Fluent Freshman - Part 22
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Y’know how sometimes you have something that you need to do or something that you know is going to happen but you just keep…putting it off? Like you know at some point it is going to happen but you put it off over and over and over and over again? You’re getting increasingly anxious every time you put it off because you know it has to get done but you also know that the longer you wait the worse it is going to get. Finally, FINALLY, the anxiety is just a little too much and you end up having to deal with it.
You finally deal with it and the whole ordeal takes maybe five minutes tops and it was in no way shape or form worth the level of anxiety that you put yourself through. Like you worried about this for a good and long while and it wasn’t even that bad?
That is currently how FF feels about being stabbed by Andrew Minyard.
This is what he was so worried about that he had lost sleep, had nightmares, had lost weight, and had exacerbated his stress ulcers over.
Getting stabbed wasn’t anywhere near as bad as he had thought it was going to be. Maybe it was the fact that it was just a single stab wound instead of the Psycho levels that he had been imagining (Wow, showers were going to be so much less stressful now that he didn’t have to confirm Andrew Minyard’s location before triple checking the lock). Maybe it was the fact that he is PUMPED full of adrenaline from his fights against Jackson and Romero but the stab wound didn’t even really hurt at the moment.
This isn’t even the worse thing that had happened to him this year!
That honor still goes to the joint winners of when his Step Family and mother found out that he had a full-ride to Palmetto and when he had tripped up the same step on the stairs at school three times in a row as people watched and laughed.
(Maybe also the solitary congratulations from his Grandma in regards to his graduation but FF doesn’t let himself think about that, won’t think about it.)
He wouldn’t necessarily call being in a state of ‘stabbed’ a pleasant time but Andrew was being so NICE about it.
“Stop trying to sit up you fucking idiot!” Andrew shouts at him.
Well….Andrew’s version of nice.
(This is the same version of nice that he had misunderstood for months at this point. Maybe FF is just enough in shock from the stab wound in his stomach that he’s starting to grasp the basics in the difficult language of Andrew Minyard’s niceness.)
Andrew had gotten off the phone with 911 and then started pulling off his own jacket before draping it over FF’s upper body, wedging his phone between his shoulder and his ear, and then Andrew started to apply pressure to his stomach wound.
Ow.
That is not a great feeling. This stabbing may eke out past the great triple trip of March 2010.
“No, take back your jacket. You’ll get cold if you don’t have it on.” FF argues because his own jacket is barely doing the job. Maybe it’s the cold pavement of the alley, maybe it’s the blood loss, or maybe it’s the cooling sweat he’d worked up but he is shivering pretty badly.
A thought occurs to him as he feels the weird wet stickiness of his own blood sticking to Nicky’s shirt. “Can you help me get my jacket off?” He asks looking pleadingly at Andrew, “It’s my dad’s. I don’t wanna mess it up with my blood.” He clarifies when Andrew looks at him like he’s a lunatic.
Except his second call must connect right then because Andrew’s answer is non-sensical to what FF had asked, “Neil, let Roland know the police and ambulances are en route.” There’s a brief pause and the pressure against his stomach increases as a muscle in Andrew’s jaw jumps. “Smith got stabbed.” He says and he looks angry, angrier than FF had ever seen Andrew when he’s talking to Captain Neil. There is another pause, more than likely Neil saying something or asking a question, “No, it wasn’t them.” Andrew grits out and the pressure on FF’s stomach hurts, “Just get out here, I need help with smith and making sure these two assholes don’t go anywhere before the police come and grab them.” He says before he pulls one hand away from Smith’s stomach (wow he really is bleeding isn’t he?) to hang up the phone.
Andrew’s gaze turns back to him fully, “You’re not moving an inch Smith, your jacket can be cleaned.” He hisses. “Now stay still and don’t fall asleep.” He orders.
Andrew seems stressed so FF complies. He can’t help but notice how Andrew’s hands seem to be shaking as the press down on his stomach. He kind of wishes he had a pillow or something for his head because he’s starting to feel a little dizzy. Andrew’s jacket would be safer from his blood if it was a pillow instead of a blanket. Still, FF would sooner die than spit on any of Andrew’s current efforts to make him more comfortable.
He looks at the knife sticking out of his stomach. Well, he might die regardless of whether or not he spits on Andrew’s efforts.
He needs to take his mind off this.
“Should we take it out and pretend the Dundee knife stabbed me instead??” FF asks letting his mind go to the first thought in his head so that he could be distracted from his own mortality. “I think it’s still under the dumpster over there.” He moves to point one of his hands towards where the knife had remained throughout this entire ordeal.
