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#stsg angst
kdjojo · 5 hours
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Huge sneak peaks of my fanfic that's gonna be on a03.
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blackwhitefeatherart · 8 months
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yellow chrysanthemums as a sign of neglected love or a heart left to desolation
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gojosatoruhrs · 9 months
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this gojo and geto parallel is the WORST thing to exist
they were both too late — even if one was able to save the other, the other sacrificed himself and let go, and the other lost a part of himself.
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cadaver-art · 2 months
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I HATE THEM AGHHHHHH (i would die for them)
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thisisallaikiss · 1 month
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star wars x jjk au art so far...
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master gojo and his padawan
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“my eyes and the force tells me you are suguru geto but my soul knows otherwise”
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vexonli · 2 months
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You are my most twisted curse.
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justrustandstardust · 2 months
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i saw an incredible post on tiktok and i wanted to expand on it, because it's genuinely amazing. all the credit to @noesbf on tt for the idea that inspired these thoughts.
geto's character is threaded through with motifs of consumption. he takes things in, whether they be curses or daughters, and is spurred by intense empathy that ends up going in the "wrong" direction once he takes the entire jujutsu world under his wing.
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when we're introduced to him in hidden inventory, our first glimpse is of him consuming a curse. he's also alone, in a dark alleyway, a symbolic image that parallels his journey throughout the story. he's a consumptive force, a facet of his being that ultimately leads to his undoing because he consumes the responsibility of "saving" the strong, who are burdened by the weak.
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gojo, on the other hand, repels. he's an outward force, extending out a physical barrier that creates distance between his body and the world. where geto invites, gojo rejects. their abilities are constructed as diametrically opposed to one another's.
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through the motif of gojo's abilities, this image captures their consume/repel dynamic in a singular shot. after riko's death, gojo leans into red, which repels. he focuses on growing stronger and in doing so, isolates himself from the world (and subsequently, geto). on the other hand, geto leans into blue, which aligns with the consumptive nature of his character. he harbours riko's death inside of himself and it festers, like a curse.
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black holes are all-consuming vacuums. they subsume everything around them and create an inescapable vortex— once you're pulled in, you're never getting out. it will literally eat you and in doing so, makes you an everlasting part of it.
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white holes, on the other hand, function in opposition to black ones along the same axis. where black holes pull, white holes push. nothing can enter them; they're doomed to a lonely eternity because of the force that holds the universe at a distance. nothing outside of it can affect what goes on within, yet it affects everything around it.
however, white holes can be subsumed by black holes. while nothing can enter them, if a white hole were to cross paths with a black hole, its consumptive force is so powerful that it would eat them too.
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after geto and gojo experience a rapture in their relationship, gojo withdraws from the world, holding everyone at a literal and figurative distance. yet, even while he's alone, he's endlessly drawn towards geto. his eyes are bound but his soul isn't— it's tied to the piece of him inside of someone else, and gojo visibly feels the pull.
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white/black holes also correspond to the colours associated with gojo and geto's characters (they align with their yin/yang dynamic, where yin (black) symbolizes darkness & the moon and yang (white) symbolizes light & the sun).
yin/yang are more than two halves; they form an indivisible whole. they become one another: light turns to dark, the moon replaces the sun in the sky, life transitions into death only to be born as life again.
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if two celestial bodies exert oppositional forces upon each other, they function in equilibrium. geto's consumption was growing alongside gojo's repelling, reaching an event horizon when he took the lives of 112 villagers and forcing the two of them out of equilibrium. he continued to consume (curses, money, vulnerable people through his cult) until he died and took gojo's soul with him.
consumption can only exist if there's a repellant force pushing back. geto and gojo are not opposites, instead, they each contain the other— every yin has yang within it and vice versa.
they are borne of each other, they are unknowable without the other. they are more than matching; together, they are complete.
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espikola · 3 months
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arctvros · 4 months
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in a better life, it’s just another christmas eve with your one and only
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anoymous-boba · 7 months
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They died on the same day.
I'm actually gonna be sick
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lilliesinthevalley · 16 days
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satosugu bicycle scene in the jjk s2 opening is going to kill me. the way satoru sits behind suguru and fully trusts him to lead them both the right way. he’s so happy, he’s so willing to follow suguru anywhere, he doesn’t even look straight ahead because he trusts suguru that much. they’re both grinning so wide, so confident, not ever even considering that they might crash one day.
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GOJO SMILING A BIT BECAUSE HE ACTUALLY THOUGHT IT WAS GETO- OHHH THAT’S SICK.
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gojosatoruhrs · 9 months
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geto could stop gojo
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but gojo couldnt stop geto
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thisisallaikiss · 28 days
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now we alr saw stsg f1 au but how about itfs 🥹
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vexonli · 3 months
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Gojo x Geto streamer AU
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justrustandstardust · 3 months
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the most interesting thing about gojo satoru's character is his irony.
his abilities, while making him the Strongest, are simultaneously his folly. everything "strong" him is at odds with who he is, what he wants, who he wants. this is why geto's question during the breakup was so debilitating— who is he without power? is power all he is?
the answer is ironic. he has the six-eyes, but he couldn't see geto deteriorating right in front of him. he was honing his power, which was ironically enough a key piece in fuelling geto's defection. his power, which is all he understands himself to be, causes him to lose the person he wants most, which has nothing to do with his power at all.
he has the limitless, but he's limited by love. as a literary device, kenjaku is a physical manifestation of gojo's weakness, of his love— shibuya only happened because he couldn't bring himself to destroy his beloved's body, an unmistakable act of overwhelming sentiment and intimacy. gojo's strength is not unidirectional; it bifurcates and goes in one direction while his overpowering love goes in another, leaving him in some liminal place in between. his love imprisons him in his youth (shown by how he always returns to it) and it also literally imprisons him in a box (the prison realm).
he has infinity, which doesn't let anyone or anything close to him, yet he aches for companionship. gojo forms allies so "no one will ever have to be alone again", because even though he has the world in his hand, it's on the condition that it's his alone. gojo craves closeness (from one person in particular) and his powers literally prevent him from attaining it. his desires are not only in direct opposition with his abilities, his abilities prevent him from fulfilling his desires.
he repeatedly tells megumi that sorcerers are alone when they die, but he stays by geto's side til the very end. after geto appears to "come back", gojo's first instinct is to smile, which goes against any and all logic, six-eyes or not. his barest self betrays him despite the fact that he knows he killed geto with his own hands a year ago. when he confronts kenjaku, he does the inverse of what happened with geto— he defies his six-eyes and looks with his soul, something that should've happened when he asked geto if he was okay all those years ago.
the things that make gojo satoru strong are the same things that make him weak. he is supposedly a god amongst humans, but his folly is that he's the most human of them all. he yearns, he loves, he aches, he craves— gojo satoru knows firsthand that love is the most twisted curse of all because he nakedly bears its cross.
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