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#the girl from the long post
bluegiragi · 1 year
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watchingwisteria · 4 months
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im so sorry i get it now i really do, the gay angels have me shaking screaming crying at all hours of the day and night, they mean everything to me i am literally thinking about them all the time and what it would mean to love someone steadily and silently through eternity, what it would mean to love across the lines of a divine war of supposed good and evil, what it would mean to carve out a space for oneself and ones lover in no man’s land, in the grey and moral ambiguity when you were created to be black and white without blemish. god i love them so much i just
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horreurscopes · 2 months
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i like my body when it is with your body.
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novelconcepts · 11 months
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There’s a line from American Gods I keep coming back to in relation to Yellowjackets, an observation made early on by Shadow in prison: “The kind of behavior that works in a specialized environment, such as prison, can fail to work and in fact become harmful when used outside such an environment.” I keep rotating it in my head in thinking about the six survivors, the roles they occupy in the wilderness, and the way the show depicts them as adults in society.
Because in the wilderness, as in prison, they’re trapped—they’re suffering, they’re traumatized, they’re terrified—but they’re also able to construct very specific boxes to live in. And, in a way, that might make it easier. Cut away the fat, narrow the story down to its base arc. You are no longer the complex young woman who weighs a moral compass before acting. You no longer have the luxury of asking questions. You are a survivor. You have only to get to the next day.
Shauna: the scribe. Lottie: the prophet. Van: the acolyte. Taissa: the skeptic. Misty: the knight. Natalie: the queen. Neat, orderly, the bricks of a new kind of society. And it works in the woods; we know this because these six survive. (Add Travis: the hunter, while you’re at it, because he does make it to adulthood).
But then they’re rescued. And it’s not just lost purpose and PTSD they’re dealing with now, but a loss of that intrinsic identity each built in the woods. How do you go home again? How do you rejoin a so-called civilized world, where all the violence is restricted to a soccer field, to an argument, to your own nightmares?
How does the scribe, the one who wrote it all out in black and white to make sense of the horrors, cope with a world that would actively reject her story? She locks that story away. But she can’t stop turning it over in her head. She can’t forget the details. They’re waiting around every corner. In the husband beside her in bed. In the child she can’t connect with across the table. In the best friend whose parents draw her in, make her the object of their grief, the friend who lives on in every corner of their hometown. She can’t forget, so she tries so hard to write a different kind of story instead, to fool everyone into seeing the soft maternal mask and not the butcher beneath, and she winds up with blood on her hands just the same.
How does the prophet come back from the religion a desperate group made of her, a group that took her tortured visions, her slipping mental health, and built a hungry need around the very things whittling her down? She builds over the bones. She creates a place out of all that well-intended damage, and she tells herself she’s helping, she’s saving them, she has to save them, because the world is greedy and needs a leader, needs a martyr, needs someone to stand up tall and reassure everyone at the end of the day that they know what’s best. The world, any world, needs someone who will take those blows so the innocent don’t have to. She’s haunted by everyone she didn’t save, by the godhood assigned to her out of misplaced damage, and when the darkness comes knocking again, there is nothing else to do but repeat old rhymes until there is blood on her hands just the same.
How does the acolyte return to a world that cares nothing for the faith of the desperate, the faith that did nothing to save most of her friends, that indeed pushed her to destroy? She runs from it. She dives into things that are safe to believe in, things that rescue lonely girls from rough home lives, things that show a young queer kid there’s still sunshine out there somewhere. She delves into fiction, makes a home inside old stories to which she already knows the endings, coaxes herself away from the belief that damned her and into a cinemascope safety net where the real stuff never has to get in. She teaches herself surface-level interests, she avoids anything she might believe in too deeply, and still she’s dragged back to the place where blood winds up on her hands just the same.
How does the skeptic make peace with the things she knows happened, the things that she did even without meaning to, without realizing? She buries them. She leans hard into a refusal to believe those skeletons could ever crawl back out of the graves she stuffed them into, because belief is in some ways the opposite of control. She doesn’t talk to her wife. She doesn’t talk to anyone. It’s not about what’s underneath the surface, because that’s just a mess, so instead she actively discounts the girl she became in the woods. She makes something new, something rational and orderly, someone who can’t fail. She polishes the picture to a shine, and she stands up straight, the model achievement. She goes about her original plan like it was always going to be that way, and she winds up with blood on her hands just the same.
How does the knight exist in a world with no one to serve, no one to protect, no reason propelling the devastating choices she had grown comfortable making? She rechannels it. She convinces herself she’s the smartest person in the room, the most capable, the most observant. She convinces herself other people’s mysteries are hers to solve, that she is helping in every single action she takes. She makes a career out of assisting the most fragile, the most helpless souls she can find, and she makes a hobby out of patrolling for crimes to solve, and when a chance comes to strap her armor back on and ride into battle, she rejoices in the return to normalcy. She craves that station as someone needed, someone to rely upon in the darkest of hours, and she winds up with blood on her hands because, in a way, she never left the wilderness at all.
How does the queen keep going without a queendom, without a pack, without people to lead past the horrors of tomorrow? She doesn’t. She simply does not know how. She scrounges for something, anything, that will make her feel connected to the world the way that team did. She moves in and out of a world that rejects trauma, punishes the traumatized, heckles the grieving as a spectacle. She finds comfort in the cohesive ritual of rehabilitation, this place where she gets so close to finding herself again, only to stumble when she opens her eyes and sees she’s alone. All those months feeding and guiding and gripping fast to the fight of making it to another day, and she no longer knows how to rest. How to let go without falling. She no longer wears a crown, and she never wanted it in the first place, so how on earth does she survive a world that doesn’t understand the guilt and shame of being made the centerpiece of a specialized environment you can never explain to anyone else? How, how, how do you survive without winding up with blood on your hands just the same?
