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#rerecording
wanting-was-enough1 · 2 years
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Every time I hear a re-recording I feel like THIS:
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New @taylorswift album Midnights wallpapers !! 🌙🌌
@taylorswift @taylornation
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Peter O'Toole, Sir David Lean, and "Lawrence-Editor-for Life" Anne Coates at sound-dubbing session in London studio. At top, Peter, Annes, and Sir David look over script. At center, Lean and O'Toole watch restored scenes which require new voice tracks. At bottom, O'Toole re-dubs dialogue for the restored "Seduction" scene. Harris's L.A. assistant Jude Schneider had previously organized lip-reading experts to interpret the dialogue "spoken" on restored scenes with missing sound tracks.
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Peter O'Toole and Jack Hawkins
Lawrence of Arabia (1962) directed by David Lean
Peter O'Toole as T. E. Lawrence
Jack Hawkins as General Allenby
Lawrence: The best of them won't come for money; they'll come for me.
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hellsitevistor · 2 years
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i don’t think anyone was ready for how much “This love” resonates with merthur. Like come on
“Currents swept you out again”
“Alive back from the dead”
“these hands had to let it go free- this love came back to me”
“This love is glowing in the dark”
I MEAN COME ON!!!!
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ohgaylor · 2 years
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another day of me hoping and praying Taylor is busy making a documentary about her re-recording process and calling it something like Taylor’s Version (The Documentary) and showing us the entirety of her experience. because as a documentary filmmaker/editor, I think that story would be fascinating to tell!!!
​imagine the catharsis it could bring her to not only honor her cherished songwriting process and experience in all its splendor, reclaiming her catalog and immortalizing it on film forever, but also to give herself a specific space to articulate just how painful and yet equally healing of a process it has been for her to revisit her past and reflect on her growth and who she was at the time she wrote each song and how far she’s come and how she’s changed since then
I just know that this could be such a compelling film and one to truly pay respect to her craft as a songwriter. She could also show what she is doing to help other artists to own their body of work and the way she still gets her songwriting abilities questioned as recently as this year.
She could also dive into the lore behind her songs, explore and express her process of writing with Jack and so many others over the years. I can already picture talking heads (documentary term) of her collaborators in a variety of studios discussing Taylor’s approaches and how they also left their own touches on her work and how well-versed and talented she is as a songwriter and creative
She has long said her songwriting ability is what she cherishes most. I can see Taylor describing how from the very beginning, she wrote all of her music and how much that meant to her and how rare that kind of devotion to the craft can be, how it sets her apart in a very special way and so to have her own words ripped from her, the kind of sting that leaves is a pain few words can adequately articulate
And imagine how incredible it could be if Taylor took us physically to a variety of places where she wrote and recorded her original songs and what creativity emerged from her within each while equally juxtaposing her quarantined home-studio process and what that felt like as well
And add to all of that the Eras Tour and showing how beautiful it has been for fans to come together to sing their hearts out with her, honoring each era in one concert
I could truly go on and on and on about how rich of a story and film this could be. I’m so ready. I’m just so so so ready for it!
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Taylor is a genius for many reasons, but the one I've been thinking about today is that the last song she gave us before the rerecordings began was it's time to go:
15 years, 15 million tears / begging till my knees bled / I gave it my all, he gave me nothing at all / then wondered why I left
Now he sits on his throne in his palace of bones / praying to his greed / he's got my past frozen behind glass / but I've got me
She really said, "the last thing I'm going to say to the world before I start this epic, difficult process, is that I am all I need to do this. I am brave and strong for getting myself out of this situation, and it was the right choice." And she has been 1000% correct.
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I’m inclined to believe that Taylor Swift is not headlining the Super Bowl this year just because I don’t think she would do it until she’s done with all of the re-recordings
Why would she want to give her stolen catalog that kind of massive boost? It doesn’t make sense.
And when they’re all released she can be the headliner and promote is at Super Bowl (Taylor’s Version)
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I just realized that Delicate is going to be rerecorded which means there is a chance that she could add 123 lets go bitch, and I am honestly scared of the person I will become if she does it
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justingrey22 · 2 years
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Ms. Blondie said watch me serve Lara Croft because I’m fucking ready to re-record reputation at the end of the year
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gaylorlyrics · 2 years
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ok if (when) Taylor releases something 5/13 the announcement post will be number 535......5+3+5=13 ........................fml I hate everything
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midnightemails · 2 years
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me all day today:
@taylorswift
@taylornation
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this love taylor’s version really just completely overthrew my 100% surety speak now was next and you know what i am not mad about it
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myfavoritepeterotoole · 8 months
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David Lean, Peter O'Toole and Anne Coates at sound-dubbing session in London studio. * re-recording lost portions of the original sound track April, 1988
*** https://myfavoritepeterotoole.tumblr.com/post/711954676472578048/peter-otoole-sir-david-lean-and
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fortnightthere · 2 years
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you can literally hear the smile when taylor breaks into the chorus i wanna cry so bad i AAAAAAAAAAAAAAAAAAA
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mainlyswiftea · 2 years
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1989 covers
i am waiting for the 1989 tv cover so badly😭
there is no way that this love (taylor's version) cover is the 1989 cover
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ganseysglasses · 2 years
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i’m going to die and it’s all taylor swifts fault!! TAYLOR I CANT WAIT UNTIL MIDNIGHT I CANT DO IT PLEASE TELL ME WHATS GOING ON
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