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The whole scene, the entire scene, and nothing but this scene.
Three Pines S1.E3 The Cruellest Month: Part One
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bookgeekgrrl · 10 months
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My media this week (9-15 Jul 2023)
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ˢᵗᶦˡˡ ᵃᵇˢᵒˡᵘᵗᵉˡʸ ᵉⁿᶜʰᵃⁿᵗᵉᵈ ᵃⁿᵈ ᵒᵇˢᵉˢˢᵉᵈ ʷᶦᵗʰ ᵗʰᶦˢ ˢʰᵒʷ ⁻ ˡᵉᵍᶦᵗ ᵗʰᵉ ʰᶦᵍʰˡᶦᵍʰᵗ ᵒᶠ ᵐʸ ʷᵉᵉᵏ
📚 STUFF I READ 📚
🥰 The Man Behind the Curtain (seitentaisei) - 71K, SuperBat getting together fic - "A character study of Bruce Wayne, the Batman, as told by Clark Kent as he sorts through the stories, the acting, and the news to find the real man behind the masks. What exactly can Clark do if he maybe finds himself falling in love along the way?"
😍 Casual Encounters (MoreThanSlightly (cadignan)) - 66K, modern no-powers shrinkyclinks - always forget just how incredible this fic is! the pining and angst are truly exquisite while we know they're being two dumbasses standing in a pine forest. plus the descriptions of steve's painting are incredible.
😊 Dear Enemy (GingerTodgers) - 69K, drarry - breezy & lighthearted epistolary fic, some voices maybe a trifle OOC but entertaining
💖💖 +147K of shorter fic so shout out to these I really loved 💖💖
king (nerd) steve harrington (sky_of_starflowers) - Stranger Things: steddie, 3K - steve accidentally reveals his nerdy side and eddie *really* likes it
Dustin Henderson and the Lovebirds (pukner) - Stranger Things: steddie, 9K - "five times Dustin Henderson was subjected to Eddie Munson being gross and sappy and in love with Steve Harrington, and one time Steve didn't even have to be there" - short but absolutely hilarious with excellent podfic (I read the fic and then listened to the podfic the next day, so great both times!)
“Never So Young As That”: 20 Years of the Boy with a Bat (greatunironic) - Stranger Things: steddie, 6K - lovely new vingette in this universe
Patterns of Intention (drunktuesdays) - TW: sterek, 17K - canon-divergent post s3?, stiles and derek decide to take lessons from deaton and then feelings [technically a reread but it's been at least 5 years]
serpentine serenade (thiccbuckybarnes) - MCU: stucky, 3K - antastic & filthy pwp with naga!steve and modern (but still former WS) bucky [reread]
Beyond the Yellow Book Road (crinklefries) - MCU: shrunkyclunks, 30K - wonderful and tender shrunkyclunks where steve discovers 1 thing from his past that's still around -- a beloved bookstore now run by bucky [reread]
📺 STUFF I WATCHED 📺
D20: A Crown of Candy - "Keep Sharp" (s5, e3)
D20: Adventuring Party - s1, e1
D20: Adventuring Party - s1, e2
D20: Adventuring Party - s1, e3
D20: Dungeons and Drag Queens - "The Time Has Come" (s18, e3)
D20: Adventuring Party - "The Dice Tell The Story" (s13, e3)
D20: A Crown of Candy - "The Grand Tournament" (s5, e4)
🎧 PODCASTS 🎧
Hit Parade Plus - The Bridge: So Excited and Breaking Out
Rivals: Music's Greatest Feuds - Suspicious Minds: Elvis Presley vs. Jerry Lee Lewis
50 Years of Hip-Hop - Hip-Hop's Origins
⭐ 50 Years of Hip-Hop - Scratching and the Art of DJing
50 MPH - 4 MPH / Paramount Hits the Brakes
The Soundtrack Show - Great Melodies Tell Great Stories
50 Years of Hip-Hop - 1975: "Let's Take It to the Stage" by Funkadelic
The Atlas Obscura Podcast - Gunnar Schonbeck Exhibit
Rachel Maddow Presents: Déjà News - Episode 4: “It’s a Very Short Path”
The Sporkful - 2 Chefs And A Lie: Name That Mustard Edition
50 MPH - 5 MPH / New Life at a New Fox
50 Years of Hip-Hop - 1977: Grand Wizzard Theodore and the Invention of Scratching
50 Years of Hip-Hop - 1979: "Rapper's Delight" by Sugarhill Gang
50 Years of Hip-Hop - 1980: "The Breaks" by Kurtis Blow
Into It - Everything You’ve Ever Wanted To Know About Sex Onscreen
⭐ Shedunnit - Editing Agatha Christie
The Atlas Obscura Podcast - A Friendly Town With An Ax To Grind
Stuff The British Stole - The Unfinished Prince
Switched on Pop - Speak Now (about Taylor's versions)
Vibe Check - Life Has Been Lifing Lately
ICYMI Plus - Has Black Twitter Found A New Home?
⭐ Ologies with Alie Ward - Curiology (EMOJI) Part 2 with Various Emoji Experts
Simply Reflecting - You Mean I Have To Advocate For Myself?
Decoder Ring Plus - The Great Parmesan Cheese Debate
Our Opinions Are Correct - The State of the Galaxy
⭐ The Atlas Obscura Podcast - The Complaint Tablet of Ea-Nasir
99% Invisible #544 - Chick Tracts
The Atlas Obscura Podcast - Man’s Best (Stiff) Friends
⭐ 50 Years of Hip-Hop - 1983: The Wu-Tang Clan and Asian Influences in Hip-Hop
⭐ 50 Years of Hip-Hop - 1985: "I Can't Live Without My Radio" by LL Cool J
What Next: TBD Plus - Will UPS Workers Join "Hot Strike Summer?"
Re: Dracula - Bonus 5: Producing The Wright Way
Into It - What Happens When All of Hollywood’s on Strike?
Dear Prudence Plus - My Friends Got Me a Terrible Birthday Gift. Help!
Strong Songs - "Everybody Wants to Rule the World" by Tears For Fears
Off Menu - Ep 196: Toheeb Jimoh
ICYMI Plus - Did Fancams Determine This Year’s Emmy Nominations?
⭐ Hot and Bothered - Live from Pemberley: Fire Island (with Joel Kim Booster)
🎶 MUSIC 🎶
Under The Covers Vol. 1 [Matthew Sweet & Susanna Hoffs] {2006}
Under The Covers Vol. 2 [Matthew Sweet & Susanna Hoffs] {2009} 
Under The Covers Vol. 3 [Matthew Sweet & Susanna Hoffs] {2013} 
AC/DC Radio • 2000s
Electronic Radio • 1970s
The Pointer Sisters Radio • Popular
The Age of Pleasure [Janelle Monáe] {2023} 
The English Beat Radio • Familiar
"I Love A Rainy Night" [Eddie Rabbitt] Radio • Popular
Classic Sunny Afternoon
Classic Easy Rock
Lord of The Lost Radio • Familiar
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ao3feed-esperboys · 1 year
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So Friends?
So Friends? by JustarandomDRAandSDRA2fan
Basically a fic where Mob and Teruki meet at the park instead of black vinegar students kidnapping Mob.
Words: 2091, Chapters: 1/1, Language: English
Fandoms: モブサイコ100 | Mob Psycho 100
Rating: General Audiences
Warnings: No Archive Warnings Apply
Categories: M/M
Characters: Kageyama "Mob" Shigeo, Kageyama Ritsu, Hanazawa Teruki, Dimple, Onigawara Tenga
Relationships: Hanazawa Teruki/Kageyama "Mob" Shigeo
Additional Tags: Oblivious, spoilers for mp100 S1 e3 or 4 like that, mob is oblivious but, What else is new?, takes place before Teruki's character development, Pining, Teruki is a little shit
Read Here: https://archiveofourown.org/works/43875367
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k-s-morgan · 4 years
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Will’s vs. Hannibal’s Ways of Expressing Love
The fact that Hannibal loves Will and is in love with him is openly stated in the show several times. Will’s feelings, on the other hand, are more ambiguous, which is why some viewers often doubt whether Hannibal’s love is reciprocated. I think that exploring the ways these two men experience and react to love can explain the varying degrees of their openness about it.
I’ll put TLDR right here: Hannibal is more open about himself and his feelings, including love, hence he doesn’t have many challenges with admitting it. Will is closed off, stiff, and emotionally repressed, so he expresses his feelings in a much more subtle way.
Let’s start with Hannibal. Details about his past are scarce, but we know that he admits to loving two people throughout his life, his sister and Will.
E3 of S3.
