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la-femme-au-collier-vert · 1 year

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A List of Works Influencing and Referenced by IWTV Season 1

Works Directly Referenced

Marriage in a Free Society by Edward Carpenter

A Doll’s House by Henrik Ibsen

Madame Bovary by Gustave Flaubert

Cheri by Collete

A Streetcar Named Desire by Tennessee Williams

La Nausee by Jean-Paul Sartre (credit to @demonicdomarmand )

Complete Poetry of Emily Dickinson edited by Thomas H. Johnson*

The Book of Abramelin the Mage

Don Pasquale by Gaetano Donizetti with libretto by Giovanni Ruffini

Iolanta by Pyotr Tchaikovsky with libretto by Modest Tchaikovsky

Pelleas et Melisande by Claude Debussy

Epigraphes Antiques by Claude Debussy

Bram Stoker’s Dracula (1992)

Nosferatu (1922)

Kansas City Stomp by Jelly Roll Morton

Wolverine Blues by Jelly Roll Morton

Works Cited by the Writer’s Room as Influences

Bourbon Street: A History by Richard Campanella (as it hardly mentions Storyville I think interested parties would be better served by additional titles if they want a complete history of New Orleans)

Invisible Cities by Italo Calvino (This was also adapted into an award winning opera)

poetry by Charles Simic (possibly A Wedding in Hell?)

poetry by Mark Strand (possibly Dark Harbour?)

Works IWTV may be in conversation with (This is the most open to criticism and additions)

The Picture of Dorian Gray by Oscar Wilde, uncensored (There are two very different versions of this which exist today, as Harvard Press republished the unedited original with permission from the Wilde family.)

Absalom, Absalom! by William Faulkner

Warsan Shire for Beyoncé’s Lemonade

Faust: A Tragedy by Johann Wolfgang von Goethe

Melmoth the Wanderer by Charles Maturin

Wuthering Heights by Emily Bronte

La Morte Amoreuse by Theophile Gautier

Carmilla by Sheridan LeFanu

Maurice by E.M. Forster

Giovanni’s Room by James Baldwin

Sailing to Byzantium by Yeats

The Circus Animal's Desertion by Yeats

The Second Coming by Yeats

Invisible Man by Ralph Ellison (credit to @johnlockdynamic )

1984 by George Orwell (credit to @savage-garden-nights for picking this up)

The Yellow Wallpaper by Charlotte Perkins Gilman

A Rose for Emily by William Faulkner

Gone With the Wind film (1939)

Hannibal (2013)

*if collected or in translation most of the best editions today would not have been available to the characters pre-1940. It’s possible Louis is meant to have read them in their original French in some cases, but it would provide for a different experience. Lydia Davis’ Madame Bovary, for example, attempts to replicate this.

** I've tagged and linked relevant excerpts under quote series as I've been working my way through the list.

Season 2 here

#Iwtv #Its entirely possible these were not in mind at all but given their fame and influence in general its not impossible #there's also a LOT of gothic novels written before Interview with the Vampire (1976) that share many qualities such as unreliable narrators #but I wanted to make sure I was choosing direct inspiration rather than cousins #Interview with the vampire #iwtv season 1 #Quote series

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dreaminginthedeepsouth · 5 months

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Wassily Kandinsky, ‘Untitled’ (1928) :: [Robert Scott Horton]

* * * *

Imogen Savage: Housed in a 19th-century listed mansion that stretches skyward into spires, the Grisebach auction house gives off the disquieting charm of a German fairytale castle. Outside runs Fasanenstrasse, a leafy street of galleries and skincare boutiques in one of Berlin’s chicest corners. On December 1 2022, Marcin Król, the Polish consul in Berlin, climbed the steps to the building for the evening sale beginning at 6pm. A number of impressive modern artworks were on offer, including a sought-after self-portrait in oil by Max Beckmann. But it was Lot No 31, “Untitled”, a little pink Wassily Kandinsky watercolour from 1928, that had Król’s attention that evening. Król was not at Grisebach as a buyer. Earlier that day he had sent the auction house a message demanding it stop the sale of the Kandinsky. In the hours since, representatives at Grisebach had reviewed the legal status of the artwork and its right to be sold by Inga Maren Otto, a German billionaire and philanthropist. Their decision was clear. They would proceed. At 4.40pm, Król took to Twitter, quoting the message he’d sent to Grisebach. “Withdraw[ing] the painting from the auction,” he wrote, “[was] the only correct and moral action in this situation . . . The provenance/history of the painting stated [in the catalogue] is clear . . . the painting has ownership markings indicating its origin from the National Museum in Warsaw. [It has been registered] from the Polish side in Interpol’s database of stolen works of art.” He finished the thread with an update: “The auction house has not yet stopped selling the work. As of 4.50pm.”