All six of these girls found, for better or worse, a place in the woods. All six of them found, for better or worse, a reason to get up the next day. For each other. And then they go home, and even if they all stayed close, stayed friends, it’d still be like stepping out of chains for the first time in years. Where do you go? How do you make small choices when every decision for months was life or death? How do you keep the part of yourself stitched so innately into your survival in a world that would scream to see it? How do you do away with the survivor and still keep going?
They brought it back with them. Of course they did. It was the only way.
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samarecharm · 5 months
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Ryuji having the worst bi crisis of his fucking life bc his mom just had to fucking ask “oh, whats this young ladys name?” when he showed her a picture of Akira petting Morgana. Like okay yeah Akira is like objectively pretty, hes like the Classic Delicate Pretty Boy just like Yusuke which is like whatever; straight dudes have eyes, and they know what women like to see. But now hes like. Seeing things he likes in girls IN Akira now and he cant make it Stop like its genuinely keeping him up at night 😭
Pretty boy used to be A Face that would come up in his mind when he thought of the term. There was no specifics in mind, just like. Pretty Boy. Pretty boy! You say that and theres like a Face Template that shows up in ur minds eye and hed just attribute that to any dude who was like Vaguely Pretty. But now its Akira 😭 and he finds himself cataloging things that Akira does that he KNOWS he finds cute when girls do it. The hairtuck behind the ears. The headtilt when he mishears a question. The Actually Pretty Doe Eyes. The breathy, nearly inaudible chuckle he does in place of a Real laugh (thats made better by the fact that its so hard to get him to laugh in the first place). He likes cute snacks. He blushes easily. Ryuji is sitting here like ‘theres no fucking way man. Like theres just no way. That shit makes NO sense (a lie)’ lying in bed in the middle of the night looking like this vvvv w his phone in his hands (looking at pictures of akira)
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It drives him insane bc like he did Not see any of these things as like inherently girly or whatever. Like thats just akira thats just his bro! And he does OTHER weird shit that cancels all that shit out. Hes like a messy engineer/tinkerer, he rolls out of bed and whatever situation his hair is is everyones problem. He wears that AWFUL gym uniform and doesnt tweak it AT ALL?? He likes baseball?? hes got a whole binder of trading cards that he will show off if u show any moment of weakness. Like hes just Some Dude but also manages to be Some Girl at the same time and Ryuji is like thats not fair. Life sucked ass but at least it made sense before Akira stumbled into it 😭
#persona 5#pegoryu#akiryu#chattin#long post#THIS one is almost a year old lmao its been in my drafts for a while#i at least tagged it as pegoryu before running away cutely so i think i was finished ??? well now i am throwing it into the world#anyway. akira is the guy ever. and ryuji is exploding#‘i have died. badly’#i like thinking of akira like this; hes ryujis first exposure to nb ppl and gnc adjacent stuff#even if akira is p masc by most standards hes still got a bit of. aloofness. about his gender stuffs#ryuji is just really into the way akira carries himself#and it takes him a while to go oh. oh i think its cause i like this dude#um.#😳.#also i wanted to clarify#but ryujis mom just doesnt know Who akira is in that picture#and in my head hes like. looking down at mona and petting him (while sitting)#(AND hes with ann and theyre both kind of a distance away from the camera)#so at a quick glance; hes just Some Girl#and even though shes wrong; it kicks off the mental chaos olympics in ryujis head#‘what hes not a girl’ to ‘where would she even get that from’ to ‘well akira said himself he didnt rlly care what ppl thought about it’#to ‘well. where DID she get that from?’ to lookin at what his homie does a little closer to ‘aw fuck. man.’#but i love that for him#ALSO. RYU/GORO IN TAGS…..#but ryuji going oh my GOD oh my godddd 😨😓😓😓 when something clicks in his head about goro#his voice is so practiced and naturally softspoken and his public facing persona is very demure#and once he gets past the initial anger over goro being a pompous prick who shittalks about the thieves. hes like. god fucking dammit.#There Is A Pattern and A Type He Has and Its Killing Him To Realize it.#hes literally sitting in his room w his head in his hands
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amielot · 6 months
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Dreams
Hob: "This is probably nothing"
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jessaerys · 8 months
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sun visits the moon at spk headquarters and gets so so so sleepy
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anghraine · 1 year
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This is unnecessarily long, but: I was just thinking about Wickham's predation on fifteen-year-old Georgiana Darcy and then, almost exactly a year later, Wickham's predation on sixteen-year-old Lydia Bennet.
There are obvious parallels between the two incidents. In fact, they're so obvious that I think the incidents are sometimes treated as equivalent, with the consequences only differing by happenstance. I don't think that's true, personally.
There are some mechanistic sort of differences—Wickham put a lot more effort and planning into the Georgiana situation. He wanted to marry her for her money and to make her brother suffer. She had to be isolated from people who would look out for her interests, he had Mrs Younge in place, he had known Georgiana as a child and was able to exploit his own previous kindness to her as her father's godson, etc.
And Georgiana, despite all of this, and despite being swept away by a teenage infatuation with an extremely attractive man, was still uncomfortable with it. She was worried about disappointing a brother who raised her and whom she deeply loves and admires. When her brother actually showed up by surprise, she decided to tell him everything; Darcy takes pains to give her credit for this. Adaptations generally downplay Georgiana's active decision-making here, but the only element of chance is Darcy deciding to go to Ramsgate at all. He insists that he was only able to act because Georgiana chose to tell him what was going on.
