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#put up in a few lines
egophiliac · 6 months
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I was wanting to try doing an art piece in the style of the signature spell poster art pieces you create. But I’m not really the best at coming up with a composition for such a thing.
Do you have a process for how you come up with the compositions for them?
oh, awesome! it is an INCREDIBLY enjoyable style to work in; I hope you have fun with it! :D
I'm not great at putting my thought/art process into words, so my apologies if this doesn't make a lot of sense, but I'll try! my first step is always to do a LOT of thumbnails to figure out both the idea and how I want to show it; not trying to do a real sketch or anything, just little doodles to figure out what exactly I'm trying to portray. (I also call these "garbage passes" because they're not meant to be any good, they're just there to throw things out. aha. ha. ...anyway.) I think it's important during that first stage to really focus on the idea and the layout and not to get too bogged down in the actual drawing yet!
I tend to save my final thumbnails, so I'll use 'em as examples (I posted the ones up through episode 5 here if you're interested!) (and, uhhh, spoilers through episode 5 also in this post, hopefully that won't be an issue!)
the main thing I try to think about in composition is balance -- not necessarily in terms of symmetry, but in where each element is placed and how much space it's taking up. remember, empty space is still space! it's also really important to think about the parts that don't have anything in them, as much as the parts that do!
personally, I like to divide things up roughly by both halves and by thirds -- there's a lot more in-depth info out there on why the "rule of thirds" in particular works well visually, but in short, our brains tend to focus on things that are placed closer to imaginary division lines, instead of in the exact center of an image. so even when I'm doing something that is very centered and symmetrical, I try to keep that in mind and generally aim around those for landmarks like faces/eyes (or...where they would be, anyway) and other focal points.
it's not a formula of "the character's face should be in this division of this grid" or anything, more like "our minds like to focus on these areas, let's think about how to use that", if that makes sense! and of course rules are made to be broken, art is lawless anarchy, and so on. but it can be a good starting place for deciding where you want to put things!
(blue - thirds, red - half)
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and against the finished versions, because they do usually end up changing a lot (including the empty space of the border):
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(...these actually lined up a lot better than I thought they would. :') it makes me look like I do things way more intentionally than I do.)
other stuff I just try to keep in mind is that our eyes like following arcs and paths, which can be a good way to guide the eye:
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and frame and control the focus:
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honestly, composition is one of those things I feel like I struggle with a lot, so I'm not sure how much of this is helpful or actually makes sense outside of my head. but hopefully it helps a little! it's all just stuff to think about while drawing and not anything hard-and-fast, so don't, like, stress out about making sure things are lining up exactly on the thirds or anything. again, it's more "our brains think these are the dopest parts of the rectangle" than anything else! take advantage of the cool parts of the rectangle!
NOW GO HAVE FUN DRAWING seriously though, it is always super cool that other people like this idea and style enough to want to do it themselves and for other/their own characters! thank you! ❤️❤️❤️
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dunmeshiminimumwage · 1 month
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back when i worked at [large chain coffee store], i tried to unionize my workplace. my manager sat me down and gave me a very guilt trip-y talk. lots of "but i thought we were a family :(" and "you don't *really* know what unionization does, do you?" i played dumb and managed to avoid being fired, but. chilchuck momence.
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daily-ethoslab · 2 months
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my bad for not adding skizz won't happen again
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emry-stars-art · 7 months
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So who remembers this doodle and the post it went with
Because these tags and the resulting chats gave me ideas (thanks @jtl-fics 😌)
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So now as I frantically sort through my Evernote notebook, trying to find something I might be able to post; I remember I did write this, actually. So have another snippet, because I miss you guys
Find the royal au masterpost here 💕
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bambistan · 5 months
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Sometimes I feel like I'm the most chill person in this fandom when it comes to ships and characters. Like I can find reasons as to why each ship would work and wouldn't.
Pandalily? Academic rivals FOR SURE.
Jegulus? HELLO??? Bestfriends brother? Grumpy x Sunshine?
Partyvan? Peter deserves ALL that love.
Marylene? Not friends, not lovers, but something. It's so heartbreakingly cute.
I can even find stuff for ships I don't even ship.
Jeverus? After he saves his life? Hell yeah!
Dramoine? ENEMIES TO LOVERS! REDEMPTION ARCS!
Prongsfoot? Best friends to lover? Sure, man, go for it!
Regulus x Sirius?.......... You... You do you bro???
Snily? That "always" line was cute, I gotta admit.
I genuinely won't judge like if you ship them - if you see them working out; GO. FOR. IT. THEYRE FICTIONAL!! Have your own opinions, it's okay!
AND THE CHARACTERS!!!
Yes, they all have their flaws. Yes, James bullied Severus. Yes, James repeatedly asked Lily even though she'd already turned her down. Yes, he changed!!
Yes, Severus called the love of his life a slur. Yes, he bullied children. Yes he cared for Harry to some extent! Even if it's only as a tribute to Lily, that's better than nothing.
Yes, Dumblewh*re raise Harry for slaughter.... That's it... I have nothing more to add for him.... Bitch.
Yes, Regulus is a death eater. Yes, Regulus was obsessed with the dark lord since childhood. Yes, he stole the horcrux!!
Sorry for the rant but like I'm seeing so much hate for so many characters and ships and I don't understand it. There's as much to love as there is to hate. It wouldn't be fair if they were perfect flawless characters. They're designed to be insufferable and loving and idiotic and a little crazy.
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aberooski · 2 months
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Alexis Rhodes, Fairy of Frost.
