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#the great isolation
horang-07 · 6 months
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FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!
i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.
i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.
in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.
this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable
it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.
then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.
he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.
finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.
it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.
in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.
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redonionlover · 16 days
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sunstone..? perhaps???
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anon ur so real for this... they're my faves since i first played rw
havent drawn them in a loong time though so i doodled these real quick :^)
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rattusn0rvegicus · 9 months
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Man I feel like a lot of leftist activists would do a lot better to just use common fucking language to talk about things rather than dense academic shit that's only understandable to people with PhDs and people who spend 95% of their waking life on Leftist Twitter lmao
Like, you're talking with other academics? Great, use academic language. You're a social media account trying to interact with the general public? Don't say "decarcerate", say "find alternatives to imprisonment". Don't say "collective liberation", say "freedom for all". By GOD don't say "bodymind autonomy", say "the ability to have control over our own minds and bodies".
Yes it takes a little more effort to explain shit in common language but I promise you people will stop looking at you like you have two heads and dismissing everything you say as Woke Bullshit if you like, actually get on their level, goddamn it. Not everyone has the privilege to have a graduate-school level understanding of this type of language or spend so much time reading leftist theory that they can perfectly understand this stuff.
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rosefires20 · 9 months
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Every event shows how strong the community bond of the QSMP is. The fact that everyone let Etoiles and Phil be the main fighters against the code and mostly played support for them just shows it.
Cellbit and Etoiles made sure that Phil got the chance to kill the fake Chayanne code. They covered him when he got downed and made sure he had enough cover to stay in the fight for as long as he needed.
Everyone also believed Phil instantly. They know and trust Phil and his judgement. Afterwards everyone shared how they saw the little things off about the fake Chayanne and Tallulah as well which shows how much they pay attention to them too.
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acowardinmordor · 6 months
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I need a fic where Steve and Eddie are sorta friends after S1. He isn't talking to Tommy H, so he has to buy his own stash, and since he saw a monster, he's more in need of that stash than before. Steve is still with Nancy, there isn't anything romantic happening between Eddie and him, but they're close enough they have stopped acting like guests at each others place when they're over.
They get way too high the friday before Halloween of 84, and Eddie accidentally outs himself. Doesn't say that he likes Steve, but the pieces are there if Steve wants to connect the dots. Eddie runs for it, and Steve is confused why he ran, but thinks that he should give Eddie some space, since he obviously wants that. Enter S2.
Steve gets a little in his own head about dragging people into the Upside Down crazy. It got Bob killed this time. People die, and the closer people are to the group, the more likely it is that they'll end up in danger or dead. The best case scenario is that they have nightmares and brain damage.
So Steve takes the echoing silence between him and Eddie as a chance to keep him safe. Eddie is terrified that Steve hates him, so he's not going to say anything. Then, Steve shows up to school beaten to shit and single, and Eddie asks if he's okay, what happened, who did this, why.
Steve really wants to loop back to why Eddie ran out so fast after saying that he was 'a friend of dorothy', because he missed it entirely, but asking would encourage Eddie to stay around him, and that isn't safe. He is still a bit concussed, and convinced that if he tells Eddie about any of it, the guy will figure out all of it, and get himself killed. Brushes him off.
Its not until a year later, talking to Robin about queer culture that he understands what Eddie was saying, and why he ran. He also realizes that cutting off contact must have convinced Eddie that Steve was disgusted by him. Steve tries to reach out, tries to catch Eddie after Hellfire, shows up to his trailer a few times. It's late, but Steve wants to apologize and fix that one thing if nothing else.
It doesn't work, Steve takes the hint, and goes back to avoiding Eddie. So, the first time they talk again is in the boathouse.
