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ileaveclawmarks · 1 year

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Jessica Tanzer, Bear and Aphra.

Featured in the May 1990 issue of lesbian erotic magazine On Our Backs.

#lesbian photography #jessica tanzer #on our backs #lesbianism #dyke nsft #leather dyke #butch/femme nsft

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leatherlesbianstuff · 3 months

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Nothing but the Girl: the Blatant Lesbian Image (1996)

Think this is from On Our Backs? Sourced from@dykedeviance on Instagram. Awesome account.

#lesbian #lesbian nsft #leather dyke #sapphic #gay culture #lesbian art #on our backs #lesbian culture #leather #lesbians #let’s go lesbians #90s lesbians #90s photography #magazines #ephemera

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playlistcovers · 1 year

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On Our Backs

July/August 1993

#on our backs #lesbianism #lesbian #90s #lesbian art #literally my fav cover ever

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lazulibundtcake · 3 months

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The anonymous anti-porn-warriors put everything they had on the line to STOP us. While the “Grown-Ups” at Dworkin-MacKinnon Headquarters barely acknowledged us by name— their acolytes came at us with knives, baseball bats, legal threats, fake buckets of blood, in bars, on the street, at literary conferences. They talked to each other in code. On Our Backs supporters were considered the gender equivalent of “race traitors.”

From Susie Bright's substack, Jan 16 2023, talking about the feminist porn battles in the 80's and 90's.

(from Wikipedia: "On Our Backs was the first women-run erotica magazine and the first magazine to feature lesbian erotica for a lesbian audience in the United States. It ran from 1984 to 2006.")

#susie bright #honey lee cotrell #happy birthday Honey Lee #on our backs #anti discourse

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inkskinned · 4 months

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i got rickrolled today but it didn't work because i have adblocker installed, so youtube just told me i violated the terms of service. yesterday i was trying to edit a picture as a joke for my girlfriend, and google made me check a box to prove i'm human because i wasn't "searching normally".

it isn't just that capitalism is killing fun and whimsy, it is that any element of entertainment or joy is being fed upon by this mosquito body, one that will suck you dry at any vulnerability.

do you want to meet new friends in your city? download this app, visit our website, sign up for our email list. pay for this class on making a terrarium, on candlemaking, on cooking. it will be 90 dollars a session. you can go to group fitness, but only under our specific gym membership. solve the puzzle, sign up for our puzzle-of-the-month-club. what is a club if not just a paid opportunity - you are all paying for the same thing, which makes you a community.

but you're like me, i know it - you're careful, you try the library meetings and the stuff at the local school and all of that. the problem is that you kind of want really specific opportunities that used to exist. you are so grateful for libraries and the publicly-funded things: they are, however, an exception - and everything they have, they've fought tooth-and-nail to protect. you read a headline about how in many other states, libraries have virtually nothing left.

do you want to meet up with your friends afterwards? gift your friends the discord app. you can choose to go to a cafe (buy a coffee, at least), a bar (money, alcohol) or you can all stay in and catch a movie (streaming) or you can all stay in bed (rent. don't get me started) and scream (noise complaint. ticket at least).

you want to read a new book, but the book has to have 124 buzzwords from tiktok readers that are, like, weirdly horny. you can purchase this audiobook on audible! your podcast isn't on spotify, it's on its own server, pay for a different site. fuck, at least you're supporting artists you like. the art museum just raised their ticket price. once, they had a temporary exhibit that acknowledged that ~85% of their permanent art galleries were from cis white men, and that they had thousands of works by women (even famous women, like frida! georgia o'keefe!) just rotting in their basement. that exhibit lasted for 3 months and then they put everything away again.

walmart proudly supports this strip of land by the street! here are some flowers with wilting leaves. its employees have to pay out-of-pocket for their uniforms. my friend once got fined by the city because she organized a community pick-up of the riverfront, which was technically private property.

no, you cannot afford to take that dance class, neither can i. by the way - i'm a teacher. i'm absolutely not saying "educators shouldn't be paid fairly." i'm saying that when i taught classes, renting a studio went from 20 bucks an hour to 180 in the span of 6 months. no significant changes to the studio were made, except they now list the place as updated and friendly. the heat still doesn't work in the building. i have literally never seen the landlord who ignores my emails. recently they've been renting it out at night as an "unusual nightclub; a once-in-a-lifetime close-knit party." they spent some of those 180 dollars on LEDs and called it renovating. the high heels they invite in have been ruining the marley.

