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#1920s art
the-evil-clergyman · a day ago
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Endpapers from Anatole France’s Thaïs by Frank C. Pape (1926)
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pg-29 · a day ago
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doubtspirit · 10 months ago
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A Thais Statuette, Marcilhac 834, designed 1925, clear and frosted, engraved R. Lalique
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lilitha · 3 days ago
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Life Magazine Cover by Wladyslaw Benda, 1923 {001}
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g0thicgr33n · 3 months ago
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I am a jean Cocteau's drawings enjoyer! Very cool and nice :)
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tierradentro · 2 months ago
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“Bouquet of Flowers in a Blue Vase”, 1924, Jacques-Émile Blanche.
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treehouseavl · 5 months ago
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ERTÉ, Romain de Tirtoff
1892-1990
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kilianromero · 3 months ago
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Georges Barbier (1922)
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the-evil-clergyman · 5 months ago
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The Grotto of the Nymphs, from Pierre Louÿs’ The Songs of Bilitis by Willy Pogany (1926)
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vangaux · 3 months ago
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Nell Brinkley (1986-1944)
date unknown
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mybonehouse · 5 months ago
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Petro Kholodny(Cholodny) the elder, Morning 1920
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smokeii1 · 9 months ago
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poetry, 1898, Alphonse Mucha, https://www.mucha.cz/en/exibition
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coolvintagecars · 22 days ago
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Mercedes Benz (1929)
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tierradentro · 2 months ago
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“Elementary Action”, 1924, Vassily Kandinsky.
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cupofcoca · 7 months ago
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Spirit Tracks but it's set in the 1920s
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moonswooning · 3 months ago
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Self-portrait by Alberto Martini, 1929, oil on canvas
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no-kings-no-masters · 2 months ago
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Joseph Christian Leyendecker (1874 - 1951)
JC Leyendecker was a German-born artist that found a lot of his fame in the 1920s. He played a big part in modern paper advertising and also helped create American recruitment posters during the first world war.
On may 20 1899, he recieved his first commission for a Saturday Evening Post cover. He would go on to produce 322 covers for the magazine,
Leyendecker’s work could feature homoerotic undertones that may have been missed one hundred years ago. A piece I like that exemplifies this best is,
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The nurse affectionately looks to the officer beside her, perhaps glancing not at his eyes but lower than that. But his attention isn’t on her, it’s to the man leaning back on the railing that shares a glance with him.
However, it was common in art and adverts of the time for a mans gaze to go past a woman. (But one can’t deny the fact that Leyendecker’s partner was Charles Beach).
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