. This makes Romance simultaneously one of the strictest and most versatile genres, as the plot can be anything as long as it ties into the main characters' developing relationship. Use this structure in a story about financial politics and mechs, and you get a story like The Witch from Mercury.
I think the show uses this structure very effectively. In my opinion, a great romance should, first and foremost, be an exploration of the part of the human condition where previous bad experiences make us reject intimacy. The romance story structure is designed to have the characters come face-to-face with their inner demons by giving them a reason to overcome them. Something that's a lot harder to pull off outside of romances, as not many things in life require us to overcome some of our deepest insecurities instead of just pushing them down.
G-Witch is a great show to use as an example of what makes a romance a romance as it follows the story structure almost to a tee, but it's also not the kind of story that most people usually think of when picturing a romance. I also believe that seeing the show through the lens of the romance structure leads to some juicy character psychoanalysis for Suletta and Miorine. I'll go over all the plot beats of a romance and explain how they apply to G-Witch and, if applicable, why I think you don't see those plot beats outside of romances. The names of the plot beats are taken from "Romancing the Beat: Story Structure for Romance Novels" by Gwen Hayes, which is also my primary source, along with my own extensive experience with the romance genre.
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
I hope someone gets something out of this. I have seen some excellent analyses and theories for this show, but they have been on things I don't know much about myself. Since the only part of story analysis I excel at is the structure of romances, I thought I'd lend my own area of expertise. I want to clarify that while I might sound matter-of-fact, this is just my opinion. I'm by no means saying that you have to think that G-Witch is a romance. I'm just arguing for why I personally consider it to be one.
268 notes · View notes
essycogany · 8 months
Text
Rare But Not So Rare Sonic Moments. Character Analysis.
Crying
A weird topic I’m more then happy to discuss.
Tumblr media
Mandate: “Sonic’s not allowed to get overly emotional.”
I’m starting to think the mandates do break in a few instances. This one specifically is something I’m quite interested in because this is probably one of the rarest emotions Sonic displays. Getting sad/emotional.
Hopefully this essay will be a positive outlook on the mandate.
(Despite being a discussion about negative emotions.)
Examples Of Sonic Getting Emotional
I might not include everything, but the examples I have knowledge of will be stated. If you have anymore examples, I’d love to see them.
SATAM: Sonic cried when he and the Freedomfighters had to leave his Uncle Chuck in Robotnik’s lab.
Archie: The times Sonic cried/teared up was when the weight of a situation got to him, when something tragic occurred and all hope was lost, or when he was filled with joy after those instances ended. Those moments like others, didn’t go too far. (For the most part)
Pretty sure he never out right sobbed.
Tumblr media Tumblr media
Underground: I think Sonic only cried when he was a little kid.
Correct me if I’m wrong.
X: In episode 52 Sonic allowed his tears to shed with his head turned away from us. He and Chris ran one last time before Sonic left through a portal to go home forever. It obviously crushed him even if we didn’t see his face.
Boom: Sonic cried/teared up in two episodes of the show. First when Tails was reminiscing about the Tornado and noticed Sonic wiping his eyes. Sonic replied, “What?” Then he, Knuckles, and Tails all cried when they thought the baby they took care of was gone. Also, in Archie when Stick’s rock friend broke or “Died,” everyone in team Boom morned it. Sonic included.
Tumblr media Tumblr media
IDW: Sonic shed tears in the Scrapnick Island Issue. Even if it was “Mecha Sonic’s” tears I’ll count it anyways because it’s a good loophole and it came out of Sonic’s eyes.
Movie 1: It’s implied he indeed cried during the baseball scene. The sources being a deleted scene and story-board of the film.
Tumblr media
Prime: This doesn’t really count, but Sonic teared up in the first episode when he was held captive by the Chaos Council and had light blasted in his eyes, when he was in darkness. Then Sonic actually cried in episode 7 when he ate a seadog. Either because he was home-sick or starving.
(In the last episode of season two it’s implied he might cry in the next episode. Especially with the shot of him looking on the verge of tears and then covered his eyes in the background of the last shot, but we’ll see.)
By the way. You can see the instant improvement from episode 1 to 7 of the tears animation. Just thought I’d say that.
Tumblr media Tumblr media
My Overall Thoughts
Hold on because this is going to be a long ride.