This isn't meant to be an indictment of Lydia, though. Does she admire the parents who raised her? No. But why would she? Especially why would she admire a father who treats her mother and sisters and herself with profound contempt and no sense of responsibility? Why would she ever confide in him?
It's not like Lydia doesn't confide in anyone. In fact, she too confides in an older sibling, her sister Kitty. And in one sense, her trust in Kitty is not undeserved. Kitty does keep the secret. Presumably, she does this because, despite her occasional annoyance with Lydia, she is very much under her influence and goes along with whatever Lydia does. Regardless, she is trustworthy in that sense. Moreover, we see at the end of the book that Kitty is easily improved by being placed in better environments and taught how to behave. She just didn't know better.
How was she going to judge Lydia's situation correctly? Who was teaching her to judge anything correctly? Certainly not their parents.
If Mr Bennet had bothered to interest himself in his younger daughters and try and influence them for the better, impressionable Kitty is probably the one who would have benefited the most. The whole Lydia/Wickham thing would have fallen apart before it went anywhere if all the girls had been been properly raised, even if Lydia did exactly the same things.
And Lydia likely wouldn't do the same things if she'd been brought up properly and, you know, treated with a baseline of respect rather than being openly mocked by her father, the person most able to affect her development. Instead, at barely sixteen, she's been continually rejected by her father, over-indulged by her mother, and flattered by adult men (28-y-o Darcy says he and Wickham are nearly the same age). And she still tells someone what's going on, even though she doesn't care about her parents' opinions or the consequences of her actions. And she was under the protection of a colonel and his wife at the time, who also could have told someone or acted, and didn't.
It's not that nobody could have done anything about the Lydia/Wickham situation. It's that nobody did until Darcy found out and tried to extract her. But it was, in one sense, too late. To Lydia, he's just some unfun acquaintance who says boring things like "go home to your family and I'll do what I can to cover for you." That is, he tries to do what he did for Georgiana.
But Lydia is not Georgiana—she did not choose to tell him about any of this. She did not want to be extracted because she didn't know and couldn't be quickly made to understand what marriage to Wickham would mean in the long term. And she didn't care what her family thought because she had no reason to, pragmatically or psychologically.
Georgiana, otoh, did care about her family's welfare and the good opinion and affection of the head of her family. But despite their radical differences in personality, the most fundamental difference between the girls IMO is that Georgiana had every reason to believe that disappointing Darcy and losing his respect would be a change from the norm.
Normally he is affectionate and attentive towards her. They write each other long letters, he defends her to other family members, and praises her frequently. Georgiana, quiet and intimidated though she may be, talks more when he's around. Disappointing him had actual stakes for her.
Put another way, the potential loss of his good opinion mattered to her because he's gone to the trouble of raising her as well as he can and forming a good relationship with her. She chose to tell Darcy the whole thing because he had earned her affection and trust in a way that Mr Bennet has utterly failed to do. Even Darcy happening to visit Georgiana at Ramsgate comes from his affection and attention to Georgiana's welfare, even if he couldn't have known what would follow from checking on his sister at that particular moment.
Chance is always part of life, and it's part of the novel and these situations. But a lot of how these scenarios wound out was not determined by chance but by long-existing patterns in these girls' educations and relationships.
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mahou-furbies · 2 months
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57 years of magical girls!
List of series they're from:
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Row 1: Sally the Witch, Himitsu no Akko-chan, Cutie Honey, Mahou Shoujo Lalabel, Minky Momo, Creamy Mami
Row 2: Persia the Magic Fairy, Magical Emi, Pastel Yumi, Sailor Moon, Magic Knight Rayearth, Wedding Peach
Row 3: Nurse Angel Ririka SOS, Saint Tail, Cardcaptor Sakura, Mahou Tsukai Tai, Revolutionary Girl Utena, Kamikaze Kaitou Jeanne
Pic 2
Row 1: Ojamajo Doremi, Corrector Yui, Time Stranger Kyouko, Tokyo Mew Mew, Cosmic Baton Girl Comet-san, W.i.t.c.h.
Row 2: Pretear, Princess Tutu, Mermaid Melody, Kamichama Karin, Sugar Sugar Rune, Winx Club
Row 3: Futari wa Precure, Magical Girl Lyrical Nanoha, Uta Kata, Fushigiboshi no Futagohime, Happy Seven, Shugo Chara!
Pic 3
Row 1: Futari wa Precure Splash Star, Powerpuff Girls Z, Nanatsuiro Drops, Yes! Precure 5, Balala the Fairies, Kaitou Tenshi Twin Angel
Row 2: Fresh Precure!, Invaders of the Rokujouma!?, Umimonogatari, Heartcatch Precure!, Panty & Stocking with Garterbelt, Puella Magi Madoka Magica
Row 3: Wish Upon the Pleiades, Suite Precure, Magical Lollipop, Symphogear, Smile Precure!, Magical Girl Ore
Pic 4
Row 1: Vividred Operation, Doki Doki! Precure, Day Break Illusion, Magical Girl Site, Fate/kaleid liner Prisma Illya, Katsute Mahou Shoujo to Aku wa Tekitai shiteita.