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rahabs · 3 months
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the fact that you would defend the israeli government after they’ve murdered 30,000 innocents in the largest bombing campaign in modern history is literally despicable and borderline evil. if a genocide documented ad nauseam cannot make you cognizant of israel’s colonial and deeply racist regime, then literally nothing can and you are beyond reasoning with. actually incredible how multiple history degrees have clearly taught you nothing about how a genocide works — or perhaps more concerningly, they have, and you simply don’t care because the victims are palestinian. the fact that you would use those very history degrees to excuse israel’s genocide of palestinians is deeply disturbing and indicative of the rancid hypocrisy within western academia. history will exonerate the indigenous palestinians, and it will be unkind to those like you who defended and cheered on their annihilation.
It‘s so amazing to me that you actually believe this, and that you‘ve so wholeheartedly swallowed the propaganda Hamas (known for using their own civilians as human shields, known for paying their citizens extra for killing Jews) has been peddling. So I am going to paste here some points others have already made that I‘ve saved over the course of information-gathering, though I doubt you‘ll bother to read or learn, judging from your asinine little comments here.
1) Palestine Gaza is a genocidal nation. The goal of the Palestinian government in Gaza is literally to destroy and commit genocide against Israel and kill every Jew by every means possible. This is literally written in their founding charter. "The Day of Judgement will not come about until Moslems fight the Jews (killing the Jews), when the Jew will hide behind stones and trees. The stones and trees will say O Moslems, O Abdulla, there is a Jew behind me, come and kill him. Only the Gharkad tree, (evidently a certain kind of tree) would not do that because it is one of the trees of the Jews." There is no solution for the Palestinian question except through Jihad. Initiatives, proposals and international conferences are all a waste of time and vain endeavors. The Palestinian people know better than to consent to having their future, rights and fate toyed with.
2) Palestine is an apartheid nation that has ethnically cleansed 100% of their Jews and stole their territory after 1948. There used to be tens of thousands of Jews living in the areas of Judea and Samaria, which was renamed to the West Bank by Jordan. However they've all been ethnically after the 1948 Arab-Israeli war and 0 Jews are allowed to live in Palestine today. 3) Palestine is an authoritarian dictatorship both in Gaza and the West Bank. Hamas won majority of the votes during an election in 2006, but the Palestinian president simply refused to recognize the results of the election and refused to hand power over to them. This resulted in Hamas siezing power in Gaza, executing hundreds of their political rivals, and they never held another election. Likewise, the leadership in the West Bank also refused to hold any elections and still continue to illegitimately cling to power. Abbas, the president of Palestine had a 4 year term which was supposed to end in 2009. He's still the leader today and has continued to postpone election after election. 4) Palestine supports the outright open murder of innocent civilians. I've already mentioned the charter of the Palestinian government in Gaza above where their goal is to eradicate Israel and genocide Israelis, but the Palestinian government in West Bank is just as horrible. There's the Palestinian Authority Matry Fund where they literally pay a salary / pension to any Palestinians who commmit terrorist attacks against Israelis, be it through stabbings, shootings or suicide bombings, and they've paid out billions so far. The Foundation for the Care of the Families of Martyrs pays monthly cash stipends to the families of Palestinians killed, injured, or imprisoned while carrying out violence against Israel.
5) Palestine is horribly corrupt oligarchy. Palestine receives billions from the USA and Europe in aid every single year. Whatever money isn't spent on paying literal terrorists, or on rockets to shoot at Israel ends up going to corrupt Palestinian leaders. Yasser Arafat, the first Palestinian leader, died a billionaire. Abbas the current President is worth $100 million. The Palestinian leaders in Gaza, Ismail Haniyeh, Moussa Abu Marzuk and Khaled Mashal have an estimated combined wealth of over $10 billion. Meanwhile the combined GDP of Gaza is only about $2.5 billion, meaning these 3 leaders wealth is equal to 4 years of Gaza's GDP. 6) Palestinians have caused wars and instability in every country that they've sought refuge in. In Jordan, Palestinains assasinated the Jordanian king in 1951, then attempted a coup of a the country in 1970. After they failed, they were expelled to Lebanon where they started a civil war with the Christian Maronites. This war lasted 15 years and killed several times more people than the entire Israel-Palestine war (150k died in Lebanon civil war vs 25k in Palestinian-Israeli wars). In Kuwait, the Palestinians supported Saddam as Iraq invaded Kuwait. In Egypt, they've been hit by several bombings by Palestinians. 7) There is no freedom of speech or equality in Palestine Gaza. No equality of sexes, no equality of races, and definitely no queer rights in the entirety of Palestine where you could be killed for the crime of being openly queer. [If you identify as a liberal, there is literally] no reason to support a country where majority of [your] friends would either have severely restricted rights, be treated like objects, or be thrown off a building just for existing.
Let me reiterate: Jews are indigenous to Israel. Jews have existed and lived in what we now call the Israel-Palestine region for thousands of years before the foundation of Islam, and even before the foundation of Christianity. In the game of “which Abrahamic religion came first?” Islam ranks dead last.
Israel as an identity as a people has existed for thousands of years and has been recorded as far back as the Iron Age on:
i) The Mesha Stele;
ii) The Tel Dan Stele;
iii) The Kurkh Monoliths; and (potentially)
iv) The Merneptah Stele.
While scholars have argued over the translations on the Merneptah Stele, the general consensus among historians, classicists, archaeologist, etc, is that it refers to the existence of Israel at the very least as a collective identity that existed at the time, and was called Israel.
They were eventually repeatedly forced out by other powers such as the Romans and many others, but that doesn’t change the fact that Jews had a continuous existence in Israel before being forced out by what people like you would normally call “colonising powers” were it not so contrary to your own ill-supported arguments. It also doesn’t change the fact that Jews, and Israel, existed before both Christianity and Islam, and long, long before Palestine.
