Olhar Negro
Naufragam fragmentosde mimsob o poentemas,vou me recompondocom o Solnascente,
TemPeDaÇos
mas,diante da vítrea lâminado espelho,vourefazendo em mimo que é belo
Naufragam fragmentosde mimna cocamas, junto os cacos, reinventosinto o perfume de um novo tempo,
Fragmentosde mimdiluem-se na cachaçamas,pouco a pouco,me refaço e me afastodo danoso líquidovenenoso
TemPeDaÇos
temempilhados nas…
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“Every drop matters” - wastewater recycling system to supply ... - Portugal Resident
“Every drop matters” - wastewater recycling system to supply ... Portugal Resident
https://www.portugalresident.com/every-drop-matters-wastewater-recycling-system-to-supply-zoomarine/
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recently I've been looking at the giovanna tech discord again and ran across a conversation the other night that has me reconsidering a lot of how I tend to let my autopilot play out
someone had posted a replay, and the regulars responded to say that it's not a good habit to use meter to just get another turn. their train of thought was that since sepultura is already a safe blockstring ender, it's not efficient to rc it to get another turn, because then you've turned a situation where you're pretty safe into one where you're going to have to do a higher risk or lower reward mixup instead. you would be better off spending the meter earlier in the blockstring doing a safe and rewarding mixup, and then relying on stagger pressure and rps to stay in or get out
and my initial thought was, well, the situation after a blocked sepultura is technically safe but you're still stuck either playing pretty bad rps or letting someone else have a turn anyway, so spending the meter there saves you a headache. meanwhile the mental stack is usually a little crowded when I get my turn on oki, so half the time I open with basic gatlings. I relayed this story to lite after it happened, and he basically agreed. using meter to stay in makes sense.
but thinking about it more, the tradeoff becomes spending 50 meter to do two bad mixups (or even just the canned string) or spending 50 meter to do something up front they have to respect and has good reward, so I do get the math. the other thing is that the balance between gio's neutral and mixup ability is weighted towards really committal mix and really low risk neutral, whereas lite's character i-no is all fuzzy overheads but has to commit really hard in neutral. since gio struggles to open people up safely but can play neutral confidently, it makes some sense to allocate more meter towards doing mixups and less towards skipping neutral than other types of character.
either way I figured the next step was to look at a bunch of match footage and analyze how the high level gios I play were spending meter... and the result was that they were almost always using it for combo extensions, super wallbreaks, or metered mixups, and not to rebuy pressure (with defensive uses mixed in here and there ofc.)
so the next stop was the lab. the most basic metered mixup is obviously tap dust rrc, which is not meaningfully reactable, has good reward and lets you continue pressure afterwards. since this is already a really high standard, I had kind of filed every other contender away as "flashy but impractical" for a while, but I do know that having a variety of throw setups helps a lot to attack the mental stack, so presumably it's worth working some of these in. the other factor that got me to revisit things is kouhide's 4 overhead brc setup, which has a much better economy of high/low moments to meter spent than tap dust rrc.
...however, that blockstring kind of sucks, man. the notation would be something like cs -> jump cancel -> low brc forward -> jp -> land -> jump-> jp -> jh -> jd -> regular blockstring. the first issue is that the execution is pretty tight. if you don't nail the timing on the two jps, the slowdown will end before the jh can connect and the opponent will be out of blockstun and can just duck it. and the other issue is that since the timing is really tight, you don't really have any room to pause and hitconfirm the first jp. at higher levels this might not be as much of an issue since you *can* see the jp coming, but where I usually am people get clipped and then the combo drops. I think it may have some practical utility as like an extra layer to simpler things.
cs -> low aerial brc forward -> air buttons is a pretty classic type of mixup though. I'd previously seen it as brc -> jh jd -> grounded blockstring, but annoyingly it only seems to get both buttons out higher off the ground and ends up being inconsistent. however, with the tradeoff of worse scaling, gio can just hit jp twice on the way down like sol does in the bandit revolver rc setup and accomplish the same thing more consistently. this also sets up conditioning for people to block the first hit and lets gio do the kouhide string more confidently.
there's also the weird looking brc instant overhead setup you get out of backdash (technically? I think? I don't know exactly why the physics on this one work the way they do) which is a single hit but looks weird and that's kind of cool. it's about equivalent to tap dust for way higher execution though.
putting aside the high/low stuff, gio can also do cs -> dash cancel -> brc -> cs -> cv.trovao which gets her a guard crush moment for stronger strike/throw... but stronger strike/throw is still much riskier than the above totally safe blockstrings. it's good but I feel like probably when I'll be using it the most is when I misinput a low aerial brc when trying to do something else.
anyway in addition to all the new combo theory and oki setups I've been trying to integrate, these are all pretty high priority. ideally this will result in more ergonomic meter usage and be better for consistency across the board... but man I already have a ton of spaghetti to sort through just with the patch stuff.
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Poentes
De primeira pessoa,
Sem sequer que vistes, andei
mentalizando o enquadro,
saí de cena de propósito, áspero
rude, rasgado, seco e amargo
dentre passos, parcerias,
paqueras negadas, arredias,
devaneios e pontos de esclamação. O são.
Depoentes. Entes. Ponde, na mesa
por estes versos. Poentes.
"!"
São dias novos.
Respiro aberto, repetitivo.
Um velho para um novo ciclo.
Mais repleto de todo do que do desvio,
Do nada e de mais que isso.
Saudei a poesia como minha transpiração noturna.
Lembrei de quando criança. De quando se descobre.
E da nossa transa cerebral.
E dos desencontros com o banal.
E da nossa fuga.
Seja por onde quer que vá, vai
me encontrar na sua mente com aquele gás,
aquela fúria excêntrica em retalhos partidos
pela minha memória fraca de aumentativo.
O shot e o tombo pra dentro do peito.
Amo mais que desespero.
Calo o mundo com o silêncio.
E isso faz de mim o que prefiri indefinir.
Até...
Outro poente, ponte
e que a gente se esbarre
e sinta tudo outra vez.
Eduardo Bissi
e nem sei mais o que faço aqui.
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Mãe, recentemente eu descobri o que diferencia completamente o homem dos outros animais. O homem tem, eu sei, linguagem, conhecimento, princípios, e ordem social, mas não é verdade que todos os outros animais tem isso também, em graus diferentes? Talvez os animais até mesmo tenham religiões. O homem se gaba de ser o senhor de toda criação, mas parece que ele em essência não difere nem um pouco dos outros animais. Mas, Mãe, pensei numa diferença essencial que existe. É uma capacidade absolutamente única do homem - manter segredos. Consegue entender o que eu quero dizer?
- O Sol Poente, Osamu Dazai
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Do nascente ao poente,
seja louvado o nome do Senhor!
Salmos 113:3
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“Tenho aprendido, todo dia, do nascer do sol ao poente, que felicidade boa é aquela que começa dentro da gente!”
_____Lídia Vasconcelos
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Algarve to consume four times more recycled water by 2026 - Portugal Resident
Algarve to consume four times more recycled water by 2026 Portugal Resident
https://www.portugalresident.com/algarve-to-consume-four-times-more-recycled-water-by-2026/
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