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#saving the villain from the heroine
maidoftheday · 10 months
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Today’s Maid of the Day: Ciel Vienna from Saving the Villain from the Heroine
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manhwaregress · 1 year
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Hello!
𝐇𝐞𝐥𝐥𝐨, 𝐌𝐲 𝐧𝐚𝐦𝐞𝐬 𝐚𝐮𝐝𝐫𝐞𝐲 𝐚𝐧𝐝 𝐭𝐡𝐢𝐬 𝐢𝐬 𝐚 𝐫𝐨𝐛𝐛𝐞𝐫𝐲! 𝐉𝐮𝐬𝐭 𝐤𝐢𝐝𝐝𝐢𝐧𝐠, 𝐭𝐡𝐢𝐬 𝐚𝐜𝐜𝐨𝐮𝐧𝐭 𝐢𝐬 𝐟𝐨𝐫 𝐦𝐚𝐧𝐡𝐰𝐚 𝐫𝐞𝐠𝐫𝐞𝐬𝐬𝐢𝐨𝐧, 𝐲𝐨𝐮 𝐜𝐚𝐧 𝐚𝐬𝐤 𝐟𝐨𝐫 𝐫𝐞𝐠𝐫𝐞𝐬𝐬𝐢𝐨𝐧 𝐡𝐞𝐚𝐝𝐜𝐚𝐧𝐨𝐧𝐬 𝐟𝐨𝐫 𝐦𝐚𝐧𝐡𝐰𝐚'𝐬 𝐡𝐞𝐫𝐞, 𝐚𝐥𝐭𝐡𝐨𝐮𝐠𝐡 𝐢 𝐦𝐚𝐲 𝐧𝐨𝐭 𝐝𝐨 𝐚 𝐩𝐨𝐬𝐭 𝐛𝐞𝐜𝐚𝐮𝐬𝐞 𝐢 𝐝𝐨𝐧'𝐭 𝐤𝐧𝐨𝐰 𝐢𝐭, 𝐈'𝐦 𝐬𝐭𝐢𝐥𝐥 𝐧𝐞𝐰 𝐭𝐨 𝐭𝐡𝐢𝐬 𝐚𝐩𝐩. 𝐁𝐮𝐭 𝐢𝐭𝐬 𝐧𝐢𝐜𝐞 𝐭𝐨 𝐦𝐞𝐞𝐭 𝐲𝐨𝐮 𝐚𝐥𝐥
𝑷𝒔. 𝑻𝒉𝒆 𝒕𝒂𝒈𝒔 𝒘𝒊𝒍𝒍 𝒉𝒂𝒗𝒆 𝒕𝒉𝒆 𝒎𝒂𝒏𝒉𝒘𝒂'𝒔 𝒊'𝒍𝒍 𝒅𝒐, 𝑨𝒍𝒔𝒐 𝒊 𝒘𝒊𝒍𝒍 𝒐𝒏𝒍𝒚 𝒅𝒐 𝒄𝒉𝒂𝒓𝒆𝒄𝒕𝒆𝒓𝒔 𝒏𝒐𝒕 𝒓𝒆𝒂𝒅𝒆𝒓
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arekiviolet · 13 days
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❀ 『 Saving the Villain from the Heroine 』 ❀
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betterbooksandthings · 5 months
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"The book has seen immediate success in 2023, debuting as a number one New York Times bestselling novel. Readers love the irreverent fantasy world and the witty characters trying to make a living in a villain’s evil lair. Sure, the villain equips the lair with a top-notch break room, HR, and healthcare, but there are still the trappings of a villain’s daily activities, reminding employees they work for a bad guy. If you, too, can’t get enough of this world, read on for eight funny, romantic, and fantastical books like Assistant to the Villain!
The following books like Assistant to the Villain give readers who are eagerly awaiting book two something to read in the meantime. They are a combination of fantasy romance books that have a dash of action, romance, and comedy to keep any Hannah Nicole Maehrer fan happy. I am head over heels for the odd little subgenre myself, so I guarantee these books like Assistant to the Villain will hit the spot."
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baeshijima · 2 years
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its nearly one am and i have an idea for a fic
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sprout-fics · 7 months
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Laswell Appreciation Post
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Can we talk about how amazing this woman is for a moment?
Laswell is a high level intelligence analyst with over a decade of experience in and off the field. Her acumen for statecraft and spyfare is incredible. This woman graduated Suma Cum Laude from Cornell, has a Master's degree in strategic intelligence analysis and studied Near East linguistics at the American University of Beirut. She speaks fluent Arabic, knows her way around weapons, and once broke a terrorist's neck with her bare hands.
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(LOOK AT HER!)
Her bio says that Laswell rewrote the book on unconventional information warfare, climbed the ranks and became her own female mentor. She's survived a terrorist bombing, became a station chief, refused to testify before a senate hearing, was in charge of a SAD blacksite, and has been credited with saving tens of thousands of lives.
-and that's just the stuff from her bio.
Laswell is a support character during the entire series, but without her the entire story would crumble. Laswell is the one to recruit Price to find the missing Russian chemicals in MW2019. She is the one to find Hassan in MW2022. She is the one who went out in the field herself to see the job is done correctly. All of the information that 141, Alex and Farah, and Los Vaqueros act upon comes directly from Laswell. Hell, this woman got captured by Al-Qatala in the process of trying to find the missing missiles. Laswell is the one to find out how Shadow Company and Shepherd lost them in the first place. She's the one who tugs on the Russian thread and reveals the villain of MW2023, Makarov.