Andrew’s knee pinned his arm before he could move it, “Stop moving Smith.” Andrew reminded him before moving his knee. “We have to leave the knife in. You’ll bleed to death otherwise.” Andrew reminds.
“I guess that’s true, so do we just say that Romero got a handle on your knife and stabbed me?” He asks fighting his own shivers since he’s a little worried that any shaking on his part would just make the stab wound worse.
“I stabbed you Smith.” Andrew says looking at him with a furrowed brow.
“Yeah, I know,” FF agrees, “but we’re not going to say THAT to the cops.” He says and shock really is one HELL of a drug because he thinks he might have actually given Andrew Minyard an incredulous look with his atrophied face muscles. It’s either Shock or the knowledge that even if he irritates Andrew, what’s Andrew going to do about it?
STAB HIM?
“You’re going to lie to the cops?” Andrew asks, “I STABBED you Smith.” Andrew repeats.
“Yeah, I know!” FF repeats back, “You stabbed me on ACCIDENT.” FF makes sure to use the same intonation that Andrew had used to emphasize the word Stabbed. “Jackson wanted to stab me on PURPOSE. You saw that knife Andrew.” He tries to gesture towards the knife again but again Andrew’s knee pinned his hand.
He could use his other one but the reminder to stay still is enough.
“I still stabbed you.” Andrew says removing his knee again when it’s clear that FF wasn’t going to try and gesture again.
“Well, if I was going to get stabbed by anyone, I guess I’m glad my first time was with you.” Andrew let’s out a bark of a laugh that sounds more like it was punched out of him than anything, “Honestly, I don’t think Jackson would have given me his jacket afterwards or try and help me keep my blood in my body.” He says and it feels like a victory (not a both hands in the air victory cry level victory but it was close) when Andrew’s face settled into one of faint amusement.
“Probably not.” Andrew agreed, “He doesn’t seem big on Aftercare.” He says.
FF doesn’t know what that means but nods like he does, “So, Romero got a hold of your knife during our tussle and he’s the one who stabbed me. Okay? That’s the story I’m going to stick with no matter who asks me.” He looks Andrew in the eye.
“Alright Smith,” one of Andrew’s hands leaves his stomach and clasps around his shoulder and FF can’t help but notice how neither of Andrew’s hands are shaking anymore. “We can lie to the police.” He squeezes FF’s shoulder.
“Nice.” He says and lets his head fall back onto the concrete. He hears a siren in the distance and hopes it’s coming for him.
They sit in silence for maybe 30 seconds before the door slams open and only Andrew’s hands on his stomach and shoulder keep him from shooting straight up in a panic. Captain Neil seemed to take in the scene at lightning speed but it was Andrew who spoke first, “You left Aaron and Nicky with Roland?” He asks.
“Yeah I did,” Captain Neil confirms and FF can see the moment that his eyes land on the knife handle jutting out of FF’s stomach, “Andrew, what are we going to tell the police?” Captain Neil asks and FF could already see Neil crafting a lie to cover Andrew. That’s one of the things that FF likes about Captain Neil and Andrew’s relationship. He thinks it’s nice that both of them have someone who no matter the circumstances would be there with a shovel to help bury a body. He even thought it was nice when he thought it’d be his body!
“The second guy stabbed me.” The lie comes out smoothly which is good because he is planning on committing to it and Captain Neil blinks and looks at him, “He got hold of Andrew’s knife during the tussle.” He adds.
Captain Neil looks to Andrew, “You said it wasn’t-“
“I guess Smith can lie to a liar.” Andrew interrupts.
Captain Neil’s eyes widen before a wicked grin spread across his face that made FF just a little uncomfortable but only because Andrew’s grip on his shoulder suddenly tightened and his nostrils flared the way they did before the two usually started speaking in Russian.
He can handle being stabbed, he cannot handle being in shock and pretending that he doesn’t know what the two of them are saying to one another.
“Can you tell Nicky I’m sorry I got blood on his clothes?” He asks and both Captain Neil and Andrew’s gaze snap away from eye-fucking each other. He looks down and the clothes are black and they haven’t moved the knife so the wound is plugged still but yeah there’s definitely blood seeping into the shirt, not to mention the hole. “Could you tell him I’m sorry about that?” He asks.
“You are going to tell him yourself Smith.” Andrew hisses, “You are going to be fine. Do you understand me?” He asks before turning to Neil, “Can you bunch your jacket under his legs, it’s better to keep them higher than his head and heart?” He asks.