do you want to experience the old internet? do you want to play flash games or get back the temporary joy of club penguin? you can, you just need to pay for it. i have a weird, neurodivergent obsession with occasionally checking in to watch the downfall and NFT-ification of neopets. if i'm honest with you all - i never got into webkins, my family didn't have the money to buy me a pointless elephant. people forget that "being poor" can mean literally "if i buy you that toy, i can't afford rent."

you and i don't have time to make good food, and we don't have the budget for it. we are not gonna be able to host dinner parties, we're not made of money, kid. do you want some kind of 3rd space? a space that isn't home or work or school? you could try being online, but - what places actually exist for you? tiktok counts as social media because you see other people on it, not because they actually talk to you.

there was a local winter tradition of sledding down the hill at my school. kids would use pizza boxes and jackets and whatever worked, howling and laughing. back in september, they made a big announcement that this time, rules were changing, and everyone must pay 10 dollars to participate. when im not scared shitless, i kind of appreciate the environmental irony - it hasn't gone below 40. so much for snow & joyriding.

i saw a bulletin for a local dogwalking group and, nervous about making a good first impression, showed up early. the first guy there grimaced at me. "sorry," he said. "there's a 30-dollar buy-in fee." i thought he was joking. wait. for what? the group doesn't offer anything except friendship and people with whom to walk around the city.

he didn't know the answer. just shrugged at me. "you know," he said. "these days, everything costs money."

#spilled ink #warm up #“why did u tag it warm up” bc i wrote it off the cuff while drinkin coffee lol #btw the 30 dollar buy in for the dog walking is bc they pay the organizer a small pittance so she can #run fb ads and stuff and like she does put in a lot of work i don't mind paying her #but that's exactly what im fucking talking about like.#ppl can't afford to volunteer their time anymore and we all understand it!!! everything costs money for everyone!#like we didn't have to use to say ''do you mind paying me back for the stuff we ate''#we used to be able to afford to feed our friends once in a while!!!

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whatkindofnameisella · 3 months

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can you believe that we have fanfiction. that we have websites dedicated to fanfiction. that there is a place that you can go and read tens, hundreds, thousands and thousands of pieces of writing that strangers have made. people who are not "writers". people who come home at the end of the day and have feelings and say, i am going to put that into words. i am going to share those words. short, long, sweet, sad, horny, funny, wonderful words. we are all just human and we all love to make and remake and share that with others. can you believe that.

#ao3 #archive of our own #fanfiction #sometimes i can't even believe how much i myself have written. like i think i am not a writer. i am not doing enough. i do not write enough #and i look back and i have 34 (34!!) works on ao3 and reams of unpublished work on my computer and so long left to live. so i think #we will be okay.#writing

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an-insomaniac · 1 month

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love how the moment ao3 goes down we all start acting like housewives waiting for their husbands to come back from war

#im not innocent of this either #my light my darling my life please come back i miss you #ao3 #archive of our own #fanfiction #ao3 down

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ileaveclawmarks · 1 year

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An interview with Leslie Feinberg appearing in the Oct/Nov 1998 issue of On Our Backs.

Please click on image to read or find the transcript below:

Feinberg and hir activist peers have transformed the landscape of current queer politics: they have introduced "trans" (even into the mission statement of the National Organization for Women) as an umbrella term for transgender and transsexual persons. "Transgender" refers to any person whose gender expression appears at odds with his or ber biological sex, including transvestites, drag queens and kings, intersexed persons, "passing" men and women, feminine men, and masculine women. "Transsexual" refers to men and women who challenge the sex they were assigned at birth, whether they choose sex-reassignment surgery or not. Feminism popularized the distinction between "sex" (as biological sex) and "gender" (as the social expression of masculinity, androgyny, and femininity); the trans movement took this distinction to the streets.