*Bedelia: What your sister made you feel was beyond your conscious ability to control or predict … I would suggest what Will Graham makes you feel is not dissimilar. A force of mind and circumstance.*    
*Hannibal: Love.*
Undoubtedly, Hannibal’s love for Mischa was traumatic and unhealthy. He loved her so much that he ate a part of her body after she was killed, devastated by this loss. But it was still love that made him feel all the related emotions, so Hannibal has some experience with it. From what we know of him, he has a very broad mind. He despises limitations and overcomes them, and he is not ashamed of who he is. He isn’t embarrassed to cry in the opera or to be the first to stand up and applaud; he delights in stereotypically ‘feminine’ hobbies like cooking and clothes selection; he draws fan-art and openly expresses his admiration when it’s due. For this reason, Hannibal doesn’t have many problems with expressing love either.  
Upon meeting Will, he is immediately drawn to him. He sees him as his potential partner and decides he wants to try and build a family with him as early as E2 of S1. That’s when he starts planting the idea of Abigail being their shared daughter in Will’s mind. He does the same to Abigail, urging her to see him and Will as her parents, even giving her shrooms to evoke the desired associations (unsuccessfully since Will doesn’t come to dinner). So, Hannibal acknowledged his pull/infatuation with Will from the very start, and he acted on it right away.
It’s not 100% love at this point, but Hannibal still easily follows his emotions. He doesn’t stop to consider how strange it is to want a family with a man he just met; he doesn’t agonize over the idea of how his life has more risks now that he allows another human being to know him. When these feelings progress at the end of S1/start of S2, Hannibal is finally taken aback. While he never planned to leave Will in prison and it was a part of his plan, he still didn’t expect to miss him so much — he admits it to Bedelia, looking forlorn, in E1 of S2. He repeatedly pines for Will by sitting in front of his chair at the time of his supposed appointment, glancing at the clock despite knowing Will is not going to come. This is a shift to an actual love, but Hannibal still doesn’t fight it. On the contrary, he embraces it, and he spends the entire S2 doing repeatedly romantic gestures for Will. Namely:
1) Protects Abigail to reunite Will with her later.
2) Shares a part of himself he doesn’t seem to have ever shared with anyone else. He talks to Will about Mischa, reveals his views on murder and God, acknowledges he cared about Abigail, and shows vulnerability. He shares his teacup ritual with him, which is something precious and deeply personal.
3) He digs up fake Freddie’s corpse and decorates it as a way of courting Will (as directly said by Alana).  
4) He draws a fan-art of himself and Will as Achilles and Patroclus.
5) He is ready to abandon his well-established life in Baltimore and reputation to run away with Will. In Hannibal’s view, no one truly suspects him and there is no evidence against him, but Will is in danger. So he’s willing to discard everything he’s been building for 20 years for him.
Finally, he calls Will a loved one more or less directly in E13 of S2 (in fact, he implies that they both love each other).
*Hannibal: Do you know what an imago is, Will? … An imago is an image of a loved one buried in the unconscious, carried with us all our lives.*
*Will: An ideal.*
*Hannibal: The concept of an ideal... I have a concept of you, just as you have a concept of me.*
Will hurts him with his betrayal, and Hannibal still finds himself unable to kill him. He is openly crying in the finale, admitting how Will hurt him, breaks his (and his own) heart by killing Abigail, and flees to Europe to start a new life. But things don’t go as he hoped they would. Bedelia is not a worthy substitute, and Hannibal is increasingly slipping into a self-destructive state because of his love for Will. He kills Anthony, who was an improved copy of Will, and turns him into a Valentine heart for him. Again, this is a very explicit and open emotional action. Hannibal doesn’t hide his feelings. He’s an emotional wreck with Bedelia in E3, and as they are talking about Will, he admits he’s in love with him.
*Hannibal: You cannot control with respect to whom you fall in love.*
Bedelia points out his self-destructiveness.
*Bedelia: You're going to get caught. It's already been set into motion … I know exactly how I will be navigating my way out of whatever it is I’ve gotten myself into. Do you?*
After Hannibal keeps spiraling and kills Sogliato, she adds: *You're drawing them to you, aren't you? All of them.*  
Hannibal gets so self-destructive over Will that he lets Jack beat himself almost to death, not even attempting to fight him. The first words he says to Will after they reunite in E6 are:
*Hannibal: If I saw you every day forever, Will, I would remember this time.*
He’s a romantic. The courtship, the Valentine heart, the romance — Hannibal did have some struggles, but overall, he accepts these feelings and isn’t afraid to act on them.
When Will pulls a knife in E6, Hannibal classifies it as another betrayal. This is where he decides to kill and eat him in the hope to put an end to this misery (which is what he and Bedelia discussed back in E3). However, even blinded by another heartbreak, Hannibal tries to save Will at the same time. He knows the police are coming and he puts off the moment of sawing for as long as he can, first fussing over Will and his wound, then waiting for Jack, then doing everything slowly as hell.
Everything changes in E7, when Hannibal faces the real risk of losing Will and comes to terms with the fact that a hope of life with him is better than life without him. So Hannibal carries Will home bridal-style, takes care of him, waits for him to wake up and writes formulas to reverse time. He directly tells Will that Will won, and that he, Hannibal, is at Will’s mercy.
*Hannibal: Your memory palace is building. It's full of new things. It shares some rooms with my own. I've discovered you there. Victorious.*
He gives himself up, sacrificing the freedom he’s been fighting for back in E2 finale, in the hope that one day, Will is going to come back to him. After this, Hannibal is all about Will, with all his heart. Throughout the second half of S3, he says things like, *“I gave you a child. You are family, Will. Was it good to see me?”*, etc. He agrees to risk his life by agreeing to Will’s plan, knowing he’s planning something but not knowing what and if he’d die in the process. In E13, Hannibal says:
*Hannibal: "No greater love hath man than to lay down his life for a friend"* and shields Will from the bullet. Later, he allows Will to push them both down, and he stays with him afterward.
Conclusion: Hannibal is very accepting of himself, so he doesn’t undergo severe challenges on the path to acknowledging what he feels for Will. He knows what love feels like because he felt it for Mischa before, so he embraces loving Will pretty quickly, even though he doesn’t know how to best approach it at times. That’s why we get direct and explicit confirmation of his feelings several times.
Now, on to Will.
Unlike with Hannibal, there is no evidence that Will has ever experienced love before (at least love for people). We know he had a father and was lonely as a child.
E4 of S1.
*Will: We were poor. I followed my father from the boat yards in Biloxi and Greenville to lake boats on Erie.*
*Hannibal: Always the new boy at school? Always the stranger?*
*Will: Always.*
His choice of words indicates that his relationship with his father wasn’t all that good (for instance, *I followed my father* instead of *My father and I had to…*). So, it doesn’t look like Will ever had meaningful connections. More than that, he says:
*Will: There’s something so foreign about family. Like an ill-fitting suit. Never connected to the concept.*
We can suggest that he doesn’t know what love is or how it feels like. From E1, we know he isolates himself because he hates himself for who he is: he understands he’s different, that there is darkness in him, but he desperately tries to subdue it and deny this fact. He’s rude, twitchy, and unhappy, but like Hannibal, he understands the extent of his loneliness only upon meeting him. That’s when he tries forming relationships with others.
Will’s relationships with Alana and Abigail are a good indication of his problems with love. He wants to be with Alana because he needs to feel normal. In 99% of cases, he remembers about her only when she comes to seek him out first. He kisses her for the first time at the moment of particular vulnerability, fearing that he’s finally losing his mind (in E8). When Hannibal calls him out on it, Will doesn’t deny it and semi-nods. He actually had to agree with it verbally according to the script.
*Will: I feel unstable.*
*Hannibal: That’s why you kissed her. A clutch for balance.*
*Will: Because I’m losing mine.*
So, it’s not that Will feels romantic love for Alana — he uses her because he desperately needs to feel like everyone else. Alana is a pretty, smart, normal woman who fits this goal perfectly. He doesn’t allow himself to be genuine with her unlike he does with Hannibal, to whom he opens up.
Will confesses to Hannibal that he loved killing Hobbs in E2, which got him down and made him panic. Hannibal supports him, and Will keeps coming back to him. He talks about everything important with Hannibal, opening parts of himself that he guards from everyone else. Will asks Hannibal to look after his dogs as early as E4 — he doesn’t have other friends, and he’s already focused on Hannibal. He buys into an idea of having a family with him and Abigail, which is amazing for Will, who has just said he could never relate to the concept of family.
When Will buys a gift for Abigail in the same E4 and freaks out, Hannibal asks him:
*Hannibal: Feeling paternal, Will?*
Will’s reaction is instant and defensive:
*Will: Aren’t you?*
Hannibal easily says “yes”, which disarms Will. This is a great contrast between them: Hannibal isn’t afraid to talk and acknowledge his feelings while Will is embarrassed of them and shies away from them. In fact, this is a repeat of their conversation in E2.
