As a rule of thumb I tend to use the translated or localized name of a title based on how well it rolls off the tongue or how good it sounds, so I hope everyone understands when I vehemently refuse to call it “Delicious in Dungeon”.
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The LAYERS needed in a modern/human Dreamling au. Some level of Endless family dysfunction, obviously. Hob's family can be be dead or not, it's all good. Are they old enough to have individually gained the awareness they are off-puttingly intense and should hide it a bit at first, or still in that "no, why would I need to Elsa this" stage?
Option A is both of them trying to play it cool, like "don't scare him off" except they so badly want to go from zero to sixty.
(Death and Desire have ruthlessly drilled Dream with flashcards about how to react appropriately in situations.
Desire: it's your one-month anniversary, what do you do?
Dream: [hesitantly] NOT propose?
Desire and Death, conferring, because that's technically correct but the delivery was suspect.
Death, encouragingly: Good start. And?
Dream: a nice dinner and maybe a walk?
Desire: well done!
Death: and for a three-month anniversary?
Dream: give them a key to my flat.
Desire: [airhorn] NO. RED CARD.)
Option B makes them the classic anecdotal "my grandparents got engaged within seven days of meeting each other and still are happy together".
(Death, rubbing her temples: so you met this guy--
Dream: Hob
Death: -- Hob, and within 1 day you gave notice to the Registrar's Office and figured out the best day to get married. And Hob agreed to this?
Dream: NO.
Death: oh thank go-
Dream: Hob SUGGESTED this.
Death: . . .
Dream: are you going to be a witness or not?
Death, 29 days later in the Registrar's Office, to Hob's witness: Is he sane?
Johanna Constantine, drinking heavily from a large flask: unfortunately yes, by all legal definitions.
Death: fuck
Johanna: [passing the flask over] if your brother's even a tenth as intense as Hob, they'll be fine. Probably.
Death, brightening: Is Hob that bad?
Johanna: You know how sometimes you meet somebody and think "oof, they're a bit much, best give them a wide berth"?
Death: yeah.
Johanna: Hob's like a camouflaged hole in the ground of muchness. Except he's done the hole up all nice and he knows that sometimes you just want to be left alone in the hole to sulk and rattle the spikes for a bit, and occasionally get a F&M hamper tossed in.
Death: [hmmmmmmm'ing approvingly]
Johanna, morose: the bastard.
In the background, Hob and Dream are pressing their foreheads together and basking in each other's presence)
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You've mentioned that in the NYSM AU, part of the reason the Narrator became tangible was because of the Skip Button End, and in a way earlier comic, it showed that another part of the reason was because of the Zending. And the Narrator doesn't remember the traumatic endings, but he's still, well, traumatized by them.
Now, you've stated that Stanley absolutely refuses to ever do the Skip Button End ever again (FOR VERY UNDERSTANDABLE REASONS JESUS CHRIST), but... hyyyypothetically, if for whatever reason he went the route of the Zending, and ended that run not through manual reset, but through jumping... oh good god the horrors do you understand the horrors
I do understand the Horrors and think about them frequently. :’)
Especially now that the Narrator is in a rather precarious position with his increased self-awareness. Much like the main game it’s hard to know what carries over in resets and what remains in repressed memories. He is now the most real he’s ever been. Who knows what damage the Zending could do now, after everything he and Stanley have been through so far?
The scenario in which Stanley might use the Full Zending again is one of great desperation, either as a bargaining chip or to make a Very Persuasive Point. He doesn’t want to but it could happen.
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