First thing I’d like to discuss is the mandate itself.
I personally don’t believe it means, “Sonic shouldn’t cry.”
(Which has been stated a bunch)
If that were the case, I don’t think this majority of moments (specifically the recent ones) would’ve happened. I think the mandate meant Sonic couldn’t and or shouldn’t go too far with his emotions. I don’t think the mandate existing makes any since, but I won’t get into that.
My point is, Sonic can cry, just not in an overly dramatized way unless it’s done for comedic purposes.
(I say that because of Sonic Boom and the 7th episode of Prime examples. Which are obviously not meant to be taken seriously)
My opinions on Sonic crying.
It’s not necessarily needed, but I don’t mind if it’s done well. I do believe Sonic shouldn’t go too far unless the situation does.
One Issue in Archie when Sonic’s entire life was basically ruined, is a good example. If you’re going to have such calamities happen to him, especially since he has zero ego or mask to hold onto, I think it’s a fair enough scenario for him to react as drastic as his misfortune.
But I believe if he were to cry in something like the Metal Virus. (Just for an example) it could be like how Espio teared up after Vector’s sacrifice.
Tumblr media
Crazy idea. Let’s talk about Shadow for a minute.
Shadow is one of the most stoic characters in the entire franchise. He barely smiles, gets excited, or displays any overly positive emotions. While Sonic rarely cries, gets angry, or shows any harsh negative emotions. Shadow and Sonic are opposites because of that.
Sonic’s overall a positive and outgoing guy who wants to keep moving forward. Whenever he has the time to worry, he runs. Faces his problems head on. Sonic only let’s a small amount of his true emotions out when helping someone else. In general Sonic’s a pretty optimistic character.
Shadow on the other hand is a reserved and serious guy. Who wants what’s best for the world too, but in a more calculated and planned out manner. But for some reason, in Sonic Adventure 2 after Amy encouraged Shadow to save the world, (Which reminded him of Maria’s real wish) He sheds a tear.
I repeat. Shadow is the most stoic character in the entire franchise. Who rarely shows his emotions. And yet he cries.
Why can’t Sonic? To be fair, Sonic usually doesn’t have time to think, let alone worry about how he feels. But if Shadow himself can have a short moment of releasing his emotional baggage, why can’t the blue blur?
Is Sonic even as happy as he let’s on?
I’d say he’s genuinely happy half of the time. Then the other half Sonic’s internalizing everything negative in him. Everyone knows Sonic’s overall upbeat, but we’ve seen plenty of times (In the Metal Virus specifically) when he’s thinking, or enduring the chaos around him, he doubts himself. Sonic has these insecurities and emotions he barely let’s anyone see.
Besides Issue #24
Tumblr media
Even in Sonic Prime while Sonic shows the most guilt, sincerity, anger, fear, and sadness in the show. He sometimes still puts on a front and acts like everything’s fine.
Sonic Unleashed I’m pretty sure was the first and only time we’ve seen him mope for a minute. All because Amy didn’t know who he was. So, he does have some level of insecurities lingering every once in a while.
Can Sonic crying even work?
How I interpret him crying is when he’s alone. Some people theorize in certain instances like SA2 and Unleashed with Shadow and Chip’s sacrifices, he cried a little. I’m fascinated by this idea. I believe it’s the most in character way to let him cry. Maybe even something like X when his face isn’t shown, but you know how he’s feeling.
Even if we do see Sonic’s face, him crying or tearing up could be shown without being over the top. Normalize it in a way that doesn’t fly off the handle. His expression could have a hint of frustration, anger, or exhaustion. Crying is normal and I don’t see Sonic crying as out of character because it’s been done plenty of times.
It’d be nice if it happened in order to make Sonic feel more believable and sympathetic. As long as the dude’s not on the floor whaling, I’m sure it can work.
Final Thoughts
There are other ways to show Sonic’s emotions. Again, crying doesn’t have to happen, but it does help the writing feel less unnecessarily limited of what kind of emotions can be displayed on this character.
Though there are benefits too. Like finding fun loopholes or small animated details like in IDW and Prime. Sonic not crying so much makes the times he does (or may do in the future) feel earned and impactful. The examples before prove it can be done without taking away what makes Sonic who he is. It just needs to be subtle, quiet, and quick. (Or humorous) Depends on what you think.