*Hannibal: You saved Abigail Hobbs' life. You also orphaned her. It comes with certain emotional obligations.*
*Will: You were there. You saved her life, too. Do you feel obligated?*
Again, Will deflects. He’s wary of emotions, especially of admitting them out loud.
Will shows a hint of romantic interest in Hannibal in E7. He brings him a bottle of wine out of blue, but unfortunately, he stumbles upon the party Hannibal is preparing. Hannibal invites him to stay, but Will says he won’t be good company. He’s shy and awkward, smiling nervously and dropping his gaze in embarrassment. Then we have this lovely line:
*Will: I’ve got a date with the Chesapeake Ripper.*
So, in S1, Will makes considerable emotional progress. He realizes he wants a family after all, and while he makes several half-hearted attempts to court Alana, he’s mostly focused on Hannibal and Abigail. He opens himself up to Hannibal, receives official guardianship over Abigail with him, arguably flirts with Hannibal (like in the wine scene above), and covers up murder to protect their family. But then Hannibal betrays him. Will doesn’t know his reasons yet, but this betrayal plunged him into darkness, bitterness, and new stage of emotional repression. It’s worth mentioning another point of Abigail here: in the end, Will doesn’t know her. He spoke to her only several times, and even fewer times were genuine. He loves the idea of her, and this idea was introduced by Hannibal, not by Abigail’s presence. It’s Hannibal who forced Will to confront his need to love and be loved.  
In S2, Will is incredibly conflicted. He acknowledges to Hannibal that he hurt him, tries to kill him via Matthew, but when he recognizes that Hannibal wants him as a friend (as spoken in E7), his attitude changes. Will doesn’t plan to forgive him, he’s still angry at Hannibal for killing Abigail (which is his biggest conflict, as evident from his talks with Hannibal himself and Freddie), but now, he can’t bring himself to harm or betray Hannibal.
He gets his first chance in E7, after being released from prison. He threatens Hannibal with a gun and has a perfect chance to make him pay, but he doesn’t. Instead, he conspires with Jack and decides to cultivate co-dependency, creating an environment where only he “and the fish exist” (E8). What does Will do to start? He makes himself physically attractive, grooming and dressing prettily. It’s a seduction on all levels, and Will plans to use emotions to hurt Hannibal back. At the same time, Will admits to being confused over what he feels for Hannibal.
E8 of S2.
*Will: I envy you your hate. Makes it much easier when you know how to feel.*
E9 of S2 (talking about trying to kill Hannibal with Margot).
*Margot: Did he have it coming?*
*Will: What do you think?*
*Margot: I can't say that I know.*
*Will: Neither can I.*
He spends the rest of the season lying to both Hannibal and Jack, unsure whose side to choose, too lost in his own feelings to make sense of them. At the same time, he has a dream where Hannibal calls him beloved in E9. It shows that Will contemplates the idea of love in relation to Hannibal. In E10, Will tries to fantasize about Alana as he’s having sex with Margot. However, he sees the image of Wendigo near the fireplace, Wendigo who he’s used to associating with Hannibal. Two interesting things (copied from my other meta): first, Will actually sees Hannibal’s room and consequently, he sees himself in it (or he sees their rooms united). Second, he sees the Wendigo near Hannibal’s fireplace. Fireplace has many meanings, including passion, sexuality, home, family, and resurrection. It emphasizes the sexual and romantic subtext of this uniquely shot scene, where people destined to be together have sex with the wrong partners. Will’s vision begins to contract, focusing on Wendigo: he is having an orgasm at this very moment, imagining the Wendigo’s face very close, approaching him. Still through the misty eyes, he tries to focus on Alana again, but his gaze moves up to Wendigo above her, as if he can’t help himself. He and Hannibal reach orgasm first, with Alana and Margot following them. So, Will dragged Hannibal into his sex fantasy. It’s both symbolic and physical: he tried to imagine Alana just like he tried to have a relationship with her before, in S1, out of his desire to be normal. But his attention is inevitably drawn to Hannibal, who’s his “real deal”.
Based on this scene, it’s underlined once again how Will struggles with emotions. Even in the safety of his own mind, in his own fantasy, he tries to think of Alana but still ends up with Hannibal. Will is always fighting himself and who he is. He refuses to accept his darkness just as he refuses to admit he loves Hannibal. It’s the essence of who he is, denial is his second name.
Among the important moments, there are Will’s words to Hannibal:
*Will: You are right. We are just alike. You are as alone as I am. And we are both alone without each other.*
So, Will accepts the bond with Hannibal, and at this stage, he even has the courage to voice some of his emotional thoughts. His progress is slow, but it’s there.
In E11, Will has a nightmare. He sees a burning corpse of ‘Freddie’ in a wheelchair, a symbol of his betrayal of Hannibal, and he hears his own increasing screaming. It’s easy to interpret, knowing the context: Will feels guilty for lying to Hannibal.
When Margot loses her child, Will feels renewed anger at Hannibal. He fantasizes about killing him and gets to realize his fantasy with Mason’s help in E12. But at the last moment, Will changes his mind and chooses Hannibal. He does the same thing in E13 by calling him. When he sees him, he doesn’t even try to point a gun at him: he asks why he didn’t leave as he was supposed to, and he even leans forward to accept the knife, accept the punishment for betrayal.
So, Will chooses Hannibal over Abigail, for whom he wanted justice; over his and Margot’s child, for whom he wanted revenge; over Jack and Alana, who were his only semblance of friends; over his own confusion and desire to be normal. For someone as emotionally stunted as Will, it’s huge. It proves that he loves Hannibal and is willing to compromise all other relationships he has formed as well his own beliefs for him (while Will is dark, he tries to fight it because he doesn’t think people like them are normal). Is it romantic? Will’s dream with the word “beloved” and his sex fantasy, as well as his acceptance of the idea that he and Hannibal were Abigail’s fathers (which makes them partners) imply that yes, romantic feeling is a part of it.
Hannibal’s romantic feelings became explicit in S3, and so did Will’s. But since Hannibal is more open and self-accepting, his were discussed out loud while Will’s were mostly portrayed silently, implied, and alluded to.
Will builds a boat to sail and find Hannibal, which is pretty romantic by itself. He spends his time in Hannibal’s house, in the kitchen where their bloody break-up happened, imagining Abigail near him. When Alana comes to find him, he asks her to leave. He’s cold and indifferent toward her — she’s not what he wants, and he’s not interested in even friendship with her. All he wants is to mourn his lost family with Hannibal and Abigail. Again, Hannibal is Will’s priority.
Will imagines his perfect world as the one where he and Hannibal killed Jack together. This scene is intercut with his Mizumono memories, namely, with Hannibal's face that emerges every time he moves yet another part of the engine. This is a vivid demonstration of Will trying to repair what is now broken. When Jack asks him why he called him, Will is indifferent and genuine:
*Will: I wasn't decided when I called him. I just called him. I deliberated while the phone rang. I decided when I heard his voice … I told him to leave. I wanted him to run … Because he was my friend. And because I wanted to run away with him.*
That’s a big admission for Will. This is the first time he openly acknowledges Hannibal as his friend in front of another person. Chilton calls Will and Hannibal’s interactions a “flirtation” in this episode, which once again points us in the romantic direction.
The entire E2 of S3 is dedicated to Will’s love for Hannibal, where he argues about it with himself in the form of imaginary Abigail. This is another proof of Will’s problem with emotions in general and emotions for Hannibal in particular. He can’t just think to himself as normal people do — no, he can’t admit how much he loves Hannibal this. Instead, he imagines Abigail and talks to himself through her to make it easier. He berates himself for lying.
*Will/Abigail: We were all supposed to leave together. He made a place for us. Why did you lie to him? He gave you a chance to take it all back, and you just kept lying.*
Will is reverent about Hannibal; he keeps talking about him over and over again.
*Will: This isn't Hannibal, it's just where he begins. Beyond this, far and complex, light and dark, is the vast structure of his mind. A thousand rooms, miles of corridors. Everything he remembers, wonderfully and fearfully reconstructed.*
Will goes as far as lies at the place where Hannibal’s Valentine heart for him was, reconstructing this image and trying to feel close to him. The heart comes to life the moment Will touches it, which is romantic. Will says:
*Will: A valentine written on a broken man … I do feel closer to Hannibal here. God only knows where I would be without him … He left us his broken heart … He misses us.*
He looks on the verge of tears, so Hannibal’s gift touched him. Will is overcome by emotions. At this very moment, his more frightened side suggests that Hannibal is also playing with him.