Row 2: 6 Hearts Princess, Kill la Kill, Samurai Flamenco, Happiness Charge Precure!, Magica Wars, Machikado Mazoku
Row 3: Yuuki Yuuna is a Hero, Lolirock, Go! Princess Precure, Miss Guillotine, Mahou Shoujo Nante Mouiidesukara, Sleepless Domain
Pic 5
Row 1: Punch Line, Apricot Cookie(s)!, Magical Girl Spec Ops Asuka, Concrete Revolutio, Miraculous Ladybug, Magical Suite Prism Nana
Row 2: Myriad Colors Phantom World, Nurse Witch Komugi-chan R, Mahou Tsukai Precure!, Flowering Heart, Mahou Shoujo? Naria☆Girls, Magical Girl Raising Project
Row 3: Matoi the Sacred Slayer, Flip Flappers, Balala the Fairies: Over the Rainbow, Pop in Q, Acro Trip, Kira Kira Precure a la Mode
Pic 6
Row 1: Märchen Mädchen, Twin Angel Break, Re:Creators, Magia Record, Cloudy Wondrous, Strawberry Seafoam
Row 2: HUGtto! Precure, Balala the Fairies: Ocean Magic, Tsukurotte Piature, Gushing Over Magical Girls, Star Twinkle Precure, Stellar Witch LIPS
Row 3: Healin’ Good Precure, Catch Teenieping, Mewkledreamy, Dame Daffodil, Sasaki and Peeps, Tropical Rouge! Precure
Pic 7
Row 1: Blue Reflection Ray, Magical Mom, Magilumiere Co. Ltd., Tea Tea Cherry, Delicious Party Precure, Balala the Fairies: Magic Star Fate Castle
Row 2: Hirogaru Sky! Precure, Magical Destroyers, Magical Girl Tsubame: I Will (Not) Save the World!, Wonderful Precure!
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sergle · 6 months
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(re: sssniperwolf and jacksfilms) It's laughable that she escalated it that hard. Don't get me wrong, I'm pretty sure stalking him like that is illegal and it's terrifying regardless, but Jack said in a stream (can't remember which one) that he wasn't about bringing up past controversies of hers or cancelling. And now she shows up outside his house (wtf!!!). Like he was willing to only call her out for stealing and freebooting but she's gone and stalked him and Jack doesn't seem like the type of guy to take that shit. Actual WTF moment from her part. wild
omg long post below bc apparently I have opinions: YES!! THAT'S WHAT'S SO INCREDIBLE ABOUT THIS... Jack has been genuinely diligent about keeping things on-topic in his streams, and hasn't brought up any of her other Stuff, or anything Personal. Despite the fact that she kickstarted the whole thing by making it INCREDIBLY personal and attacking his physical appearance... His goal has been to call out and bring attention to content theft, and he's stuck with it. Dude's also cared about this for years, and she's not the first content thief he's criticized. He just hates the way that freebooting has become so accepted-- to the point where youtube praised her for "coming up with such creative video ideas"? Hey! Ew! Dude wasn't trying to get her cancelled though, there was no smear campaign of her character. He's been rallying to get her to CREDIT the creators that she relies on for all of her content. It would set a precedent for all other "react" channels on the platform for one of the biggest channels on youtube to actually give credit where credit is due. Or, god forbid, get permission first? It's not hard. It's already done the job of making some other people who do "react content" self-analyze whether or not their content is transformative, and to maybe care about crediting the creators they rely on for their genre to work. There is a way to make this kind of video that isn't so slimy. And making fun of her lackluster-at-best reactions is so far from even being a big deal. Bc she literally does just sit there and say nothing. Plus, his goal has a clear End built into it: if she started shouting out the creators she takes content from, and put links directly to their pages in her video descriptions, the job would be done! That's what he's asking her to do. Real bare minimum stuff. It legit would have been easy to steer away from the content theft and to also talk about her history of lying to her audience! her ghosting a dying kid with cancer who was a big fan of hers! the fact that she's been arrested for armed robbery! her history of transphobia! He would also get more clicks that way, which is what she claims is his sole goal- to get more clicks. I'll bring it up though! She's been a terrible person the whole time, and has kept a steady course of manipulating her audience of young children and/or, let's be completely honest, simps- into thinking that she's a Wholesome creator. (And now, into thinking she's an innocent victim.) All of the actual effort put in by her has gone toward optics, not the content she puts out. A carefully constructed online persona, for one, but also literal appearances. Jack totally can't say this, bc she already went off the handle and said the only reason he doesn't like her is bc he Hates To See A Woman Be Successful. But I can! That was a cheap shot for her to use that argument when, for once, it's not applicable! Much the opposite, even! Dudes online wouldn't go to bat for her if she didn't look the way she does. And it weakens any case she'd have against him by making baseless claims like that. She banks hugely on being an attractive woman to get her clicks/following. A massive amount of effort is put into her appearance. The makeup, the lip fillers, putting her hair in little pigtails, the chokers and tube tops, the big non-prescription Nerd Glasses, the thumbnails where she has her mouth open in That Expression?
I don't even have to say anything. But making a weird facial expression and putting your hair in pigtails aren't moral failings. Showing up at someone's real life home (whose address you shouldn't even have access to), filming the front of their house at night, doxxing them to your audience of millions of people? Because you were mad at them online? That is fully scary! Yeah girl I'm pretty sure that Jack can press charges! There is absolutely no way to take the moral highground now that she's literally stalked him, and doxxed his home. She tried to goad him and Erin (Jack's wife) out of the house, also, which creeps me out even more-- because what was she planning to do? The fact that she's been arrested for violent crime before does pop into my mind! lmao! Jack was streaming a game at the time that she was outside his home, and these clips of him, his friends, and Erin reacting in real time to what is genuinely a scary situation have been taken down in case he needs to use them in legal action. Shit is legitimately serious!
