We take what is important to us.
watercolor
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Citlali Haro (Mexican, 1991) - Untitled (2021)
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Inside Out, Outside In
Sarah, our Art History blogger, has been mulling over some art pairings that span culture, geography, history, and style. In this week's article, she investigates a pairing Frida Kahlo's The Two Fridas with Dogon's seated couple.
#MarywoodArt #ArtHistory
Now that my second to last undergraduate finals season is over (say that 5 times fast), I feel like I can finally unveil what my brain has been mulling over for the past semester. The problem here is there’s just so much of it it’s impossible to choose where to start. For the sake of ease, I might as well just start with what’s most finished and work my way through from there, but that’s not to…
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Desnudo Barocco by Germán Gedovius (1920)
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Olga Costa - La vendedora de frutas (1951)
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Pedro Friedeberg — The Sexual Life of Isabel the Catholic (ink and acrylic on board, 1972)
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Desnudo con alcatraces, 1944, Diego Rivera.
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Portrait of a Lady in White, Frida Kahlo, circa 1929
Oil on canvas
46 ½ x 32 in. (118.1 x 81.3 cm)
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Citlali Haro (Mexican, 1991) - Untitled (2024)
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Frida Kahlo, "What the Water Gave Me", 1938
"Like all Kahlo's work, this painting manifests her lifelong battle with pain. In English, it is also called What I Saw in the Water and is a self-portrait of the artist [...] Dominating the painting are those terrifying toes. As a child Kahlo had both polio and spina bifida, which was only diagnosed when she was 23. [...] When Kahlo was 18, her pelvis was smashed in a bus crash and a broken rail pierced her abdomen and uterus. Of the 30-plus subsequent operations she endured, most were on her back, right leg and right foot and the wreckage in the painting is densest over her right leg." – Ruth Padel
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Rosa de Alabastro by Fabián Cháirez (2020
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