Laswell's achievements are often overshadowed by the plot and gameplay, but goddamn is she such a great example of a powerful female character, and an older one at that! (Note, older refers to being older than many female heroines in their 20's, not to be confused with being old.) I can't think of an instance in any of the games where she is sexualized or objectified, and even when she is kidnapped she's shown not as a damsel in distress, but as a woman who can hold her own as soon as the time is right. Plus, what does she do immediately after being rescued? Goes straight back to business and figures out the real root of the campaign.
I admit I'm fairly surprised to see such a well written female character in a series that historically caters to men. The writers for the game did a fantastic job in creating an absolutely amazing character who is skilled, well-rounded, and extremely compelling. Please hear it for the queen herself!
Also gay rights to Laswell and her wife specifically 💅
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linktotheheart · 3 months
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I feel like so many people misunderstand BOTW/TOTK Link especially (Zelda too, but that's another topic entirely)
His lack of expressiveness IS a personality trait. It's a direct result of the pressure on his soldiers to be a perfect soldier, hero, and savior. No, he's not Skyward Sword Link, and never will be, because his story is completely different.
"But [other Link] hugged Zelda when he got her back!" and this Link maintained a respectful distance as his princess's subordinate - but ALSO out of respect for Zelda as a person, because she spent her whole childhood having her agency denied and he wants to let her initiate even something as simple as platonic contact whenever possible. He's being kind!
(And yes, I know that primarily only the "he is a knight and she is a princess" part is directly supported in the actual game, but I'll remind the people making comparisons that the dynamic was COMPLETELY different in their favorite comparison game, Skyward Sword. But also... look at the gentleness with which Link interacts with Zelda, the tenderness that he shows so few other characters - Mipha probably being the closest example. Look at the way he looks to her first to see what to do in every scene they're in together, unless he's protecting her from an immediate threat to her life. Notice how outside of that, Zelda IS usually the one to initiate any physical contact)
I also personally hate it when people describe quiet, not very expressive people as "lacking personality" because... my partner IRL is like that. If she expressed herself at all around most people, it's in a very flat, reserved way. I've seen how it hurts her that people treat her like she doesn't have a personality, like she isn't even a full person - and I know that's real life and Zelda is fiction, but come on, do you think all the people that aren't highly expressive and extroverted don't hear that about very popular characters and internalize it?
Being reserved is a personality trait. Being cautious and not impulsive is a personality trait. In fact, I'd even say just because you as an expressive, extroverted person see Link as a blank slate to project your own personality onto, doesn't mean he actually is or was even intended that way.
(I also think this is a very US-centric point of view, honestly. There's plenty of cultures where even BOTW Link would be considered at least close to average - Finnish culture specifically comes to mind, even if he's still slightly exaggerated in that regard as, y'know, a character.)
Idk, this is as much a silly little vent post as anything, it's not that serious, etc, but whatever
(and don't get me started on "oh Zelda got no agency in TOTK and she learned the powers she was struggling overnight". No, it's called a time skip, and just because she learned her powers before the 13th hour this time - which yeah, she would get them easier this time with a mentor who could actually use the same powers, and having already learned to use her light powers - doesn't mean it just "happened overnight". And... she didn't express agency? She was actively influencing the entire flow of the timeline, changing the actions of her ancestors by convincing her ancestors to act, learning to control her powers and fighting Ganondorf, and finally expressing the ultimate form of autonomy in choosing to sacrifice herself to save the world. Some of the criticisms of TOTK didn't even seem to play the same game. Just because a heroine isn't a pop feminist badass who *gasp* wears pants and easily and perfectly kicks every villain's ass, doesn't mean she "has no agency" and is being sidelined. Like, a princess engaging in courtly politics is neither powerless nor "doing nothing")
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raisedbythetv89 · 8 days
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The writers I think mostly completely by accident with the assistance of James charming his way into becoming a main character created the perfect storm to ensure people who love spike would reach absolute peak levels of being completely obsessively deranged about him forever
Season 2:
He’s a punk rock villain with killer cheekbones, enchanting eyes, and an absolutely DEVILISH smile - who’s an incredibly dedicated and dangerous fighter who specifically seeks out challenging fights he’s not guaranteed to win (brave and reckless - normally traits seen in heroes) hates everyone except his mentally ill physically sick wife (the statistics of men who leave their wives when they get sick in the US is horrifying like nurses literally have to warn married women who get sick it happens so often) who he’s hopelessly devoted to and unbelievably soft with and always listens to her while also exuding a psychotic amount of sex appeal and is just F U N he loves being a vampire and he loves fighting and it makes it so much fun for the audience. While still showing how much he respects and admires his enemy for her skill, strength, resourcefulness, and intelligence - NEVER underestimating her just because she’s a tiny blonde girl - and instead of destroying the world for love he SAVES the world for love - a villain doing good to get the love of his life back who essentially dumped him for her ex????????? D E V O T E D and shockingly extremely trustworthy??? And has amazing chemistry with our heroine and is there for a pivotal moment in her life and is the only one there for her when she has no one else????? *enemies to lovers girlies ENTER THE CHAT*
Season 3:
He shows he fucking MEANS IT when he says Dru is the love of his life when he shows up in Sunnydale because he blames Angel not Buffy or Drusilla but the man actually responsible for all their problems and he is the most pathetic mess we’ve ever SEEN!!!! He’s crying and drunk all the time and he’s so sad he goes to Buffy’s mom TO TALK 💀😭 our pathetic sensitive little self admitted lover boy who KNOWS he’s love’s bitch and he won’t be pretending he’s anything otherwise who shows how clearly he sees and understands other people and the depths of his emotional intelligence so much so Buffy herself admits she can’t fool Spike she can fool her friends BUT NOT SPIKE OR HERSELF EXCUSE ME MA’AM WHAT???????