#sergle answers#long post#LONGEST POST ON EARTH I'M SO SORRY#saying all this out loud only takes a few minutes but typing it... girl this is a BOOK#clearly I have thoughts on this Online Drama but also this isn't online!#these are people who exist in real life. and compromising a person's safety bc he criticized you for stealing tiktoks#is a real life thing. this isn't confined to online spaces! you can turn off your computer to get away from An Argument#but someone going to your house?? that's absolutely terrifying#and all of this is just because he's been telling her to credit the creators. it could have been resolved so simply.#I hope he takes legal action against her bc he genuinely has grounds to do so.#and I can't imagine how terrified and upset I would be if someone was outside my door. filming my house for their audience.#also the 'what if the roles were reversed' argument is rarely made in good faith... but she's already brought up the topic.#this would be getting even more coverage and the optics would be Even Creepier if a strange man with millions of followers showed up#at the home of a woman- just bc she criticized his videos- filming her home address for all to see and trying to get her to come outside.#It's just as creepy that sssniperwolf did this as it would be coming from ANYONE else#it's been downplayed bc her being a little skinny woman means that A Man shouldn't be threatened by her#which. even if she wasn't going to Do anything. any one of her rabidly loyal online followers MIGHT. she's not the only one who could go to#his house now! anyone could show up.#sergle.txt#Jacksfilms#Sssniperwolf
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boombox-fuckboy · 6 months
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Hey!!! You commented on my post about limetown haha which is why I’m here. You offered to give podcast recs! What are your favorites?? I’m looking for some new ones
I completely forgot I had this ask, excuse the delay. Here's a selection of 30 podcasts I enjoyed from a broad range of genres: hopefully at least one appeals.
Let me know if you're after something more specific.
Arden: (Investigative, Comedy) On the 25th of December, 2007, heiress and young actress Julie Capsom crashed her car into a tree and fled into a nearby forest clearing, leaving a trail that seemingly vanished into thin air, and a dismembered torso in the trunk. A decade later, Bea, the first reporter on the scene, and Brenda, a detective on the case, are hosting a true crime podcast about it, and neither is remotely impressed with what the other has to say. Arden is also a retelling of various Shakespeare plays.
Desperado: (Supernatural, Adventure, Horror Elements) In a modern world of gods and magic, three young people, all under the patronage of death dieties, embark on the same adventure for different reasons: for safety, for revenge, and to kill The Old Man in the Sky. Fantastic banter and killer action sequences.
The Far Meridian: (Magical Realism) An agoraphobic young woman wakes one day to discover her lighthouse home has travelled to somewhere entirely unfamilar. As this continues to happen day after day, she uses the opportunity to search for her missing brother. A really unique and charming piece of fiction.
Gastronaut: (Sci-Fi) Interstellar travel audio blog of a former food critic as he travels to an active warzone to get firsthand experience with unfamilar cuisine. ft. Disgruntled martian nobility, sinister businessmen, explosive mushrooms, forbidden snacks, rogue revolutionary artists, and the consequences of your actions.
Girl in Space: (Sci-Fi) The Girl In Space lives alone on a space station, doing science, making cheese, rewatching Jurassic Park, and tending to the plants, animals, and artificial sun entrusted to her. It's a little lonely, but not a bad life. Would be a shame if someone came along to ruin it.
The Goblet Wire: (Microfiction, Weird Fiction) A surreal microfiction with horror elements, taking the form of phone calls to an audio-based game in which the voice of the mysterious Dictator leads each player through fantastic and horrific world and story.
Hello From The Hallowoods: (Horror, Supernatural) A dramatic entity beyond your comprehension visits your nightmares to tell stories of the people (in varying degrees of human and alive) that inhabit the strange, deadly, and beautiful Hallowoods, as they find meaning and sometimes eachother.
Hi Nay: (Supernatural Horror) A year after moving to Toronto, sound designer Mari finds herself drawn into helping people around the city with various horrific supernatural encounters due to her babaylan (shaman) family background. It quickly becomes apparent that there's something much more sinister and complicated happening in the background.
Inco: (Microfiction, Sci-Fi) A perpetually exausted interstellar information trader and her peppy AI find a mysterious (read: bratty) boy floating in space and are inadventently pulled into a world political intrigue.
Inn Between: (Fantasy) Ever curious about what the D&D characters get up to at the tavern between sessions? A generally lighter-hearted (with some exceptions) with richly-written and always-growing characters. A really interesting format, too: a lot of the adventure appears in the "next time" and "last time" segments which makes it all flow really nicely. Not a tabletop podcast.
Janus Descending: (Sci-Fi, Horror, Tragedy) A xenoarcheologist and a xenopaleontologist are sent to a study a dead city on a distant world. Nobody likes what they find there. A unique format, with one set of logs presented first to last, and the other last to first. I'd recommend listening to the supercut for this one.
The Kingmaker Histories: (Steampunk, Weird Fiction, Adventure, Fantasy Elements) In the Valorian Socialist Republic 1911, on her 25th birthday, tailor's apprentice Colette experienced the worst headache of her life. As a result, she fleed from town with a human artificer and a fae chef - both now smugglers - pursued by an utterly furious flesh-crafter. I'm not sure I'm selling how good this podcast is but it's very good.
Life With Althaar: (Sci-Fi, Comedy) A human repairman moves to a space station on the edge of human territory that is perpetually on the edge of self-destruction, and ends up with a less-than-ideal last-minute roomate. Althaar is polite, friendly, deeply interested in human culture, and eager to be friends. Unfortunately he belongs to a species that sends humans into a visceral panic at a glance.
Lost Terminal: (Sci-Fi, Hopepunk) Seth is a very lonely AI living on a satellite. His crew were left stranded aboard with no hope of return, and it's been longer than he can count since then. The Earth below him has changed dramatically, and with only a few other AI down there to talk to, he's very lonely. But! He has a plan to make some new friends.
Love and Luck: (Romance, Slice-of-Life and Urban Fantasy Elements) Voice messages cataloguing two young men falling in love and opening a queer dry bar together.