*Will: Hannibal follows several trains of thought at once without distraction from any, and one of the trains is always for his own amusement.*
We know it’s not the case, especially here, but Will has trust issues and a low self-esteem. He’s worried that Hannibal’s feelings for him aren’t as strong as he thinks they are, which is why he’s not sure how to react himself. He asks himself, *“You still want to go with him?”* and replies, *“Yes.” He wonders about what life they’d have if they left.
*Will: What if no one died? What if we all left together? Like we were supposed to. After he served the lamb. Where would we have gone? … In some other world.*
Pazzi comes and tells Will that he hopes they’ll catch Hannibal together.
*Will: What makes you think I want to catch him?*
Later, Pazzi says:
*Pazzi: He let you know him. He sent you his heart.*
E2 ends with Will scaring Pazzi and telling him, *“You don’t know whose side I’m on.* Then he tells Hannibal he forgives him, which is also a huge step in his direction.
This entire episode proves that yes, Will loves Hannibal. Considering how he isn’t awkward from receiving a Valentine or hearing that Hannibal gave him his heart, Will shares the romantic aspect of Hannibal’s feelings for him. He regrets not running away with him and their daughter, he places himself on the floor where the heart was to feel closer to him — this is such a rich romantic subtext that it’s practically text. Especially for Will, who remains so conflicted and emotionally restrained all the time.
Will’s attitude changes after seeing Chiyoh. He becomes more bitter. Considering how dark he is in these scenes and how he constantly compares himself and Chiyoh, he likely sees her as someone Hannibal was supposed to love but easily abandoned. It makes Will draw the parallels between them, and he starts to doubt that Hannibal loves him, that his “broken heart” has any authentic meaning. That’s where he starts thinking about killing Hannibal again. He still says:
*Will: I’ve never known myself as well as I know myself when I’m with him.*
This line also speaks volumes. Hannibal gave Will a precious gift of understanding himself; he showed that he could accept him, and Will is drawn to it. Will admits the depth of their connection to yet another person. Then he makes a firefly from Chiyoh’s prisoner, a tribute that is clearly done with Hannibal in his mind, considering the style and the central topic.
Chiyoh sees right through Will’s emotional constipation. She implies that he should “kiss” Hannibal rather than keep being “violent”:
*Chiyoh: I told you, there are means of influence other than violence.*
She kisses Will then, thus showing him what others means exist. He doesn’t get it, though, since he responds to her kiss despite not feeling anything for her, and she pushes him off the train, likely admitting he’s a hopeless case.
Meeting Jack, Will tells him that a part of him will always want to leave with Hannibal. This is yet another declaration from him. Will isn’t scared of the consequences — he speaks of his feelings openly now. It’s a great development of his character.
But the feeling of doubt about Hannibal likely resurfaces further after Will sees that Hannibal replaced him and Abigail with Bedelia in E6 (hence his hatred for her since that moment). He mocks her alibi and then leaves to reunite with Hannibal. The following moment was deleted, but it still discloses some of Will’s romantic feelings:
*Will: I looked up at the night sky there. Orion above the horizon and, near it, Jupiter. I wondered if you could see it, too. I wondered if our stars were the same.*
From the words that did get into the episode:
*Will: You and I have begun to blur ... We're conjoined. Curious if either of us can survive separation.*
Will doesn’t just admit the bond between them, he elevates it the level of soulmates, implying they are one and the same. It’s also a declaration of love in his language. But love doesn’t stop Will from being vindictive, hurt, and angry, so after meetings with Chiyoh and Bedelia that affected his perception, he pulls out a knife as he and Hannibal are walking together.
There is a brain-sawing disaster after this and E7, where Will looks done and tired from the madness and his constant attempts to figure Hannibal out. He does bite Cordell before looking at Hannibal, seeking his approval; he uses “we” pronouns when speaking about Hannibal with Alana. One example:
*Will: You helped Mason Verger find us.*
So, he still sees himself and Hannibal as a team, but he’s still tired and bitter, so after everything is over, he hurts Hannibal by saying he doesn’t share his appetite and by attacking him emotionally.
*Will: I miss my dogs. I'm not going to miss you. I'm not going to find you. I'm not going to look for you. I don't want to know where you are or what you do. I don't want to think about you anymore.*
This is all personal and emotional. It sounds like a break-up, which is exactly how Bryan Fuller and others referred to it. When Hannibal leaves and Jacks arrives, Will puts on his glasses, an indication that he’s hiding again.
Fast-forward 3 years. Will is married now, but from the very start, we see that this marriage isn’t all people usually expect it to be. The first scene shows the family apart. Molly and Walter have gone fishing, which is something Will loves. He had dreams about teaching Abigail how to fish, but he doesn’t go to do that with his family, preferring to stay alone instead. It’s the first hint that his heart isn’t in this relationship, that he’s too hung up on the past to move forward and make new happy memories.
Jack came to drag him to Dragon’s case, and Will makes it look like he’s reluctant. At the same time, he doesn’t send Jack away, even though we know from the past that he has no qualms being frank when he wants to. More than that, he asks him not to show pics to Molly, but when they have dinner, Will deliberately leaves the house with Walter, leaving Jack and Molly together. At night, when Molly’s asleep, he crawls out of bed and goes to read Hannibal’s letter. He doesn’t tell the truth to Molly about himself and his dark urges, about everything he has done – Molly clearly has no idea who he truly is, considering how she jokes about his ‘criminal mind’ in later episodes and how Will immediately closes himself off from her. He never initiates physical touches with her; he doesn’t return her “I love you”, which is an even bigger indication of his lack of commitment. Will is emotionally stiff with Molly for the most part, and the only times he laughs with her or shows any emotion is when they are talking about superficial stuff in the former case and when he’s furious after Francis’ attack in the latter one. Other than that, there is no closeness or honesty.
Another point of Will’s inability to express or even give his love to someone is in his scene with Walter in E11. This child, his step-son, has just been attacked by a serial killer with his mother. His mother was hurt and they barely escaped. Will doesn’t hug him or offer him paternal emotional comfort; he’s very awkward. All he says is, “You're both safe here,” which is something an officer might say but not a father. Will was much more emotional in his fantasies about Abigail.
This is what Will says about Walter’s reaction to Jack:
*Will: He read about me in a Freddie Lounds article. I had to justify myself to an eleven year old.*
He’s resentful and not emotional. He doesn’t say, “I had to justify myself to my son!” – he distances himself from him. Will is cold. He has expressed his feelings for Hannibal at this point in rather poetic ways, but he can’t be bothered to do this for his wife and his son.
He treats Hannibal in a very reserved fashion too, in comparison to how he acted 3 years ago. However: first, there is the fact that he came to visit him in the first place. Will didn’t need his help, we saw very clearly how he managed to easily reconstruct the crime scene the night before. It proved that his mindset is in a good shape, so he didn’t need Hannibal’s assistance. But it’s Hannibal he requested to see right away.
Will distances himself from him by calling him “Doctor Lecter” and insisting that he’s more comfortable the less personal they are. His eyes glisten, though, and he can’t look away from Hannibal. The impersonal approach doesn’t last very long, too, and soon, they are talking like they always did. Hannibal accuses Will of marrying for false reasons.
*Hannibal: How did you choose yours? Readymade wife and child to serve your needs. A stepson or daughter. A stepson absolves you of any biological blame. You know better than to breed. Can't pass on those terrible traits you fear the most.*
Will doesn’t bother to deny it, though any man would have been offended, particularly if he truly loved his family. In Will’s case, from the experience and all the precedents, silence = agreement.
In E10, Will seeks Bedelia out. He acts catty and jealous, targeting her personal connection with Hannibal.
*Will: You didn't lose yourself, Bedelia, you just crawled so far up his ass you couldn't be bothered.* - personal, targeted against Bedelia's attachment to Hannibal.
*Will: You hitched your star to a man commonly known as a monster. You're the Bride of Frankenstein.* - personal, attack with romantic connotation. Bedelia catches up on it and mocks him:
*Bedelia: We've both been his bride. Have you been to see him?*
*Will: Yes.*
*Bedelia: Haven't learned anything, have you? Or did you just miss him that much?*
*Will: Have you been to see him?* - personal again. Will wants to know if Bedelia is keeping contact with Hannibal.
*Bedelia: I've seen enough of him. I was with him behind the veil. You were always on the other side.*
*Will: Something we should talk about.* - again, personal. It's all personal, which is why Bryan and Hugh called them Hannibal's jealous bitchy exes. Will is palpably jealous and he shows his resentment to Bedelia openly.
Later, we have some more romantic references.
*Bedelia: My relationship with Hannibal is not as passionate as yours. You are here visiting old flame. Is your wife aware of how intimately you and Hannibal know each other? … Your experience of Hannibal’s attention is so profoundly harmful yet so irresistible, it undermines your ability to think rationally.*
So, there is romantic text, parallels between Hannibal and Will’s wife, and Will doesn’t deny any of this again. He keeps coming to Bedelia because she’s the only person he can talk about Hannibal to without being watched.