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arctic-bookclub · 2 months
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in my opinion, qphil isolating and exiling himself is only going to make things worse or delay the inevitable: as shown yesterday the enderking wants qphil to isolate, to not tell anyone, and luckily for our evil demigod that is exactly how qphil operates. he holds secrets in hopes of not hurting others, not getting them involved. and we just saw what happens when he has a support network helping him, he broke free from enderking’s grasp even for a moment. but that bit is not the only reason why his isolation is playing straight into enderking’s hands: it’s his insecurities as well. ”i’m a shit dad” ”i need to prove myself worthy of protecting” ”i need to provide better for the family” ”i need to be stronger” - all insecurities that are qphil’s downfall. enderking has already played into his need to provide for the kids as well as the want to be stronger (the buffs in the dungeon), what’s stopping him from digging his claws further to qphil’s core, his insecurities and weaknesses now that he has no one to break him out of his self-deprecating loop? when all he has are his thoughts, the caws of a crow and the voice of him? if no one finds him in exile, i think he will lose himself again, betrayed by his own mind
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joons · 8 months
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In emphasizing that Ken needs to look past romantic love and search for satisfaction within, Barbie is of course also staking a claim about her own identity and value. In doing so, she’s joining with a broad trend in kid-friendly entertainment: we no longer make movies where a heroine’s destiny is to fall in love. If you look at Disney movies in particular, the classic storyline of the protagonist getting her man in the end has been pretty definitively retired. The last movie of theirs that could be said to hold romantic love as the fundamental goal of the protagonist is Tangled, and even that’s debatable. Frozen and its sequel very directly reject that story structure, while films like Moana and Raya and the Last Dragon are indifferent to it. And, you know, that’s all fine; there’s lots of different good stories out there. But I do think that the out-and-out abandonment of the notion that love is the noblest pursuit of human life says a lot about our cult of self-worship. Because once you’ve dropped the romantic ideal, that’s all our culture really has to offer. ... The individual problem is that telling people they are enough is a cruel thing to do, because they aren’t enough. None of us is enough. I don’t know you, personally, but I can still say with great confidence that you are not enough. If you go through life uncritically accepting the Instagram ideology that you can #manifest everything you deserve because you practice #self-care and are #valid, on a long enough time frame you’re going to end up alone and miserable and profoundly aware that the idea of total emotional self-sufficiency is a transparent lie. Human beings need other human beings. All of us. You might be inclined to lament that fact, and you’re entitled to if you want. But you don’t get to choose to be self-sufficient, any more than you can choose to not require oxygen or water. We’re all interconnected in these vast webs of social influence and causality, whether we want to be or not, and very very few of us can last for long without relying on other people. The connections that save us don’t have to be romantic, but they do have to be connections.
No One Is Kenough, Freddie deBoer
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soulfireblue · 5 months
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crazy that we got canon confirmation today of tubbo explicitly saying that he's not taken seriously and sunny saying she doesn't think someone likes her
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the-meme-monarch · 10 months
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i'm just tired of it is all
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Elves in lothlorien, rivendel, the harbors: the elves of mirkwood are so isolated from the world, they hate outsiders.
Elves of Greenwood the great (thank you very much): *routinely trade with their human neighbors.*
Elves of Greenwood: *used to do business with the dwarves in the next door mountain before the dragon came, and continued business when smaug was killed.*
Elves of Greenwood: *have a yearly celebration with the different avari groups that lasts 10 days.*
Elves of Greenwood: no, we’re not isolated. We just don’t like you.
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razmerry · 5 months
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can the mediator of vengeanceclan really fall in love with a kittypet?...
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poorly-drawn-mdzs · 1 year
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Drew WWX and LWJ after I finished my rewatch of The Untamed a few months ago. I have gotten marginally better. May this set a benchmark for what to expect from this blog.
Edit: June 2023 redraw
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uncanny-tranny · 5 months
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Something I think ought to be more readily-available and encouraged is simply... taking parental classes. I wish it were more common for people to realize just how hard - and important - parenting is, and indeed, that we all could use help with taking care of young folk. It's really alarming that popular opinion is still that parental classes are only for the "fuck-up" parents, or the parents who utterly failed. It should be seen as a good thing to take parental classes - especially on your own volition. It should be seen as imperative for one to take them, it should be a free, accurate, and scheduled occurrence so that people of any background are able to attend.
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okay but like can we talk about the fact that elvis was absolutely creepy.
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wildflowerteas · 1 day
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the red camellia is undeniably soukoku's flower to me. they bloom in the cold, through snow and winter chill. they're at their most beautiful in the harshest conditions when everything else is dormant or dead. they're a symbol of perseverance and strength and passion. but at the end of the line, they 'behead' themselves when they die, refusing to drop petal by petal, choosing to go when they're still beautiful, refusing to compromise the rest of the tree by rotting on the branch.
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daresplaining · 23 days
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Spider-Punk: Arms Race #1 by Cody Ziglar, Justin Mason, Morry Hollowell, and Travis Lanham
Everyone please look at this image of Mattea.
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