Mikhail and Vitali were inseparable; when they weren’t studying or getting into fights, they would hang out at Mikhail’s place to smoke and get drunk on cheap rum and vodka, to then pass out in each other’s arms and sleep most of the next day away.
They promised each other— no matter what would happen— they would never leave each other’s side. Yet after starting university and college respectively, they did not see each other for a little over six years, leaving them both heartbroken and wondering what went wrong.
by lucas expedidor // catch me if you can; eden // clementine von radics, from 'courtney love prays to oregon' // sam sax, cruising: a broken tiara // 'ceramic home' by heavensghost; quote from john murillo // 'something's changed' by laiikastears // i don't want to watch the world end with someone else; clinton kane // fortesa latifi, from 'the truth about grief' // audre lorde, the evening news // frank o'hara, biotherm (for bill berkson) // heading home; ruben // 'preface to a dream' by alessandra casini // tokyo; caroline kole // langston hughes, poem // haruki murakami, norwegian wood // julie buntin, marlena // by lute // by aleksandr popov // anyway; noah kahan // christa wolf, cassandra: a novel and four essays
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Rooney Shepard (They/Them): RELIC AU
There are stranger things I've learned on the outside
Separated by an open door
I find it hard to reach the end of my timeline
Salivating 'cause I wanted more
Is this the end or is this the beginning?
-Too Close/Too Late by Spiritbox
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i had an itching for comfort media so i went back to watch some s1 voyager episodes and s1 is soooo much better than i remembered. the later seasons appeal to my tastes a bit more but all the characters in s1 are so earnest and hopeful even when they butt heads and disagree and i'm just sitting here like "oh god they don't know what the next 7 years have in store..." i doubt it was that purposeful on the writers' part but it's so compelling how all of the characters have pretty open insecurities and are clearly people with lives and dreams beyond Voyager and bit by bit that's chipped away in later seasons. yes everyone becomes more confident and competent but is that really who they are or are they just losing themselves along the journey? (unfortunately the Doyalist explanation is just that the writers stopped putting focus on like. half of the main cast but shh i'm here for Watsonian analysis.)
like it's particularly noticeable with Janeway. she's definitely always been written as a strong leader but i forgot how much in early seasons we get to see her insecurities and vulnerabilities, how different she acts from when she's acting as captain to when she's alone, how often she questions her morality and whether she has the right to make decisions for her crew (and how often others questioned that right). then in the later seasons (around s3 and definitely by s4), she almost never questions her moral decisions, she rarely shows doubt, she plans heists on Borg cubes without a second thought, she dispenses her justice to the Equinox crew without really considering their position, she regulates others' autonomy (especially with Seven and the Doctor) without seeming to realize how easily that can go wrong. and don't get me wrong i love this development and think it's incredibly realistic for Janeway to deeply internalize her role and authority as a Captain and for it to permanently change her sense of self. Endgame is the perfect closure for Janeway's character because her future self exerts that same authority that she's been practicing over herself (also Janeway gets to live out her martyr complex one last time). i just wish the show was a little bit more self-aware that it was writing Janeway (and other characters) like this because there could be so many more interesting character conflicts.
anyways rewatching early ds9 made me say "aww these characters don't know that one day they'll all grow together and basically become family" and rewatching early voyager has me saying "uhohhhh these characters don't know the unhealthy relationships and neuroses they're going to uncover and develop". toxic found family for the win.
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JESTER MASS HEAL AS A CRITICAL MOVE IN THE BATTLE sorry off my rocker again about Jester love and optimism as its own brand of offense and love that sunders enemies in half and boosts her friends in all forms and all the jokes about Jester THE cleric and clerics and healers not always being one and the same, but- Jester did heal, and she healed plenty through the campaign. But sometimes being a protector of the group needed the direct offense. It was, it is, always about- action economy and balancing what will protect her friends, what will save them, what will be enough.
Jester blowing the high level spell on healing, and it working. Beautifully.
It was always about protecting everyone with what she had and all its furious love, and this time, healing her friends was more than enough to rip the enemy apart.
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I judt imagine that if the winners in heaven found out about the exterminations, there would be riots to help their family and friends that ended up in hell. Especially Molly.
But imagine if Molly found out about Valentino? And what he did to Angel?
"I want this abusive prick DEAD. I don't care WHO I HAVE TO GO THROUGH, MAKE IT HAPPEN!!" - Molly, on her way to kill a moth
(Totally not what im gonna do for a redeemed angel dust fanfic)
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