At the end of it all, Sonic’s a tough hedgehog. Him shedding a few tears won’t ever change that.
Stay Creative! 💜
416 notes · View notes
molinaskies · 9 months
Text
Sonic and the Mirror of Trauma: Scrapnik Island
Tumblr media
Scrapnik Island is by far the most intriguing and impressive IDW Sonic miniseries so far. Daniel Barnes wrote an excellent story about recovering from trauma, struggling to escape your past, and facing the setbacks that come with both of those, and Nathalie Fourdraine and Jack Lawrence produced some beautiful art.
On its surface, the story has the potential to be a cheeky, cliché one-off akin to a spooky Halloween story (that started in December… hehe). But, when you look deeper at the plot and some of the tropes, and once you remember that it takes place between issue 56 (which I’ve crucially discussed at length) and issue 57, it suddenly becomes so much more important.
Mecha Sonic is a version of Sonic who has been forced to address the pain of his life and dabble with the consequences, and he represents the moment that Sonic has to face his own trauma—and that scares him.
Scrapnik Island sets off with the Scrapniks pursuing Sonic to help him, but Sonic, of course, has missed the memo. Mecha Sonic is hottest on Sonic’s trail, which stands out to me as not only is Sonic visibly afraid of Mecha (both from his sudden presence and from his memories of their last encounter), but he’s actively running away from his trauma, his past, his fear.
Even after Sonic’s been set straight on the Scrapniks’ deal, he’s still put off by Mecha Sonic’s silent demeanour and their history. So, Sonic treats him coldly, and this animosity triggers something deep within Mecha that he fights to starve off.
Tumblr media Tumblr media
There is lots of visual storytelling to indicate that Sonic and Mecha Sonic are meant to be literary foils, but below is my favourite example. A flashback of a decommissioned Mecha Sonic fades into a present shot of Sonic “taking it easy,” but more so getting fed up with his situation.
Tumblr media Tumblr media
Sonic is also particularly distrustful (and afraid) of Mecha Sonic, compared to the other Scrapniks. However, as time runs on, Sonic comes to an initial understanding of Mecha’s changed ways and wants to make peace. However, right after this, Mecha Knuckles attacks, Mecha Sonic defends and, in a way, sacrifices himself for Sonic, and things fall apart from here.
Tumblr media
After Mecha Sonic is triggered during his battle with Mecca Knuckles (after a forceful encounter with Mecha Sonic’s past that sends him down a path of relapse), Mecha Sonic loses his ability to starve off Eggman’s primary programming. He turns on Sonic once again, but instead of serving Eggman, he strives to serve himself. While Mecha is falling victim to his traumatic past and coping mechanisms, the unfortunate thing about this is how it all reads to Sonic: another betrayal of his trust. It all calls back to Mr. Tinker, Metal Sonic, and Surge.
Tumblr media
Mecha Sonic’s plan is to swap bodies with Sonic so that Mecha can use Sonic’s speed to escape the island, but the Scrapniks attack before the transfer can complete. This leaves Mecha and Sonic in an in-between state where they hear each other thoughts and feel each other’s feelings.
Tumblr media
Even though Sonic states that the anger and sadness in his head is not his own, he’s still clearly shown to be feeling those feelings. They don’t originate from him, but their presence mingles with his own emotions to produce something darker and more irritated. Their presence also acts as a gateway of sorts, where the latent anger and sadness that Sonic can’t suppress makes it harder for him to put away his own feelings. Couple that with his physical pain from his sprained ankle (on the same leg he busted up a few issues prior), and soon, Sonic snaps for the first time in the entire IDW comic’s run.
Tumblr media
I love whenever Sonic’s anger is allowed to shine because he is never enraged for petty reasons. Sonic has an attitude that often leads him to cranky comments, but Sonic is genuinely angry here because it hurts him to see someone speak so lowly of themselves, to have been hurt by the world so poorly. Mecha Sonic is also yet another person who has been created by Eggman’s terror specific to oppose Sonic. It’s another example of Surge’s “I will kill you or die trying” with the added complexity of Mecha’s attempt at redemption being corrupted by the trauma of Eggman’s influence. This puts pressure on Sonic because these impositions put Mecha, Surge, Kit, and others like them in direct opposition to Sonic for reasons entirely of no fault of his own—and that angers him. All Sonic strives to do with his life and his gift is help people, and to have so many people come out of the woodworks to say that the only thing he can do to help them is to kill himself is absolutely devastating to him. Not only because he believes in the direct opposite—that the only person who can give one purpose is oneself—but because it threatens to strip his own purpose away from him whenever these notions are unearthed.