Midnight Radio: (Light Supernatural, Romance) Sybil McIntyre, host of the ever-popular 1950's nightly radio hour, begins exchanging letters with an old fan who has reluctantly returned to visit Sybil's beloved town.
Midst: (Weird Fiction, Western, Sci-Fi and Fantasy Elements) The old-western planetoid islet of Midst floats, rotating steadily, in a sea of reality-warping darkness. Down in the town of Stationary Hill, things are in movement, and vistors from the light above are about to bring unanticipated change. ft a monocycle-riding monster-hunter, radio-famous airship paladins, deadly mica, the universe's peppiest cultist, good dogs, and a really strange businessman.
The Mistholme Museum of Mystery, Morbidity, and Mortality: (Weird Fiction, Supernatural, Urban Fantasy and Horror Elements) A friendly AI tour guide leads you on a tour of the Mistholme Museum, explaining the strange and often alternatural story behind each item.
Monstrous Agonies: (Supernatural, Relationship Advice) An interpersonal advice show for supernatural entities and other people living liminally in the modern world.
Night Shift: (Urban Fantasy, Investigative) Set in a modern world with the addition of magic, which manifests in small inherited skills/traits, can warp people in horrific ways, or can be manipulated with the right science (and intense work) to induce superpowers. Sebastian Fenn is a barista at Night Shift Coffee, but since things are slow he's decided to start a podcast to talk about various mysteries, crimes and conspiracies around the city, and of course finds himself deeper in them than he'd intended.
The Pasithea Powder: (Sci-Fi, Thriller Elements? I think?) The last major interplanetary war was full of atrocities, but none more infamous then the creation of Pasithea Powder, a memory altering drug which was used to horrible effect and landed it's entire team of creators in prison. So when decorated war hero Captain Sophie Green sees one of them wandering free, worlds away from his prison, she gets in touch with a very old, estranged friend: one Dr. Jane Gonzalez, who's behind bars for the very same reason.
SCP: Find Us Alive: (Weird Fiction, Supernatural, Horror and Slice-of-Life elements) You don't need to know anything about SCP to enjoy this. A research team gets trapped in an underground research facility when the complex collapses and the building is dragged into a pocket dimension. The tear it was designed to study begins creating tiny copies of itself, generating strange entities the team needs to deal with. And as if that wasn't enough, the entire situation physically resets itself every 30 days. And yet, this is genuinely also an office comedy.
Second Star to the Left: (Sci-Fi) Audio logs of a scout sent to explore and establish early infastructure new world, and the communications with the minder in charge of keeping her alive.
Seen and Not Heard: (Slice-of-Life, Drama) Seen and Not Heard follows Bet, who's still adjusting to life a year after a bout of severe illness, and the resulting hearing loss it caused. It's about the ways we make connection, and food, and art, and different kinds of grief.
The Silt Verses: (Horror) In a modern world where gods are abundant, frequently both commercialised and restricted, two devotees of an outlawed river god go on a pilgrimage.
SINKHOLE: (Sci-Fi, Weird Fiction) Forum posts from a data restoration community in a near future where the human brain is its own computer and one city hosts a massive void.
Starfall: (Fantasy) Seeking to escape her mysterious past and find some purpose, a young swordswoman joins a travelling actor's troupe. This new life is unfamilar and sometimes stressful, but she's taken under the wing of stagehand Fel, who's determined to help her feel welcome as she experiences the figurative and literal magic of the theatre for the first time.
The Tower: (Weird Fiction) A low-key, meditative podcasy about a young woman who decides to climb a seemingly endless tower. Gorgeous sound design.
The Vesta Clinic: (Sci-Fi) New GP Dr. Fae Underwood, with the expert transcription skills of resident AI Sec, writes up patient reports on human and alien patients of The Vesta Clinic, a medical clinic on the edge of human space. Really comfy and creative.
Victoriocity: (Steampunk, Mystery) Set in the steam-powered Victorian city of Even Greater London, an aspiring journalist and a tired detective find themselves working together to solve a strange murder. I say Victorian but as queen Victoria is now an extensive grandiocity of cyborg components following seven only-kind-of-successful assassinations, you may need to adjust expectations a little.
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goldenhypen · 5 months
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⋆。⠐ happy ✧。♡
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✴︎。⠐ birthday ⠐⚬⋅。
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⋅。⠐ to the kindest cutest most loving cheerful hard working greatest prettiest handsomest funniest hottest jakey sim 🦭 ⚬♡⋅。
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⎯ ⋅ ♡ ⋅ ⎯
jake, my love and admiration for you go beyond words. thank you for blessing me with so much joy and love in my life. you’re an inspiration to so many and i’m so grateful for you and incredibly proud of where you are and who you’ve become. and you deserve all the best things, or at least to have the best birthday of your life this year <3 eat well and celebrate lots my love <3 i love you and happy birthday <33
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n0-eyedtaissa · 9 months
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thinking about how taissa’s best friend is clearly shauna, who’s best friend is jackie. it’s one of the subtle, more relatable cruelties shown on yellowjackets: the thin line between competition and alienation that comes with three-girl friendships. in every three-girl friendship, there are the two girls who walk side by side on the sidewalk, then there's the girl who's a few steps behind them. one’s always the leader, one’s the follower, one’s always the scapegoat. “jackie’s not gonna like it…” “well then we probably shouldn't tell her". shauna goes along with the plan, yet condems taissa as soon as the Allie Thing goes awry.
girl #3 defends #2 from the 'best friend' that overshadows her, but now that she's not the furthest in the shadows, girl #2 finally has someone to be cruel to. “i admire your resilience, tai. cant be easy knowing you fucking crippled someone today” when the traits that made jackie powerful at home aid in her resistance to the wilderness, shauna leans into the qualities that taissa has that are useful now but previously lead to the general understanding that she’s (to quote akilah here) “not THAT much of a bitch”: her directness, her decisiveness, the way she snaps to action and can take control.