So if your entire argument boils down to "who was here first" and the ideas of "colonialism" and "anti-colonialism" and "decolonisation", then I am telling you, Jews were there first. You could argue Canaanite groups like Moabites and Ammonites were there too, but Moabites and Ammonites don't exist as a continuous group anymore. No matter how you look at it, you are wrong, so let me parrot your horrible argument right back at you:
The fact that you would defend Hamas, a known organisation whose founding Charter literally calls for the annihilation of Jews, who have systematically purged Jews for years, who launched multiple attacks against innocent Jewish people (the music festival, the babies and the woman and the children slaughtered), the fact that there's a Palestinian Authority Matry Fund where they literally pay a salary / pension to any Palestinians who commit terrorist attacks against Israelis, be it through stabbings, shootings or suicide bombings, and they've paid out billions so far; the fact that you defend the existence of the Foundation for the Care of the Families of Martyrs which pays monthly cash stipends to the families of Palestinians killed, injured, or imprisoned while carrying out violence against Israel, etc... that you would defend this is "literally despicable" and not only outright evil, but ignorant to the nth degree.
If the continuous genocidal nature of Hamas against Israel cannot make you cognizant of Hamas' deeply racist, violence, and terrorist regime (to the point where none of the Muslim countries around them will take Palestinians in; even their fellow Muslim countries want nothing to do with them), then I'm not sure what to tell you. You say I am beyond reasoning, but from where I'm standing, your head is so far up your own ass that I don't even know if you're aware of anything that isn't the smell of your own shit.
It's actually incredible to me how you can ignore what multiple historians and scholars are saying because you want to cling to your idea that Hamas are just a bunch of "poor innocent brown people" who need help from the "evil white Israeli regime". Or perhaps, more "concerningly," that is just it: you hate Israel because you erroneously perceive them as white, and so therefore they must be evil. I don't know, but that is what a lot of anti-Israel sentiment seems to boil down to in the world of people like you.
The fact that you would excuse and ignore Hamas' outright horrific acts and ignore history is deeply disturbing and indicative of the rancid hypocrisy within the west, but particularly within western circles that claim to be "progressive", "liberal", and "leftist."
Hamas has said no to every ceasefire. Hamas has said no to every compromise Israel has offered even before October. If Hamas stops fighting, the war ends. If Israel stops, then Israel is annihilated.
History has already shown that Palestinians are not indigenous if we are playing the "who was there first" game with Israel and Palestine, you're just so ignorant that you will refuse to see the evidence right in front of you. You are the one cheering for the annihilation of an indigenous group, and the one history will frown upon is you.
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kaitaiga · 3 months
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Dodge This ⚔️
TW: death, blood
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Hello again 😎 I’m back from my little break with some art. ⬇️
I don’t really have much to say other than I really wanted to draw Damien in full gear and I’m pleased with the result! I hope you like it too! 🐻❤️
Looking at the first pic, it makes zero sense but I’m just gonna ignore it for now 😂
Uhh as for what I’ve been doing whilst away, I’ve been chipping away at creating ref sheets and profiles for my raaf boys + working on Damo’s updated ref sheet (bc it never stops changing and I can’t sleep with it being not updated hahah). I’ve also just been dying in this heat. 41°C. I’m crying. I can’t even nap 😭😭
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riacte · 1 month
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so hey guys i finished dungeon meshi yesterday and i'm still thinking about it
#ria.txt#i spoiled myself so at first i was like 'this is bonkers wtf are they doing in those last few chapters?????'#but then it was like. yeah. i see#love those ch when it's just clearly putting the squad into Situations#also. izutsumi#what i really liked was how tightly the protagonist and the deuteragonist were wound up in the overall themes#the plot the themes the conflict the characters it was very neatly connected#hence i am also now accidentally invested in whatever going on between laios and marcille#not just platonic not romantic not enemies i just think they work well tgt and deeply care for each other its great watching them develop#it's the leader + most trusted advisor / anxious girlfailure + the annoying freak she's somehow attached to vibes#haha that rabbit chapter with marcille. hahha i was like what the fuck man. it was funny and then boom whump [tears streaming down my face]#those shapeshifter chs were sooo much fun esp seeing other chara's perceptions of each other. stealing that#the changeling ones were great too elf senshi is the fucking funniest he looks sooooooo unserious#marcille's evolving perception with death starting with saving falin and saving the squad and her nightmares of outliving everyone-#-and her dad and her 'temper tantrum' and UGH when at the end she said she was fine with falin not coming back.... WAAA. OUGH.#i think dunmeshi handled the trope of 'prophecy of chosen one becoming king' pretty well and it makes sense why laios is the protag#the worldbuilding is so thoughtful as well i liked seeing different characters with different worldviews interact#very solid and well rounded series wooo#the main 4 has such a fun dynamic together#anyways. dunmeshi au.....#more like borrowing the worldbuilding bc charas are too nuanced for a one to one comparison#ren is like some prince of his own species but he's like 34th in line and no one cares about him so he fucks off to eat monsters#which is why he's both snobbish AND a total freak when it comes to his food taste#false is originally in for the money from ren and plans to scam him but unfortunately the cringefail swag captures her#martyn is Obnoxiously Clueless and thinks he's smart but he's not. he's resourceful but also pathetic and crazy#stress cant cook but she thinks she does so everyone goes (≖_≖ ) when she picks up a pot. they delegate her to killing and chopping duty#the mvp is iskall who keeps on saving everyone's asses and somehow has resources for everyone#i think ren is actually aware false is going to scam him but he has too much money to spend anyway and he thinks shes cool so he lets her??#and somehow she doesnt take the money and run. and goes back to eating monsters w/ the party. everyone is crazy
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kindredsuffering · 8 months
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this is a piece from the beginning of this year that i don't think i'm going to go back to, so i figured i'd post what i got to with it because i am proud of how the lineart came out. also featuring my atlas outfit redesigns for cinder and neo!
my vision for this piece was a re-imagining of the detail where ironwood realizes cinder has gotten into the academy (with the glass queen's piece on his death) and instead here Cinder and Neo wait in Ironwood's office for his return to fight him then and there
below the cut is the further along version of this piece where i'd done most of the texturing, as well as my original sketch
my plans for this piece were to shade the entire piece as a completely dark room with just the light from Ironwood's holographic table thing illuminating Cinder and Neo
woe the textured pieces be upon ye. this, at the time, was my first time attempting to texture a piece. i like how it came out, especially the look of the black part of cinder's outfit
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...and this was my sketch. WHICH I PROMISE I'VE GOTTEN BETTER (marginally) AT DOING SKETCHES NOW. ive discovered the wonder that when you make a sketch that's more than a vague "ehhh i want to draw something along these lines" it actually makes lining way faster! fun fact!