Aw.
Andrew is just so nice.
He can’t BELIEVE he thought Andrew wanted to hunt him for sport.
He’d apologize for thinking that but he thinks it’d be better to just let that particular misunderstanding go unmentioned.
Captain Neil bunches his jacket up and puts it under FF’s legs before he goes over to check on Romero and Jackson. In the corner of his eye he sees Captain Neil pause at the sight of Romero before moving over to Jackson.
“Why is he in these?!” Neil asks baffled.
“It’s a weird sex alley Captain Neil! I don’t know WHAT to tell you!” Yeah he’s definitely going into shock. The sirens are getting closer though so he’ll probably be okay.
***
The cops all have a bit of a laugh about Jackson’s cuffs until Neil tells them exactly who they are taking into custody. Neil could admit that he’s a little irritated with Andrew that at no point did the man clarify that the people who FF and Andrew were dealing with were Romero and Jackson.
Those are his father’s goons.
“They were here for me.” Neil says to the police officer and Andrew’s hand tightens in his, “They tried to take Smith because he’s my friend.”
They had decided on their story before the cops came. FF had no idea who any of these people were and was just defending himself. He’d gone out to catch his breath in the alley when Jackson had shown up. Neil had asked how in the world FF had handled Jackson on his own but FF must have been getting kind of loopy from blood loss because all he said was, “He told me to sing so I did.”
Neil can find out the full story later.
The important part is.
“Jackson went after Smith but Smith won the fight.” Neil says looking at where the cops are trying to decide how to get the fuzzy pink handcuffs off of Jackson to get him in the far more secure police issued handcuffs.
“Your friend said that you and he took out Romero together. That Romero is the one who stabbed him with your knife.” He says.
“Yes.” Andrew answers simply and Neil squeezes his hand as a reminder, “I went out to grab a smoke and Romero followed after me. Romero got hold of one of my knives in the struggle and stabbed Smith.” Andrew says with his usual deadpan affect.
“Yeah that’s what your friend Smith was saying too.” The officer says. “Well, I’m sure the FBI will want to talk to you all further but for now it’s a pretty clear cut case of self defense and no one but your friend has any serious injuries.” The officer pats Neil on the shoulder and Neil manages not to shirk away from the touch. The officer retracts his hand, “You guys are free to go tonight.” He says and turns back towards the car where a dazed Romero is in the back seat.
“Where did they take Smith?” Andrew asks since they’d been shepherded away from Smith the moment the ambulance had come. They hadn’t been able to ask which hospital Smith was going to be taken to so they could go and get updates.
“Lexington.” The cop answers, “Go on and see your friend. He seemed pretty loopy he kept talking about some beauty contest thing when he was getting loaded into the ambulance. I’m sure he’ll be a riot on painkillers.” The cop goes for a joke but it twists something in Neil’s stomach to think of FF so out of it that he’s talking nonsensically.
He feels Andrew’s hand stiffen in his and knows he’s not alone.
“Thanks.” Neil says before they head towards the front of the club. The club had been emptied out when the cops had come so Roland was babysitting Aaron and Nicky for them while they talked to the cops and FF was loaded out to the hospital.
In a way it’s almost a blessing that Nicky and Aaron are both so blasted that they aren’t comprehending any of what’s going on. They’ll have to drop them off back at the house before they go to the hospital. They’ll beat Wymack there easily even after the interrogation and drop off.
FF had asked them to call Wymack to let him know what was going on “I gave him the rights to make health care decisions for me if I’m incapacitated.” FF had said so Neil texts Wymack the hospital and the address after Andrew rattles it off for him.
“I don’t like that you hid it from me.” Neil says in the car.
“They wanted to kill you.” Andrew won’t apologize.
They still hold hands on the drive back to the Columbia house.
Andrew takes care of getting Aaron into bed while Neil helps Nicky.
Nicky who looks at Neil with a loopy smile and Neil hurts knowing that tomorrow when Nicky finds out about tonight and how he was too blasted to do anything to help FF.
Andrew and Neil reconvene in the Maserati and make their way to the hospital before either of them realize the issue.
“What is the name of the patient you’re looking for an update on?” The receptionist asks.
Both Andrew and Neil freeze.
Fuck.
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Have you seen the formline art in splatoon? It's present in a variety of salmon run decals and on some of the locker graffiti. Idk if the Devs just googled "salmon art" and got indigenous art and decided to copy it or what. Not sure how I feel about it personally.