After Hannibal sends Francis after Molly and Walter, Will spends about a minute being angry with him. Then he accuses Hannibal of staging a competition between him and Francis. It is startling: Will spent months, years mourning the loss of Abigail who he didn’t even really know personally, yet he forgets the gravity of what happened to his wife and won very quickly. He leaves Molly and Walter and tells Bedelia that they are finished. One traumatic event, and Will left. It coincides with something very important that happened here: after this, Will finally figures out Hannibal is truly in love with him. So he goes to Bedelia to discuss it with her.
*Will: Is Hannibal in love with me?*
*Bedelia: Could he daily feel a stab of hunger for you, and find nourishment at the very sight of you? Yes. But do you ache for him?*
Will is predictably silent. Obviously, if the answer was no, he would have said no. But he struggles because like we established, he has issues with expressing emotions. He only managed to start referring to Hannibal as his friend openly in this season, opening up about some of his feelings, but he’s not ready to go this far. It would be absolutely out of character for Will to say, “Yes, you know, I’m in love with him! Thanks for helping me see it.” Every confession Will makes is preceded by struggles and heartbreak. But he’s going to reply to Bedelia’s question, only not explicitly-verbally.
Will sets up Chilton and then comes to allegedly say good-bye to Hannibal. He lies several times in their conversation (about Chilton and Molly with Walter), so all his words are automatically suspicious. Regardless, he destroys Hannibal emotionally and walks away. Personally, I believe he was already planning to break him out, so he was playing it up for cameras and also taking a chance to hurt Hannibal for everything again. But whatever his plan was, what happens next is that Will conspires with Francis against Jack, Alana, and the FBI. They agree to break Hannibal out together. Will lies to Jack and then gets to ask Hannibal for help. He’s being flirty and manipulative in this scene.
*Will: I need you, Hannibal … You're our best shot, Hannibal. Please.*
He’s smirking, he leans close to Hannibal, he sends him a flirty look from under his eyelashes. Will is thoroughly enjoying himself, and he does it best when he has some excuse to hide behind.
Later, he lies to Jack and Alana again, leaks info to Francis (who nearly killed his wife and son), and gets many officers killed by proxy. He tells Bedelia the truth that he doesn’t “intend Hannibal to be caught a second time.” He also implies that he’s going to let him go free, which is why Bedelia should pack her bags.
*Bedelia: Can't live with him. Can't live without him. Is that what this is?*
This time, Will agrees, although in his way.
*Will: I guess this is my Becoming.*
For Will, Becoming was always connected to his feelings for Hannibal because accepting himself and his darkness meant being free to escape with Hannibal.
*Bedelia: You found religion. Nothing more dangerous than that.*
In E3, it was stated that love is a God (you can find more here https://www.reddit.com/r/HannibalTV/comments/7w54dg/lovegodreligion_s3_parallels/), so it’s possible to say that religion = love in this context. It certainly makes sense. Will is accepting himself and his emotions, and the trigger was establishing for sure that Hannibal is in love with him.
Will and Hannibal drive to the cliff house. When Hannibal asks Will if he intends to save himself by killing them both (Hannibal and Francis), Will replies:
*Will: I don't know if I can save myself. And maybe that's just fine.*
This is the first time he confesses that he might be incapable of killing Hannibal. Predictably, when Francis comes, Will can’t handle seeing Hannibal killed, so he reaches for his gun.
Will and Hannibal work as a unit and protect each other. Hannibal is shot, nearly strangled, thrown onto the ground, and he is still weakly holding on Francis' leg to prevent him from going after Will, even though it leaves him in an open and vulnerable position — Francis does kick him in the face with his other leg. There is fierce determination on Will's face as he stands up despite the pain and runs to save Hannibal. They act in synch, consummating their relationship.
Then, Will admires how blood looks on his hand and repeats Hannibal’s words:
*Will: It really does look black in the moonlight.*
He remembers the words Hannibal said to him weeks ago in one of their endless interactions. A bit earlier, he perfectly recalled the words Hannibal told him *years* ago, back in the middle of S2.
*Will: I understand that “blood and breath are only elements undergoing change to fuel your Radiance." Hannibal said those words. To me.*
So, Will remembers everything Hannibal told him. He stores these memories. It’s a small but still important proof how important Hannibal is for him.
At the cliff, Will finally accepts the truth.
*Hannibal: See. This is all I ever wanted for you, Will. For both of us.*
We know what Hannibal wanted: a Murder Husband. What does Will say to this?
*Will: It’s beautiful.*
This is a loud “yes” to Bedelia’s question about his feelings. Will acknowledges, accepts, and admires them. He doesn’t feel awkward, as he would if he knew Hannibal is in love with him but didn’t feel the same. No, he reaches forward to embrace him, and such physical contact from Will is mind-blowing because he almost never does it. He clings to Hannibal, puts his head on his shoulder, touches him as if he wants to melt with him. Then he gives the fate a chance to stop both of them or to set them free. They fall into the ocean under the Love Crime song, another romantic element.
Water symbolizes reborn, and post-credits scene indicates that Will and Hannibal have paid a visit to Bedelia and are in the process of eating her while she’s hiding the fork to stab one of them as he approaches. The deleted epilogue to the series shows that they are in perfect harmony now.
**Conclusion**: Will has passed through a long, painful journey. He went from hiding from emotions and deflecting to not denying and carefully acknowledging them. We don’t hear words “love” or “in love” from him in relation to Hannibal because Will is not that kind of person. He doesn’t use these words freely, and for him, every small emotional step is a struggle. He tried to deceive himself and other numerous times; he tied to deny the truth and manipulate his own mind, but with each season, his feelings for Hannibal became more and more explicit. Will reaching out for physical contact, Will saying “It’s beautiful” are his way of saying, “I ached for you. I love you.”
This is a story of mutual love and obsession, about soulmates, about unique type of connection that few people share. It’s not about Hannibal falling in love and Will not feeling the same. Their feelings are equally strong, but they express them differently, particularly as Will’s are tied to the acceptance of his own darkness.
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papermoonloveslucy · 3 years
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VACATION TIME
April 29, 1949
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“Vacation Time” (aka “Trailer Vacation to Goosegrease Lake”) is episode #41 of the radio series MY FAVORITE HUSBAND broadcast on April 29, 1949 on the CBS radio network.
Synopsis ~ It's vacation time, and Liz and George have decidedly different plans. He wants to go camping with a trailer he borrowed from a friend, while she's set on a glamorous vacation at Moosehead Lodge.
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This episode later partly inspired the premise of “Liz Learns To Swim” aired on June 11, 1950. 
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“My Favorite Husband” was based on the novels Mr. and Mrs. Cugat, the Record of a Happy Marriage (1940) and Outside Eden (1945) by Isabel Scott Rorick, which had previously been adapted into the film Are Husbands Necessary? (1942). “My Favorite Husband” was first broadcast as a one-time special on July 5, 1948. Lucille Ball and Lee Bowman played the characters of Liz and George Cugat, and a positive response to this broadcast convinced CBS to launch “My Favorite Husband” as a series. Bowman was not available Richard Denning was cast as George. On January 7, 1949, confusion with bandleader Xavier Cugat prompted a name change to Cooper. On this same episode Jell-O became its sponsor. A total of 124 episodes of the program aired from July 23, 1948 through March 31, 1951. After about ten episodes had been written, writers Fox and Davenport departed and three new writers took over – Bob Carroll, Jr., Madelyn Pugh, and head writer/producer Jess Oppenheimer. In March 1949 Gale Gordon took over the existing role of George’s boss, Rudolph Atterbury, and Bea Benaderet was added as his wife, Iris. CBS brought “My Favorite Husband” to television in 1953, starring Joan Caulfield and Barry Nelson as Liz and George Cooper. The television version ran two-and-a-half seasons, from September 1953 through December 1955, running concurrently with “I Love Lucy.” It was produced live at CBS Television City for most of its run, until switching to film for a truncated third season filmed (ironically) at Desilu and recasting Liz Cooper with Vanessa Brown.