Król watched on a TV screen in the corner of an anteroom as the auction began. Lot No 31 eventually appeared on the screen. Flattened by the glowing pixels, the original aqueous colours took on neon tones. There was a faint scribble underneath in Kandinsky’s handwriting. After a flurry of bids, more than doubling the upper reserve price, the hammer came down. Afterwards, Król posted a photo to Twitter with a solemn summary of what he had witnessed. It read like both the beginning and the end of an art-crime story: “Grisebach sold Kandinsky’s watercolour [“Untitled”] for €310,000. The painting was stolen in 1984 from the National Museum in Warsaw.” Then the Berlin police showed up at the auction house, in response to a report of a stolen artwork being sold on the premises. Król’s message that day was, said Grisebach in a statement issued after the event, the first they’d learnt of the theft.

I heard about the auction of the Kandinsky watercolour some weeks later. I was intrigued by this little work on paper, the size of which is hard to gauge when viewed online. A cluster of geometric shapes and coloured washes not much bigger than a postcard, it’s not a famous piece and was never supposed to be. The personalised dedication at the bottom provides a clue as to its original, more intimate context. Through Król’s media offensive, I began to imagine the painting in its previous lives. A valued artwork can do this; move through history like a time traveller who has seen it all, changing hands, changing walls, changing in value, picking up a few marks and scuffs, but remaining, on the surface, itself. It’s easy to forget that many of the works of art we see today have somehow weathered revolutions, wars and genocide. During and after the second world war, art collections dispersed like breadcrumbs in the mouths of sparrows. Since that time, art dealers and auction houses have continued to sell these works, right up to the present day, with values soaring.

As I began to trace the Kandinsky’s journey, I discovered the story had deeper roots than even Król had imagined. The watercolour wasn’t stolen once but twice. Having survived the Nazi party’s confiscations of modern art in the 1930s, it languished in a depot in occupied Poland before travelling back and forth across the world via private and public sales as the lines between black market and art market blurred postwar. As the trail grew more convoluted, my questions multiplied. How was it possible, I wondered, that a piece of art that we know was once stolen from a major European museum could now be sold, perfectly legally, by an important German auction house? And who, in the chain of ownership spanning nearly a century, is the rightful owner of Lot No 31? In his Dessau studio in 1928, Wassily Kandinsky sat before a small sheet of thick paper. He drew in ink, a balance of precisely placed interlocking semicircles, triangles and floating circles, with a more irregular snakelike mark through the centre. Then he dragged his paintbrush across some watercolour pans, applying the colours to the interior of the shapes in blues, yellows and reds, and washing the surround in pink. The watery paint pooled in different areas, variegating the intensity of the colour where it settled. Then it dried, locking the painting into position. At the bottom, in pencil, the artist wrote: “Meinem lieben Otto Ralfs, herzlichsten Glückwunsch, Kandinsky I IV 28” [“To my dear Otto Ralfs, Happy Birthday, Kandinsky, 1 April 28”]. It was a gift, made for his friend and patron on the occasion of his 36th birthday. Kandinsky’s studio was in a row of identical semi-detached houses located in a pine forest at the edge of town, where artist-professors lived and worked. This was the vision of Walter Gropius, founder of the influential modernist art and design school the Bauhaus, who designed the Dessau “Masters’ Houses” in 1925 to fit his concept of gesamtkunstwerk, or total artwork. Kandinsky lived at No 6, next door to the Swiss-German artist Paul Klee. The day I visited earlier this summer, the sunny weather was heating the pines, filling the air with the same calm, sweet smell that Kandinsky, then in his late fifties, and the younger Klee would have breathed as they sat drinking tea together in the garden.

