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#teyonah parris icons
taikawaltiti · 2 months
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tvandfilmarvel · 2 months
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THE MARVELS (2023) dir. Nia DaCosta.
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aleksmaximoff · 5 months
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Monica Rambeau icons
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iconpsds · 1 year
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wanda maximoff + monica rambeau
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wiccantwav · 2 years
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Monica Rambeau (Wandavision) - Icons
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donamarocas · 1 year
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give credits if you repost, please
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follow me for more
Xoxo ❤️✨
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marvelsgirl616 · 3 months
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I love them so much. ❤️
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be-loved-moon · 2 months
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Monica Rambeau
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fictionaltrvlr · 1 year
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Monica Rambeau icons & headers from The Marvels trailer
(feel free to use and/or edit these however you want, reblogs are very much appreciated :))
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marina-na-na · 8 months
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simoneashlcy · 2 months
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╰☆╮by clicking the source link below, you will find a total of 96 gifs of Teyonah Parris in the film, The Marvels (2023). she is african american ( black ), ensure to cast her appropriately. all gifs were made entirely by me, please do not claim as your own. do not edit them in any form (gif icons, crackships, etc.), add them to gif hunts, use them to rp as real-life people or for any taboo topics. please also like/reblog if you found this gif pack helpful, your cooperation is appreciated!
triggers include: alcohol, hospital imagery
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taikawaltiti · 2 months
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tvandfilmarvel · 1 year
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WandaVision (2021), S01E07.
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johannestevans · 4 months
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My Top 6 Films of 2023
Just some recommendations for my favourite new releases of last year!
Originally published on Cinemania.
2023 had a few knock-out hits as far as the cinema goes — obviously, people were very excited about the respective releases of Barbie and Oppenheimer, but my top films of the year were a bit different.
One thing I do think unites a lot of these — and a trend I hope to see from more films in the next few years — is a trend toward more earnestness and sincerity in scripts and plot lines, and I’m hoping that trend continues!
Without further ado, my top films of 2023:
They Cloned Tyrone (dir. Juel Taylor)
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They Cloned Tyrone is a fucking triumph, and hands-down had my favourite costume design of the year — it at the same time feels very vintage in places, calling heavily on the Blaxploitation movies of the 1970s and their aesthetics while at the same time dragging in more modern— and dystopian — futuristic elements throughout. Teyonah Parris is a particular triumph as Yo-Yo, but the whole cast really rocks this whole flick.
This film feels in so many ways like a fever dream, layering disparate elements and tones, and for that is all the more hard-hitting with the horror and painful realism of its cynical central plot.
If you watch a single of the films recommended on this list, make it this one.
Down Low (dir. Rightor Doyle)
This film is weird as fuck, and it makes a lot out of leaning into that. Delving into the ugly reality of down-low hook-ups on gay dating apps and dialing the chaos that can arise from them up to the max, this is a surprisingly heartfelt look at gay loneliness and isolation in the white middle-class US.
It’s fast-paced and kooky with its dialogue — Lukas Gage, of Euphoria fame, co-wrote the script with Phoebe Fisher, and Gage’s particular style of verbose and down-right weird speeches are dotted through it — and while it ultimately ends in the death you know from the beginning is coming, it doesn’t feel like it’s wholly a tragedy.
Dungeons and Dragons: Honour Among Thieves (2023, dir. John Francis Daley & Jonathan Goldstein)
I don’t think I need to go into great detail about this one — Dungeons and Dragons’ newest addition to its array of canons here is a spellbinding and delightful watch. A lot of the problem with fantasy films and TV shows the past few years has been how painfully over-ironic they are, with none of them being able to just lean into their premise and accept that, yes, we’re being a bit silly, and that’s the point! But the DnD movie is just spectacularly earnest and gives itself entirely over to the wonder of its world, and that feels wonderful.
Every time I’ve watched it, which is a few times now, I’ve picked up on new fun world details or little in-jokes, and there are just so many things this film does right and has fun with, most of all making Xenk Yendar even more autistic than ever whilst also making him hot with the Regé-Jean Page casting.
And also, Hugh Grant is here playing a horrible, sleazy bastard of a wizard, and speaking of hot —
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Cocaine Bear (dir. Elizabeth Banks)
Must a film be good?
Firstly, isn’t a coked-up horny female bear wreaking havoc and ripping people to shreds enough? And also, even if it wasn’t enough, aren’t so many queer characters going through the weirdest day out ever, girlbosses galore (I’m including the bear), funny as Hell dialogue, and even plot twists enough?
We saw this in the cinema on its release, and it was utterly glorious. Everyone should have the pleasure of seeing the feminist icon of 2023, the cocaine bear (sorry, Barbie), on the biggest screen imaginable, ripping into some hapless gay with full surround sound.
The Boogeyman (dir. Rob Savage)
I normally run along to see any new releases from Rob Savage as I loved Host, and The Boogeyman was so much more than I expected — bearing no resemblance at all to the original lacklustre Stephen King short story, this film really plays so creatively with light and shadow and has an honestly spine-tingling monster design that feels viscerally frightening from its introduction to its final boss battle.