MAIN CAST
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Lucille Ball (Liz Cooper) was born on August 6, 1911 in Jamestown, New York. She began her screen career in 1933 and was known in Hollywood as ‘Queen of the B’s’ due to her many appearances in ‘B’ movies. With Richard Denning, she starred in a radio program titled “My Favorite Husband” which eventually led to the creation of “I Love Lucy,” a television situation comedy in which she co-starred with her real-life husband, Latin bandleader Desi Arnaz. The program was phenomenally successful, allowing the couple to purchase what was once RKO Studios, re-naming it Desilu. When the show ended in 1960 (in an hour-long format known as “The Lucy-Desi Comedy Hour”) so did Lucy and Desi’s marriage. In 1962, hoping to keep Desilu financially solvent, Lucy returned to the sitcom format with “The Lucy Show,” which lasted six seasons. She followed that with a similar sitcom “Here’s Lucy” co-starring with her real-life children, Lucie and Desi Jr., as well as Gale Gordon, who had joined the cast of “The Lucy Show” during season two. Before her death in 1989, Lucy made one more attempt at a sitcom with “Life With Lucy,” also with Gordon.
Richard Denning (George Cooper) was born Louis Albert Heindrich Denninger Jr., in Poughkeepsie, New York. When he was 18 months old, his family moved to Los Angeles. Plans called for him to take over his father’s garment manufacturing business, but he developed an interest in acting. Denning enlisted in the US Navy during World War II. He is best known for his  roles in various science fiction and horror films of the 1950s. Although he teamed with Lucille Ball on radio in “My Favorite Husband,” the two never acted together on screen. While “I Love Lucy” was on the air, he was seen on another CBS TV series, “Mr. & Mrs. North.” From 1968 to 1980 he played the Governor on “Hawaii 5-0″, his final role. He died in 1998 at age 84.
Bea Benadaret (Iris Atterbury) and Gale Gordon (Rudolph Atterbury) do not appear in this episode. 
Ruth Perrott (Katie, the Maid) was also later seen on “I Love Lucy.” She first played Mrs. Pomerantz (above right), a member of the surprise investigating committee for the Society Matrons League in “Pioneer Women” (ILL S1;E25), as one of the member of the Wednesday Afternoon Fine Arts League in “Lucy and Ethel Buy the Same Dress” (ILL S3;E3), and also played a nurse when “Lucy Goes to the Hospital” (ILL S2;E16). She died in 1996 at the age of 96.
Bob LeMond (Announcer) also served as the announcer for the pilot episode of “I Love Lucy”. When the long-lost pilot was finally discovered in 1990, a few moments of the opening narration were damaged and lost, so LeMond – fifty years later – recreated the narration for the CBS special and subsequent DVD release.
GUEST CAST
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Frank Nelson (Policeman) was born on May 6, 1911 (three months before Lucille Ball) in Colorado Springs, Colorado. He started working as a radio announcer at the age of 15. He later appeared on such popular radio shows as “The Great Gildersleeve,” “Burns and Allen,” and “Fibber McGee & Molly”. This is one of his 11 performances on “My Favorite Husband.”  On “I Love Lucy” he holds the distinction of being the only actor to play two recurring roles: Freddie Fillmore and Ralph Ramsey, as well as six one-off characters, including the frazzled train conductor in “The Great Train Robbery” (ILL S5;E5), a character he repeated on “The Lucy Show.”  Aside from Lucille Ball, Nelson is perhaps most associated with Jack Benny and was a fifteen-year regular on his radio and television programs.  
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Wally Maher (Joe Risley) was born on August 4, 1908 in Cincinnati, Ohio. He was known for Mystery Street (1950), The Reformer and the Redhead (1950) and Hollywood Hotel (1937). He was heard with Lucille Ball in the Lux Radio Theatre version of “The Dark Corner” (1947), taking the role originated on film by William Bendix. He died on December 27, 1951.
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Milton Stark (Filling Station Attendant) was a theatre actor and director, who also appeared on radio and television, although usually in supporting roles.  He also worked as a dialogue coach and acting teacher. At UCLA a scholarship was established in his name. He lived to the age of 103. 
EPISODE
ANNOUNCER: “As we look in on the Coopers, it is a cold rainy afternoon, but Liz is in her bedroom standing in front of the mirror wearing a back-less, strapless sun dress.” 
Liz calls Katie in to show off her sun dress, but Katie is disapproving that is so revealing.  Liz has shopped for summer vacation clothes.  Liz’s bathing suit cost’s forty dollars. 
KATIE: “That’s a lot of money for two doilies and a diaper.” 
Liz says that husbands only approve of scanty swimsuits when they are on any woman but their wives. 
LIZ: “I want to look good for George. He’s going to see a lot of me this summer.” KATIE: “He’s not the only one!”  
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The topic of revealing bathing suits was later also mined for comedy on “I Love Lucy.”  In “Off To Florida” (ILL S6;E6) Ricky thinks Lucy’s new skimpy new swimsuit is for Little Ricky!  Lucy also buys a swimsuit that Ricky feels is too skimpy when shopping for their California trip in “Getting Ready” (ILL S4;E11)
Liz says they are going to Moosehead Lodge on Lake Okeechobee. Liz calls it a real swanky place.  Katie reminds Liz that George prefers more rugged vacations.  Liz says she will suggest it to George at dinner. 
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Lake Okeechobee is a real place, located in central Florida, although it is far more conducive to George’s type of vacation than Liz’s, highlighting nature through fishing and nature.  
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Although there are places called Moosehead Lodge in America, it unlikely that a moose would be associated with central Florida and that it would be an upscale resort of the type Liz is describing. 
At the bank, George talks to his co-worker Joe about scheduling vacations.  Joe says that his ideal vacation is in a trailer.  If George likes the idea, he will lend the Coopers his trailer.  George will suggest it to Liz at dinner. 
After dinner, both Liz and George get cozy with the idea of easing the other into going on their dream destination.  Liz ‘just happened’ to hear about a place that she vaguely remembers. 
LIZ: “I did hear of some place called Moosehead Lodge. It’s probably situated in groves of stately pines, on the shores of an emerald green lake, its rustic beauty enhanced by lawns and flower beds. Each luxurious room is furnished with clean, comfortable box spring beds, modern bathroom and shower. Ten dollars a day, American plan. Oh, George, let’s go there. We can relax and enjoy a continual round of  glorious entertainment, sports, good food, and true fellowship, see your travel agent for details.”
George realizes that Liz has been plotting a vacation.  George says he has a better idea - two weeks in a trailer.  Liz is less than keen. George says that they can borrow Joe Risley’s trailer!
LIZ: “Keen with mud on it.”
Liz is worried that nobody will see her new vacation wardrobe if they are cooped up in a trailer.  They are at an impasse.  Liz suggests they go on separate vacations.  When George reluctantly agrees, she breaks down in tears.  
Liz moans to Katie that she already misses George, and the vacation doesn’t begin for two months.  George phones from work to talk to Liz.  George offers a compromise.  They will take a trial weekend trip in the trailer, and if she doesn’t like it, he will go to Moosehead Lodge!
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Vacationing in a trailer was explored by Lucille Ball and Desi Arnaz in their 1953 comedy MGM’s The Long Long Trailer.  The film mines a lot of physical comedy from the trailer’s unwieldy movement and how Lucy’s character Tacy Bolton copes with it. 
ANNOUNCER: “George is just driving up with the trailer hooked up to the back of the car.”
Liz remarks how small the trailer is.  
GEORGE: “Keep an open mind.” LIZ: “I’ll have to close it or it won’t fit in that trailer.” 
They tour the inside, which is smaller than Liz thought.  Just then, a knock at the trailer door and there’s a policeman (Frank Nelson) issuing them a parking ticket! Forty bucks for parking illegally!
The next morning George and Liz get an early start on their trial trailer trip.  Liz has brought along a little light reading for the trip: “Inside Moosehead Lodge” by Liz Gunther. 
Motoring along the highway, George is enjoying the drive. 
LIZ: “Travel is great. I wouldn’t go anywhere without it.”
George says it is so smooth, you wouldn’t even know the trailer is back there.  Liz notices that it isn’t!  George forgot to hook it on!   Finally, they are off (again) to Goosegrease Lake. Liz reads one of those sequential signs along the roadside: “If Your Whiskers...  Won’t Behave... Take a Tip Use....”  Liz goes silent. 
GEORGE: “Use what?���  LIZ: “The last sign’s torn down. Now we’ll never know.” 
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Almost everyone in the audience knew it was Burma-Shave.  From 1926 until 1963 the ‘brushless’ shaving cream company dotted the American highways with small red signs, each containing a line of a short rhyme that the driver could read without slowing down as they drove by.  At one time, there were over 600 different rhymes on signs!  
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The idea was given a nod on a 1955 “I Love Lucy” episode “First Stop” (ILL S4;E14) with the roadside signs for Aunt Polly’s Pecan Pralines. 
LUCY: Fifty miles to Aunt Sally’s Pecan Pralines. later... LUCY: 300 yards to Aunt Sally’s! ETHEL: 200 yards! FRED: 100 yards! RICKY: Just around the bend! LUCY: You have just passed Aunt Sally’s. 