AND Spike doesn’t just uselessly MOPE forever he gets some perspective and is like I know what I’m gonna do to her back and I’m gonna go do that now! 😁👍🏻 showing he never stays down for long and is always gonna get back up to keep fighting for his love while BOTH he and Buffy still honor the truce even though he’s broken it by coming back??? While Buffy’s all “I violently dislike you” YEAH OK GIRL WHATEVER YOU SAY *enemies to lovers girlies chomping at the bit intensifies*
Season 4:
CLEARLY heartbroken about Drusilla (DEVOTED!!!) but it’s turned into anger and resentment directed at Harmony who how bizarre looks nothing like Drusilla but A LOT like Buffy…… hmmmmmmmmmmmmm HOW INTERESTING *enemies to lovers girlies are vibrating with anticipation that turns into a full blown combustion when something blue happens*
Spike doesn’t pretend to love Harmony in order to get what he wants from her (shown in direct contrast to Parker) he’s ironically very honest despite being a villain - he’s showing he’s STILL loyal to Drusilla in ONLY loving her even after she’s dumped him... again!
We see Spike treat Buffy the EXACT same way he treated Drusilla during something blue reaffirming THIS IS HOW THIS MAN LOVES WHEN HE LOVES YOU. He’s extremely affectionate, helpful, protective, caring - D E V O T E D - and is truly just the most certified lover boy we’ve ever fucking seen
Season 5:
SURPRISE HE’S SECRETLY A LOVESICK MAMA’S BOY POET AT HEART UNDERNEATH THE BAD BOY PERSONA AND A PROTECTIVE BIG BROTHER AND NOW BUFFY AND HER FAMILY’S MOST LOYAL DEFENDER AND IS WILLING TO DIE NOT JUST FOR BUFFY BUT FOR ALL THE SUMMERS WOMEN AND HE KNOWS AND SEES BUFFY SO DEEPLY AND INTIMATELY AND CAN HOLD SPACE FOR HER PAIN LIKE NO ON ELSE CAN AND SHOWS THE DEVOTION THAT ONCE BELONGED TO DRUSILLA NOW BELONGS TO BUFFY AND IT IS GOING NOWHERE EVEN WHEN SHE DIES AND WE'VE SEEN IN HIM CRY BEFORE BUT NEVER HAVE WE SEEN HIM BREAK DOWN LIKE HE DOES AT THE SIGHT OF BUFFY'S BODY!!!!!!!!!!!
*all of us screaming, crying, throwing up, climbing the walls and generally just losing our minds*
Season 6:
No soul, his love is so great for Buffy as is his loyalty and devotion to her, he now helps all of his dead love’s friends fight evil and is raising her sister and dreams of saving her every night for 148 nights 🤚🏻😭 don’t even fucking talk to me I can’t take it
Forgive the absolute 180 in tone change here:
Dick game is FIRE - his touch is the only thing that makes Buffy feel alive AND SHE WAS IN HEAVEN BRO SHE KNOWS WHAT IT FEELS LIKE TO BE IN HEAVEN AND SPIKE IS THE ONLY THING KEEPING HER GOING like damn girl yes YOU FUCK THAT HOUSE DOWN!!! Also he is now just naked 50% of the time just to drive us all even FURTHER out of our minds and somehow has just gotten even hotter as the seasons have gone on like this is what’s been hiding under the leather jacket all this time! Enjoy!
And THE MOST unintended consequence of jw’s vindictive writing:
SPITE
He clearly didn’t want us to love Spike and tried to manipulate us into hating him in such a blatant and clumsy ooc attempt all that did was weed out the weakest amongst the Spuffy/Spike fans until all that remained were us:
The most devoted and stubborn fans who REFUSED to have the thing they loved ruined or taken away from us and were smart enough to see through his bullshit manipulation attempt in the first place.
Genuinely they created the equivalent of supersoilder strength level fans with this absolutely lethal combination of events 💀
AND THEN as if all that wasn't enough he goes and gets his soul on purpose for Buffy so he can be the man she deserves and she can love him without hating herself for loving him despite the immense pain it will cause him which is the most selfless thing we have ever seen anyone do for Buffy only to be topped when he sacrifices himself to destroy the hellmouth, save the world and free her from Sunnydale!!! Plus ya know once he gets the soul even though he did it for her he never tries to use that as leverage to get anything from her like he truly expects nothing from her at all but still wants to help her and James delivers the most devastating performances we've ever fucking seen, finally tells her friends off which has needed to happen for 5 seasons, the "you're the one speech" him being a dad to all the potentials with Buffy giving us supernatural parent core who made it through their rough patch with their first kid in season 6 with Dawn and now are just the beautiful team with their found family and Buffy finally has someone who can truly carry her burdens with her and just all the tenderness and devotion they both deserve after so many years of pain and fighting. Basically giving the audience the message that even if you have a metric ton of pain and trauma there are people out there who see you and understand you and there is a chance for you to heal both together and separately to build your own version of a more normal and stable life. It's a message of such hope and I personally know several people, including myself who watched what Spike and Buffy have and it inspired us to look at the relationships we were in and realize we deserved SO MUCH MORE than what we were getting and in my case it turned out I was being emotionally abused and manipulated that entire time!! Much like Buffy was by both Riley and Angel. So it isn't an exaggeration to say Spuffy saved my life in a lot of ways both in being there for me at such a dark time and helping me draw a map of how to get out. Not to mention loving them in fandom spaces has helped me connect with so many people just like me who share very similar experiences and have helped me feel so much less alone and has helped me heal in so many ways 🖤
Spuffies get "hOw cAn yOu liKe sPiKe aFtEr wHaT hE dId" all the fucking time and truly the better question is how can you NOT like Spike???? HAVE YOU BEEN PAYING ATTENTION AT ALL??? DO YOU EVEN KNOW WHAT GOOD RELATIONSHIPS NEED TO WORK?? BECAUSE AT THEIR CORE SPUFFY HAS THEM ALL!
