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#british artists
thefugitivesaint · 3 months
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William Hounsom Byles (1872-1925), 'A Woodland Symphony', ''The Sketch'', June 16, 1909 Source
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piroshky · 1 year
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Tarot cards by Mexican-British painter Leonora Carrington, 1955.
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huariqueje · 8 months
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Morning light  - Pine Feroda (collective name) *
British ,
Woodcut print , 83 x 122 cm. Ed, 50.
* Merlyn Chesterman, Judith Westcott and Ian Phillips.
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kitaston · 8 months
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Summer Days by Mike Hall
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Expanded Eye - Jade Tomlinson and Kevin James
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the-cricket-chirps · 6 months
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The Orchard, tapestry, designed by William Morris and John Henry Dearle, 1890
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I now bless you with what might be the only surviving photograph of Radclyffe Hall smiling (that I could find and I looked). 
Una smiles more often, but Hall almost never does, from what I found. 
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James Sant (1820 - 1916).
Ida (c.1863–1941), and Ethel (c.1863–1888), Twin Daughters of J. Searlight, Esq, 1884, Oil on Canvas.
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Lilith (1892)
Oil on canvas
John Maler Collier (1850 - 1934)
Atkinson Art Gallery and Library
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Palm Sunday by British artist Clive Uptton. 1911 - 2006.
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thefugitivesaint · 3 months
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Arthur Briscoe (1873-1943), 'The Mother', ''The Quarto'', 1896 Source
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piroshky · 1 year
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The Devil, Leonora Carrington, 1955.
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huariqueje · 8 months
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On Reflection - Pine Feroda (collective name) *
British ,
Woodcut print , 85 x 125 cm. Ed, 50.
* Merlyn Chesterman, Judith Westcott and Ian Phillips.
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kitaston · 8 months
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Florence Terrace in the Hot Afternoon by Daisy Sims Hilditch
oil on canvas
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Charles Ricketts (w / Charles Shannon)  
The Great Worm. 1889 (from The Dial N° 1)
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uwmspeccoll · 1 year
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In Memoriam Tom Phillips
This past Monday, November 28, 2022, the highly-acclaimed British visual artist Tom Phillips died after a long illness. He was 85 years old. Phillips was a prolific artist in a broad range of disciplines: he was a painter, printmaker, book artist, illustrator, collagist, musician, translator, concrete poet, curator, and composer and librettist of operas. He is perhaps most widely remembered, however, for his several editions of an altered book he titled A Humument, several editions of which we hold (shown below).
We are especially honoring his memory today with this display of original etchings from Phillips’s large 1979 portfolio collection 1263 Heads: I Had Not Known Death Had Undone So Many, printed in an edition of 110 copies with each plate signed and numbered by the artist. The title is an allusion to lines in Dante’s Inferno, where the poet observes a procession of souls damned to hell. This suite of prints is often called “The Dante Folio.” Not long after the portfolio’s publication, Phillips published his own limited-edition translation of the Inferno, illustrated with his original prints, in 1983.
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