Feinberg discusses her struggle with the health care system in hir new book, Trans Liberation: Beyond Pink or Blue. Released in October, Trans Liberation chronicles Feinberg's career as a public speaker and collects the addresses s/he delivered to a variety of groups, from Gay Pride organizers to straight male transvestites. We spoke with Feinberg about why sexual freedom is impossible without freedom of gender expression.

On Our Backs: Trans Liberation was released this fall. Can you tell us about what you're working on now?

Feinberg: I'm deep into a novel titled Drag King Dreams. It's about a working-class, Jewish trans person who has a foot in both the diverse trans communities and also the lesbian, gay, and bi communities. It's a book about figuring out what "home" means and who your people are. I'm also trying to write a fable titled "Tale of Two Hearts." it's really a love song to Minnie Bruce Pratt-my wife, my lover, and my friend. It's just one chorus of the love song I write to Minnie Bruce every day of my life.

On Our Backs: Your relationship with poet Minnie Bruce Pratt, thanks in part to her book S/he, is well known. What is your advice to those of us seeking a long term relationship as loving as yours?

Feinberg: I just know that for me, this is a relationship unlike any other I've ever had. I wasn't looking for a lifetime commitment when I met Minnie Bruce. I°d been dating nonmonogamously for quite a while, nothing serious. Minnie Bruce and I both did a lot of work individually to grow up, get sober and work hard at developing our political consciousness and activism. We were ready for each other. Ready to be loving, to communicate, and to listen.

On Our Backs: Pat Califia once wrote that she wishes there would come a time when we don't pick a sexual partner by his or her gender, but by other criteria, such as whether the person is a top or a bottom. In your ideal world, what would attract people to one another?

Feinberg: It's hard for me to hypothesize. In the world we live in, individuals do organize their preferences around gender expression. But a spectrum of sexuality existed in ancient societies that predated state. sponsored repression of human love. That leads me to think that these preferences might continue to exist in future societies in which no form of sex or gender is outlawed or demeaned. I don't think the problem today is preferences so much as prejudices. For example, I read personal ads in which people say "no druggies or butches need apply." Wow! That's preiudice. If you say in an ad that you're looking for someone feminine or androgynous or some other form of preference. that's very different from saving "no butches." As more and more prejudices are defeated, and in a world freed from divide-and-rule bigotry, people will be freer to explore their preferences about gender and about individuals.

On Our Backs: Do transgendered persons have sexual representation-pornography, erotic fiction, videos made for and by themselves?

Feinberg: Right now, there are many people trying to write erotica that bends gender. And I think it's very important. For many of us, it's very hard, never being able to identify with the sexuality we see everywhere in the dominant culture. [So] it was very important for me to write about sexuality in Stone Butch Blues. In the novel I'm working on now, I've been thinking a lot about how to write about sexuality that's not necessarily masculine or feminine, or gay or straight.

On Our Backs: What do you mean by "sexuality that's not necessarily masculine or feminine"?

Feinberg: I see masculinity and femininity as forms of gender expression. But a person's gender expression doesn't necessarily determine their sexuality. It doesn't determine whether you'll be attracted to someone of a similar gender expression or a dissimilar one. It doesn't mean you'll be sexually aggressive or submissive or both. That's what makes me so angry when I hear people derisively refer to someone as "thinks she's so butch but she rolls over in bed." It's an assumption that masculinity translates into being a top sexually. It limits the range of sexual expression of masculine females. And it's a sexual attack on someone who is, by virtue of their social oppression, already sexually wounded.

On Our Backs: Both sex scenes from Stone Butch Blues were excerpted for collections of lesbian erotica. Did you intend the scenes to be sexually arousing for readers - to be erotica - when you wrote them?

Feinberg: That's such an interesting question. I have to say that when I set out to write the sex scenes, I began to be aware of internalized censorship: "Can I or should I write about this or that?" So I consciously blocked out any thought of readers with this odd mental trick: I told myself that whatever I wrote, I didn't have to publish it. First write it, then decide. By doing that, I discovered that I could write about the kind of sex that i thought was true to the emotional makeup of the characters. If it was erotic for readers, I think it was because I was true to the characters themselves, so the sex was "real," if you know what I mean.

On Our Backs: Can sexuality exist without gender? Or is gender an essential component of sexuality?