Long post incoming, gonna put a break here. Also sorry for the late response, I wanted to take a couple days to formalize my thoughts together before responding fully.
I have, I remember noticing in 2018-2019 (when i first started playing splatoon 2) how much one of the decals/graffiti located on the ruins of ark polaris back in 2 sort of resembled a formline bear and salmon. (near the logo in this screenshot, I couldn't find a clear picture online)
Back in 2019, it was pretty easy to think of it as coincidence or a stretch for a comparison. But with splatoon 3's salmon run decals, the resemblance is far easier to see, specifically with the TS-ORBRS graffiti and the TS-SCHL graffiti.
(also this was the best image size I could find for the graffiti images, sorry)
A couple of the banners have the designs on them as well:
The website Sealaska Heritage has info such as textbooks and an online doc about formline art (specifically geared towards Haida, Tlingit, and Tsimshian nations' style) with lots of info about formline art, and the Seattle Art Museum website has an info sheet (with credits listed as being from the Sealaska Heritage site as well) breaking down some of the basic shapes of formline art.
with this chart, you can definitely begin to notice the similarities between the Salmon Run graffiti and formline art. the ovoids, crescents, and u-shapes appear noticeably in some of the graffiti such as ORBRS and SCHL.
For perspective, here are some formline pieces featuring salmon or fish from various Indigenous artists from various nations.
"sk’ug sdang" (Two Dog Salmon) by Robert Davidson (Haida)
"metal medallion", by Crystal Kaakeeyáa Rose Demientieff Worl (Tlingit Athabascan)
"Salmon People" by Alano Edzerza (Tahltan)
"Jumping Chum" by Stephanie Anderson (Wet'suwet'en)
"Salmon" by Art Thompson (Nuu-chah-nulth)
And that's literally just the surface of dozens of Indigenous artists from the PNW.
With these pieces, you can begin to see the resemblance that the graffiti designs have. A lot of the heads follow the pattern of utilizing ovoids for both the head and eyes, and u-shapes for the bodies and crescents to fill in specific areas are also common. For example, TS-SCHL has a small school of fish where the bodies are entire ovoids.
However, there are a couple flaws in the graffiti designs too. With a few of the designs, you can see they utilize the u-shape (see the formline shape breakdown from Sealaska again) in designs like TS-WHP and TS-SMFR. I can't speak for every Indigenous formline artist ever, but from how I've been taught to design formline art from my family, the u-shape should connect to the rest of the form instead of free-floating. I drew a quick example here:
you can see similar mistakes with a different kind of u-shape with TS-RLPL and TS-C0HK.
Another very specific mistake that takes a bit of squinting to make out is that ovoids are sort of top-heavy, for lack of a term I can't think of right now. The line or the area should be thicker on the top then the bottom. This mistake is frequent in the graffiti designs utilizing ovoid or ovoid adjacent face or body shapes, like TS-ORBRS, TS-C0HK or TS-SCHL.
Full disclaimer, I am not an expert at formline art. I've been practicing it under the tutelage of my aunt and father for about 3 or so years now, and there are definitely cultural variations that come into play as well. My culture's formline art style can look completely different from someone who is Haida or otherwise. This critique of the graffiti designs is based off my knowledge and skill at formline art, as well as critique and feedback that I've gotten from family. Formline art isn't just something you look at and replicate, there is a specific process of utilizing the shapes and negative space that you need to account for too. Some shapes have their own rules for how they're used as well.
Despite the beginner mistakes, the clear resemblances are pretty definitive proof that a good section of the sticker/graffiti designs for the salmonids are meant to be, or at the very least based off of or inspired by, formline art.
Splatoon's lore has a lot of elements of taking inspiration from real life culture (which is sort of one of the main elements of the story, the squids and octos are basing their society off long dead humans). Hell, Shiver and Frye are two prime examples of Splatoon working in real world culture into their setting and characters.
With that in mind, using an art style that's exclusive to an ethnicity of people as inspiration or baseline reference for the game mode that's all about taking natural resources from a species that in-game dialogue tends to treat as dangerous and lesser-minded is... not a good choice. Especially an ethnicity that has historically been ravaged and attacked by settlers for natural resources.
Now, technically if you do digging into lore for salmon run, you can find out that the salmonid are not as simple-minded as the dialogue in-game (I am staring directly at the deep cut big run announcement dialogue we've gotten so far -_-) makes them out to be. The salmonids do trades and commerce with the octarians for equipment and gear. That's why they have such technically high tech gear, like the scrappers with their shields that actually resemble octarian shields and the flyfish with their missiles and flying aircraft. That's also why power eggs show up in the story mode; they're from the salmonids' trades with the octarians.