Sonic isn’t angry at Mecha, personally. He’s angry at the system created to hurt them both.
The most important thing to remember is that, unless I fully missed something*, that strange mind-link thing between Sonic and Mecha Sonic is never undone. After Sonic cries Mecha Sonic’s tears, the story cuts to Tails officially deprogramming Mecha Sonic and Mecha Knuckles from Eggman’s directives, but it’s never explicitly stated that Mecha Sonic’s and Sonic’s mental link was reversed.
Tumblr media
It can be reasonably assumed that it occurs off-screen (off-page? Outside of what is shown to the reader) because that would make general sense, but then again, so did the reprogramming, and that was explicitly mentioned. Further, it’s a general rule in writing for media that if you want something to be known about your story, it needs to be shown to the audience if not alluded to or directly referred to having happened. So, this is either an oversight, or it’s entirely intentional.
* The only way I can imagine this being accounted for is that the machine that linked Sonic and Mecha’s brains, the Egg Noggin, is (obviously) an Eggman device. Thus, whenever Tails removed Eggman’s programming from Mecha Sonic and Mecha Knuckles, perhaps it also restored Sonic’s brain to normal. This, however, feels like a bit of a stretch because we never see or hear of Sonic needing or receiving any treatment, but I am willing to consider it to be a viable reason. Either way, I think the point I’m about to make still stands as either a physical change or an emotional change in Sonic’s character.
This experience, this sharing of minds in such an intimate way where they can both so clearly hear each other’s hearts, taught them something. I read this as some sort of floodgates being opened, where while Mecha Sonic can more easily feel compassion and listen to the good in his core, Sonic now more clearly feels his anger and has a harder time suppressing his emotions. Whether there is lasting physical damage left in Sonic or he’s simply reeling from the depth of his emotions felt in this adventure, there’s been a clear impact.
Even if Sonic isn’t fully delving into things just yet, he’s taken a lesson away from all of this.
Tumblr media
(From the IDW Endless Summer One-Shot, set between issue 64 and issue 65 and after the 900th adventure one-shot)
If nothing else, Sonic clearly understands trauma better now. Sonic is absolutely traumatized by his experiences with Eggman and other high-stakes adventures, but again, due to his tendency to push away his darker emotions, he hasn’t processed much of this. Sonic puts all his sadness and rage and fear and confusion into box after box after box before shoving everything onto a big, cluttered shelf, never to be seen again… until now. With such a clear look into the mind of someone actively reeling through trauma, a trauma so like his own, that shelf has collapsed, and now everything is spilling onto the floor before Sonic, quick as can be, can stop it.
Sonic is finally starting to understand the bigger picture, but I don’t think he’s fully on the path of self-awareness. I think there’s more boiling under the surface, more than even he realizes. And if Sonic keeps taking these micro-risks (instead of his usual Hail-Marys) that are fueled by his anger, like storming the Eggperial City too soon, then something will have to give.
Scrapnik Island is incredibly important to the IDW storyline because it showcases not only Sonic learning the depths of his pain and the pain of others but also yet another nail in Eggman’s coffin.
Tumblr media
251 notes · View notes
Text
Let's talk about how Silver is a detective. Searching for truth has been a constant theme for him since 06.
Tumblr media
Life is a struggle. and people live without hope. How did this happen? No one will answer me directly. But they always point... to the flames.
The start of Silver's story shows that he questioned how the world was destroyed his whole life, he tried to investigate the cause of the disaster but no one could answer him. (until he met Mephiles who gave him a false answer and then Shadow who gave him the real answer)
Tumblr media Tumblr media
A lot of Silver's Town Missions in 06 wouldn't be out of place as jobs for the Chaotix. In Town Mission 13 the Rimlight corporation asks him to investigate rumors of something stealing things from their warehouses which turns out to be infested with monsters. He gets hired as a detective and solves a case by himself here.