It's jw writing so NOTHING will escape his toxic bullshit but Spike - because he was hated by jw for so long - so much of the time when he tried to make Spike less popular he just kept making him better and more complex and more and more targeted to the female gaze which is exactly why he snapped and made the choices he literally forced everyone else to go along with despite their protests with that scene to make it the most traumatizing scene in all of Buffy history not just for the audience but for the actors as well because yes it is incredibly horrific and upsetting to watch (which is why I skip it on rewatches) but I still am able to see if for what it is which is a narcissist lashing out at people he hates because he hasn't been able to control them and too bad for him I refuse to be manipulated by his bullshit so it failed completely and made so many of us that much more stubbornly protective of Spike and his and Buffy's relationship not just from other fans but from the creator himself 🙃🖕🏻like he basically just trauma bonded us to Spike and Buffy which has led to the creation of one of the most devoted, loyal, intelligent fanbases who is absolutely unhinged (affectionate) with their love of this character and his relationship which is why we are all still creating and writing about this character 25 year later and show absolutely zero signs of slowing down or stopping 💀
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tenebraevesper · 10 months
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The Observations of Miraculous Ladybug: The Tales of Wasted Potential
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This is a compilation of various rules and messages within and outside the Miraculous Ladybug universe that I had discovered while watching the show and participating in discussions over the years. I might write more of them, but for now, these are my current observations:
-If you’re the main heroine, you have no control over your emotions and you should be punished for even just breathing the wrong way.
-If you’re the main heroine, you need to be taught a lesson in every episode, regardless if it makes sense or the same lesson is being repeated ad infinitum.
-If you’re the main heroine, you’re not allowed to move on from your crush on the main hero, regardless of how much suffering you went through, because this action somehow breaks the rules of the universe.
-If you’re the main heroine, you’ll be subjected to shocking amounts of humiliation, emotional and physical abuse, all either for committing the crime of being a teenager or for “comedy” purposes. Sometimes its both.
-Obsessing over your crush is “funny” and it should be used to further humiliate the main heroine. Even better if it’s labeled as stalking.
-If you’re the main heroine, nobody cares about your mental health, regardless of how stressed out you are or if you’re close to a mental breakdown.
-If the Writers says only a year has passed in-universe, despite the contradictory evidence, then only a year has passed. Stop trying to make sense of the timeline because it is only supposed to make sense to the Writers.
-If you’re the main hero, look cute and wear a mask to hide your identity, you are free to harass the main heroine without being called out.
-Remember girls, telling the main hero “No!” or “I’m in love with someone else!” translates into “I’m playing hard to get”.
-No, the main heroine has no right to consent because the universe already paired her up with the guy who harasses her and still doesn’t understand that “No means no!”
-If you don’t obsess over your crush and think about them day and night, are you even in love with them?
-Unless you’re French and a Writer for Miraculous Ladybug, you have no right to criticize the show.
-Yes, that also goes for those who are professional Writers.
-Even if you have valid criticism backed up by proper arguments and are capable of discussing it in a civil manner, you will still be labeled as a hater and blocked.
-”Miraculous Ladybug is more popular than Pokémon!” [Source: Thomas Astruc]
-Everyone who doesn’t ship the Love Square is evil. No exception.
-If you’re a 14 year old teenage girl who was spoiled and emotionally neglected by her parents and your biggest crime was to bully people, you are irredeemable and deserve to burn in Hell.
-Somehow, a grown adult man who mentally, emotionally and physically abused his son, manipulated people into committing crimes, committed many acts of terrorism (including murder) and almost started WWIII on purpose is somehow more redeemable than a teenager who was manipulated and abused by said man.
-THE ABOVE POINT BEARS REPEATING!!! A TERRORIST IS MORE REDEEMABLE THAN AN ABUSED TEENAGER!!!
-Oh, and the terrorist also gets a statue in his honor and is remembered as a hero after his death.
-If you’re the main hero, you are perfect and the world is flawed and needs to bow to your whims.
-If you’re the main hero, you don’t need character development. All you have to do is to whine and complain, and the universe will bend backwards for you and deliver everything on a silver platter.
-If you’re the main hero, knowing the main heroine’s secrets (which aren’t even hers to share!) is more important than saving the people. Who cares if people are dying, you need to know what your crush/co-worker is hiding for you!
-No matter of bad your lies are, as the B villain of the show, you have the power to lower everyone’s IQ to the point they’ll believe your lies. Also, Google doesn’t exist.
-Even if you have legitimate evidence that the Liar is, y’know, lying, you will be labeled as jealous.
-I’m amazed that Lila isn’t ruling the world when she has the superpower of making everyone stupid beyond belief.
-Paris is apparently isolated in its own bubble and the French government doesn’t exist. How else do you explain a teenage girl becoming the Mayor of Paris?
-The police in Paris is useless. Unless you’re Asian. Then they’ll SWAT you.
-Every great teacher knows that you punish the victim and reward the bully.