Inside, the thick, shiny paint was fresh from recent restoration work, distracting the senses from conjuring their presence. The artists’ studios, the largest rooms in their carefully designed houses, shared a wall. From the front, an enormous horizontal window frames the central focus of the house, the parallel studios in which they worked, taught and held salons: Kandinsky on the left, Klee on the right. Otto Ralfs and his wife Käte bought their first works by Klee when they visited the Bauhaus in Weimar in September 1923. After that, their lives changed completely. The couple didn’t have a lot of money. He worked as an insurance salesman and owned a shop in his hometown, Braunschweig, in northern Germany. She was a paediatric nurse. But they were among the first people to see the value in the art being produced at the Bauhaus. At one point, they had the largest collection of Klees, and the second-largest collection of Kandinskys after Solomon R Guggenheim.

[Financial Times]

#Wasilly Kandinsky #Guggenheim #about art

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anarcho-occultism · 8 months

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Tracy Jordan

Tracy Jordan (1966-March 17, 2026) was an American actor and musician active from 1978 until his death. Jordan was born in Yankee Stadium and, owing to both the unusual location and the simultaneous focus on the arrival of the world-eater Galactus by most public officials, was not officially issued a birth certificate. Jordan grew up in the Knuckle Beach neighborhood of the Bronx, which was infamous for high crime rates and general dysfunction. The Cult of Quetzalcoatl regularly abducted sacrifice victims from the neighborhood, a fate which Jordan only narrowly avoided on at least two occasions. Owing to his family’s precarious financial situation, Jordan eventually dropped out of high school and relied on sporadic odd jobs such as acting as a busboy at the legally dubious ‘McDowell’s’ restaurant in Long Island. Jordan longed for bigger things, however, being drawn to acting after a chance encounter with actor Charles Hayden Savage while he was filming an episode of Brazzos. Jordan was able to become a cast member on the short-lived show Ray Ray’s Mystery Garage which aired on IBC from 1978 to 1980. Once the show ended, Jordan became a street performer who specialized in basket drumming for cash on the streets of New York City.

Jordan’s ultimate break would not come until 1984. That year, Jordan heard about the Apollo Theater’s Amateur Night and decided to perform stand-up during it. During the performance, Jordan proved popular with the audience which happened to include prominent comedian Jonathan Crunk. Crunk, viewing Jordan as having potential, took him under his wing and was able to get him his first big breakthrough of adulthood by joining the cast of Studio 60 in the 1987-1988 season. Jordan was a cast member on the show for over a decade, during which he played many notable roles. During the Gulf War and Eugenics Wars, Jordan regularly portrayed General Warren Boutwell giving bombastic and at times derailed press conferences and continued to depict him after Boutwell exited the military to start a restaurant. He also participated in many parodies of the children’s show Mr. Robinson’s Neighborhood, including an infamous sketch where he portrayed the eponymous Robinson vandalizing the setting of My Friendly Neighborhood to reduce completion. Jordan additionally played a camera operator in Studio 60’s infamous Gordy’s Home sketch, which was never aired after the original airing in 1998. Jordan attracted praise for many of his performances and was able to leverage his new status to advance his career further.

Jordan began his music career in this time, intially mainly recording novelty songs in the vein of the late ‘Weird Al’ Yankovic. However, Jordan soon sought to branch away from this. He joined the Lethal Interjection Crew in 1994 but left two years later after a falling out with its leader Thugnificent. Jordan released several rap singles throughout the 1990’s but was never able to release a full album which thus prevented him from earning full-fledged stardom in the world of music. Jordan also acted in several B-movies during this era, including Cleaver II, Who Dat Ninja, Rescue Bay: The Movie, Hard to Watch, Angels With the Filthiest Souls and The Crows Have Eyes, as well as several episodes of the Night Springs revival. Jordan also dabbled in voice acting, primarily in English dubs of Japanese anime series thanks to connections with Japanese production companies he formed while filming Samurai I Amurai. Jordan notably participated in the English dubs of Tinymon, Pink Dark Boy and Mew Mew Kissie Cutie (a performance which was widely panned and Jordan claims was done ‘to buy a vacation house’). Jordan also got married during this time to Angie Shepherd, though initially he refused to acknowledge the marriage to maintain a playboy public image.