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sherlock-is-ace · 3 days
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watched the first ep of Dead Boy Detectives today, did anyone also think the dialogue was a bit clunky?
I don't mean it was unwatchable or anything i just feel like it didn't feel realistic the way they introduced the characters and world... It felt like the dialogue was for the viewer instead of an in character thing. We were gonna be introduced to a viewer surrogate within the first few minutes, there was no need to have the characters who already know how the show's world works spell it out for nobody... and then explain it again when Crystal showed up? idk it felt like something I would write (not a complient) 😅
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uhbasicallyjustmilex · 2 months
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me on my way to my laptop, trying to coax myself back into the groove of writing
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vargaslovinghours · 10 months
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Fandom: Johnny the Homicidal Maniac (But really Vargas lol) Rating: Teen and up Warnings: No Archive Warnings Apply
What, exactly, did Scriabin take from Edgar when they separated?
My first multichapter fic for Vargas! :D Yay!
(Pls read Ch. 1 first - Ch. 2 is also recommended, but as long as you're caught up on the first, you're good to go!)
-----
Side B
What the fuck.
"It's, it's possible that if, maybe whatever happened earlier, whatever caused all that blood and for us to be knocked unconscious-"
What the fuck.
"-and if I suffered a head injury, then maybe-"
No. That's enough.
Scriabin pushed away from the closet door he'd defensively pressed himself up against and put his hands on Edgar's shoulders, which quieted him. He looked at him expectantly, with eyes that Scriabin somehow only just now realized were casually guarded, curious, uncertain in a way that denoted inexperience. That was so messed up, that was completely wrong. Edgar should've been on guard, absolutely, but only because he knew exactly what Scriabin was capable of. He really didn't want to look at him right now if this was what he was going to be seeing instead.
He spun him quickly and pushed him out the door before he could protest. He got one last look at those wide, confused eyes before he slammed the door behind him, bracing it shut with both hands for good measure.
What. The fuck. His head came forward, making a dull thud as his forehead connected with the door. He doesn't remember me? His fingers curled on the door. What does he mean he doesn't remember me?! How could he not know me?! One hand pushed through his hair; his scalp tingled and that was so weird, he felt it and it was so weird- We literally just- He literally just-! As if pulling him screaming into life wasn't bad enough, now he had decided to play some sick prank!
This can't be true. It's just like him to try and make jokes at the worst possible time, he has no tact.
There was a timid knock on the other side of the door. Scriabin jumped as it resonated through his skull, his elbow, pressed to the door with his hand buried in his hair, set his jaw. Then silence.
If he was really trying to get back in, clear things up, say he was only kidding, he'd actually try.
Nothing.
Scriabin's blood was ice as he went over it again. The way he'd said his name. The vacant look in his eyes as he said it, like his mouth knew its shape but none of the meaning. No fear, no realization, nothing that really felt like Edgar, just sound, just noise.
Maybe he really had-
Oh god. His knees gave out, and his arms had no practice at holding him upright, not yet. His hand slid down the door, his other hand guarding his head as his hair fluffed against the grain.
How could he do this
This is all his fault
Stupid, idiotic
He can't do this to me
I can't believe him
I can't believe this
How dare he leave me alone like this
Thoughts spiralling, and all he could do was hold himself down, press his fingers into the back of his neck, force his chest to his knees and maybe he wouldn't immolate under it all. He was shaking, from tension or fear he couldn't tell, his mind too hazardous and loud to cut through it all. He was shaking, dizzy, and if he moved, letting go would surely kill him.
He can't do this to me.
He breathed. And breathed. And swallowed. Eyes closed, heart pounding, sure. Confusion and dismay, whatever. Pain. Fine. So be it.
This isn't like me. A hand untethered from his vice grip in his hair, and he stayed attached to the floor. It connected with the carpet below him and became a new lifeline. He pushed up and away into a limp sit, arms already burning slightly from holding himself up after all that. He shook his head mildly. This isn't who I'm going to be in life. His body, this fear response be damned, he was in control now.
Regroup. Let's- a mental pause, barely a quarter of a second long as he turned the word in his head. Let's pretend it's all true- what does that mean?
He flopped over, leaned upright with his back against the door, heels of his fists pushed down into the carpet to scootch closer. Moving was so awkward still, very unfitting.
He was acting normal. Well, Edgar's baseline for "normal" had changed considerably, so maybe put an asterisk on that. Not that he was ever normal to begin with, but normal-for-Edgar, -ish. That means he has to have some memory.
Scriabin held out a hand, arm slung over his knee, one finger held out. He had recognized his glasses. One. The apartment. Two. Which key to use. Three. He had said Todd's name. Four.
His stuff can be discounted, he's had all that for a while. Back down to one. The kid is a new fixture. Which means he remembers the last couple months at least. He shook his head and brought his hand up to comb through his hair. Well...it's fuzzy for me, so it probably is for him, too. Scriabin remembered everything in as much clarity as the last couple months allowed, there was no way Edgar would know more even if he had all his memories.