-You don’t want to write character development because it’s “too hard”? Replace the character with a cardboard cutout that is just like that character but nicer and/or perfect. Nobody will notice the difference!
-If they do and complain about it, label them as haters.
-If you’re the main hero, you will always get away with lying and gaslighting the main heroine. She is not allowed to contradict you because the Writers said so. If she does, the fandom will grab their torches and pitchforks to hunt her down and punish her.
-Mary Suethor Writing Advice 101: To redeem your character, reward them with a girlfriend or boyfriend. No, they don’t have to go through a redemption arc. No, evil characters don’t get paired up with anyone.
-The main heroes are not allowed to progress the story at all. That is reserved for the very character Astruc hates so much that he replaced him with the main hero.
-Being a mentor sucks! That’s why you can unload all of your responsibilities on the main heroine, who didn’t even want to be the main heroine in the first place, and peace out.
-We are going to show you precisely why the Love Square doesn’t work and is actually very toxic, but we will also pretend that had never happened in favor of shilling the Love Square.
-If you’re the main hero, you’re free to break anything you come across in a fit of rage. Don’t worry, the main heroine will fix it for you.
-If you’re the main hero, you will be forgiven for cheating on your girlfriend with someone who wants nothing with you because your current girlfriend isn’t your true love.
-If you are the main hero and can’t get together with the girl you had been obsessing over for 100+ Episodes, drop her and start a relationship with the girl you completely ignored but is now available. She’s a good enough replacement.
-If a child is being abused and/or emotionally manipulated, you should place the blame on the child and not on the adult who manipulated/abused them.
-The Status Quo will be upheld regardless of how ridiculous the show is about upholding it. If it doesn’t make sense, then it’s your problem and the Writers aren’t too blame.
-If you’re the main hero, you will be forgiven for attempted murder/actual murder of several teenagers, but God forbid you don’t feel bad for almost murdering the main villain.
-If you’re the main hero and don’t try to murder the guy who made fun of your girlfriend, are you even in love?
-Toxic relationships should be admired and looked up to.
-Somehow, 5 Seasons of filler are considered more important and impactful than any actual story progression.
-Who needs lore and world-building? Let’s shove that sucker into a comic book no one will ever read.
-Common sense doesn’t exist in this world.
-Neither to therapists nor CPS.
-Falling in love and getting together with your love interest will result in the destruction of the world and you should be ashamed for thinking love was anything but destructive.
-The main villain will win.
-Let me repeat that: THE MAIN VILLAIN WILL WIN!
-If you’re an adult male and your OTP isn’t winning, you are free to assault a teenage girl and force her to be with the teenage boy you consider her ideal partner.
-If you’re the main hero and you have caused a huge problem (think “abandoning the city you were supposed to protect” or “murder a girl” type of problem), the solution to it is to abandon your partner and let her solve it for you. Don’t worry, you’re a Gary Stu, everyone will forgive you for your “mistakes” or completely gloss over them.
-Calling a liar out on their lies is hypocritical and you should be ashamed of yourself.
-You cannot consider yourself a best friend unless you have committed the following acts: intruding on your friend’s privacy and break her stuff, cause her emotional distress for your own validation, force her into a situation that causes her to freak out or get hurt and then scream at her for not following a plan you never told her about.
-Doing something innocent with your powers, like delivering a gift, will result in the end of the world.
-Somehow, a candy cane suit is considered stylish. Yeah, I still don’t understand how Gabriel is a fashion designer with that kind of taste in outfits.
-All female superheroes should have skintight suits with the camera focusing on their breasts/butt. Have I mentioned that they’re all minors?
-The main hero doesn’t have to participate in the finale. Him learning that his father was the main villain will ruin his perfect image of his family and that is not allowed. We need to mollycoddle him to death.
-Instead of developing your support characters, make them all collectively share a single braincell. Mob mentality at its best!
-Who needs depth when they all have the minimal requirement of one character trait?
-If you break up with your boyfriend, go for his identical cousin. They already look the same and the cousin at least has a spine. Win-Win!
-Any important plot points will be swept under the rug and be forgotten about.
-Félix is still the best character in this show! I will die on this hill!
-Somehow, a 3 minute PV!Trailer delivers more than 100+ episodes of the Miraculous Ladybug show.
-FanFic Writers do a better job at writing than professional Writers. That’s not an opinion, that’s a fact.
-You want to add to or remove something from the story, but it creates a plot hole? Just retcon it and lie to your audience that this was always your intention regardless if it makes sense in the narrative.
-If the fans question you about the retcons, call them haters and block them.
-”This is a kids show!” is a valid excuse for lazy writing, according to Miraculous Ladybug Writers (and some fans).
-Negative emotions are bad and will turn you into a monster. You are not allowed to feel angry or sad at all.
-Characters are not allowed to make logical decisions. That would make them *le gasp* competent!
-Every support character is obligated to worship the Love Square. If they don’t, they’re the spawn of Satan.
-Gaslighting your crush into bending over backwards to your whims is considered romantic.
-If you’re a superhero, you are considered a celebrity and have no rights to privacy. The whole population of Paris is entitled to know who you’re dating.
-Unless you’re the main heroine or the bully, you won’t be faced with the consequences of your actions.
-Yes, even the villain gets away without any consequences.
-Miraculous Ladybug is about spectacle over substance. Don’t expect anything resembling good writing. Or anything that requires to think about the plot more than five seconds.
-Somehow, a teenage boy who attempted to kiss the main heroine once and got punched by her is more demonized than the main hero who did the same for 100+ episodes and still doesn’t care that “No means no”.