Liz is quite sure that George’s shortcut has gotten them lost. They stop to ask directions from a laid back filling station attendant (Milton Stark) who tells them they don’t want to go to Goosegrease Lake.  He suggests they go to the hot springs, instead. 
Oops! Milton Stark has trouble pronouncing ‘Goosegrease’ and  the audience is aware of his flub. When he asks Lucille Ball “What ya gonna do there?” She deliberately says “We’re gonna goose a grease”, instead of “grease a goose”, which causes more giggles from the cast and gales of laughter from the audience. 
FILLING STATION ATTENDANT: “You can’t get there from here!”
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Next morning Liz wakes up and looks around.  She sees beautiful green grass and a little flag with the number 18 on it!  A golf ball comes crashing through the window. The policeman from who ticketed them earlier knocks on the trailer door. They have illegally camped out on the 18th green of the municipal golf course - only two miles from home!  Liz said they didn’t know where they were going. 
POLICEMAN: “Do you know where you’re going now?” LIZ: “Yes!  To Moosehead Lodge!” POLICEMAN: “No, to the city jail! Come on!”
End of Episode
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elcorhamletlive · 4 years
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Happy Steve Bingo (2019) Fills
Okay, so, here’s my finished card for Happy Steve Bingo:
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As you can see, I managed to get a line bingo and a few other scattered fills. The ones with a black circle are two that I have not finished yet, but that I do plan to post in the future (actually, I might not get around to Outdoing the Neighbors, since I only had a vague concept for it, but the Body Issues fill is at around 4k so that WILL be finished eventually). I also have a wip for the “I’m a God of a minor thing” prompt, which might be the silliest thing I’ve ever written, so I’m excited for it.
Anyway! I had a lot of fun writing these, even if I didn’t manage to write as much as last year. So, here are the fills (all Stony, mostly MCU). Enjoy!
S1 - “Well, this is awkward” -  Doubling Up (Steve) (PWP with a threesome between MCU Tony, MCU Steve and Ults Tony) S5 - “Therapy” -  Where do we go (Post-IW, angst with a hopeful ending)
T1 - “The 40s” -  Alternative Swimwear Choices (Fluff ficlet with awkward flirting, Steve wears an outdated outfit for a day at the beach and Tony notices) T4 - “Awkward with babies and/or kids” -  tell me a story (Established relationship, Tony being good with children)
E3 - “Free Square - Non-verbal communication” - Again and again (angst with a happy ending, pining, post-CW) E5 - “Breakfast in bed” - sweet like honey (Non-powered AU, established but new relationship with pre-serum Steve) V2 - “Caught in a Downpour/Storm” - i'll take care of you (Non-powered AU, caretaking, pre-serum Steve)
E1 - “Social Media” - I just wanna tell you how I'm feeling (Tooth-rotting fluff, Steve discovering the internet and memes) E2 - “Back rub” - driving with my eyes closed (fluff with de-serumed, insecure Steve) E4 - “Comfort from nightmares” - mock me with praise (Ults, non-powered AU, emotional hurt/comfort)
[edit] Also, check out my lovely badge!
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lara-lou · 4 years
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My favourite episodes of the x-files
I’m rewatching txf right now and I wanted to make a list of my favourite episodes. I’ll add to the list as I watch but this is my list so far...
Pilot (s1 e1)
Squeeze (s1 e3)
Ice (s1 e8)
Fire (s1 e12)
Beyond the sea (s1 e13)
Darkness falls (s1 e20)
Irresistible (s2 e13)
Fresh bones (s2 e15)
Humbug (s2 e20)
The war of corprophages (s3 e12)
Syzygy (s3 e13)
Pusher (s3 e17)
Jose Chung from Outer Space (s3 e20)
Quagmire (s3 e22)
Wetwired (s3 e23)
Unruhe (s4 e4)
Leonard Betts (s4 e12)
Never again (s4 e13)
Small Potatoes (s4 e20)
Elegy (s4 e22)
Demons (s4 e23)
Redux II (s5 e2)
Detour (s5 e4)
The Post-Modern Prometheus (s5 e5)
Bad blood (s5 e12)
All souls (s5 e17)
The Pine Bluff Variant (s5 e18)
Folie A Deux (s5 e19)
Triangle (s6 e3)
Dreamland/II (s6 e4/5)
How the ghost stole Christmas (s6 e6)
Tithonus (s6 e10)
Agua Mala (s6 e13)
Monday (s6 e14)
Arcadia (s6 e15)
Milagro (s6 e18)
Three of a kind (s6 e20)
Field trip (s6 e21)
The sixth Extinction/II Amor Fati (s7 e1/2)
Millennium (s7 e4)
Orison (s7 e7)
The amazing Maleeni (s7 e8)
X-cops (s7 e12)
First Person Shooter (s7 e13)
All things (s7 e17)
Hollywood AD (s7 e19)
Je Souhaite (s7 e21)
Requiem (s7 e22)
Within (s8 e1)
Roadrunners (s8 e4)
Medusa (s8 e12)
This is not happening (s8 e14)
Deadalive (s8 e15)
Lord of the flies (s9 e5)
This no 1 (s9 e6)
Hellbound (s9 e8)
Provenance (s9 e9/10)
Improbable (s9 e13)
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floraone · 5 years
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(A very subjective) Trope Guide
Ah well. So. Here is totally for selfish reasons my very weird and very extensive list of my favourite tropes! I wanna work with some of them, and I wanna mix and match and.. ya know, play with them a little. And I thought maybe you wanted to join in ;) So feel free to use and even prompt with!
A1 (Temporary) Amnesia
A2 Pick From Bizarre Ao3 Tag
A3 Totally Into Your Alter Ego
B1 Only One Bed / "Platonic" Bedsharing
B2 My Partner is a Badass / Action Girl / Battle Couple
B3 The Bet
B4 Blind Date
C1 Coffee Shop
C2 Accidental Confession
C3 Caught In The Rain
D1 Didn't Know They Were Dating
D2 Convenient Slow Dance
D3 Deus Sex Machina
E1 Enemies/Friends/Partners to Lovers
E2 Established Relationship
E3 Sex With The Ex
F1 Oh Crap There Are Fanfics Of Us
F2 Fuck Or Die
F3 First Times
F4 Fidelity Test
F5 Forbidden Fruit
F6 Flirting Under Fire
G  Go Seduce My Archnemesis
H1 Magical Healing Cock
H2 Happy Ending Massage
H3 Has a Type
I1 Intoxication/ In Vino Veritas
I2 Introduction by Hookup
J1 Just Tonight
J2 Just Friends / She Is Not My Girlfriend
K1 Kink
K2 Indirect Kiss
L Lust At First Sight
M1 Mission Sex
M2 Matchmaking
M3 Meet Cute
M4 Mistaken For Cheating
N1 Nobody Needs To Know
N2 New Student
N3 New Old Flame
O1 One Night Stand
O2 Mistakingly Overheard Conversation
P1 (Secret Mutual/Unrequited) Pining
P2 Party Fic
P3 Accidental Pervert
P4 Terrible Pick-Up Lines
R1 And They Were Roommates
R2 Pretend or Secret Relationsship/ Fake Dating  / Fake Not-Dating
R3 Idenity Reveal
R4 Red String of Fate
R5 In The Rain
S1 Snowed In/Storm Hits/HAVE TO STAY NOW WETHER YOU LIKE IT OR NOT
S2 Sex Education/Teach Seduction
S3 Protag Has a Secret/Char B Comes To Very Wrong Conclusions
S4 Stupid Sexy Friend
S5 Sex Pollen
S6 Stuck In A Small Place / Elevator / Closet
T1 Telepathic or Emotional Bond/Mindlink/ Magic Bond / Mindlink Mates
T2 Texting
T3 Traveling
T4 Talking In Bed
T5 Tutoring/Study Help
T6 Third Wheel
U1 High School/ University
U2 Unresolved Sexual Tension
W1 Wingman/woman
W2 Working Out Together Is Kinda Sexy
W3 You Wake Up In A Room
W4 Will They Won't They/ Almost Kiss / Not A Date / Ship Tease
Y Aliens Youmas Made Them Do It
It goes without saying that these can be used in any setting. AU/Post Canon/Canon/Fluff/Smut/Angst with or without a Happy ending/ Fix It... whatever floats your boat.
ALSO I WANNA KNOW YOUR FAVORITES AND WHICH YOU WANNA SEE IN THIS FANDOM! Alternatively if you have a favourite fic for any of the tropes, I wanna know that too ;)
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festiveferret · 5 years
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Happy Steve Bingo (2018)
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Well. It seems I can’t sign up for a bingo casually, so here we are again with a bingo blackout! Huge thank yous to the MCU discord server, and my betas, especially ashes who churned them out at astonishing speed. I’m really, really pleased with how a lot of these turned out! (These are all Stony unless otherwise marked)
Also a big thank you to the wonderful mods for running this new event!