Speaking of which, Scriabin could remember everything. He flipped through; the last two months and bringing Todd in, Edgar's parting words to Johnny, his and Devi's conversation - he grit his teeth - and further back, everything along the way, all the way back. False dreams, shared childhoods, everything that was once Edgar's alone, he still remembered it. Nothing was out of place which made it all the more strange!
This is so fucking weird, if I remember everything, then why would he-
He stopped short. His purported purpose had been to replace Edgar. Take him over completely. If he bought into the conceit for a moment, just to play in the space... He was alive now. That was not as intended; it shouldn't even have been possible.
Did he...give me his memories? Like, all the way? Not just to borrow, to shape him, give him legitimacy - he was alive now. His own person. Separate, embodied, and whole. Was this the price of life?
That's stupid. But possible, he couldn't discount. If this - he brought his hands up and looked down at them, watched himself touch his own chest and felt it beneath his coat, shirt, the nerves firing as his slid his fingers up himself - if this was possible, then...
He continued for a moment, curious and reverant, all of him new and privately exciting, to exist and to touch, to feel, smell, see, all of it clear and fresh and penetrated deeply into his mind, as if a layer of film had been lifted from his senses. The moment passed as the memories, unbidden but important, cluttered in around him again.
There were still a lot of questions, and most of them couldn't be answered without Edgar, ugh. If getting anything out of him before had been like pulling teeth, he was very sobered to think about how it might be now. Depending on how much Edgar remembered, maybe he could start piecing things together.
Did he do it on purpose? Did he know this would happen? There's no way he would have been willing to if he had- But he couldn't ask him things like that. Even if he did remember, admitting something like that...
He was just spinning his wheels at this point. Better to gather what he could from the man himself. He looked up, preparing to stand.
Ah-
The room was still in something of a state.
Edgar would be annoying, or at least distracted by trying to pick up the clothes and uncarefully unpacked items strewn about the floor from Scriabin's very successful excavation of his old glasses. The clutter would have to go if he wanted his full attention.
He grumbled as he pushed off the door to pick up the first few things. First day of life and I'm already his maid. Figures. He's always needed me to clean up after him.
Silence.
Somehow it only just hit him. Thinking alone in the late hours, planning things behind Edgar's back, it was nothing new. But a barb unsunk into his mental flesh was left out in the wide emptiness, poised to stab whoever happened upon it next, and he was the only one here.
He felt very small all of a sudden, and he didn't like it at all.
His eyes blankly scanned the room, looking for nothing, until they settled on the toy at Edgar's bedside. His toy.
He dropped the items he'd bundled into his arms and made his way over. He picked up the small simulacrum, turned it over in his hands once, and stared at it.
He wouldn't know this. Not really. He brushed a thumb up and over the little mouth, the contours of its small face. Retroactively, I've never been this at all.
I'm no one to him.
Does this mean we can start over? The thought struck him like lightning, freezing his heart in his chest. He was fixed solid, staring down at the small figure in his hands.
Before he could even think, he'd already thrown it through the open closet door, landing noisily in the box he'd dug through with a clatter. He grabbed up the fallen clothes and items and stuffed them back in the box, burying the toy in mundane detritus, then closed the cardboard flaps and slammed the door of the closet for good measure.
His breath was laboured and he glared, like wishing it gone would make the closet itself disappear.
Answers. He needed answers, more than anything.
He ripped the door open, and there was Edgar who looked up, staring dumbly back at him and carrying the clothes he'd shed earlier over his arm. Something in his mind clicked over, and he didn't think about it.
"Alright," he caught his breath for half a second, "what do you remember?"
Edgar just kept on staring, mouth open, eyes unconfident behind weak glasses. Scriabin huffed irritably, I don't have time for this, and moved towards him, arm outstretched.
"Come on." Edgar gave a small startled sound behind him as he grabbed his collar and dragged him through the doorway. He threw him across the room, not bothering to watch his arc as he closed the door behind him. The bed was that way, he'd be fine.
When he turned back, Edgar had managed to catch himself, though already halfway on the bed. Scriabin stood with his back to the door, feet planted and he crossed his arms. No more speculating around impossibilities, tangible and present as they might be, it was time for a proper interrogation. It was at least preferable to-
Edgar made a face at him and scooted back, offering a seat next to him on the bed. Equal footing briefly flashed through his mind and while he wouldn't consider it ideal, nothing today was really going his way. He sighed, then made his way over and sat across from Edgar, who was eyeing him with a certain degree of caution. At least the feeling was mutual.
"Spill." He re-crossed his arms and leaned towards Edgar. "What do you know?"
Edgar hesitated, apparently thinking, his hands laced and fingers agitatedly if quietly rubbing the backs of his hands.
"I want to verify some things first."
Scriabin snorted dismissively. Where had Edgar's overly-trusting nature gone? A serial killer, well he's an honoured guest, but Scriabin? He didn't even distrust him for the right reasons.
He gestured with an open hand, Go ahead, then tucked his arm back in.
"Todd's last name?"
Pfsh. At least it was proof enough that anything Edgar knew, Scriabin did as well. As expected.
"Casil. His stupid bear's called Shmee in case you forgot that too." Edgar shook his head. No he hadn't? If only he could just check!
"Do you know our phone number?" Obviously he did, so he rattled it off quickly, Edgar nodding in turn. He flipped his hair in time with the last digit, careful to keep his eyes covered. It was a bit of a timid attempt, being the first in this body, which was a minor blessing he supposed.
Edgar mulled over what he'd given him for a moment, then a moment longer, then a moment even longer. His eyes searched absently, gazing down into his own hand, his other on his chin, lightly thumbing his goatee. He was focused on names and numbers, but those were child's play compared to everything, everything Scriabin still wanted to know. It was frustrating on a visceral level, watching him struggle with such simple innocuous nothings while the most important person in his life was sitting right in front of him.