-Character development is overrated. Same goes for any story progression.
-If you’re the main hero, you’re free to abandon your partner in a moment of crisis and shirk your responsibilities. You’ll still be forgiven and everyone will act as if nothing happened. Same goes for attempting to murder your partner’s best friend.
-Being a good parent involves emotionally neglecting your daughter and abandoning her, as well as punishing her by sending her to live with her abusive mother. You don’t have to take any responsibilities for your actions and you can easily replace the “evil” daughter with a “good” daughter who isn’t even related to you.
-You are not allowed to sympathize with an abused child, but it is a-okay to sympathize with the abuser.
-The main heroine will always be punished, whether she deserves it or not. She is obligated to solve everyone’s problems regardless whether they’re strangers to her.
-For some reason, disciplining the bully is the obligation of the victim rather than, oh, I dunno... the parents and the teacher!
-It doesn’t matter if you’re an abusive father and a terrorist, you’ll still be forgiven if you did it out of love for your wife.
-If you like a character, but the majority of the fandom hates them, you will be bullied to death (I’m serious about this, this has happened).
-Rather than developing established relationships, it is more fun to add unnecessary love interests to complicate things, only to drop them in the next episode with no development and act like nothing happened.
-If you’re the main heroine and asking for help from other superheroes because your own partner is ditching you for no given reason, then you’re cheating (yes, it was phrased like that) on your partner and you should be ashamed of yourself.
-I hate Kuro Neko. Adrien is insufferable in that episode.
-If someone tells you “they’re made for each other”, you need to accept that you’re destined to only be with that person and no one else. No, you have no say in that.
-”She’s just a friend” is not a valid excuse for being dense as a brick.
-Seriously, if anyone brings up those quotes again, I’ll hit them with a brick.
-If you are paired up with someone, you are not allowed to have a life outside your love interest. That goes especially for the Love Square.
-Everyone in this show is an idiot to some degree. Félix is the one who holds all of the braincells, while Lila learned to break the system and metagame.
-If you want a better show that focuses on magic and romance, go watch any mahou shoujo anime in existence and spare yourself the hours you’re gonna waste with this show.
-How Miraculous Ladybug Should’ve Ended? Félix dusts Gabriel in Emotion and tells Adrien and Marinette that Gabriel was the Monarch. End of story.
If you have made any observation, leave a comment about it in the replies, because I’m sure that I missed some.
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docgold13 · 1 year
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365 Marvel Comics Paper Cut-Out SuperHeroes - One Hero, Every Day, All Year…
Supporting Character Supplemental - Nomad / Rikki Barnes
Rebecca ‘Rikki’ Barnes was born in Dimension F, a pocket reality created by Franklin Richards so to save the lives of his family and The Avengers.  These heroes sacrificed the,selves to destroy the villain Onslaught and Richard’s subconsciously created a whole new reality to transport them to.  This reality with replete with an earth populated by countless sentient souls that Franklin had manifested into creation by his awesome powers.  
Rikki was one of the beings created on this earth, the granddaughter of Captain America’s allies during the Second World War.   An accomplished athlete and talented dancer, young Rikki became involved with the affairs of Captain America when her older brother fell in with a villainous group led by The Red Skull.  Nikki made her own costume reminiscent of that worn by Cap’s war-time partner, Bucky, and eventually won Cap over to accepting her aide.  As the new Bucky, Rikki, Captain America and The Falcon were able to defeat the Red Skull.  From there on out, Rikki continued on as Cap’s sidekick.  
Ultimately, Franklin’s constructed dimension began to break down.  Franklin was able to transport the original heroes back to Earth 616, but the other residents of Dimension F were doom and would have perished had it not been for the intervention of the Celestial known as Ashema, who fortified the dimension as its own distinct alternate reality.  
Following further adventures alongside The Thunderbolts and her own team, the Young Allies, Rikki would eventually transport to the 616 Universe due to the mechanisms of a remnant of Onslaught trying to return.   Taking on the new alias of ‘Nomad,’ Rikki would have further adventures and recreated a new iteration of The Young Allies.  She came to discover that Onslaught was using her as a conduit to facilitate his return.  Hence Rikki chose to sacrificer herself in order to prevent Onslaught’s return.  
Following the Secret Wars event, Rikki was resurrected in a new world created by Franklin Richards and the Future Foundation.  Continuing on as Nomad, Rikki joined the Future Foundation and had further adventures alongside the team.  During this time, she had a romanced with her teammate, Julia Power (Lightspeed).
The heroine first appeared in the pages of Heroes Reborn #½ (1996).
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dangermousie · 4 months
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Six eps in, and Different Princess is a total delight.
I only checked it out because I am very very fond of Song Yiren (and she's a delight here) but this has proven to be an unexpected pleasure, with the vibe of a delicious web novel come to life.
The plot is indeed like one of them - the set up is the beloved "heroine transmigrates as a minor soon to be dead character in a novel and hooks up with the villain." Think Tiger and Rose or My Villain Husband. I am a sucker for this trope.
Our FL is a novelist who just finished a novel where her noble ML and noble FL got murdered by the villain - ML ascended to the throne, but the villain his half brother, went not so fast and culminated his long take over campaign by a lot of familial murder. Due to reader outrage, the FL is sent back into the novel - only way out, she thinks, is to change the outcome. Alas, she's transmigrated into a minor character, villain's unfortunate wife who he murders on their wedding night as part of a plot.
Her goals: not die, change the plot, go home, save the ML who (in a nice change from a lot of these stories where original ML and FL are awful) is a genuinely lovely person (and so is his original FL) and avoid the villain as much as possible. Good luck!