My total word count for this card is 80k
S1 “Cooking” - Fed (Held - Feeding kink) S2 “Rooftop/Indoor Farming for Novices” - B-Team (Fluff, established rel.) S3 “Wedding” An Arrangement (Arranged Marriage, Young Tony) S4 “Window Shopping” Window Shopping (Meet Cute, smol!Steve, Fluff) S5 “De-Aging” Like a Fine Wine (Tony in his twenties, soft)
T1 “Snowball Fight” - Snowball Fight (Bucky/Tony, outsider pov) T2 “Meeting the Pen Pal” - Between the Lines (personal fav, epistolary, 30k, cute, fluff, slow burn) T3 “Soulmates” - Peanuts (doctor!Tony an single dad!Steve, soulmate AU) T4 “Laughing During Sex” - Honeymoon (Eaten by the bed monster, funny) T5 “HItchhiking” - The Hitchhiker (blowjobs, pure porn, unsafe sex, praise kink)
E1 “Snow Angels” - Snow Angel (Troubleverse, fluff, kidfic) E2 “Enemies to Friends to Lovers” - Five Times Steve and Tony Spent Christmas Alone Together (and One Time They Didn’t) (Pure fluff) E3 “FREE - Log Cabins/Camping” - Eviction Notice (short, silly, owls) E4 “Arm Wrestling” - The Challenge (cute, first kiss) E5 “Road Trips” - Breakdown (cute, suggestive, established rel.)
V1 “Time Travel” - Lost (Angst with a happy ending) V2 “Deciduous/Falling Leaves in Autumn” - Autumn Leaves (post-Breakup, hopeful) V3 “Colours” - Greyscale (soulmate AU, smol!Steve, personal fav) V4 “Coffee” Two Sugars (Meet cute, coffeeshopAU) V5 “Bad Flirting” - Shut Up, Tony (a/b/o, smol!alpha!Steve, omega!Tony ,porn)
E1 “Secret Admirer” - Once Upon a Time (Fairy tale, outsider pov, cracky, silly) E2 “Promposal” - The Bet (High school AU, fluff, get together, pining) E3 “Hidden Magical Powers” - A Wish for Wings (the long-awaited ButterBee! bee!Steve, caterpillar!Tony, pure fluffy fluff, cute af) E4 “Sharing a Bed” - A Cure for Sleepwalking (Fluff, get together) E5 “Birthday Cake” - Cake (stuckony, birthdays, fluff, established poly rel.)
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sylvia-tilly · 6 years
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Tom Hiddleston as Jonathan Pine, in The Night Manager - S1 E3 
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iriswestallens · 7 years
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It's so ridiculous that SB's actually think Eddie's return will somehow affect WA. He's probably not even going to be E1 Eddie. 213 showed us that E2 WA are friends with Eddie. He was on their speed dial. If he's from E3 or 19 and in more than one episode it will probably show him being in Barry's situation S1;pining over Iris and she sees him as a friend. In any event, whatever the outcome of his appearance it will be related to Barry actually moving on from his guilt over Eddie's death in 123.
Yup!
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How’s everybody holding up?
S1.E3 The Cruellest Month: Part One
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bookgeekgrrl · 8 months
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My media this week (20-26 Aug 2023)
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my absolute fave line in all of heartstopper, so glad they left it unaltered
📚 STUFF I READ 📚
😍 how a resurrection really feels (LiarsandThieves22) - 176K, steddie - post s4 fixit with a timeline merge - just brilliantly executed, lots of great emotional moments as well as even more laugh out loud ones. Big, big rec.
🙂 The Wedding Bait (Golden Years #1) (Adele Buck, author & narrator) - novella; cishet romance but MCs in their 50s, which was a nice change
😊 Murder at the Village Fair (Miss Underhay Mysteries #13) (Helena Dixon, author; Karen Cass, narrator) - Matt & Kitty are on a sort-of delayed honeymoon & get involved in murder in Yorkshire while visiting his aunt
😊 here there be dragons (theundiagnosable) - 66K, original hockey fic - epitome of sunshine/grumpy - POV char has extreme anxiety/anxiety-induced paranoia/anger outbursts due to fear etc - he gets better & it does end very happily but first we gotta watch him train wreck everything & suffer (to be clear, I did enjoy reading this! but it's a lot!)
🥰 Lemon Meringue Lies (Nejinee) - 111K, technically stucky modern no-powers AU but honestly such an AU that it's really more of original fic WHICH ISN'T at all bad - best friends to lovers, lots of oblivousness, pining, angst, emotional dumbassery but also a really great external setting & compelling supporting characters (who just all happen to have names/physical traits as MCU characters) [reread]
😍 if I'm gonna get back to you someday (napricot) - 46K, post Endgame fixit with "a clusterfuck of Steves" from different multiverses [reread for stucky bookclub]
😍 Golden Handcuffs (seekwill) - 70K, Good Omens human AU where they're both professors at a small Scottish university - brilliant fic, great characterizations, solid story development, absolutely loved it
💖💖 +246K of shorter fic so shout out to these I really loved 💖💖
Mandatory Fun (One-EyedBossman (desert000rose), SecretFandomStories) - MCU: stucky, 39K - Part 11 of Differently Okay Local Idiots; Bucky & Steve go suit shopping with Natasha & together navigate another bump in their road
To the Waters and the Wild (rainbow_nerds) - MCU: magical shrunkyclunks, 23K - selkie!Bucky finds Captain America frozen when he's 10 years old, but no one believes him; ~15 years later, Cap finally thaws out
To Kiss the Tender Inward of Thy Hand (circ_bamboo) - Band Sinister (KJ Charles): Ned Caulfield/George Penn, 32K - beautiful backstory of how Ned & George met
Sit (fandomfluffandfuck) - MCU: stucky, 21K, Part 1 of You Can('t) Teach An Old Dog New Tricks - modern, no powers AU - promising start to a series about older/old guard dom Steve & newbie dom Bucky
📺 STUFF I WATCHED 📺
Game Changer - s2, e1-4; s3, e5-8; s5, e9
Make Some Noise - s2, e6
Um, Actually - s8, e11
Heartstopper - s2, e1-8
Only Murders In The Building - s3, e4
Harley Quinn - s4, e7
What We Do In The Shadows - s5, e8
D20: Mentopolis - "F For Freezer" (s1, e3)
D20: Adventuring Party - "We Are Feeling Machines That Think" (s14, e3)
Much Ado About Nothing (Wyndham Theatre 2011) {Tate/Tennant version}
🎧 PODCASTS 🎧
Re: Dracula - August 20: We Shall To-night Play
Re: Dracula - August 21: Goods are Delivered
Vibe Check - A Special Conversation with Emily King
Ed Zitron's 15 Minutes In Hell - Episode 3 - Taylor Lorenz, The Washington Post
The Atlas Obscura Podcast - Embracing Adventure in Fayetteville
⭐ Shedunnit Book Club - Murder-on-Sea
⭐ Switched on Pop - Wonders: "Stacy's Mom" and Adam Schlesinger
⭐ 99% Invisible #550 - Melanie Speaks
Vibe Check - Did AI Write That Song?
Re: Dracula -August 23: Ominous in His Calm
ICYMI - How to Make Millions Playing Dungeons & Dragons
⭐ The Atlas Obscura Podcast - Mysterious Sinkholes of Mt Baldy
Twenty Thousand Hertz+ - The Voice Inside
The Atlas Obscura Podcast - Arthurdale
Re: Dracula - August 24: Some Terrible Shock
Strong Songs - "Soul Vaccination" by Tower of Power
Dear Prudence - My Wife Goes Braless Around Our Teenage Sons. Help!
Re: Dracula - August 25: Another Bad Night
What Next: TBD - TikTok's Shady Deal with the U.S.
Into It - Did Taylor Swift Curse Scooter Braun? And Will Fyre Fest Fool Us Twyce?
Endless Thread - PARKS! Pt. 4: Death Sea
⭐ Smart Podcast, Trashy Books - 577. Killing Folks with Deanna Raybourn
Wait Wait… Don't Tell Me! - WWDTM: Mark Ronson
🎶 MUSIC 🎶
Soft Rock Ballads
'80s Soft Pop
Relaxing '80s Rock
Unreal Unearth [Hozier] {2023}
'80s Training Montage
Tower of Power
Presenting The Doobie Brothers
Presenting Steely Dan
Presenting Electric Light Orchestra
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-Je T’Aime -Moi aussi
Three Pines S1.E3 The Cruellest Month: Part One
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More close ups because why not. Three Pines S1.E3 The Cruellest Month: Part One
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Close ups of Alfred in S1.E3 The Cruellest Month: Part One
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