He was supposed to be the most important.
It was frustrating.
"You really don't remember anything, do you?" He didn't hide the sneer as it shaped his voice - odd the way his body just did that now, did things without him actively thinking them into being. Even things like the little waver that made its way in that he pushed back down and under. He was frustrated, angry, tired - any emotionality could be attributed to those, nothing else.
Edgar didn't answer, just kept his gaze locked to his face. That was almost worse. Watching him fumble through things, it wasn't fun, but at least he wasn't trying to pry. He could see him try to look past his bangs, and the fact that he didn't know better...
Scriabin looked away for a moment, then thought better of it. Best defense is a good offense.
He reached for Edgar's face, for those damn scars, ever-present reminders. Edgar shied away, not wanting to be touched suddenly by someone he didn't know. As if Scriabin had ever cared about that.
Well, things were different now. Maybe he didn't really want to touch him anyway. Not yet.
"Do you remember these...?" Instead he framed his face with his hands less than an inch from his skin, and even there he could feel the heat coming off him. Edgar reached for his face, looking away from Scriabin as he touched the angry red marks. He winced minutely, then glanced back at Scriabin, searching him, his expression guarded again. Scriabin could hear his own pulse in his ears.
"...Johnny?"
"Fuck." Fuck! "Of course you'd remember him but not me." God damn it! It wasn't right, it wasn't fair, just because Johnny came first by a hair's breadth, just because he wasn't in Edgar's head, with Edgar's fucked up little obsession with the murderous stick figure- It limited what he could get away with too, if he remembered that far back. Absolutely nothing was going in his favour.
"I'm sorry..." He sounded genuinely remorseful, and it stuck in his throat. Disgusting. "So you know Johnny, too."
"Unfortunately." Scriabin tucked his chin to his chest, arms crossed again in close proximity. This sucks. Edgar just kept rambling, unaware as ever. His excuses held this time at least, one point in his favour, no points for bringing his annoying habits with him despite everything.
"I don't think I've seen him for a couple months now? Everything's awfully..." He gave a vague gesture and Scriabin uncurled slightly. He was giving him room to contribute. He shook his head.
"You haven't."
"Have you?"
He returned to his tight coil of sulking. Not like he was keen to meet up and chat, but he couldn't explain why he hadn't had the opportunity to either.
"I remember he called, too."
"Ugh," barely above breath. Enough about Johnny! Again, Edgar continued obliviously.
"Although I don't really recall what we talked about, not for a while..."
Of course not. I took over for half of those.
He perked a bit, and Edgar focused more on him, patiently setting his hands in his lap.
"You know."
He could play this to his advantage. Give Johnny some well-deserved karmic justice for fucking him over so many times. It was almost better that Edgar didn't know - Scriabin had been trying to get him away from Johnny all this time, and if he really had forgotten everything, not just the moments when Scriabin took over but every moment they had shared, then that meant it coincided almost perfectly with his first meeting with Johnny. Blank spot after blank spot after blank spot, all lined up immediately after getting his face slashed.
He could work with that.
"It's probably trauma." Edgar startled and his hand shot to his temple, lightly touching his hair.
"Like, head trauma?" Scriabing almost laughed. Yeah, probably that too. But that wouldn't help his case.
"No." He leaned in, taking a more intimate, secretive tone. "Think about it. When did things start getting fuzzy?" If he was right on this - which of course he was, but not being able to verify, not being able to see that he was right, it was disconcerting - but if he was, Edgar's memories of Scriabin should start with that first fateful encounter, give or take. A bit of reframing here, a touch of implication there... It probably wasn't even an outright lie; if Edgar's memory were perfect after experiencing everything Johnny had put them through, that would be some kind of twisted miracle.
His only real concern was their "childhood" - how much had Scriabin pulled with him? Would that throw off his story? But that was so far back, there was no way Scriabin or Johnny could be implicated in that. As long as Edgar didn't bring it up before he thought his way around it...
Edgar stayed quiet for a long while. His eyes raced behind closed eyelids, searching, scanning, retracing - Scriabin could almost see the moments where he hesitated, stopped and went back, then starting recollecting again. He wished he could see it for real, watch him unfold himself, touch those memories again, hold up his own in contrast. Even just hear Edgar's thoughts as they went by, feel the emotions he felt. But he couldn't, so he just stared as unblinkingly as this new body would allow, just watched as Edgar went over everything on his own.
He finally opened his eyes, staring back into Scriabin's though he was sure they were still hidden. He felt naked and awkward and Edgar still hadn't said anything. If he could just see like he was supposed to, or if Edgar would just tell him, he wouldn't have to ask. I have to do everything around here.
"It was after you met him, wasn't it?"
"You think it's...mental trauma?" An unspoken 'yes.' Relief flooded him, and he pushed ahead.
"Edgar. He stabbed you." Edgar gripped his shoulder, his eyes closing again and he looked to be in pain. That was a very effective reminder at least. "Do you even know why?" He shook his head and spoke throught half-grit teeth.
"I must have made him mad, but I don't remember-" Of course not, I did that.
"Your mind is trying to protect you." Not. But one of us has to with your inexhaustable deathwish. Scriabin reached out to touch him properly, but Edgar pulled away. He didn't follow, still not yet. Play up the pity. "He messed you up so bad," with a curl in his tone, an I told you so that barely made it to words even privately; how long had he been holding that in? "Surely you must've felt like you wanted, you needed to get away from him, that he wasn't good for you, that you-" He'd told him so many times, some it must have stuck, some of it had to have-
"Then-!" Edgar's eyes shot open, wide and desperate with an edge of disbelief. A strangled gasp escaped him, half-choking him as he tried to speak. "Then why can't I remember you?!"