It's fun, well-paced and knows exactly what it is. I am pleasantly surprised that so far villain is a scheming schemer whose good looks are about his only redeeming quality. I am sure he will turn out to have trauma or w/e but fact remains he's gleefully framing his nice half brother and was equally happily planning to murder a poor woman (he didn't even know) on their wedding night to cause a conflict. I bet the leeway is because "it's a novel" so keep this up!
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stripclub-elysium · 7 months
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A Heroine's Reward (Closed RP with @lockboxbooks)
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Being a Hero can be a tough job, constantly saving people from criminals, both small and big, fighting against the League of Villains and often not even getting rewarded for all their trouble.
So when Ochako Uraraka and her 2 classmates Momo Yaoyorozu and Mina Ashido were rewarded with an exclusive 1 week vacation on a private island, there was nothing to reconsider this offer...
The plane bringing the 3 girls was currently standing outside, with the Pilot waiting for the girls arrival
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tumble-witch · 4 months
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TW light suggestion of body horror. No descriptions though!
Creatomachia
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Bunnix shows up in Marinette's bedroom when it's already dark outside.
Marinette knows what the older heroine is about to ask the second she hears the burrow open. When Bunnix greets her, Marinette is hyperventilating. Instead of exchanging pleasantries, she asks:
- Is it... him again?
Bunnix has a grim expression on her face, yet shakes her head. Marinette exhales. She has another question.
- Is it something I did?
- No. I'm sorry I'm asking this from you again. I'm sorry there will be no answers yet.
- It's okay. I am ready.
At first Ladybug thinks she is on another planet. Another dimension, even. There are cloud fractals in the sky. There is a street light growing out of another one, growing out of another one, growing out of another one... Trees are huge and have so many leaves they are almost a solid green mass. Some buildings are so tall they go way past the clouds in a curvy line. It reminds her of the Jack and the Beanstalk fairytale her mom used to read her before bed.
The roads branch out like blood vessels, getting smaller with each separation, ending in dead ends near the buildings or growing vertically on top of the walls.
The whole city almost looks like it could move at any second. It almost looks alive.
As Ladybug progresses through the streets (if she can even call them that), she finally realizes where the people are.
At least, what's left of them.
Infinite growth apparently works on humans, too. She never thought she'd be so thankful to see somebody not move.
The silence makes her ears ring. Everything is quiet, except for some mechanical sounds the structures make, not really meant to support their own weight in this new form.
Then, she hears laughter.
A girl with hair so long she's not sure where it ends is frantically pacing around the roof, her body movements jittery and odd. As the camera of the heroine's yo-yo focuses on the akuma, helping seek out where the cursed butterfly is hiding, Ladybug realizes the dress this girl is wearing is not grey.
It's is covered in trillions of colourful tiny dots of different shapes and sizes. They seem jittery too, as if trying to move, but some force is making them stay together. This feels like standing up after lying down for too long. Looking at the pattern for too long makes her head hurt
Ladybug continues hiding. She takes her time looking for clues. At this point she's not really sure if the girl is actually laughing or this is a weird hysterical cry. Sometimes the akuma starts muttering under her nose, too quiet to make out most of the words. Ladybug is pretty sure she heard the girl say "I can fix this" a few times though. She shifts to hear the words better.
The akuma turns around
This is the hardest she's ever fought. Chat Blanc feels like child's play now.
While the villain almost looks out of breath, long hair going everywhere, Ladybug is still barely able to keep up.
The air is too dense with oxygen.
The girl has a yo-yo as a weapon, in a cruel twist of irony. And she's damn good with it. Yet, she clearly hesitates in using the thing, saving it as a last resort to escape.
Ladybug tries to reason with the akumatized victim.
- Wait! Please, let me help you!
- You don't understand, - the girl looks around frantically, - I have to fix this! I need to fix this!
Villain's grey yo-yo starts to glow white and she throws it at a fire hydrant, making it grow another one on top.
The akuma was inside the earring. Ladybug was hit by the yo-yo. She doesn't have the time to think as she casts Miraculous cure, just before her brain registered the pain fully.
She'll remember the way it looked when she closes her eyes though.
The streets go back to normal. Her body is normal. Ladybug turns around and meets the eyes of
herself
Marinette sits on the ground, horrified. But before Ladybug can talk to her Bunnix appears and she has to go.
Bunnix doesn't say anything as they walk through the burrow, but she's pretty sure the older heroine is holding her shoulder softer than ever before.
They didn't change anything. They didn't fix anything after they came back, no scoldings, no erasing her name from anywhere, nothing. Marinette is growing more paranoid at every turn, expecting to get akumatized. Her conflict avoidance is at all times high. She's withdrawing from her friends.
Nobody is near when Hawkmoth himself shows up in the middle of the night and she has to transform. He senses her distress immediately.
This is just too easy.
The butterfly lands in her earring just as she started to call for a last effort Lucky Charm.
"Creatomachia, this is Hawkmoth. You are overwhelmed with every problem creating a million smaller ones. Things seem to stack on top of each other and just never end. I'll give you the power to fix everything. In return, you will give me your and Chat Noir's miraculous."
For a split second, everything is white.
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arekiviolet · 13 days
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❀ 『 Saving the Villain from the Heroine 』 ❀
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jedimandalorian · 8 months
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The Path to Peridea.
Baylan Skoll says that Peridea is from a fairy tale known to Jedi younglings, a children’s story, but in reality Baylan says this to remind us that Star Wars is exactly just that, a fairy tale, a children’s story.