Tumblr media
Silver then spends the Sonic Rivals games uncovering Eggman NEGA's identity and schemes. He can see through NEGA's disguises and has foiled who knows how many of NEGA's plans in the future.
Tumblr media
Silver with Blaze and Vector spends most of Team Sonic Racing investigating Dodon Pa's Grand Prix and Eggman's involvement with it.
Tumblr media
Every time Silver has a main role in a game it involves him uncovering some secret or plot. He's always solving mysteries and rewriting history (Woo-oo). Silver may be bad at lying but he is good at truth-ing.
57 notes · View notes
another-clive-blog · 4 months
Text
Why are we as a fandom not talking more about this scene ??
Tumblr media
Clive is literally asking the professor to come back and stop him. Like this isn't him pretending to be Future Luke : he looks genuinely upset/displeased even after the professor promises to come back. He only goes back to smiling after the professor says, and I quote "I wouldn't dream of leaving things here in that state" before talking about stopping his future self. Clive wants confirmation that Layton is actually going to confront the bad guys, that he won't just solve the mystery but fix it too.
And this is literally so important. Clive's speech at the end, about getting saved. This is concrete proof that he had truly meant it from the start, because he's asking for Layton to stop him and thus save everyone here. Which, hey- he didn't just hope and wait to get saved, he tried to save himself too.
Yep, that's right. The game talks about how dangerous it was for Clive to bring Layton underground : it doesn't talk about how even more dangerous it was to let him leave. He could have brought back cops (he did). He could have gathered precious knowledge out there (he did). He could have never come back (and yet he did !!). Clive letting Layton leave is the biggest threat to his plan, and yet HE DID. And you know what else he did ? Make Layton promise to stop him. You can't make a clearer call for help, you just can't.
"Oh but it doesn't make his crimes more forgivable, now does it-" of course not. This isn't about Clive's redemption, it's about Clive trying to avoid needing a redemption : his efforts are vain the moment he started using the fortress. But. There were efforts.
76 notes · View notes
ultra-phthalo · 1 month
Text
Death Drives - Bravern
Just realised you could take the flashy name of the 'Death Drives' and take them literally as being 'death drives'. As in going through a spiritual death or literal by being anything like the antagonists. They are embodiments of self destruction. That the world has to fight with.
13 notes · View notes
Note
hey when is Harrison OmniDigital going to finally patch Path of Temperance? My entire MSMC detachment spends literally all their downtime playing that game, both in the MOBA and dating sim modes, and they keep complaining loudly that a few of the mechgirls they're simultaneously romancing and sending to their deaths in the MOBA are overpowered or underpowered. Supposedly "Josephine," the Napoleon heroine, has a well-known glitch that makes her completely invulnerable while she's below half health, and "Andromeda," the Sherman character, is able to exploit an infinite heat-cooling loop bug? I don't play the game myself but my mercs are obsessed with the damn thing and disputes over glitch exploits and meta/off-meta play that results from those are affecting morale something fierce.
Thank you for reaching out! I have forwarded this comment to the correct department. In the meantime, consider using our built-in parental controls should you deem it necessary. Once activated, you will be able to see activity, playtime, chat messages, and more.
67 notes · View notes
vforvalensa · 10 months
Text
I've been thinking about the concept of "Armor" in mecha and giant robot fiction. It's most explicit in western mech games stuff like BattleTech and MechWarrior and their modern descendants Beam Saber where there are game mechanics tied to armor, but even in like Gundam it's implicit that there's internal mechanics inside of the gundam and the colorful bits are armor plating.
Despite giant robots having armor that take damage instead of the important bits being a really common conceptual element you rarely actually see the battle damage versions of the giant robots in the central text of whatever mecha ip. Usually what will happen is some mechs get special edition battle damaged figures and toys, or when the main thing actually does have the robots take their armor off it's a moment of narrative drama because the rarity, like with naked jehuty from Zone of the Enders 2 or when the evas from Evangelion take their armor off.