He almost began rolling off the cuff, but really, he still didn't know for sure. And it definitely wasn't like he could tell the truth even if he wanted to; who, who hadn't lived it, would believe him? Edgar certainly wouldn't, not with his lack of imagination. He had to dress this up, weave a narrative that was plausible, had the perfect mix of truth and falsehood to stand up to scrutiny.
Huh. Ironic.
"I..." No. Some of this was Edgar's fault too. "We...argued."
"Argued?"
"I... Mng." He wanted to aim for some kind of levity, but his throat had tightened on him. He just wanted to tell this stupid inside joke and not have it affect him, not have it mean anything, and here he was getting emotional? He'd say it and fucking mean it. "It's not like I'm in your head, so-" spat out in a rush, there, he'd said it. Haha, isn't that so funny. He swallowed harshly, pushing down everything he felt into his stomach acid. He was in control. He was fine. This didn't shake him. "I can't know for sure," another humourless laugh inside, "but I was against your relationship with Johnny. Maybe you shut me out so you could keep seeing him with no pushback."
It certainly wasn't outside the realm of possibilities of what Edgar would do to avoid taking Scriabin's extremely basic advice about fraternizing with serial killers. How many times had he been ignored up to this point, only to culminate in the ultimate 'I don't know what you're talking about.' Pfeh. I bet he wishes he'd thought of this sooner. It did nothing for his painfully stuttered pulse.
"You know, I've been trying to convince you to stop going back to him for a while, but, well..." He waved his hand at Edgar's hand still death gripped into his shoulder, and Edgar averted his eyes guiltily. At least he showed some remorse. Better than his nigh constant apologia.
He stayed quiet a moment longer, and just before Scriabin made to fill the silence again, Edgar struck him with an intense look.
"What are you to me?" Ugh. Of course. There was not a single good answer for that. Even if he told him everything- no, especially if he told him everything, there was no way Edgar would believe him. But coming up with a convincing lie on the spot, when they were so clearly something to each other - even he needed time to come up with something workable. How could he have ever prepared for a situation like this? It was never meant to happen, so many things were never meant to happen!
He continued at Scriabin's silence. "You know Nny," Ugh! Even his awful nickname. "And Todd. And...me." He couldn't refute it, so he nodded tightly. "Do you live here?"
Technically he had, and technically he hadn't. Still, going forward, it would be easier to let Edgar assume that he did. It wasn't like he had anywhere else to go at the moment anyway.
"Yes."
"Are we..." He searched him, looked him over as much as he could and he wasn't subtle about it. If only Scriabin had his proper glasses, he'd let him look as much he wanted, behold his spectacle! As it was, he just felt self-conscious and it was very unbefitting. "...family?"
The baggage on that. He did not feel like opening that particular can of worms in either of their current states. He turned his head and flipped through any number of halfway decent ways to phrase it until he hit on something Edgar would remember. Better not to contradict for now.
"You told Johnny you have no family when you met."
"That's true..." Edgar blinked, processing. "Wait, did I tell you that?" Scriabin startled. Even after he'd accounted for his memory! Of course he had to pick his story apart now, he never knew when to leave well enough alone.
"When you-" No, he had to be involved. "When we bandaged your face."
Edgar mulled on that for a few seconds, taking on a thoughtful pose. "I only remember being alone."
"You don't remember me at all. What do you want from me?" He huffed.
"No, sorry, you're right."
"Thank you." He was right!
Where had Edgar expected him to be? There was something weird about how he'd said it. He filed the thought away for later.
"So, if you've been living here, where..." Edgar looked around the room, then back to Scriabin. "Where have you been sleeping? Todd's already on the couch..."
Scriabin couldn't help as a smile sprung to his face. If he was going to present him with such a perfect opportunity, well, he'd better take it. He even had the decency to look nervous in response! This was too good.
"Would you believe me if I said right here, in bed?" He again tucked his chin, playfully this time, his hair falling further in his eyes. Even through the dark tangles he could make out Edgar's face immediately bristling with heat.
Ooh. That's such a fetching shade on you, my dear.
"But-! I, I haven't been sleeping on the floor!" He was visibly sweating!
"Correct." His smile grew. This was too easy, and he needed an easy win right about now.
"W-" He leaned forward on his legs, though refused to get any closer. When he spoke it was a harsh whisper. "Why...?"
Scriabin shrugged easily, not bothering to reign in his smile in the least. "I mean, where else, right?" He leaned in since Edgar refused to, and oh. He was blushing all the way up to his scalp. Hilarious. "You certainly didn't seem to mind." He couldn't hold back the slightly musical tone or his eyebrows inclination to move on their own. His body knew what he was getting at, and he could see it only increased Edgar's fluster. All the better.
"Well I do now!" Edgar darted up and away, stumbling in his hasty retreat. "If you'll excuse me!" though he was already practically in the hallway by the time he said it. What a display, and Scriabin's laugh was loud and natural.
Finally, something positive. He'd managed to fumble his way through, not his best work in lying or manipulation, but he'd set some important groundwork. He'd gotten some answers, and he could start to shape some more believable stories around them.
The biggest hurdles were Johnny and Devi. As long as Edgar didn't meet with them too soon - or well, at all would be preferable, but he doubted he could just keep him locked up, as much as the idea appealed to him. There were so many things that were possible now, things that he had the ability to do, given the right circumstances... All of that in due time. For now he had a yarn to spin.
He listened as Edgar fumbled in the hall, the sheer sound of cloth being pulled and folded over an arm barely perceptable. Was he really going to try to sleep on what little was left over? Maybe he'd give up once he realized the pickings were thin and beg Scriabin to let him sleep with him. Hah.
While he was out, Scriabin made his way over to the pajamas drawer. They were all old and soft, even just to his hand. They'd do for now, until he could get his own. It wasn't like he hadn't worn all this before anyway.