I love it when a film plays with light sources, most of all when good horror does it, and this flick really delivers on that point — not knowing where light is going to come from adds extra tension when you’re trying to see into the shadowy corners, and whether it’s from the lunar nightlight, the videogame flashes, the camera, the fridge, or anywhere else, this film really has this holistic approach to light and shadow that just fucks.
The Pope’s Exorcist (dir. Julius Avery)
Again, must a film be good?
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Isn’t it enough to have a coked-up bear —
Okay, I used that line already, but this time it’s Russell Crowe, and he’s doing an Italian accent, and he’s riding a little Vespa, and it’s the funniest and best thing in the world.
Much like the DnD movie, The Pope’s Exorcist really leans into its premise and just goes really earnest about it — it doesn’t take too much time to sardonically comment on the ridiculousness of its own universe, and that makes it feel really fresh compared to a lot of other big studio horror films. It’s silly and stupid and mixes more impressive scares in with the cheap ones, and it’s just a really fun movie to watch with friends.
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danielfeketewrites · 5 months
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The Marvels (2023)
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Not usually reviewing films but here we are. A friend of mine invited me to the cinema to see The Marvels. And so we did, two days ago.
Neither of us expected much. I haven't seen Ms. Marvel. I thought Captain Marvel was 'meh' and a bit bland. Not offensive in any way (if you discount the blatant milatary propaganda) but ultimately Just A Marvel ProductTM. And not even a fun one. At least not fun for me.
And no offence to Teyonah Parris, but her character was definitely the least interesting thing about WandaVision. That's not saying much, seeing as that miniseries was great and one of the best things Marvel did since Infinity War... But it just goes to say that this didn't seem that promising.
The trailer for it looked quite cool though.
My friend Marek, who was bitching to me about how bad Captain Marvel is for years now, invited me to see The Marvels with him in the cinema. Mostly as a joke. Although he did enjoy Ms. Marvel. But still, neither of us expected much.
To our surprise - The Marvels is really good and we both enjoyed ourselves a lot.
It's really, really good.
While I don't think it can stand shoulder to shoulder with stuff like The Suicide Squad, Across the Spider-verse or GotG Vol. 3, I still feel comfortable calling it one of the best superhero movies of this decade so far. It's easily the 2nd best MCU movie since Spider-man: Far From Home, imo. (admittedly, I haven't seen all of them, so take this hot take with a grain of salt... I just really enjoyed The Marvels)
So now I'm gonna do a wee bit of gushing about some of the reasons why it's so good. (spoilers bellow)
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Carol, Kamala, and Monica are just really fun to watch? Their interaction is amazing.
Kamala can be a bit cringey but in an authentically teenage way and I really enjoyed that! Her being a huge fan of Captain Marvel never stopped feeling real. Yeah, of course she's into RPF.
Consequences! I love when things in stories have consequences. And this is all built around consequences to the stuff Captain Marvel did. She did them with good intentions... But that didn't necessarily matter. And I love that. It adds a bit of complexity and nuance that's less and less common in superhero movies these days.
Which ties into... Carol not being perfect. She's amazing and powerful but she can't save everyone.
Carol is also... really fun? With a slight nudge she just became a really well-written, interesting protagonist? I love this version of Captain Marvel and I want more!!! Brie Larson finally gets to show off a bit as an actress!
She just really gave me Xena vibes, in the best possible way.
While the villain isn't an all-time great, the actress went for dignity and it payed off. She feels iconic and you understand where she's coming from.
Monica's sacrifice was quite powerful and kinda hit me.
The "training sequence" where Carol, Monica, and Kamala are practicing the switching is perfect. I love it. No notes.
I love that while it's only an indirect continuation of Captain Marvel, it takes the best bits from that film and builds on them. For me, Goose is the best bit of that film - a cat, but make it eldritch and alien, as well as bigger on the inside? Nice, love it. So what do we do with that idea the second time around? MORE CATS!!! I got a bit excited when I saw the kittens in the trailer and they did not disappoint. (Can the next movie be set on their planet? Please?)
But it's not just "there are kittens now" though. THE KITTENS ARE INTEGRAL TO THE PLOT. It's not just there to be there, but it's an important plot point. And it's so fun!
Nick Fury is also fun.
But it's not just taking what worked and expanding on it. This movie got really creative!
For example - the worlds! Especially the Bollywood planet. Great stuff.
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That's just some of the reasons to like this film. I'm probably gonna watch it again when it's on Disney+
If you haven't seen it yet, go do that it if it's still playing in a cinema near you. It's definitely worth a watch if you are in the mood for a fun, well-made superhero film.
I'm really looking forward to what Nia DaCosta does next. This film really didn't deserve to underperform and I hope she gets another stab at a big blockbuster like this in the future.
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wiccantwav · 2 years
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Monica Rambeau (Wandavision) - Icons
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