And I get why it's like that. It's simply easier to not need to design and implement 2 versions of all your robots, especially given that mechanical art assets require so much detail to look like mechanical art. But then it's interesting that despite the difficulty in actually rendering mecha armor as it should supposedly work, the concept sticks around. It's an interesting tension between genre conceit and depiction
41 notes · View notes
postbadbadassqueen · 2 years
Text
Tumblr media Tumblr media
Kallen zooming on Lelouch during Zero Requiem will never get old;
She was so angsty during those last few episodes, always checking on him from afar, or zooming on him when she had a chance to kill him, It was honestly heartbreaking to watch her go through all of this because she had to be selfless and fight for what was right instead of siding with the man she loved.
This brought her so much hate and I always thought it was quite funny, Kallen, who was doing what she had to do instead of what she wanted to do, after siding with him through thick and thin during 90% of the anime, had to be hated but those who didn't tried to stop Lelouch and just sided with him instead of trying to talk some sense into him, and who basically screwed him during most of the anime, were safe because the sided with him.
Such a stupid fandom from time to time.
Anyway it's always a blessing to remember Lelouch cast her aside while she was a threat to Zero Requiem in order to protect her, just like in Turn 10 when he risked his whole army and fight to try and save her, he risked his Zero Requiem by letting the only pilot able to stop Suzaku go on her own against him (it would have been so much wiser to either lie to her, or tell her he didn't liked her like that but still manage to have her out of the fight or side with him lol but he didn't, which is quite odd for such a strategist.)
She almost screwed ZR on her own and he refused to bring Suzaku back when she tore his defenses apart, he clearly didn't wanted them to face each other lol.
His self appointed sword and shield actually managed to break his new sword and shield (and he didn't even appointed them as such, Suzaku did) and that's just perfection.
As perfect as Lelouch being constantly OOC whenever Kallen is concerned in R2.
100 notes · View notes
no1ryomafan · 7 months
Text
Forgot to mention awhile ago I started Big O-ITS GOOD-and this is something that hasn’t been touched on yet but is that the robot is sentient, which got me thinking about why this aspect is appealing to me in mecha context pasts “already preferring robots with sentience to begin with”.
There is something both intriguing and horrifying about the idea this giant man made machine your piloting that cannot speak at all is still technically aware. It doesn’t have a free will per-say as it needs you, its pilot, to operate it, to make it move and fight, but it still has its own thoughts and feelings. And whether or not this sentience means anything to humanity-if it freaks out other people, if it means anything for the general scale of evolution and the future as technology continues to grow-you still have the duty to pilot this robot because there’s no other way to eliminate the enemies, and only you can do it. Even if you didn’t choose to, the robot needs you as much as you need it.
8 notes · View notes
frankensama · 8 months
Text
Armored Core 4, Hidetaka Miyazaki, Minimalism and Maximalism
In this fifth part of our Armored Core retrospective, we explore AC 4 and For Answer, and see how both fulfil different purposes that deliver the best gen the series has seen so far.
Tumblr media
View On WordPress
youtube
10 notes · View notes
transingthoseformers · 9 months
Text
I'm gonna post the discord word vomit in chunks but
Tumblr media Tumblr media Tumblr media Tumblr media
I kept in the typo because i realizes it was funny
Tumblr media Tumblr media
8 notes · View notes
koboldfactory · 2 months
Note
i love your art so much that i decided to use the walking garden as a source to articulate everything i love about it
use of color is bright and vibrant, feels full of life
lines are sharp and distinct, not smoothed or blurry (personally love this)
character design has many detailed parts but isnt overly noisy or cluttered
details of the kobolds in the tail & near the neck and the visible branches of the trees in the tail
big thighs
the mecha dragon has those distinct kind of eyelids and eyelashes (and theyre both very pretty)
diverse mix between hard (limb plating, armored(?) pelvis structure) and soft (upper-arm covers, fluid in the neck) components
background detail gives real presence to the mecha dragon
mecha dragon's purpose/implied narrative alone is really interesting
i love your artstyle so much, it checks all the boxes (cheerful colors, awesome scifi design, kinda hot, silly kobolds, detailed and articulate)
tl;dr: you are my favorite artist :D
Aaa thank you so much!!! It’s really nice getting such a detailed analysis of my own art. I appreciate it and I’m glad you like it so much!!
70 notes · View notes
anesidoraa · 4 months
Text
after much analysis and deliberation, i have put together my own tier list of g-witch mecha. there were a lot of great designs so this was a tough one
Tumblr media
56 notes · View notes