By the time he'd finished dressing, his clothes discarded on the opposite side of the bed to where Edgar had set up his little nest, Edgar had finally gotten himself a set of pajamas. He wondered for a moment if he'd dress with Scriabin in the room again, though maybe his intense stare drove him off. Who could say. He patted the bed with a wide grin when he returned and was dutifully ignored. He settled down to the side, and Scriabin laid on his arms to look down at him.
"Ugh, lame."
"I don't-"
"Yeah, whatever." He'd heard it all before. At least he could literally look down on him like this. He folded his hands and leaned just a bit further, looking him over. A desire he hadn't realized he had surfaced in the dark and quiet. "Give me your hand."
"Sorry?" Scriabin held out his hand expectantly.
"I used to hear your heart beat every day." Edgar looked at him incredulously, but Scriabin was unperturbed. "Let me hear it again."
He hesitated but eventually slowly offered his arm. "...Okay."
He pulled his arm up and placed his thumb against his wrist. He felt a strange mismatch - where he'd been expecting one heartbeat, there were two. He covered his surprise, near shock at the realization that of course he had his own body now, by pulling harder on Edgar's arm, directing him up to his ear.
"Wh-"
"Shh." Quietly. He had wanted this, wanted this body, this separation, this freedom for so long, and now... He spoke quietly, his voice betraying nothing. "I'm listening."
Edgar's pulse was erratic, but he hardly paid attention to it. His own fingers on Edgar's skin, warm and pliant, and Edgar's fingers twitching in his hair, he could feel it, he was trying not to touch him- This hesitation was killing him, every jerky movement away not from fear of what Scriabin could do to him, just uncertainty, like he was still a stranger- He pressed him harder to his head, and he could feel goosebumps under his fingers. He wanted to just hold him there until all the memories they'd shared poured back through him, into his blood, into his breath.
Where are you?
But he replied in that same uncertain, guarded tone that indicated he didn't know, not really.
"C...can I have my arm back now?"
He pushed him away. "Fine." Edgar curled his hand protectively against his chest, and he noticed he rubbed it slightly, he probably hadn't even realized.
He mumbled out a harried "Good night," and it was almost enough to make Scriabin smile. Almost. He could still affect him but this wasn't enough, it wasn't right.
He laid his head on the pillow, not bothering to pull his arm up over the side of the bed. If he twitched in the night and touched Edgar, well, that could mean anything. Maybe he was dreaming. Maybe he did it on purpose. Plausible deniability was one of his greatest assets.
As it was, he was just tired. Maybe he didn't pull it back because he hated the thought of sleeping alone, pushed out and forgotten, and hated it more that he was even thinking something like that. How pathetic. He didn't need anyone, especially not Edgar.
But he was tired. Not in his right mind.
Does this mean we can start over...?
The thought echoed and died, and he slept.
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daz4i · 9 months
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i think that unless you're talking about stuff that's like purposely and maliciously created with the goal of endangering people (e.g. nazi propaganda or cult recruiting etc) you should probably retire the term "irredeemable media". like i don't think this cartoon meant for children or niche webcomic or barely known indie game are as dangerous as you think they are
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bookshelfdreams · 7 months
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It's honestly amazing that people will see a post about how the protagonist of a story is framed as being sympathetic, about how his actions are deliberately excused for a reason, and about how that is important to the story being told
and then be like "Um, what about the unnamed extras he killed though? Surely I'm meant to sympathize with them also?"
girl how are you so bad at this
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ereborne · 1 month
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Song of the Day: March 27
"Long Time Gone" by The Chicks
#song of the day#I'm still thinking about the Country Songs About Country Songs#this is actually a cover too though I never hear the original around anywhere#(it's by Darrell Scott who is also the originator for 'You'll Never Leave Harlan Alive'#turns out he's got a bunch of songs that got picked up and made somewhat more popular in the hands of other folks. an interesting legacy)#the best lines of this song to sing are also the bits About Country Music--well the whole song's about chasing the love of it#but this bit is bemoaning the kids these days you know. country music isn't what it used to be. why back in my day etc etc#it's so so so much fun to sing too because you get to exaggerate your 'I think's until they rhyme with 'Hank'. excellent work#'we listen to the radio to hear what's cookin / but the music ain't got no soul#now they sound tired but they don't sound Haggard / they got money but they don't have Cash#they got Junior but they don't have Hank / I think I think I think / the rest is a long time gone'#it's fascinating to me to think about these songs in (saying 'historical' here is giving me psychic damage but) historical context#because the Darrell Scott original for Long Time Gone came out in 2000 and The Chicks released their version in 2002#so they were talking about the trend towards American jingoism in country music of the time#versus like Waylon Jennings in 1975 'Are You Sure Hank Done It This Way'#(I typed that and /then/ went back and looked up the release date and I'm so proud I got it right)#already bemoaning the state of country music in the 70s versus good old classic country like Hank Williams Senior sang#(Hank Jr covered Waylon's song in 1981. like yes it's a tribute to his father but also Hank Jr was a big push towards outlaw country#and has a few pretty famous songs himself about not singing like his daddy did. it just seems a strange choice to me)#and then Eric Church put out 'Lotta Boot Left to Fill' in 2009 calling out the shallowness of the country music scene of the time#(talking some only-thinly-veiled shit about a few of his peers in the process)#and then he released 'Stick That In Your Country Song' in 2021 and that /definitely/ put some backs up#that one's a less directed but more direct call-out if that makes any sense#no lines that are direct references to other artists' songs but stronger sentiments overall#not just general 'y'all are getting shallow prioritizing good times and high sales over genuine heart and integrity of craft'#but some straight up 'you have forgotten the face of your father' shit towards country artists and fans alike. the whole industry#a very good righteous-anger song
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