In 1999, Jordan expressed disappointment he was stuck with B-movies and comedies and announced he was quitting in favor of directing, announcing his first project would be a serious. biopic of President Douglass Dilman with he himself in the role of the nation’s first African-American president. However production hit snags quickly. Jordan had not asked the Dilman family for permission to make such a film and a spokesman denounced the idea of Jordan making such a movie. He additionally announced his friend Vincent Chase had been cast as a member of Dilman’s Secret Service detail before Chase committed to the role and the two had a falling out when Chase publicly said he had never signed on to the role. The production ground to a halt when his executive producer (who de facto was a second director) Roman Bridger was killed after becoming yet another in the infamous chain of Ghostface murderers. Despite this, Jordan continued to try to go through with the film, pouring much of his own money to salvage it, but in the end His Accidency would never make it to audiences.

Some have suggested the erratic behavior Jordan began displaying in the 2000’s was a result of frustration his more serious artistic intentions were blocked. It has been suggested Jordan’s infamous 2003 trip to Wadiya and public embrace of the nation’s dictator Haffaz Aladeen was a scheme to try to get money from Aladeen to sustain his movie. During the 2001 dot com recession, Jordan expressed a positive attitude towards the infamous Project Mayhem, drawing widespread criticism. Jordan also, on multiple occasions, assaulted paparazzi with various improvised weapons, including a prop from the original Galaxy Wars that Jordan had purchased for $2 million at a charity auction. These controversies caused significant damage to Jordan’s career and by the mid-2000’s, Jordan was nearly bankrupt and struggled to find work. However, he was able to secure a leading role in the sketch comedy series The Girly Show in 2006, which subsequently was rebranded as TGS With Tracy Jordan and took on a renewed life as a program no longer solely targeting a female audience. Jordan did continue to draw controversy–a PSA where he told African-Americans ‘don’t vote’ aired three times before Jordan requested it be taken off the air–but it did enable a greater deal of stability. Jordan was able to have the financial security to pursue a more stable interest in his hobbies such as American history, a passion he picked up after learning of his descent from Thomas Jefferson and his slave Sally Hemmings. He played a crucial role in funding the team that debunked the claims of the so-called ‘Washingtonians’ clan of cannibals that they were descended from George Washington. During Jordan’s time on TGS also involved recurring feuds with co-star Jenna Maroney, though the two would ultimately leave the show on amicable terms. Jordan’s career arguably peaked in this time period as he ultimately became an EGOT winner after winning all 4 of the entertainment industry’s most prestigious awards.

After the conclusion of the show, Jordan once again developed a controversial reputation. After the Awakening of Magic, Jordan would begin to espouse a number of human supremacist sentiments. He would be temporarily banned from The Circle after calling for killing vampire celebrity Lestat de Lioncourt and the expulsion of Prince Krel of Akiridion from Earth after he criticized Jordan’s comments. Jordan also was temporarily arrested after egging Justin Russo following his election as President of the Magical Congress of the United States in 2015. Jordan would announce a presidential bid on a human supremacist–but otherwise rather left-wing–platform in 2016, though he failed to obtain ballot access and was only able to earn status as a write-in in the states of New York, Illinois and Winnemac. Beyond this political drift, Jordan also was dogged by more mundane celebrity scandals. Jordan got into a physical altercation with pop musician Connor4Real in 2014 that led to him being hospitalized with a broken pinkie. His wife’s reality show Queen of Jordan drew controversy for an episode where the Jordans insisted on continuing a California vacation even in the midst of a kaiju attack which was accused of encouraging dangerous behavior by the Pan-Pacific Defense Corps. Jordan did begin to calm down after his personal physician, Dr. Leo Spaceman, was arrested for helping manufacture Substance-D and Jordan revealed Spaceman had been giving him some of the said substance while claiming it was vitalizing medicine, a factor helping drive his erratic tendencies.