Feinberg: Certainly everyone is gendered - quite complexly. And we infuse much of who we are, as gendered people, into our sexuality. But sexuality is so complicated by oppression right now that it's really hard to study it removed from its social soil. Jesse Helms defeated funding for a study that would have backed up much of what Kinsey revealed decades ago: that human sexuality is not two opposite poles- one normal, one not. Sexuality is on a spectrum, and many individuals move along that continuum during their lives. But lesbian, gay, and bisexual love is outlawed in the majority of states in the United States. So how can a truly objective, intensive study of sexuality even be conducted? It's like doing a study on religious beliefs and affiliations during the Nazi regime in Germany. So much of what we will learn about the relationship of gender and desire, as well as unraveling other questions about the matrix of sexuality, will be tied to the victories of our liberation of humanity from oppression altogether.

On Our Backs: In Trans Liberation you wrote about how frustrating it is voting for a two-party system when both parties are backed by big business. Do you vote? Should poor, queer, and trans people even bother voting?

Feinberg: Well, politics is about more than voting. It's also about finding ways to move people to action. In a particular situation, voting on an issue in an election or a candidate could help advance the movement. In general, though, I don't think voting for Republicans or Democrats - both supported by wings of corporate America, as are their parties - advances our struggle. I believe we need to build an independent liberation movement that's not tied down by waiting to see what happens in the next election. Everything our movement has ever won, including progressive legislation, has been won based on the strength of our struggle.

On Our Backs: Lesbians who accept transgender liberation in theory often balk at making alliances with transsexuals. Why is this so?

Feinberg: First and foremost, transsexual men and women helped build the modern lesbian, gay, and bisexual communities and movement. I know of at least one transsexual sister who fought the cops at Stonewall. They haven't always been recognized for their valuable contributions. But I believe strongly that those in the lesbian communities who are opposed to building coalitions with the diverse trans communities are just one current, and very often a minority current. The question is: Which current of any movement will lead? Those who seek to narrow the movement, or those who seek to broaden and strengthen its collective power?

*In this interview, On Our Backs refers to Feinberg with the pronouns "hir" (pronounced "here") and "s/he." We choose to do so because Feinberg has stressed that if society is to accept transgendered people, our language must expand as well. S/he gives as an example Ms., a common term now, but unacceptable before the women's movement.

Source.

#leslie feinberg #stone butch blues #transgender warriors #on our backs #lesbianism

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most-normal-eccles-cake-ignorer · 8 months

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The products of trying to recreate what was going on outside the frame during the kiss. (for ENTIRELY SCIENTIFIC purposes)

@actual-changeling altered my whole outlook on life with this post about Aziraphale's left hand (I'd only been looking at his right hand) and I couldn't stop thinking about it, so I painted the rest of the fucking owl (and his bf).

so normal about this

#good omens fanart #ineffable fanart #crOWLey #aziraphale #good omens 2 #good omens #lord gaiman stokes the fires of our creativity #bless also michael sheen and david tennant #i think I��ve earned my eye dropper tool merit badge #now I can go back to sobbing and writing the aziraphale meta #good omens s2e6 #aziracrow #crowley x aziraphale #good omens 2 spoilers #go2 spoilers #good omens spoilers

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magnetictapedatastorage · 10 months

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promotional staff photo for "on our backs", 1988

#on our backs

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dyke-husband · 6 months

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A selection of classifieds, On Our Backs Jan-Feb 1990

#butch lesbian #queer #radical queer #lesbian #messy queer #butch #on our backs #lesbian magazine #sex positive #lgbt history #lesbian history #dyke

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watcher0033 · 10 months

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Y’all, the Archive admins are made up of VOLUNTEERS. And they have been working for 12-13 HOURS STRAIGHT.

I better not hear any complaints when donation period comes around. OR ELSE.

cosplay by @woahchriswoah on Twitter

EDIT: How do we show appreciation to the volunteers? For me reading these deep dives on OTW issues u guys apparently it's been said multiple times that one of their objective statements is to have paid staff for ao3 and there's a surplus of donations they haven't used up or the other community solutions that needs to address. For those more financially literate feel free to analyze, snipe me or add to the discussion etc. linked here by deepa. They’re cool and these yearly analysis they did aint no joke.