girl #3 relishes in the power because she knows it’s slipping from girl #1. “thanks for having my back during the vote” “i didn’t have you back it was just what i thought…” taissa knows this. its what shauna thought herself, not what she mindlessly agreed to because of jackie’s influence. girl #2 and girl #3 bond over #1’s shortcomings. taissa and shauna get upset with jackie for not pitching in, for attempting to raid Dead Cabin Guy’s pantry for food and for how she recoils at shauna’s attempts to teach her how to butcher the deer.
when the girls have their seance, jackie wants to deny that they had any responsibility in conjuring the darkness: she called for it and shauna was the conduit, so she feels that guilt for the both of them and chooses to appease the darkness by not letting taissa be alone in the attic that night.
that moment jumpstarts the brewing rift between jackie and shauna, because it shows how shauna can and will choose somebody else over jackie. “what’re you doing?” “i was just gonna keep you company, if that’s okay…” it’s here when taissa revealed that she knew shauna was pregnant (because girl #3 is never in the spotlight so she pays extra close attention to those around her). when taissa finds out that not only is shauna pregnant, but she’s pregnant with her best friend’s boyfriend’s baby, she reserves her judgment because she knows that for shauna, that same fear of judgment is why she would rather die in the wilderness than tell jackie how and why she slept with her boyfriend.
when taissa figures out that shauna is trying to terminate her pregnancy (because katie lindstrom did it with the underwire of her bra last year), taissa tears through the woods trying to find her so that shauna wouldn't have to do something so risky by herself. “you’re not gonna do this alone, okay? i’m gonna help you, if you let me”. she realizes that she’s Not Jackie, she's not girl #1 with her power and her influence. she’s not who shauna would normally turn to...and that's the whole point.
girl #1 always panics when her second-in-command starts attracting more attention to herself: jackie can feel the space between herself and shauna growing larger and she knows that tai has been filling that space... the Best Friend space. but despite what shauna seems to think, jackie knows her too and can recognize the lies that even shauna herself believes. jackie knows that things aren't normal and nothing about what they're going through is remotely okay.
"i see you sneaking around and whispering with taissa, not to mention you acting all distant and weird for weeks." jackie isnt concerned with the fact that they survive a plane crash, or that she and her team are starving, all she's worried about is shauna. when jackie asks "when did you stop wanting me to be your best friend?", it seems like what she really means is 'when did you start wanting taissa as your best friend instead of me?'.
shauna may have started confiding in taissa more because she had a secret to keep from jackie and she needed anyone to be there for her...but from the very first episode (at least to ME), it's clear that taissa has been there for shauna before the plane crash, through her pregnancy, eighteen months in the wilderness, and even twenty-five years later. in no way am i insinuating that taissa's friendship with shauna is one-sided, either! shauna exhibits a very different kind of softness and affection with taissa than she ever was shown to do with jackie. it's very innocent, there's no envy, they have nothing to withhold from one another when they're hiding away in Dead Cabin Guy's attic.
shauna and taissa slept side by side up there, away from their team and the expectations that were unfairly placed on each of them and suddenly they both can breathe easier. they shared secrets and their fears and it brings them closer together, though it drives jackie and shauna further apart. with girl #1 further out of the picture, #'s 2 and 3 realize just how nice it feels to be understood. when taissa expresses the immense amount of guilt she feels about being the reason that van went on the ill-fated expedition, shauna reassures her that it's not her fault that van got hurt. that if taissa was too scared to sleep, shauna would stay awake. that she wouldn't let her go anywhere.
despite everything, though, taissa seems to understand that shauna would pick jackie over her any day. and she respects that, defends jackie's resistance to the wilderness and its offerings. when shauna (then mari and the rest of the team) start to gang up on jackie, taissa STILL defends her because she's girl #1...shauna's best friend. "c'mon jackie, don't go outside..." "don't pretend like this isn't what you wanted the entire fucking time." because jackie knows that taissa likes to win and isn't afraid to play dirty in order to get what she wants: the role of being shauna's New Best Friend.
once jackie is exiled from the cabin and shauna is watching her struggle from the window, it's STILL taissa who's saying "just go talk to her" ... just bring her inside, go and make up with her because she;s your best friend and you love her and i'll still be there for you. and taissa always is. in the morning when the find jackie, all alone and frozen in time, taissa's there to hold shauna as she cries and screams and curses the world and realizes her own capacity for cruelty. taissa's there for shauna. she's not letting go and she's not going anywhere.
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moghedien · 8 months
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ok so i was genuinely unsure about how I felt about the way Lanfear was revealed in the moment, but there are three main things that are really selling it for me:
1: It immediately sets up the threat of going up against a Forsaken:
So far we haven't really gotten much of an indication from the show about what the Forsaken really are, who they are, and why they're any different that a regular darkfriend. Obviously there's still a ways to go in explaining it, but Lanfear provided an immediate visual explanation
Because for example, we've already seen one darkfriend innkeeper who had a thing for Rand (or pretended to) take a knife through the throat
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We've even seen Rand stick around and linger by her body and its very clear that absolutely nothing happens.
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We get a lingering shot on her bleeding out and she is very clearly actually dead in this moment. Its not even really a question.
But with Lanfear we kinda get the exact opposite of this moment. We see her take a knife to the throat and clearly go down, then there is no lingering by the characters.
The camera goes back to her and we see the saa very clearly moving in her eye, then she blinks and breaths in.