Citing a desire for more privacy, Jordan would move to Canada in 2019, where he remained through the COVID-19, Kongoli flu and Alvin virus outbreaks. Jordan was thus not in the US when the President’s Day Massacre occurred and installed David Jefferson Adams as President. Jordan denounced the coup attempt and expressed support for the efforts of the Left Eye and other groups to violently resist the far-right takeover of America, causing a rift between him and his old employer Jack Donaghy (who, while opposed to the coup attempt, favored a strategy of nonviolent resistance). Jordan announced another bid for the presidency in 2024 and gained some traction after the Adams-stacked court disqualified Governor Georgina Hobart from consideration. Jordan announced former Republican Senator Alex Keaton as his running mate and was, surprisingly, allowed to run by the Adams regime, though Adams’ allies within the New Founding Fathers movement likely only did so presuming Jordan’s status as a de facto exile and history of erratic behavior would weaken his chances. Jordan would officially received 12% of the popular vote and won a faithless elector from the state of Vermont who defected and voted for Jordan after another elector was arrested for voting for the state’s socialist former Senator Julian Felsenburgh. Jordan would remain in Canada for the rest of his life, as his poor physical health meant that when a resurgence of the Kongoli flu occurred in 2026, it proved to be a fatal infection. Jordan died on the same die as his TGS co-star Maroney, who also died of Kongoli flu in New York City–in an eerie parallel to Jordan’s ancestor Thomas Jefferson and his rival/friend John Adams.

References

30 Rock, Marvel Comics (The Coming of Galactus, ), Q: The Serpent God, Coming to America, Only Murders in the Building, Scrooged, Carter’s Army, Studio 60 on the Sunset Strip, Star Trek, Undercover Brother, Saturday Night Live, My Friendly Neighborhood, Nope, Weird: The Al Yankovic Story, The Boondocks, The Sopranos, Baywatch, Home Alone, Schitt’s Creek, Alan Wake, Johnny Test, JoJo’s Bizarre Adventure, Undertale, The Man, Entourage, Scream, The Dictator, Fight Club, iCarly, Masters of Horror, Shadowrun, Interview With The Vampire, 3Below, Wizards of Waverly Place, Harry Potter, Works of Sinclair Lewis, Popstar: Never Stop Never Stopping, Pacific Rim, A Scanner Darkly, The End of October, The Sadness, The Handmaid’s Tale, Shattered Union, Sorry to Bother You, The Politician, Family Ties, The Purge, Lord of the World

#league of extraordinary gentlemen #mega crossover #30 rock #sketch comedy #alternate history

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newmarravanna · 1 year

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Linda Blair in 1984′s Savage Streets. Pure over-the-top 80′s exploitation and fun if you’re in the right mood. Unfortunately, she doesn’t wear any of these leather outfits in the film.

#fntstc #svgstrts

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drinksattheendoftheworld · 1 year

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Favourite* 50 Movies Seen in 2022

A little later than normal, but hey, it’s never too late to show off my questionable taste in film! Here’s my annual top 50 for you to ignore at your leisure. I feel like this list is particularly unwell, and if I redid think ranking tomorrow, it could be entirely different. Hard to say, honestly.

1. The Last of Sheila (1973)

2. Cabaret (1972)

3. Xanadu (1980)

4. Body Double (1984)

5. Five Easy Pieces (1970)

6. Almost Famous (2000)

7. Savage Streets (1984)

8. Class (1983)

9. Basic Instinct (1992)

10. When Harry Met Sally... (1989)

11. The Godfather (1972)

12. The Ref (1994)

13. The China Syndrome (1979)

14. The Bachelor and the Bobby-Soxer (1947)

15. Shirley Valentine (1989)

16. Escape From Alcatraz (1979)

17. Road House (1989)

18. Loverboy (1989)

19. Chilly Scenes of Winter (1979)

20. Smokey and the Bandit (1977)

21. Casualties of War (1989)

22. American Gigolo (1980)

23. Licorice Pizza (2021)

24. X (2022)

25. Steel Magnolias (1989)

26. Elvis (2022)

27. Jerry Maguire (1996)

28. FM (1978)

29. Adventures of Don Juan (1948)

30. Confess, Fletch (2022)

31. Cool Runnings (1993)

32. Body Heat (1981)

33. The Body Guard (1992)

34. The Boy Friend (1971)

35. State Fair (1945)

36. The Rain People (1969)

37. The Postman Always Rings Twice (1946)

38. Viy (1967)

39. Oliver! (1968)

40. Shoot the Moon (1982)

41. Sex, Lies, and Videotape (1989)

42. Nightmare Alley (2021)

43. Drugstore Cowboy (1989)

44. The Power of the Dog (2021)

45. Oliver & Company (1988)

46. Escape From L.A. (1996)

47. No Way Out (1987)

48. Valley of the Dolls (1967)

49. The Little Princess (1939)

50. To Die For (1995)

*Also, an important caveat: Favourite ≠ Best

#in total i watched 183 movies for the first time in 2022 #i think my lists have increased every year i've done this because it seems like every time i do this i break a personal record #i mean watching like 10 of these while laid up with covid probably helped #endless list of favourite movies

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mourningmaybells · 6 months

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Linda Blair's movie Savage Streets is free on youtube btw. Censored with a lot of sudden cuts, but i could still tell what was happening. Archive.org's version is uncensored but from what I've skimmed, the rape scene could be too triggering for people.