So the salmonid could technically be as just as smart as the inklings, which is why the dialogue and some of the portrayals of the salmonid are confusing and contradictory (shiver's dialogue from the first big run, that one promo picture of an inkling walking a smallfry on a leash????). I think a good bit of the fanbase sort of thinks of the little buddy we get during the game as a pet, and I'm sure that much more of the fanbase/playerbase doesn't really care about the lore whatsoever. Salmonids sort of have a similar vibe to me as hilichurls from Genshin Impact, where the lore tells you that they're smarter than people assume while NPCs talk of them as less intelligent monsters. And you're also caught in this paradox where killing/fighting them feels morally wrong but the gameplay loop has you continuously doing that while also telling you on the downlow that you should sort of feel bad about it.
Rassicas did a really good video on translating salmonid lore from various interviews, which is where I learned a lot about the salmonid lore that doesn't really get explained/brought up in the game.
The usage of formline art in Splatoon has me sort of mixed on my opinion, because besides using an Indigenous art style for an enemy species that are considered lesser in intelligence by the NPCs, Indigenous art and culture as a whole has suffered a lot under colonialism. I don't know how much awareness whoever is reading this has about Indigenous history and colonialism, but Indigenous culture as a whole was banned in North America by the respective governments from being practiced by the respective cultural groups. Things such as ceremonies, regalia, and even practicing formline art were banned from being used by Indigenous people. Non-Indigenous people however were free to use it, which is why a lot of bastardized versions of Indigenous regalia and culture exists. You can see it in non-indigenous spiritual practices utilizing Indigenous practices and terminology like spirit animals and dreamcatchers, and sports teams utilizing Indigenous culture in its labelling and mascots. That is where cultural appropriation comes into play. And before I get anybody commenting about this, the salmonid formlines don't count as "cultural appreciation" because as far as the info available is concerned, there wasn't any Indigenous people that were consulted for the designs. And even if there were, I again have mixed feelings about Splatoon utilizing an Indigenous art style as a design piece for an enemy character in the franchise.
On another note, this isn't the first time Indigenous cultural appropriation has popped up in the Splatoon franchise. There was actually a headgear that was unreleased in the first Splatoon game called "Warrior Headdress", and you can guess what it looked like.
Yeah. That was all levels of yikes and I'm thankful as hell that it didn't make it into the game (technically it's not in the game as a wearable item, but you can spot it at the very back of the headgear shop ingame)
So Splatoon has utilized Indigenous culture as inspiration beforehand with the games, so it's not much of a stretch anymore to think that the salmon run graffiti designs were based off formline art or was an attempt at formline art.
I'm not really sold on the idea that the salmonid are meant to be representative of Indigenous people though, nor do I believe that utilizing formline art for the salmonid was a malicious decision. But it was a slightly ignorant decision at best, because again using Indigenous specific art for a species of enemies that gets fought for their natural resources and is referred to by some of the NPCs as basically being lesser-minded animals is really not a good decision.
This whole thread is not meant as a guilt trip for anyone who likes the salmonid lore, has bought any of the salmonid graffiti stickers, or enjoys salmon run, nor is it an accusation of the devs for maliciously misusing Indigenous culture. I actually really enjoy salmon run for it's PSP and concept, but this design aspect gives me mixed feelings as an Indigenous person. And to be honest it's hard to label intentions or the thought process because there isn't any info available on the development of salmon run and those graffiti designs specifically. So it's hard to know if the devs employed an Indigenous artist for feedback or if they indeed just looked at some formline art of salmon and tried to replicate it or used it as inspiration. I'm inclined to believe the latter judging by the beginner formline mistakes seen in some of the designs. There is an art book coming out soon for Splatoon 3, so maybe that will give more info.
To wrap this all up, I don't think there is really anything to be done about the designs. The game has been out for a while and I don't know if the game would change the designs at this point. I also don't think this should stop people from buying the sticker designs in game or playing salmon run. However, it is important to learn about the context of these designs so that you know why they exist and why they can be harmful, and so devs and creators can avoid making the same mistake in the future, and so Indigenous issues with cultural appropriation can be made more aware in the public space and not be ridiculed by non-Indigenous people. And again, I am just one Indigenous person so there may be other opinions from other Indigenous people on the graffiti designs and how they should be handled or viewed.
If you made it this far, thanks for reading and have a good day!! Be sure to check out some actual Formline art made by Indigenous people, like the ones I listed near the top of the post!
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