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And by this being the opposite of Dana, I mean that with Dana there was no question that she was actually dead. With Lanfear, there is absolutely no question that she's still alive.
Dana was also a darkfriend, but this is very clearly showing non readers that Lanfear is something DIFFERENT. We're told she's a darkfriend of some kind, then we're seen that she actually apparently cannot die by normal means. This coming AFTER the reveal that she is definitely a channler of some kind, and if we now know she's a Forsaken, then we know that Moiraine clearly said the Forsaken are the most powerful channlers ever, more powerful than any Aes Sedai.
And now apparently they can't die.
2. Its foreshadowing.
Moiraine was able to take out Lanfear (if only temporarily) with a physical attack because Lanfear was so fixated on Rand.
The above is also a spoiler for the climax of a certain book.
I'm not gonna get into it, but its clearly like showing that there's a course of action and there is a playbook that works here.
3. NOW we have Lanfear
Before we had Selene. I'd argue there were even moments where we had Mierin, but the only time Lanfear has really come out before this was when she went into Rand's dream and threatened him in episode 3.
By this I mean that while Selene was always obviously an act Lanfear was putting on, it stopped us from really seeing how manipulative and obsessive Lanfear could be and was currently being. If we didn't know she was Lanfear (and non readers shouldn't) then there's no reason to realize the lengths to her manipulation. We still don't know that the man she was telling Rand about was Lews Therin. We still don't know that Lanfear even knew Lews Therin much less would want to rekindle any kind of lost romance with his reincarnation. Because even when Lanfear was being honest as Selene, she was keeping herself back. She wasn't latching onto Rand and telling him that he was hers. She was very clearly holding onto the memory of Lews Therin, but there has yet to be any clear indication that she 100% buys that Rand and Lews Therin are the same person rather than Rand just being his reincarnation.
So while Lanfear was definitely getting some joy out of sleeping with Lews Therin reborn, there is no real indication that that is what she wanted. She said she wants Lews Therin. She tells Rand she's more or less settling for him. Let's assume that was 100% honest for the moment (because I believe it mostly is to a point), I don't think that's the case after this episode. Because Mierin Eronaile suddenly got the one thing she'd always wanted:
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If you watch the moments immediately before this scene and immediately after, there is a shift in how Lanfear is acting here.
Before she was very clearly putting on an act. She was playing up being afraid of Rand and didn't seem at all concerned about keeping him here. The most she does is ask him where he's going to go, and even that is said in a weird tone unless you know that she's probably going to use this information to keep tabs on him and report it/follow him herself.
But Rand does the one thing he absolutely shouldn't have done with Lanfear and told her that he loves her.
So now I think is the moment where Lanfear is willing to accept that Rand is Lews Therin. Because if Rand is Lews Therin, then Lews Therin just said that he loves her.
And her entire tone shifts here. You can see she's visibly shocked in the moment, and then smiles and flips the scene to her being afraid of him, to her reassuring him and telling him that he should have told her and telling him that he didn't do anything wrong and he was just acting in his nature. Before she was bringing up the inn and was clearly trying to make him feel bad. Now she's clearly trying to reassure him and keep him around. Absolutely manipulation but I think she didn't really need him to stay until he indicated that he loved her.
So what this means is that we now have Lanfear, who is established as being unkillable and one of the most powerful and oldest being in existence, NOW becoming obsessed with Rand al'Thor and thinking of him entirely as Lews Therin. And not only that, but now she's PISSED because he just left her and was taken away from her by Moiraine exactly when she finally had him back after thousands of years.
She finally got everything she's wanted and it was immediately taken away, and I think that's frankly terrifying, so yeah, I think I do like this reveal now actually.
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"I felt like the script understood something about me that I was still trying to understand about myself..."
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sumechiayuu · 9 months
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Komaru Naegi has to be the best protagonist in the whole series, with Hajime coming to a close second. I love her progression from a terrified girl who doesn’t want to fight, to a girl who can finally fight for herself and learns to be content with the fact that she won’t ever be normal again. I love it when she gets to be dumb and naïve in a charming way due to her locked-up life, and I enjoy her developing friendship with Toko. I would go on about how her character gets undeserved hate for…being a realistic teenage girl, but I want to be positive when I copy and paste my ramble instead. I think the funniest thing about Komaru is how she just casually looks over the fact that her friend kills people. Jack could be talking about ripping through a man’s intestines with her teeth or something and Komaru will go “Oh the only things I've ripped with my teeth are kangaroo meat sandwiches!” She has just as much of a lack of social awareness as Toko does and I love it.
I think another thing I like is that though she is a scared girl, she has slightly more backbone than her big bro when it comes to her interactions with Toko. When I first saw a playthrough of this game, I was really worried that they’d make her an exact replica of Makoto and not her own person, but I was pleasantly surprised that I was wrong. While both are more emotionally driven and have weird taste in food, Makoto is someone who’s comfortable with being a regular guy, usually just takes crap from people like Byakuya and Toko, and though he’s scared in the killing game he doesn’t outright show it the way his sister does. Komaru is way more willing to tell off Toko when she’s being a jerk, doesn’t hide her emotions of fear and worry, has complicated feelings about her ascribed status as a normal girl, and the game itself even makes a consistent point that she won’t ever be like her brother, and that’s fine. She’s just Komaru Naegi, a loveable girl who blossoms into a strong woman who comes into her own. Her gradual development can also be viewed as an allegory for the concept of growing up, with this even being shown in the way her voice dramatically changes throughout the game as she learns to embrace the fact that she won't ever be a normal girl again, and that’s okay. I genuinely enjoy Komaru so much and I feel like she’s underrated due to the lack of discussion I see surrounding her character that doesn’t just trace back to “oh she’s just Toko’s best friend”.
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