A cult classic exploitation film. has aged badly in terms of dialogue and plot, but watching her hunt down rapists with a crossbow and car in the last minutes of the film was kind of wild and fun. i realize this is probably because i dont watch a lot of exploitation films as much as I watch schlock horror (quality ranging from basket case to corruption 1968) but still

#savage streets #savage streets 1984 #im more forgiving of average exploitation #but only because i know exploitation is meant to shock and be trashy on purpose. at least the woman gets to kill back here but #you know. mind your expectations

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coolmoviemanmike · 4 months

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I just watched Savage Streets (1984)

#SavageStreets #trakt

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ao3feed-brucewayne · 5 months

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The Spider & The Amazon

by ERoc901DaCleanUpMan Peter Parker has turned 18 years old and entered his Senior year in High School after finally becoming the Ultimate Spider-Man. But when a new evil Cabal arises and formed by Darkseid, Spider-Man joined forces with Wonder Woman as they have brand new adventures and a series of team ups with the groups of Superheroes while falling in love with one another and make a Harem. Words: 38458, Chapters: 1/33, Language: English Fandoms: Ultimate Spider-Man (Cartoon 2012), Justice League - All Media Types, Marvel (Comics), Young Justice (Cartoon), Teen Titans - All Media Types, Ben 10 Series, Street Fighter, Ghostbusters - All Media Types, Teenage Mutant Ninja Turtles - All Media Types, Thundercats (2011), He-Man and the Masters of the Universe, She-Ra: Princess Of Power (1985), Voltron: Lion Force (1984), Voltron: Legendary Defender, G.I. Joe - All Media Types, Sonic the Hedgehog - All Media Types, Ultraverse (Malibu Comics), Spawn (Comics), Hellboy (Comics), WildC.A.T.S. (Comics), Savage Dragon, Stripperella (Cartoon), Barb Wire (1996) Rating: Mature Warnings: Creator Chose Not To Use Archive Warnings Categories: F/F, F/M, Gen, Multi, Other Characters: Peter Parker, Diana (Wonder Woman), Clark Kent, Bruce Wayne, Selina Kyle, Natasha Romanov (Marvel), Jennifer Walters, Carol Danvers, Dinah Lance, Zatanna Zatara, Helena Bertinelli Relationships: Dinah Lance/Peter Parker, Peter Parker/Zatanna Zatara, Helena Bertinelli/Peter Parker, Peter Parker/Sersi, Jean Grey/Peter Parker, Maria Hill/Peter Parker, Sharon Carter/Peter Parker, Peter Parker/Original Female Character(s), Peggy Carter/Steve Rogers, Diana (Wonder Woman)/Peter Parker/Natasha Romanov, Carol Danvers/Peter Parker/Jennifer Walters, Amora/Brunnhilde | Valkyrie/Peter Parker Additional Tags: Bisexual Diana (Wonder Woman), Bisexual Natasha Romanov, Bisexual Jennifer Walters, Bisexual Carol Danvers, Bisexual Dinah Lance, Bisexual Zatanna Zatara, Bisexual Maria Hill, Bisexual Sharon Carter (Marvel), Bisexual Jean Grey, Bisexual Sersi, Bisexual Gail Runciter, Bisexual Helena Bertinelli, Bisexual Peggy Carter, Bisexual Brunnhilde | Valkyrie (Marvel), Harems, Lesbian Sex, Bisexual Kara Danvers, Bisexual Lena Luthor, Past Clark Kent/Lois Lane, Past Jean Grey/Scott Summers, Bisexual Rio Morales via https://ift.tt/ZDqf8FO

#IFTTT #bruce wayne #batman #the dark knight #the caped crusader #gotham #dcu #dc #ao3 #ao3feed

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