What does “Peridea” mean?
peri: (in Persian mythology) a mythical superhuman being, originally represented as evil but subsequently as a good or graceful genie or fairy.
ASTRONOMY
peri: denoting the point nearest to a specified celestial body.
from Greek peri ‘about, around’.
dea: Latin for “goddess”
The descent into the underworld is one stage of the hero’s and the heroine’s journey.
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As @better-call-mau1 pointed out, the Path to Peridea sounds a lot like the “path to perdition.”
perdition: (in Christian theology) a state of eternal punishment and damnation into which a sinful and unpenitent person passes after death.
Perhaps this is where Thrawn is, in a kind of hell.
But as in the myth of Orpheus and Eurydice, a brave lover is willing to descend into Hades to rescue the beloved. This is Sabine Wren’s mission to find Ezra Bridger.
There’s another meaning to “Peridea” though.
It is a genus of moths from the family Notodontidae.
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The moth in The Lord of the Rings films brought Gandalf the Grey hope when he was imprisoned in the Tower of Orthanc. When the moth appeared, it was a sign that Gandalf would soon be rescued by the giant eagles, which are used as symbols of divine intervention in Tolkien’s fiction.
Please note that the letters on the star-map to Peridea resemble the Viking runes Tolkien used in The Hobbit. Both The Hobbit and The Lord of the Rings are stories of a hero’s journey filled with danger and wonder. The brave protagonists have to go “there and back again” just as Sabine will in the Ahsoka series.
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I think that Baylan Skoll reminding us that Star Wars is a children’s story is significant. Consider this quote from Harry Potter and the Deathly Hallows by J. K. Rowling.
“Of house-elves and children’s tales, of love, loyalty, and innocence, Voldemort knows and understands nothing. Nothing. That they all have a power beyond his own, a power beyond the reach of any magic, is a truth he has never grasped.”
In all the great fairy tales, the love and loyalty of the protagonist is the key to the triumph of good over evil.
Although she isn’t strong in the Force, Sabine Wren’s love for and loyalty to Ezra Bridger will strengthen her resolve on her road of trials along the Path to Peridea. With Ahsoka the Grey by her side, Sabine is ready to leave the comfort of Lothal (her Shire) and go to Peridea to save the man she loves.
Update, post Ahsoka Episode 6:
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Here’s Huyang reminding us that this is indeed a fairy tale, a children’s story.
And here’s Thrawn, showing us how the villain “knows and understands nothing.”
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“You wouldn't understand,” says Sabine.
“Perhaps not,” Thrawn responds.
What he doesn’t understand is love. The love and devotion that Sabine and Ezra have for each other is the power the dark lord knows not, and it will be his undoing.
I have spoken.
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starsha-stardust · 5 months
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things I loved abt Wish
Since it needs more positivity in the tags:
That it's a fairytale movie. I adore fairytales and Disney magic💜
That it has a flamboyant and evil villain. It's been too long
Asha's character. She was so sweet and loveable. Idk how to explain it but she has this warmth to her voice and expressions that really enhance her character to me
That it has a female hero/male villain dynamic. Unless I'm forgetting someone there hasn't been a Disney princess that opposes a male villain for the majority of their movie. Jasmine, Tiana, and Mulan face male villains but only for a short scene in their movies. There's something badass to me abt a teen girl defeating a male villain💅
The astrology/mystical aesthetic of this movie. Just looking at the visuals of posters and certain merch bring me euphoria.
The simplicity of the plot. I was so happy in the theatre when Asha said she would steal the wishes from Magnifico and return them to the people. I know a lot disagree with me on this, but after years of Disney attempting to take risks with overly ambitious and preachy plots it was refreshing to be able to sit back and enjoy a lower stakes movie. I get people wanted something grander for a 100th anniversary movie, but for me personally it's simplicity was comforting and refreshing.
At all costs. It's one of the most beautiful songs in all of Disney to me. They need to make more songs of that tone.
Asha's design. It just appeals to me immensely.
The animation. It's fairly unique to me and I loved it. Especially the watercolor backgrounds.
That Asha, a Disney heroine has friends. Especially loved Gabo and Sabeena.
Amaya. People think she didn't play a big enough role but I think she got enough screentime for how unfortunately short it was. I loved how she stayed by Magnifico's side while he showed cracks in his armor, tried to real him away from his dark desires, but eventually betrayed him because he ended up so far from the man he once was. I think it's an important lesson to teach women that they aren't obligated to stay with a toxic man. But I also love the end scene between them. I believe she still cares for him and talks to him often. ☺️
Star. I thought they would be an average sidekick plot device but I think most people would agree they have this big charm to them. They don't talk but are so expressive. And those giggles and chirps. 🥺
How active Asha is in her movie. From opposing Magnifico out of the gate. Making her wish. Breaking into Magnifico's study. Throwing that bookcase on him and saving her parents. Rallying all her friends. She isn't just said to be a good person. She puts herself in danger so many times all to bring happiness to other people. She's kind of badass
King Magnifico's complexity. At least for a Disney villain he has multiple traits to him such as being kind, vain and paranoid. It's interesting to see a king villain cuz he already has power and status so his goals aren't typical. It's unique to see a villain who is both benevolent and a madman in the same film. The fact that even in his madness he was in a backwards way just trying to protect his people is so unique cuz most villains don't care at all abt protecting anyone. He is a classic villain but not a classically evil one.
Valentino. He's a 3 week old goat that wears pajamas. He fits Asha's aesthetic perfectly.
That it is filled with so many Easter eggs cleverly woven into the story
There's more but this is getting long. I just love this Movie man💜
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